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Orchestra & Tenor works

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Matthew B. Tepper

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Dec 9, 1998, 3:00:00 AM12/9/98
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In article <74ncj5$5a6$1...@reader1.reader.news.ozemail.net>,
wall...@ozemail.com.au pondered what I'm pondering as follows:
>
>Does anyone have any suggestions for works for solo tenor and
>orchestra? Looking forward to lots of responses,
>WallyTenor

Britten, Serenade for Tenor, Horn and Strings.

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David Rogers-Smith

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Dec 10, 1998, 3:00:00 AM12/10/98
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oem

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Dec 10, 1998, 3:00:00 AM12/10/98
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David Rogers-Smith <wall...@ozemail.com.au> wrote in article
<74ncj5$5a6$1...@reader1.reader.news.ozemail.net>...


> Does anyone have any suggestions for works for solo tenor and orchestra?
> Looking forward to lots of responses,
> WallyTenor
>

> Try Finzi's Dies Natalis or RVW On Wenlock Edge two great works. If you
want to be more "cutting-edge", Barber's Knoxville is finding favor w/
tenors finally. You can never go wrong with myriad of choices given us by
Britten. Good luck, I hope this gets you started.
>

Tim

Deborah Overes

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Dec 10, 1998, 3:00:00 AM12/10/98
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David Rogers-Smith wrote in message

<74ncj5$5a6$1...@reader1.reader.news.ozemail.net>...
>Does anyone have any suggestions for works for solo tenor and orchestra?
>Looking forward to lots of responses,
>WallyTenor


Britten: Serenade for Tenor, Horn and Strings. I would assume that there
are more works by Britten for tenor and orchestra but am not sure.

If you're willing to share the bill with a good contralto, there is always
Mahler's "Das Lied von der Erde" (still one of the best reasons to BE a
contralto)

I don't recall the title, but there is at least one Mozart concert aria for
tenor and orchestra.

There are some Strauss songs for high voice which have been orchestrated.
I've heard them done by sopranos but is there any reason a tenor couldn't do
them?

You can, of course, always do a selection of arias from opera or operetta.

Wish I could be more help!

Deborah Overes
The Undiva


Eric D. Peterson

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Dec 10, 1998, 3:00:00 AM12/10/98
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There is an orchestral version of Vaughn Williams' On Wenlock Edge in
addition to the origional accompanyment for piano and string quartet. Other
Britten suggestions include Les Illuminations and the Nocturne.

Eric Peterson

Benjamin Maso

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Dec 10, 1998, 3:00:00 AM12/10/98
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David Rogers-Smith wrote in message
<74ncj5$5a6$1...@reader1.reader.news.ozemail.net>...
>Does anyone have any suggestions for works for solo tenor and orchestra?
>Looking forward to lots of responses,
>WallyTenor
>
>

Brahms' s Rinaldo for tenor, choir and orchestra


Benjo Maso

Enrique Eskenazi

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Dec 11, 1998, 3:00:00 AM12/11/98
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In article <ydKb2.30844$c8.17...@hme2.newscontent-01.sprint.ca>,
"Deborah Overes" <dov...@sprint.ca> wrote:

>

>There are some Strauss songs for high voice which have been
orchestrated.
>I've heard them done by sopranos but is there any reason a tenor
couldn't do
>them?

Windgassen and later Jerusalem have done it, so it is possible
---
Enrique
eske...@mail.sendanet.es

Io chi sono? Eh, non lo so.
-Nol sapete?
Quasi no.

tenorino

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Dec 11, 1998, 3:00:00 AM12/11/98
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Britten-Serenade for Tenor, String Orchestra and French Horn, Vaughn
Williams(sp) cycles are found in med. high keys. Griffes-Three Poems by
Fiona McLeod is available in the high key. That's all I can think off
hand. Have fun!

Tenorino<10...@worldnet.att.net>

Benjamin Maso

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Dec 11, 1998, 3:00:00 AM12/11/98
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Enrique Eskenazi wrote in message <74po0n$96g$2...@talia.mad.ibernet.es>...

>In article <ydKb2.30844$c8.17...@hme2.newscontent-01.sprint.ca>,
>"Deborah Overes" <dov...@sprint.ca> wrote:
>
>>
>
>>There are some Strauss songs for high voice which have been
>orchestrated.
>>I've heard them done by sopranos but is there any reason a tenor
>couldn't do
>>them?
>
>Windgassen and later Jerusalem have done it, so it is possible


So has Peter Anders.

Benjo

ros...@theory.lcs.mit.edu

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Dec 11, 1998, 3:00:00 AM12/11/98
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In article <01be249e$424910f0$bd764c0c@4mel-jim2>,
"tenorino" <10...@worldnet.att.net> wrote:

The last movement of Listz's Faust Symphony features a solo tenor and
a male chorus.

---Rosario

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Dylan Bryan-Dolman

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Dec 16, 1998, 3:00:00 AM12/16/98
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> David Rogers-Smith wrote:
> > Does anyone have any suggestions for works for solo tenor and
orchestra?
> > Looking forward to lots of responses,
> > WallyTenor

Britten, of course! The big three are the Serenade, Les Illuminations, and
Nocturne. Illuminations is with strings only, Serenade has a horn player
as co-soloist, and Nocturne requires seven obliggato players, mostly winds.
Nocturne is a sort of later reconsideration of the themes in Serenade, and
the two cycles are often programmed together.

Just as good is The Curlew, by Peter Warlock, to texts by Yeats. Gorgeous,
lyrical, sad -- and less idiosyncratic in subject and style than Britten.

Karol Szymanowski wrote some attractive "Moorish" music for tenor and
orchestra. I've got a cheap disc that includes the "Love Songs of Hafiz"
and "Songs of the Infatuated Muezzin".

Dylan
=dbd=

Can Love not keep a Maytime vow in cities?
Fades it as the Rose cut for a rich display?
--Ann Trulove, "A Rake's Progress"

Jim Dunphy

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Dec 16, 1998, 3:00:00 AM12/16/98
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HenryFogel wrote:

> >> David Rogers-Smith wrote:
> >> > Does anyone have any suggestions for works for solo tenor and
> >orchestra?
> >> > Looking forward to lots of responses,
> >> > WallyTenor
> >
>

> In addition to the Britten suggestions, and others, made by another poster -- I
> would add the rarely heard Rinaldo -- by Brahms.
> Henry Fogel

Burton's Songs of the Tulpehocken (sp?) was recorded by Kenneth Riegel
and the Louisville Orchestra. A biiiig piece, lasting over 40 minutes as I recall.
I haven't listened to it in years. I think it was sung in a Pennsylvania Dutch
dialect.

Jim Dunphy

HenryFogel

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Dec 17, 1998, 3:00:00 AM12/17/98
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