I've found out that his lens has adequate coverage for 8x10. I'd like
to hear user comments.
Thanks
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It is a very adequate lens capable of making good images but it will in no
way produce an image equal to the Apo Sironar N or, especially, the Apo
Sironar S.
--
bobsa...@mindspring.com http://www.hpmarketingcorp.com/
HP Marketing Corp. Amazon, Braun, Gepe, Giottos, Heliopan, HP Combi-Plan-T,
Kaiser, KoPho, Linhof, Pro Release, Rimowa, Rodenstock, Sirostar 2000
----------
In article <7hk260$4vi$1...@nnrp1.deja.com>, sheldon_...@hotmail.com
wrote:
George
This level of perfection is not visible if using 8x10 and contact printing...
Don
Would you be saying this because you know it from practical experience with
the N and the S as well as the Geronar?
Or are you saying this because you feel it should be true even though you
have not personally checked to see if it is?
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>The discontinued Geronar line was a series of lenses with limited coverage
>and lower performance (sharpness and resolution) developed by Rodenstock as
>introductory lenses for students where cost was more important than
>professional quality performance.
>
>It is a very adequate lens capable of making good images but it will in no
>way produce an image equal to the Apo Sironar N or, especially, the Apo
>Sironar S.
Would you be saying this because you know it from practical experience
with the N and the S as well as the Geronar?
Or are you saying this because you feel it should be true even though
you have not personally checked to see if it is?
-Paul
--
Web site under (slow) construction at http://www.halcyon.com/butzi/
Bob:
Not only would I say it, I am saying it. Look at Weston's or Adams work
sometime... it might be enlightening...
Warmest regards,
Don
If so then your advice is not very valid. Look at Barnbaum's work today.
That is as valid as decades old work and he uses modern optics.
Rather than worry about what an old master used (usually as good as was
available THEN) you should see how your work - not theirs (after all you are
not an Adams or a Weston - are you?) would benefit from modern, state of the
art optics. Not only how a basic lens performs.
--
bobsa...@mindspring.com http://www.hpmarketingcorp.com/
HP Marketing Corp. Amazon, Braun, Gepe, Giottos, Heliopan, HP Combi-Plan-T,
Kaiser, KoPho, Linhof, Pro Release, Rimowa, Rodenstock, Sirostar 2000
----------
In article <19990523184742...@ng-ci1.aol.com>,
>So based on decades old prints you are making an unfounded assumption about
>optics that did not exist then, correct?
>
>If so then your advice is not very valid. Look at Barnbaum's work today.
>That is as valid as decades old work and he uses modern optics.
>
>Rather than worry about what an old master used (usually as good as was
>available THEN) you should see how your work - not theirs (after all you are
>not an Adams or a Weston - are you?) would benefit from modern, state of the
>art optics. Not only how a basic lens performs.
Would you be saying this because you know it from practical experience
making 8x10 contact prints from negatives made with the N and the S as
well as the Geronar?
Or are you saying this because you feel it should be true even though
you have not personally checked to see if it is?
Come on, Bob, tell us how you came to hold your opinion!
Just a footnote here (warning: I own and use a 203 7.7 ektar as my prime lens,
purchased at a more moderate price than even a used 210 geronar)
In Weston's _Daybooks_, there's an entry about a lens
he purchased, that reads in essence,
"Paid five dollars for a lens; friends tell me that I paid too much..."
Due to a bit of luck in college, I got to hang a Weston exhibit, saw some
of the contact prints from that era up close, and would have to say that
it's the quality of the photographer's eye and imagination, once
a certain minimal quality level of equipment has been reached.
That being said, back to producing negatives.....
-fred
--
"No science has ever made Frederick P. Arnold, Jr.
more rapid progress in a A&HPRC, U. of Chicago
shorter time than Chemistry." 5640 S. Ellis Ave
-Martin Heinrich Kloproth, 1791 Chicago, IL 60637
See Charis Wilson's recent biography of Weston for more. He used a
rig consisting of an Eastman Century Universal view camera with a
Turner-Reich convertible lens and Reis tripod for quite a long time. A
lot of his best known images from the mid 1930's were taken with it.
_Through Another Lens: My Years with Edward Weston_, Charis Wilson and
Wendy Madar, New York, 1998, North Point Press, a division of Farrar,
Straus and Giroux ISBN: 0-86547-521-0
---
Richard Knoppow
Los Angeles, Ca.
dick...@ix.netcom.com
You seem to be the worried one here, Bob.
Modern lenses are good, some older lenses are good enough... there are
beautiful, emotionally strong photographs that have been taken with both
(perhaps, dare I say it, even by you)...
Cheers,
Don
>>>not an Adams or a Weston - are you?) would benefit from modern, state of the
>>>art optics. Not only how a basic lens performs.
>>
>[[ Discussion Snipped ]]
>
>Just a footnote here (warning: I own and use a 203 7.7 ektar as my prime lens,
>purchased at a more moderate price than even a used 210 geronar)
>
>In Weston's _Daybooks_, there's an entry about a lens
>he purchased, that reads in essence,
>
>"Paid five dollars for a lens; friends tell me that I paid too much..."
>
>Due to a bit of luck in college, I got to hang a Weston exhibit, saw some
>of the contact prints from that era up close, and would have to say that
>it's the quality of the photographer's eye and imagination, once
>a certain minimal quality level of equipment has been reached.
^^^^^^^^^^^^^^^^^^^^^^
This last paragraph deserves to be repeated in many of the r.p.*
newsgroups. It is all too rare to see an essential photo truth so
clearly and succinctly stated!
Roger Cole