Help please!
The tenor aria from the last act of Verdi's Falstaff is both romantic and
beautiful.
Hope this helps.
Steven Schnurman
email me!..... ste...@pluto.njcc.com
visit me!..... http://pluto.njcc.com/~steven/
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\___/----La La La!
The Schnurman Voice Studio
Steven Schnurman, Prop.
BM,MM The Juilliard School
A lyric tenor needs to show smooth control in the upper passagio area.
This means that things hanging around G or G# are preferable (though
hard). Several standard arias are classics for showing this, and this is
why they are heard so often in audition. Many auditioners in fact prefer
to hear something they know well because they know every pitfall in the
aria and can judge the singer better.
Here are a few:
Je crois entendere encore (Romance) (Les pecheurs de perles) A beautiful
aria and very difficult because it is high and soft.
Una furtiva lagrima (L'elisir d'amore) short and sweet
Un aura amarosa (Cosi fan tutte) the downfall of many Ferrandos
Il mio tesoro (Don Giovanni) breath breath breath
Dies Bildnis ist bezauberned schoen (Die Zauberfloete) almost never sung
well
Fenton's aria (Horch die Lerche singt im Hain) from The Merry Wives of
Windsor by Nicolai is also very lovely and rarely done.
Either of King Berendey's numbers in Rimsky's "Snowmaiden";
Sadko's 1st number in Scene I of Rimsky's "Sadko" (not the "Song of India"!);
Vakula's aria in Act II of Tchaikovsky's "Cherevichki";
Robert's aria in the same composer's "Iolanta";
Either of the title character's arias in Cui's "Prisoner of the
Caucasus".
Lyle Neff, ln...@ucs.indiana.edu
http://copper.ucs.indiana.edu/~lneff/home.html
Libretto Homepage
>Can anyone suggest any arias for a lyric tenor ? He wants to audition
>so one that has not been done to death by one fo the greats would be
>preferrable.
Depends on how good he is. If he is really good, and has the unusual
ability to control the voice at the top of his register including the
passagio between middle and top, and if he can sing a soft high C -- I
know all this is rare, but if he can do it -- he will wow people by
singing well the aria "Magische Tone" from The Queen of Sheba by Karl
Goldmark. Leo Slezak and Nicolai Gedda have both made classic recordings
of it, and Caruso made a very good one too, but not too many others have
even tried it.
Henry Fogel
He told this to a lush romantic "Italian" tenor who chose Che
gelida la manina which frankly suffered in comparison to other more well
known interpretations. But as his second piece he choose a more obscure
french piece (sorry I don't know which one) which brought the house down.
Good luck. Tell us what you pick.
--
Joan, Santa Barbara
Buona fortuna, Cat
>Can anyone suggest any arias for a lyric tenor ? He wants to audition
>so one that has not been done to death by one fo the greats would be
>preferrable.
>Help please!
How about "O ne t'eveille pas encore" from Jocelyn (by Godard)?
Beautiful and will show off a fine tenor voice and technique. Will
impress the people he will be auditioning for IF they know what they
are doing (and if he sings it beautifully).
********************
Mitchell Weitz
mwe...@ix.netcom.com
********************
> Can anyone suggest any arias for a lyric tenor ? He wants to audition
> so one that has not been done to death by one fo the greats would be
> preferrable.
>
I've always had success with The Aubade (Mylio) from Le Roi d'Ys by Lalo -
it's bright, descriptive and short!
Yours,
Patrick Togher
Pavarotti recorded it in the 1960's with Richard Bonynge and
the Orchestra dell'Accademia di Santa Cecilia in Rome. It was
a London/Decca recording.
Beniamino Gigli recorded it in the 1930s. It last appeared on
his Seraphim vinyl "Bel Canto Arias" in the late 60s/early 70s.
I sang it as a recital piece in the 70s when I was seriously
contemplating a music career ("serious" artists must starve,
you see?). Thankfully, no recording exists of my performance. :-)
BOB
Now, please don't hold me to the spelling, but is it "Gia Il Sole Dal Gange"?
First line goes: Gia il sole dal gange, gia il sole dal gange piu chiaro, piu
chiaro svavilla. Piu chiaro svavilla, piu chiaro, piu chiaro svavilla.
> I haven't been able to find a recording of it. Does anyone know of an
>available record? It is some piece of music.
If it is the above, you may want to write to a station on the Public
Broadcasting System (PBS) and get a copy of a Pavarotti concert in which he
performs that piece and many other elementary pieces normally assayed by voice
students. If memory serves, he did a concert of the old Italian classics in
his home town as a sort of a return to his vocal roots. Tito Gobbi (although a
Baritone) also performs "Gia Il Sole" on a record of Italian classics. I'd
give you the title but I don't have it on hand here at work.
Regards,
Les
I got it three years ago, in a 7 tapes (yes, TAPES) Gigli Colletion.
(By a chance, I stoped to see a big box that was filled with tapes on offer,
and I was surprised to see this collection for 400 pesetas (about 3 dollars!!)).
It is an italian edition of 1983, International JOKER production (MC 1319).
Pablo,
from Spain
Richard Tucker also recorded it in the 1960s, releasing it on
an LP of Italian art songs.
--
Robert Sheaffer - shea...@minerva.robadome.com - Skeptical to the Max!