In any event, he left a trail of opera projects and unfinished operas
which one wishes on had complete and which are generally not available
in performance. One, The Marriage, just barely exists as to Act I, and
I have never heard it, although I recently checked out the score. It
is comic and goes along the Dargomeshy (sp) path of being entirely
true to word setting, as opposed to melody. The other (or an other) is
Salammbo, based on the Flaubert (who seemed to attract any number of
composers to their doom), and I have just found on You Tube a recent
posting of the fragments, under Rostropovich, from a dress rehearsal,
which starts here
http://www.youtube.com/watch?v=gg3ZIGR3yFY
I can't believe you won't love the music, or recognize who essentially
different it is than Boris or the Kovanschina. The one detriment is
that you have to search a bit for some of the sequential episodes, but
that's easy to do on You Tube, and well worth it.
Enjoy... a very special treat, I think.
Mussorgsky: Salammbô (orchestrated Zoltán Peskó)
Salammbô: Ludmila Shemchuk
Mathô: Georgi Seleznev
Orchestra sinfonica e coro della RAI di Milano
Zoltán Peskó
Recorded 1980
Warner Fonit C927 43404-2, (P) 2002
-david gable