How significant is the difference in tone quality between Mark I and
Mark II Fender Rhodes pianos, about which I have read? Can anyone
point me to some examples of the difference between the two anywhere
on the internet? Do you think that the lack of the "sticky key"
problem I have heard about in earlier Mark Is makes up for this loss
of tone quality? In other words, should I buy a mint condition Mark
II, or try to find a Mark I?
thanks
Dave
"Jon" <h...@nettaxi.com> wrote in message
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The Mk II is superior in every way. The tine material is improved
(breaks less frequently) as well as the action is more responsive. The
preamp is quieter In the suitcase version . Any difference in tone
(and there is a wide range of variation) is due to voicing.
bob
The MarkI has a softer tone and the keyboard is kind of mashy. But I
prefered it over the MarkII
You should try both because the keyboard on both is quite "unique".
> Can anyone
> point me to some examples of the difference between the two anywhere
> on the internet?
I find the examples of NI's Electic-Piano quite fitting.
<http://www.nativeinstruments.de/index.php?elektrikpiano_us>
Maybe the software itself could solve your requests.
Hearp
IIRC, the old Contemporary Keyboard mag ran an interview with Harold
Rhodes back in the mid-70s. One of the topics he discussed was how to
adjust the action on the older, stiffer Rhodes pianos.
"Jon" <h...@nettaxi.com> wrote in message
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P.
"Murks" <mu...@yahoo.de> wrote in message
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In the days when they were all you could get, I owned both (Stage
models). MK II had a useful flat top and was, I think, a little more
mechanically robust. The tone varied much more due to voicing that
to any difference between the models.
Quite honestly, unless you're running a vanity studio, I suggest you
synthesise the Rhodes sound when required. Excellent emulations are
available, and no-one's going to put the sound under a microscope :-)
The Rhodes had a distinctive keyboard action, but it wasn't a
particularly nice one.
I saw Chick Corea about six months ago, and he only had three
keyboards on stage (well not counting his little yamaha keyboard
controller thing he wore around his neck for some solos).
He had a grand piano in the back, and then a Yamaha Motif 8 sitting on
top of an 88 key Mk II Rhodes.
He played the Rhodes about 80% of the time, the grand piano about 10%
and the Motif about 10%.
What kind of sounds did he use on the Motif? Rhodes piano...
Analogeezer
Piece of cake ... after you've helped haul the keyboardist's B-3.