Jeff
She was known for Mozart, both Strausses and the lighter German fare-
things like Lortzing. She is exceptionally good as Zdenka in ARABELLA. I am
fond of her Konstanze in ENTFUEHRUNG though one wants more tone and grandeur
than she has at her disposal. Here, and in her not-steady-enough Pamina
(opposite the sensational Moll and Moser) Rothenberger shows how marvelous
she is at spoken dialogue. The Rosalinde is also a lot of fun.
Don't expect a Steber-quality instrument, but she is certainly worth getting
to know.
-David Shengold
dft
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Regards,
Paul
Sent via Deja.com http://www.deja.com/
Before you buy.
In 1955 when I was 19 I was studying voice in Heidelberg with Frau Erika
Buchmann. One of her other students was the delightful Liesl Rothenberger
with whom I fell hopelessly in love. Alas, Liesl's heart belonged at the
time to another tenor, one Fritz Wunderlich, and so we never frolicked
amongst the marigolds (except in my mind). She was a splendid singer and
quite a babe.
CTB
Henrique
<frl_...@my-deja.com> escreveu nas notícias de
mensagem:8cmvob$hs$1...@nnrp1.deja.com...
Aha! Was it not she who sang Lulu with the Hamburg Opera at the Met
around 1967? Impressive, if memory serves, and lovely to look at.
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Ah, Mr. Bollman, I envy you...tis better to have loved and lost...I would have
loved to have seen Ms. Rothenberger in a live performance, especially in an
operetta.
Regards,
Paul
> In article <039625f0...@usw-ex0107-049.remarq.com>,
> Henny <willshu...@gateway.net.invalid> wrote:
> > There existes a Lulu with Rothenberger...
> >
> > Aha! Was it not she who sang Lulu with the Hamburg Opera at the Met
> > around 1967? Impressive, if memory serves, and lovely to look at.
> >
> You are right! It was in summer 1967, when the Hamburgische Staatsoper
> was at the Met with Freischütz and Lulu. Rothenberger had very good
> reviews for her Lulu in New York Times, New York Post etc.
I, too, saw that Hamburg _Lulu_ at the Met in the summer of 1967. This
was a fine performance albeit in the still uncompleted version. (Two
acts only.) I last heard Rothenberger sing duets with Fischer-Dieskau
and the Phila. Orch., cond. Daniel Barenboim, in January, 1971. One of
these items has found its way into the 10-CD centennial set issued
recently by the Philadelphia Orchestra itself. Rothenberger was a fine
singer indeed.
-- E.A.C.
>
>Very musical, apparently very good onstage ( you can see her Sophie in the
>ROSENKAVALIER film with Dr. Doom)- a major TV personality in Germany!
>
>She was known for Mozart, both Strausses and the lighter German fare-
>things like Lortzing. She is exceptionally good as Zdenka in ARABELLA. I am
>fond of her Konstanze in ENTFUEHRUNG though one wants more tone and grandeur
>than she has at her disposal. Here, and in her not-steady-enough Pamina
>(opposite the sensational Moll and Moser) Rothenberger shows how marvelous
>she is at spoken dialogue. The Rosalinde is also a lot of fun.
>
>Don't expect a Steber-quality instrument, but she is certainly worth getting
>to know.
>
>-David Shengold
>
Thanks for all the recommendations and info guys. I went out and
bought the Arabella with Della Casa, DFD, et al and the Entfuhrung
with Gedda, Popp, et al.
Jeff
Howard Slenk