I'll have to dig up a book of mine from the publishers of Keyboard
magazine. It has a re-print of an interview (several pages) on
Downes.
I have some of his best Asia sounds for my Casio CZ synths. My last
band played "Time Will Tell". I had the intro synth perfect, then the
more full brass sound/synth into the electric piano, then piano, then
synth texture, then synth brass, followed by synth strings, bass pedal
sounds.
He uses a lot of stuff for one song... I had to use 3 keyboards to
play it like, switching patches a few times on each keyboard. It
wasn't easy.
In article <DxMI2...@twisto.eng.hou.compaq.com>, Mike Garrett writes:
>
> Can anyone discuss which keyboards Geoff Downes used (or uses) to create
> his unique synth textures? In particular, I am interested in how he
> created some of the sounds on Drama like that strange hollow sound
> through the delays on Run through the Light and the angelic high pad used
> at the end of Machine Messiah. Are there any recommendations on which
> types of waveforms to start with to construct those types of sounds?
The method is quite simple: Buy *any* keyboard ever designed and build a
huge rack out of it. At least that's the way Downes did it with Asia.
Try to find a couple of old Keyboard Mags from the early 80's. There was at
least one with an article about Downes and his stage rig. I've never seen
another rig of a single player approaching this size! Mellotron, Fairlight,
CS-80, Prophet, Polymoog, two Minimoogs, E-Piano (can't remember if it was
a Rhodes or a Cp-70, probably both:-) - anything you can name.
--
Malte Rogacki ga...@sax.sax.de
-------------------------------------------------------------
"Don't forget to TURN ON THE SYNTHESIZER. Often this is the reason why
you get no sound out of it." (ARP 2600 Owner's Manual)
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On 13 Sep 1996 19:32:07 +0100, ga...@gacki.sax.de (Malte Rogacki)
wrote:
Rick Holigrocki
Topeka, KS
rich...@cjnetworks.com
http://www.cjnetworks.com/~richardh
Would the person who has the cz patches mind mailing them to me? :) tks
--
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Barry J. Bocaner _________/|
<ba...@gslink.com> (___|_____\|__________
_|__________)-
"If you listen to a piece of classical music it's a piece of music, but if
you listen to a pop song from 1954 it sounds like a pop song from 1954.
How much of the music that's being written today will be worth listening
to in ten years, except for nostalgia?" -Geddy Lee
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