I have a choice between an APO Rodagon 90 mm enlarging lens or 105
Schneider. Anything that would make me use one over the other as and
enlarging lens for B&W prints? (6X7 negs)
Jan
I have a 105mm Rodagon. According to the Rodenstock web site, their 80mm APO
is designed for 6x7, which would be great because then I don't have to raise
the enlarging head to the roof. So I would go with the shorter focal length.
My buddy has a Schneider 40mm APO for 35mm negs and it is a wonderful lens.
> Hello all,
>
> I have a choice between an APO Rodagon 90 mm enlarging lens or 105
> Schneider. Anything that would make me use one over the other as and
> enlarging lens for B&W prints? (6X7 negs)
>
> Jan
Please bear in mind that the 90mm Apo Rodagon was replaced several years
ago by the 80mm Apo Rodagon which was then replaced about 5 years ago with
the 80mm Apo Rodagon-N.
Bob
Bob
In article <3523D775...@swarthmore.edu>, Howard
The APO designation is what you want if;
1. your enlarger is correctly aligned.
2. your negitive carriers are glass.
This is what you need in order to get the best out of an APO. and the results
will truly be, much better. However, if your negitive carriers are not glass,
then the schneider will perform about the same (both are excellent). Focal
lenth is also a consideration. I like the shorter. And then there is cibachrome
(color) where the APO would be much better.
Bob
Rick
In article <199804031559...@ladder03.news.aol.com>,
hea...@aol.com says...
>Hello all,
>
> I have a choice between an APO Rodagon 90 mm enlarging lens or 105
>Schneider. Anything that would make me use one over the other as and
>enlarging lens for B&W prints? (6X7 negs)
>
>Jan
Hi Jan:
Schneider makes or has made Componar, Componon-S, Apo-Componon, and Componon
enlarging lenses. However they no longer list _any_ 105mm enlarging lens.
There have already been six or seven responses to your question. Bob S clarified
how the Apo Rodagon fit it, but I didn't see any clarification of what you meant
by "105 Schneider". Perhaps this uniquely identifies a single model and I'm the
last person on earth to know that ...;-)
Please take a peek at the Schneider (the model name is written on it) and post
the information to this thread.
HTH ... Marc
--
Marc F. Hult
hu...@cinternet.net
Bob
Rick Schiller <rsch...@worldnet.att.net> writes:
>Why would the glass carrier make a difference? And now four more
>surfaces to keep dust free!
The focus error from negative curvature will compromise the performance
edge of the APO lens over a standard lens.
The only Schneider 105 of which I'm aware is the Componar, so if that's
the lens in question, the APO Rodagon is a far better choice.
> Hi,
>
> The APO designation is what you want if;
> 1. your enlarger is correctly aligned.
> 2. your negitive carriers are glass.
> This is what you need in order to get the best out of an APO. and the results
> will truly be, much better. However, if your negitive carriers are not glass,
> then the schneider will perform about the same (both are excellent). Focal
> lenth is also a consideration. I like the shorter. And then there is
cibachrome
> (color) where the APO would be much better.
>
> Bob
1 and 2 are what you need for maximum performance from any enlarger lens.
Bob
--
PLEASE SEND ALL E-MAIL TO ME AT:
bobsa...@mindspring.com
HP MARKETING CORP. Gepe, Giottos, G-O light, Heliopan, Kaiser, Linhof, Pro Release, Rimowa, Rodenstock, Rollei, Sirostar
Howard wrote:
>
> Agreed...the Rodagon APO is far better choice than the Schneider.
> But, is the NEWER 80mm APO slightly, somewhat, or LOTS better than the
> 10 year old 90 mm APO lens?
> Howard
>
> Michael Gudzinowicz wrote:
> >
> > Rick Schiller <rsch...@worldnet.att.net> writes:
> >
> > >Why would the glass carrier make a difference? And now four more
> > >surfaces to keep dust free!
> >
> > The focus error from negative curvature will compromise the performance
> > edge of the APO lens over a standard lens.
> >
> > The only Schneider 105 of which I'm aware is the Componar, so if that's
> > the lens in question, the APO Rodagon is a far better choice.
> >
> >
> > >In article <199804031559...@ladder03.news.aol.com>,
> > >hea...@aol.com says...
Howard
Bob Salomon wrote:
>
> In article <199804031559...@ladder03.news.aol.com>,
> hea...@aol.com (Heattec) wrote:
>
> > Hi,
> >
> > The APO designation is what you want if;
> > 1. your enlarger is correctly aligned.
> > 2. your negitive carriers are glass.
> > This is what you need in order to get the best out of an APO. and the results
> > will truly be, much better. However, if your negitive carriers are not glass,
> > then the schneider will perform about the same (both are excellent). Focal
> > lenth is also a consideration. I like the shorter. And then there is
> cibachrome
> > (color) where the APO would be much better.
> >
> > Bob
>
Bob Salomon wrote:
>
> In article <352571B9...@swarthmore.edu>, Howard
> <hpos...@swarthmore.edu> wrote:
>
> > You raise an interesting point here Bob...one I was not aware of. (The
> > need for USING and glass carrier) I have not used one until now, because
> > it seemed to represent 4 more surface that would need cleaning. I have
> > been using a custom negative carrier of black metal that allows me to
> > place a strip of 3 6X7 negs in it and slide them across the mount in the
> > enlarger. Think the company is called Colwyn.
> > Could you please elaborate on the benefit of a glass carrier over this
> > system?
> > Thanks,
> >
> >In order to receive the maximum quality a lens can deliver several
> criteria must be met:
>
> A: you have an excellent negative/slide to print
> B: You have a quality enlarging lens
> C: You are making a print within the optimization range of the lens
> D: You are printing within the optimum aperture range of the lens
> E: The enlarger is properly aligned
> F: The film is as flat as possible at the start as well as the end of the
> exposure.This is only possible with a glass carrier.
Bob Salomon wrote:
>
> In article <199804031559...@ladder03.news.aol.com>,
> hea...@aol.com (Heattec) wrote:
>
> > Hi,
> >
> > The APO designation is what you want if;
> > 1. your enlarger is correctly aligned.
> > 2. your negitive carriers are glass.
> > This is what you need in order to get the best out of an APO. and the results
> > will truly be, much better. However, if your negitive carriers are not glass,
> > then the schneider will perform about the same (both are excellent). Focal
> > lenth is also a consideration. I like the shorter. And then there is
> cibachrome
> > (color) where the APO would be much better.
> >
> > Bob
>
> 1 and 2 are what you need for maximum performance from any enlarger lens.
>
The 90 had to be stopped down further and the reports onm the non
Rodenstock lens indicated that it did not have as wide a range of uable
apertures within the optimal range.
BobIn article <3525BC97...@home.com>, JANIEP <jan...@home.com> wrote:
> What do you consider the 'optimum' aperture range of the 3 lenses
> we've chatted about. please?
> Thanks,
> Jan
>
>
> Bob Salomon wrote:
> >
> > In article <352571B9...@swarthmore.edu>, Howard
> > <hpos...@swarthmore.edu> wrote:
> >
> > > You raise an interesting point here Bob...one I was not aware of. (The
> > > need for USING and glass carrier) I have not used one until now, because
> > > it seemed to represent 4 more surface that would need cleaning. I have
> > > been using a custom negative carrier of black metal that allows me to
> > > place a strip of 3 6X7 negs in it and slide them across the mount in the
> > > enlarger. Think the company is called Colwyn.
> > > Could you please elaborate on the benefit of a glass carrier over this
> > > system?
> > > Thanks,
> > >
> > >In order to receive the maximum quality a lens can deliver several
> > criteria must be met:
> >
> > A: you have an excellent negative/slide to print
> > B: You have a quality enlarging lens
> > C: You are making a print within the optimization range of the lens
> > D: You are printing within the optimum aperture range of the lens
> > E: The enlarger is properly aligned
> > F: The film is as flat as possible at the start as well as the end of the
> > exposure.This is only possible with a glass carrier.
> >
Then, at one time, you will have all of your answers.
Briefly Rodenstock 80mm lenses are designed to cover 6x7. And they do so
very well. The 105 also covers 6x7. It is a better performer for 6x7. But
it can not make as large a print as the 80 due to the longer focal length.
Which is better for an individual depends largely on the column height of
the enlarger and the largest print size required.