Thanks, in advance
--
This is my sig file.
--
Dylan Haines
Concordia University
Montreal, Qc.
Canada
Z
DYLAN HAINES (dam...@vega.concordia.ca) wrote:
: In article <3vu99j$2...@lastactionhero.rs.itd.umich.edu>,
I heard it was tracked out with an Oberheim four-voice. I have gotten some
sounds out of mine that make me want to try a remix of that 70's classic. jk
mike
Some synth guys even modified their String Ensembles to access the modulation
circuit so they could patch other synths through it!
Uh.... Purple Microdot?
--
"Ever get the feeling you've been cheated?"- John Lydon (Jan.15,1978)
>In article <DCv80...@tigger.jvnc.net> Ed Arszyla <ars...@tigger.jvnc.net> writes:
>>From: Ed Arszyla <ars...@tigger.jvnc.net>
>>Subject: Re: what was Gary Wright using on "Dream Weaver"?
>>Date: Sun, 6 Aug 1995 01:26:32 GMT
>
>>zu...@dfw.net (Kool Brutha) wrote:
>>>The liner notes say that and ARP String Ensemble is used for, uh, strings.
>>>Moog Brass and Bass, Rhodes, and other keyboards of the time...
>>>
>>>Z
>>>
>>>DYLAN HAINES (dam...@vega.concordia.ca) wrote:
>>>: In article <3vu99j$2...@lastactionhero.rs.itd.umich.edu>,
>>>: brian l gira <blg...@news-server.engin.umich.edu> wrote:
>>>: >Does anybody know what that awesome string like sound with the
>>>: >descending line during the chorus was played on? That, to me is the
>>>: >ultimate 70's synth "textural" patch. It can also be heard on Styx' "Sail
>>>: >Away" in the verses.
>>>: >
>>>: Probably was an ARP/Solina String Machine with a lot of phase shifter.
>>>: Check out early Pink Floyd and others for more of the same.
>>>
>>They probably used a Mu-Tron bi-phase on the ARP strings.
>
>I heard it was tracked out with an Oberheim four-voice. I have gotten some
>sounds out of mine that make me want to try a remix of that 70's classic. jk
>
>
Nope. I don't believe that the 4-voice was even out when that was recorded.
From what I recall in an old KEYBOARD interview, the entire album was done
with MiniMoog, ARP String Ensemble and Fender Rhodes.
--
_______________________________________________
Paul Zablotski aq...@freenet.buffalo.edu
Well, much to my embarassment, I actually have the album, and
I'm looking at the liner notes right now.
There are actually two other keyboard players on the album
besides Wright (not counting a bass-synth track by Steve
Pocaro on one song). Here's what the liner lists, make
of it what you will:
Peter Reilich -- Piano, Fender Rhodes, claivent, organ,
Oberheim and Moog Synthesizers
David Foster -- Piano, clavinet, organ, Oberheim and Arp
Synthesizers
Gary Wright -- Fender Rhodes, clavinet, Oberheim solos and
effects, Moog bass, solos, and effects, and Arp Synthesizer
Also, there were some real strings on the album.
---
David K. Cornutt, Residentially Engineered, Huntsville, AL USA
email: cor...@iquest.com
Don't tell me it takes a rocket scientist. I *am* a rocket scientist.
Criminy...sounds like a warp engine part, or something...
(Or were you just being sarcastic? <g>)
**************************************************************************
Ed Powell MSTie #27968 and Aspiring film director
**************************************************************************
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PE+ Y t+ 5++ X tv+ b+(++) DI+() D+ e>+>++ r-- z
**************************************************************************
"Writing a film script is very simple. So simple, in fact, that you could
probably train a group of chimpanzees to do it. You would, however, end
up with a million scripts with the plot revolving around bananas."
- Another quote from the diseased mind of Ed Powell
**************************************************************************
Anyone verify these?
Cheers :')
Nick
--
Nick Velharticky | "Not only do I deny the allegation,
vel...@epas.utoronto.ca | but I also deny the allegator."
| -- The Rev. Jesse Jackson