While checking out the features of the latest crop of SLRs,
I've seen several that have this feature/option.
My question is simple - why would I want to do this?
Thanks in advance!
**** Posted from RemarQ - http://www.remarq.com - Discussions Start Here (tm) ****
Since I don't do much with film, I don't have a leader extracter. So if
I want to take a whole role of double exposures, or if I want to rewind
mid-roll, and then come back to that roll, it's much easier.
Heck, it's even just plain easier when it comes time to develop the film
yourself.
It's a nice feature, but probably not one you should base your camera buying
decisions on.
--
David Bedno drs...@crl.com
<URL: http://www.evolve.com/~drseuss> Minister of Truth, DNRC
Disclaimer: I often beep when I should bop.
>Hi All,
>
>While checking out the features of the latest crop of SLRs,
>I've seen several that have this feature/option.
>
>My question is simple - why would I want to do this?
>
>Thanks in advance!
>
At a guess, you may want to rewind part-roll to change to a different
film with the intention of reloading it later.
Difficult to reload with no leader.
Godfrey
"Gary Cowell (QI'HoS)" wrote:
>
> Said Dave <anon...@web.remarq.com>
>
> >Hi All,
> >
> >While checking out the features of the latest crop of SLRs,
> >I've seen several that have this feature/option.
> >
> >My question is simple - why would I want to do this?
> >
Now forgive the dumb question, but how would you advance
the film to the next unexposed frame when switching back to
the original film?
Personally, I never do that. Too much of a chance to screw it up.
--
Kirk
Delete "nothome" from my email address to reply
Dave <anon...@web.remarq.com> wrote in message
news:9319026...@www.remarq.com...
> Hi All,
>
> While checking out the features of the latest crop of SLRs,
> I've seen several that have this feature/option.
>
> My question is simple - why would I want to do this?
>
> Thanks in advance!
>
>
>
: Now forgive the dumb question, but how would you advance
: the film to the next unexposed frame when switching back to
: the original film?
This way:
Take note of last frame that was exposed, reload partially used roll,
switch autofocus lens to manual, place lens cap on lens, if paranoid, set
shutter speed to maximum, press shutter button until you at at the number
of the frame that was exposed plus one (most recent Canon cameras with
IR film counter) or plus two for any camera without an IR film counter
(skipping a frame) and then you're set. Remove lens cap, switch lens
switch to auto, if you wish.
Bill Jameson
A note of caution (ie. I've done this) if you have a databack printing things
on or between frames, turn off the printing before reloading the film,
otherwise you'll end up with a second set of data, and the between frame data
will likely end up on the frames the second time around.
Andrew
Greg
>
>
>
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On this same point (reloading): is it true that some
developing labs just line up on the first frame and
print from there, assuming that all other frames are
equally spaced apart? Could this cause printing
problems (i.e. the frames you shoot after reloading
could be shifted - e.g. 1/32", 1/16", whatever.. - in
relation to the initial frames you shot). Or is
the printing machinery just not precise enough for
this to matter?
justin
What's to screw up? I do this ALL the time and haven't screwed up
anything yet!
Somebody else made the comment it was a nice feature, but not something
you should base a purchase decision on. Actually I disagree. If you use
this feature very frequently like I do, it IS something that controls
your purchase decision! I didn't keep a nice Nikon N90s that I had for a
few weeks because of the LACK of this feature. I could have sent it to a
service facility to have it reprogrammed, but why? Why should I be
without my camera for a week or more when other makes (upper-level Canon
and Minolta bodies) have the ability to do this already?
Bill
I've never had such a problem and have been reloading mid-roll rewinds
on average of once a week for the past two years.
Bill
Actually the lower end models from Minolta have this feature also - XTsi
and HTsi Plus. It is one of the custom functions that allows the
file tip to be left out. The XTsi/HTsi Plus cameras offer a lot in
features for the money and are good backups for higher end cameras (i.e.
800si and Maxxum 9) or for the beginner/amateur. While small and light,
the HTsi Plus I own has been very good and met and exceeded my
expectations. I would, however, hope Minolta comes out with a new
~$400-600 camera that is larger and heavier with added focusing and film
transport speed in the next year to upgrade to - among a few other
added features such as DOF preview.
Thoughts???
Jeff C.
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ihe...@internetlawny.com
Dave wrote in message <9319026...@www.remarq.com>...
Gads, more and more reasons why I love my archiac, manually operated
cameras.
Godfrey
curmudgeon in training
The F5 has manual rewind, so you have this feature. The F100 doesn't, i
think.
Clemens