Looking for table of contents of "The Real Book" fake books.
Jeff Bilmes
Does anyone have online a table of contents for "the Real Book"
volumes I, II, and III (the ones produced, I think, by Berklee
College) that they could email me?
Thanks very much.
--
----------------------------------------------------------
Jeff A. Bilmes
Computer Science Division International Computer Science Institute
Dept. of EECS 1947 Center St. Suite 600
U.C. Berkeley Berkeley CA, 94704-1198
Berkeley CA, 94720 <bil...@icsi.berkeley.edu> FAX: +1 510 642 6865
<bil...@cs.berkeley.edu> <http://www.icsi.berkeley.edu/~bilmes>
Lawson G. Stone
Jeff Bilmes wrote:
>
> Does anyone have online a table of contents for "the Real Book"
> volumes I, II, and III (the ones produced, I think, by Berklee
> College) that they could email me?
>
> Thanks very much.
>
associated with the "old" Real Book, a, shall we say, informally
produced and distributed (most would say illegal and blackmarketed)
xerox copy of hand written leadsheets that is reputedly as full of
inaccuracy as it is of illegality. The 3 Volume "New Real Book" series
is a royalty paying, copyright honoring, "legit" book featuring
leadsheets and many full or partial arrangements transcribed from
classic recordings. The editors claim, and apparently historical
informed players agree, that the NRB1-3 leadsheets are very accurate per
the sources, which are often the composers or players themselves.
You can buy NRB1-3 from Sher, or from Jamey Aebersold. For the "old"
Real Book you'll have to hit the streets or lurk around university music
departments.
--
\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////
Lawson G. Stone-Asbury Theological Seminary-Wilmore, KY
////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Prediction is very difficult, especially of the future.
--Niels Bohr
CLAY MOORE
Lawson G. Stone wrote:
>
> Jeff Bilmes wrote:
> >
> > Does anyone have online a table of contents for "the Real Book"
> > volumes I, II, and III (the ones produced, I think, by Berklee
> > College) that they could email me?
> >
> > Thanks very much.
> >
> This confuses two different works. Berklee College is typically
> associated with the "old" Real Book, a, shall we say, informally
> produced and distributed (most would say illegal and blackmarketed)
> xerox copy of hand written leadsheets that is reputedly as full of
> inaccuracy as it is of illegality. The 3 Volume "New Real Book" series
> is a royalty paying, copyright honoring, "legit" book featuring
> leadsheets and many full or partial arrangements transcribed from
> classic recordings. The editors claim, and apparently historical
> informed players agree, that the NRB1-3 leadsheets are very accurate per
> the sources, which are often the composers or players themselves.
>
> You can buy NRB1-3 from Sher, or from Jamey Aebersold. For the "old"
> Real Book you'll have to hit the streets or lurk around university music
> departments.
Not an endorsement, but there are multiple volumes of the "old",
illegal,
Berklee-origined Real Books.
Clay
Joel Schoenblum
Folks,
Whenever the topic of the "real" book comes up, there's always
confusion over old-illegal and the new legal one from Sher.
I've seen it claimed that the "New Real Book" is overtaking
the old book in popularity, but have not experienced this to
any degree with the jazz musicians I know. Very few own the
new book.
The old book has 3 volumes as well. Also, it is definately easier
to obtain than "lurking around universities". Just ask at your
neighborhood music store, and they probably have it in the back
or under the counter. Do not misconscrue this as an endorsement of
illegal activity.
- Joel
Jeff Volkman
On 9 Jan 1997, Jeff Bilmes wrote:
> Joel Schoenblum <schoe...@lucent.com> writes:
> >
> > The old book has 3 volumes as well. Also, it is definately easier
> > to obtain than "lurking around universities". Just ask at your
> > neighborhood music store, and they probably have it in the back
> > or under the counter. Do not misconscrue this as an endorsement of
> > illegal activity.
>
> Yes, both the old "illegal" error-full hand-written real books and the
> new ones have 3 volumes (actually, volumn III of the "illegal" one uses
> computer generated lead sheets). I'm interested in obtaining an online
> index for the old "lousy" but widely used set of books. Any help
> would be much appreciated.
Hey Jeff, I don't know of any online index, but I remember you from
Boston. Are you still playing? And are you sure you don't want to hear
any more about how illegal or inaccurate the ORB is?
-Jeff
Jeff Bilmes
Joel Schoenblum <schoe...@lucent.com> writes:
>
> The old book has 3 volumes as well. Also, it is definately easier
> to obtain than "lurking around universities". Just ask at your
> neighborhood music store, and they probably have it in the back
> or under the counter. Do not misconscrue this as an endorsement of
> illegal activity.
Yes, both the old "illegal" error-full hand-written real books and the
new ones have 3 volumes (actually, volumn III of the "illegal" one uses
computer generated lead sheets). I'm interested in obtaining an online
index for the old "lousy" but widely used set of books. Any help
would be much appreciated.
--
JFR
Volume 3 of the "old" illegal real book is pretty hip and has no
overlap with the previous two volumes. Please, don't construe this as
an endorsement or they will come to my house and rip it apart looking
for it (the copywrite police).
In <32D54D...@lucent.com> Joel Schoenblum <schoe...@lucent.com>
writes:
>
>Folks,
>
>Whenever the topic of the "real" book comes up, there's always
>confusion over old-illegal and the new legal one from Sher.
>I've seen it claimed that the "New Real Book" is overtaking
>the old book in popularity, but have not experienced this to
>any degree with the jazz musicians I know. Very few own the
>new book.
>
>The old book has 3 volumes as well. Also, it is definately easier
>to obtain than "lurking around universities". Just ask at your
>neighborhood music store, and they probably have it in the back
>or under the counter. Do not misconscrue this as an endorsement of
>illegal activity.
>
>- Joel
Lawson G. Stone
I am not about to approve in public of "illegal" fake books. But I am
really astonished that you can find web sites that tell you how to turn
model rockets into explosive delivery systems, websites that explain how
to make your own plastic explosive, websites the tell you how to pick
locks, and make the tools to do so (illegal in most states unless you
are a licensed locksmith). There are websites featuring child
pornography, websites selling books on how to assume a new identity in
order to escape tax obligations or debts, websites explaining how to
grow marijuana, process cocaine, etc. There are other sites that feature
pirated software, visa and mastercard hacking, phone phreaking, network
hacking, and online sabatage (however you spell it).
All these sites are publicly accessible, can be located on Yahoo or Web
Crawler, and feature incredibly damaging and illegal activities. Those
sites thrive. Yet here is a xeroxed songbook. The illegal Real Book got
me going in jazz and is responsible for my going out and buying all 3
volumes of the "new" Real Book; two or three of Hal Leonard's
"ILLEGIBLE" Fakebooks, and Leonard's books even trade on the word
"real"--the "REAL LITTLE" Ultimate Jazz Fakebook, etc. I am astonished
that a xeroxed songbook that has actually had the effect of increasing
awareness of jazz and therefore sales of "legit" books is practically
censored on the net. I am not questioning the law, nor even the
morality. I am just puzzled. The Internet is a virtual swarm of anarchy
and rebellion, but alas, our little "Real Book" is so dangerous, so
subversive, so great a threat to the economy of the nation, that the
mere posting of a few scanned pages as http://WEBSITEDELETED provokes a
storm of e-mail to the page owner, including threats. In the mean time,
if you want to find out some good serial numbers for unlocking that copy
of Finale 3.7 you downloaded from a WaReZ newsgroup.....
Peace. Merry Christmas.
Lawson G. Stone
The New Real Book tables of contents are easily available online at:
http://www.musicmart.com/fake.html
They have many fake books and you can trigger a drop down/pop up menu
that lists the songs.
Tony Mountifield
In article <32DBEB...@uky.campus.mci.net>,
Lawson G. Stone <lst...@uky.campus.mci.net> wrote:
> The New Real Book tables of contents are easily available online at:
>
> http://www.musicmart.com/fake.html
>
> They have many fake books and you can trigger a drop down/pop up menu
> that lists the songs.
Unfortunately they do not have complete lists for any except the NRBs.
And the page design is very poor, particularly the use of the option
lists. Also there were some spelling mistakes of a type which suggested
the lists were scanned and OCRed from the books.
I downloaded the html source and reformatted the song list for each
volume of the New Real Book. Here it is for those who are interested (I
hope it is complete, but I don't have the books yet to check).
Tony.
===============================================================================
New Real Book 1 As recorded by
--------------- --------------
AUTUMN LEAVES
BABY, I LOVE YOU Aretha Franklin
BASIN STREET BLUES
BEAUTIFUL LOVE Bill Evans
BERNIE'S TUNE Gerry Mulligan
BIRD FOOD Ornette Coleman
BLACK ICE Jeff Lorber
BLACK NARCISSUS Joe Henderson
BLAME IT ON MY YOUTH
BLIZZARD OF LIES Dave Frishberg
BLUE BOSSA Joe Henderson
BLUE DANIEL Cannonball Adderley
BLUES CONNOTATION Ornette Coleman
BLUES ON THE CORNER McCoy Tyner
BOOGIE DOWN Al Jarreau
BOTH SIDES OF THE COIN Steps Ahead
BOUNCIN' WITH BUD Bud Powell
BREAKFAST WINE Bobby Shew
BREAKIN AWAY Al Jarreau
BUT BEAUTIFUL
CHAIN OF FOOLS Aretha Franklin
CHANGE OF MIND Peter Erskine
CHEGA DE SAUDADE Antonio Carlos Jobim
CHELSEA BRIDGE Duke Ellington
COME SUNDAY Duke Ellington
COMPARED TO WHAT Les McCann
CREEK Airto
CRYSTAL LOVE Makoto Ozone
CUBANO CHANT Ray Bryant
DARN THAT DREAM
DEARLY BELOVED
DELEVANS Jeff Lorber
DESAFINADO Antonio Carlos Jobim
DESIRE Torn Scott
DIG Miles Davis
DINDI Antonio Carlos Jobim
DON'T GO TO STRANGER
DOORS Mike Nock
EARLY AUTUMN Woody Herman
EASY Al Jarreau
EIGHTY ONE Miles Davis
ELM Richie Beirach
ENDANGERED SPECIES Wayne Shorter
E S P Miles Davis
EVERYTHING HAPPENS TO ME
FALL Miles Davis
FARMER'S MARICET Lambert Hendricks and Ross
FAVELA Antonio Carlos Jobim
FEEL LIKE MAKING LOVE Roberta Flack
FIRE Joe Henderson
FIRST LIGHT Freddie Hubbard
FOOLKILLER Mose Allison
FOOTPRINTS Wayne Shorter/Miles Davis
FOUR Miles Davis/Lambert, Hendricks and Ross
FOUR BROTHERS Woody Herman
FOUR ON SIX Wes Montgomery
FRIENDS AND STRANGERS Dave Grusin
FUNKALLERO Bill Evans
GAVIOTA Clare Fischer
GEE BABY, AIN'T I GOOD TO YOU
GEMINI Cannonball Adderley
GLORIA'S STEP Bill Evans
GOIN' HOME The Yellow Jackets
GONE WITH THE WIND
THE GOODBYE LOOK Donald Fagan
GUARUJA Randy Brecker and Elaine Elias
HALLUCINATIONS Bud Powell
HAUNTED BALLROOM Victor Feldman
HAVONA Weather Report
HERE'S THAT RAINY DAY
HIDEAWAY Dave Sanborn
I LOVE LUCY Richie Cole
I MEAN YOU Thelonious Monk
I SHOULD CARE
I THOUGHT ABOUT YOU
IF I WERE A BELL Miles Davis
IF YOU NEVER COME TO ME Antonio Carlos Jobim
I'LL TAKE ROMANCE
I'M ALL SMILES
I'M OLD FASHIONED
IMAGINATION
IN WALKED BUD Thelonious Monk
THE ISLAND Mark Murphy/Ivan Lins
IT HAPPENS EVERY DAY The Crusaders
JERSEY BOUNCE Benny Goodman
JOSHUA Miles Davis
KEEP THAT SAME OLD FEELING The Crusaders
KILLING ME SOFTLY WITH HIS SONG Roberta Flack
LA SAMBA Andy Narell
LA VIDA FELIZ McCoy Tyner
LADY BIRD Miles Davis/Tadd Dameron
LAST FIRST Gary Peacock
LAST TRAIN FROM OVERBROOK James Moody
LAURIE Bill Evans.
LET ME BE THE ONE Angela Bohill
LET'S GO DANCING Victor Feldman
LIKE SOMEONE IN LOVE
LINE FOR LYONS Gerry Mulligan
LITTLE SUNFLOWER Freddie Hubbard
A LITTLE TEAR Sarah Vaughn
LITTLE WALTZ Ron Carter
LONG AGO AND FAR AWAY
LOVE CAME ON STEALTHY FINGERS Irene Kral/Bob Dorough
LOVE DANGE Diane Shure/Ivan Lins
LUSH LIFE John Coltrane
MADAGASCAR John Abercrombie
MAKE ME A MEMORY (Sad Samba) Grover Washington
MATINEE IDOL The Yellowjackets
MERCY, MERCY, MERCY Cannonball Adderley.
THE MIDNIGHT SUN WILL NEVER SET Quincy Jones
MODADJI Dave Grusin
MONKEY'S UNCLE Mitchell Foreman
MONK'S MOOD
MOONLIGHT IN VERMONT Thelonious Monk
MORNING Al Jarreau
MORNING DANCE. Spyro Gyra
MR. CLEAN Freddie Hubbard
MY ATTORNEY BERNIE Weather Report
MR. GONE Dave Frishberg
MY ROMANCE
MY SHINING HOUR
NATURE BOY
NEFERTITI Miles Davis
NEVER GIVIN UP Al Jarreau
NEVER MAKE YOUR MOVE TOO SOON The Crusaders
NIGERIAN MARKETPLACE Oscar Peterson
NIGHT LAKE John Abercrombie
NO ME ESQUECA Joe Henderson
NOT ETHIOPIA The Brecker Bros
NOTHING PERSONAL Michael Brecker
OFF MINOR Thelonious Monk
OLEO Miles Davis
ONCE I LOVED ONE FAMILY Antonio Carlos Jobim
ONE FOR MY BABY The Yellowjackets
OUT OF THIS WORLD
OZ Andy Narel
PAPA LIPS Bob Mitzner
PARTIDO ALTO
PENT UP HOUSE Sonny Rollins
PLAZA REAL Weather Report
POLKADOTS AND MOONBEAMS Jaco Pastorius
PROMENADE
PUT IT WHERE YOU WANT IT The Crusaders
P.Y.T. Michael Jackson
QUINTESSENCE Quincy Jones
RAPTURE Harold Land
RE: PERSON I KNEW Bill Evans
REMEMBER ROCKEFELLER AT ATTICA Charles Mingus
RIO Victor Feldman
RIVER PEOPLE Weather Report
ROBBIN'S NEST Illinois Jacquet
RUBY, MY DEAR Thelonious Monk
RUSH HOUR
SAFARI The Yellowjackets
SATIN DOLL Duke Ellington
SAVE YOUR LOVE FOR ME Cannonball Adderley & Nancy Wilson
SEARCH FOR PEACE McCoy Tyner
SELF PORTRAIT IN THREE COLORS Charles Mingus
SHAKER SONG Manhattan Transfer/Spyro Gyra
SHAW SNUFF Charlie Parker/Dizzy Gillispie
SIMPLE SAMBA Jim Hall
SMALL DAY TOMORROW Irene Kral
SOLAR Miles Davis
SOMEDAY MY PRINCE WILL COME
SONG FOR LORAINE Spyro Gyra
THE SONG IS YOU
SONJA'S SANFONA The Yellowjackets
SOUL SAUCE (Wachi Wara) Cal Tjader
SPEAK NO EVIL Wayne Shorter
SPIRAL Sphere
ST THOMAS Sonny Rollins
STICKY WICKET Al Jarreau
STREET LIFE The Crusaders
SUDDEN SAMBA Nel1 Larsen
SUNRUNNER Bob James
TAKE THE "A" TRAIN Duke Ellington
TENDERLY
THEME FOR ERNIE John Coltrane
THERE WILL NEVER BE ANOTHER YOU
THESE FOOLISH THINGS
THIS MASQUERADE George Benson
THE THREE MARIAS Wayne Shorter
THREE VIEWS OF A SECRET Jaco Pastoruis
TIME REMEMBERS ONE TIME ONCE Denny Zeitlin
TRISTE Antonio Carlos Jobim
TUNE UP Miles Davis
TURN YOUR LOVE AROUND George Benson
TWISTED Lambert, Hendricks & Ross
UNIT SEVEN Wes Montgomery
UP JUMPED SPRING Art Blakey/Freddie Hubbard
UP WITH THE LARK Bill Evans
VELAS (Velas Icadas) Quincy Jones
VERY EARLY Bill Evans
VOYAGE Stan Getz
WALTZ FOR DEBBY Bill Evans
WALTZ NEW Jim Hall
WATCH WHAT HAPPENS
WATER VINGS Lee Ritenour
WAVE
THE WAY YOU LOOK TONIGHT
A WEAVER OF DREAMS
WE'LL BE TOGETHER AGAIN
WELL, YOU NEEDN'T Thelonious Monk/Miles Davis
WEST COAST BLUES Wes Montgomery
WHATS NEW
WHERE IS LOVE? Irene Kral
WHO CAN I TURN TO?
WILDFLOWER Wayne Shorter
WILLOW WEEP FOR ME
WITCHCRAFT
YES AND NO Wayne Shorter
YESTERDAYS
YOLTNG RABBIT'S The Jazz Crusaders
YOUR MIND IS ON VACATION Mose Allison
ALL OR NOTHING AT ALL
DO NOTHING 'TIL YOU HEAR FROM ME Duke Ellington
DON'T GET AROUND MUCH ANYMORE Duke Ellington
GOOD MORNING HEARTACHE
MISTY
SPEAK LOW
STORMY WEATHER
===============================================================================
New Real Book 2 As recorded by
--------------- --------------
AFRO-CENTRIC Joe Henderson
AFTER THE RAIN John Coltrane
AFTER YOU'VE GONE
AIN'T MISBEHAVING
ALONG CAME BETTY Benny Golson
ASA Manhattan Transfer/Djavan
AVANCE The Yellowjackets
BABY IT'S COLD OUTSIDE
BA A BA O John Pattatucci
BASS BLUES John Coltrane
BEAUTY AND THE BEAST Wayne Shorter
BESSIE'S BLUES John Coltrane
BLACK AND BLUE
BLACK COFFEE
BLUES FOR ALICE Charlie Parker
BLUES FOR YNA YNA Gerald Wilson
BODY AND SOUL
BOLIVIA Cedar Walton
THE BOY NEXT DOOR
BYE BYE BLACKBIRD Miles Davis
CAFE Egberto Gismonti
CAPIM Manhattan Transfer
CASA FORTE (Brazilian standard)
CENTRAL PARK WEST Thad Jones
CHOICES Michael Brecker
CHROMAZONE Mike Stern
CLOCKWISE Cedar Walton
COLD DUCK TIME Eddie Hams
CRISS CROSS Ray Obiedo
DAY BY DAY
DEAR LORD John Coltrane
DEE SONG Enrico Pieranunzi
DELGADO Eddie Gomez
DETOUR AHEAD Bill Evans/Billie Holiday
DEVIL MAY CARE Bob Dorough
DJANGO Modern Jazz Quartet
DOCE PRESENCA Ivan Lins
DOGS IN THE WINE SHOP Michael Brecker
DON'T FORGET THE POET Enrico Pieranunzi
THE DUKE Dave Brubeck
ECAROH Horace Silver
EQUINOX John Coltrane
ESCHER SKETCH Michael Brecker
ETERNAL CHILD Chick Corea
EXACTLY LIKE YOU
EXPRESSION John Coltrane
FALLING GRACE Steve Swallow
FILTHY McNASTY Horace Silver
FIVE HUNDRED MILES HIGH
FLAMINGO Chick Corea
FLY ME TO THE MOON
FOREVER Eddie Gomez
FREEDOM JAZZ DANCE Eddie Hains
FRIDAY NIGHT AT THE CADILLAC CLUB Bob Berg
FRIENDS Chick Corea
GERALDINE The Yellowjackets
GERTRUDES BOUNCE Clifford Brown
GET HAPPY
GIANT STEPS John Coltrane
GOT A MATCH Chick Corea
GREGORY IS HERE Horace Silver
GROWING John Patitucci
HARLEM NOCTLIRNE
HI FLY Cannonball Adderley
HONEYSUCKLE ROSE
HORACESCOPE Horace Silver
I BELIEVE IN YOU I
I HADN'T ANYONE TILL YOU
I THOUGHT ABOUT YOU Bob Berg
I'LL BE AROUND Chaka Khan
I'LL BE AROUND (Standard version)
I'LL GET BY
ILL WIND
ILLUMINADOS Ivan Lins
I'M GLAD THERE IS YOU
IMPRESSIONS John Coltrane
IN THE WEE SMALL HOURS OF THE MORNING
IN YOUR OWN SWEET WAY Miles Davis/Dave Brubeck
ISFAHAN Duke Ellington
IT DON'T MEAN A THING Duke Ellington
IT'S ONLY A PAPER MOON
IT'S THE TALK OF THE TOWN
IT'S YOU Dave Sanborn
I'VE GOT THE WORLD ON A STRING
I'VE GOT YOUR NUMBER
I'VE NEVER BEEN IN LOVE BEFORE
JACOB'S LADDER Cedar Walton
JUNTOS Ivan Lins
KILLER JOE Benny Golson
LET'S FALL IN LOVE
LIKE A LOVER (O Cantador) Don Caymmi
LIKE FATHER, LIKE SON Billy Childs
LIKE SONNY John Coltrane
LISA Dave Sanborn
LITTLE WIND Geri Allen
LOOSE ENDS Mike Stern
LOXODROME Steps Ahead
LULLABY OF THE LEAVES
MAHJONG Wayne Shorter
MANHA DE CARNEVAL Luis Bonfa
THE MASQUERADE IS OVER
MEAN TO ME
MEMORIES OF YOU
MIDLAND Billy Childs
MINE.IS YOURS Bob Mintzer
MO' JOE Joe Henderson/Horace Silver
MOMENT'S NOTICE John Coltrane
MOOD INDIGO Duke Ellington
MOONRAYS Horace Silver
MOONTIDE Randy Brecker
MORE LOVE Al Jarreau
MORNING SPRITE Cluck Corea
MOZAMBIQUE SACBE
Mr. P C John Coltrane
MY SHIP
NAIMA John Coltrane
NAPANOCH Dave Liebman
THE NATIVES ARE RESTLESS TONIGHT Horace Silver
NATURAL SELECTION Richie Beirach
THE NECESSARY BLONDE Scott Henderson
NEVER ALONE Michael Brecker
NEVER WILL I MARRY
NICA'S DREAM Horace Silver
NIGHT DREAMER Wayne Shorter
A NIGHTINGALE SANG IN BERKLEY SQUARE
NIGHTMOOD (Lembra) Ivan Lins/Mark Murphy
NUTVILLE Horace Silver
ODE TO THE DOO DA DAY Michael Brecker
OLE John Coltrane
ON THE SUNNY SIDE OF THE STREET
ONCE IN A WHILE
PEACE Horace Silver
PEEP Michael Brecker
PERDIDO
PERI'S SCOPE Bill Evans
POWER PLAY Eddie Gomez
THE PROMISE John Coltrane
QUICKSILVER Horace Silver
QUIET GIRL Billy Childs
QUIET PLACE Take 6
RAIN WALTZ Fred Hersch
REMEMBER HYMN John Abercrombie
ROCKING CHAIR Earl "Fatha" Hines
SAILING AT NIGHT Don Grusin
SEA JOURNEY Chick Corea
SENOR BLUES Horace Silver
SEPTEMBER SONG
SEVEN STEPS TO HEAVEN Miles Davis
SILVER S SERENADE Horace Silver
SING ME SOFTLY OF THE BLUES
SKIPPY-ING
SO MANY STARS Sergio Mendez
SOME OTHER BLUES John Coltrane
SOMEONE TO LIGHT UP MY LIFE
SONG FOR MY FATHER Antonio Carlos Jobim
SOPHISTICATED LADY Horace Silver/Duke Ellington
SPAIN Chick Corea
SPRING CAN REALLY
HANG YOU UP THE MOST
STABLEMATES Benny Golson
THE STAR-CROSSED LOVERS Duke Ellington
STARDUST
STARGAZER STILL Armen Donelian
STORY LINE John Abercrombi
STROLLIN' Bill Evans/ Horace Silver
SUMMER IN CENTRAL PARK Horace Silver
SWEET AND LOVELY
T B C (Terminal Baggage Claim)
THAT'S ALL Chick Corea
THEM THERE EYES
THERE IS NO GREATER LOVE
THREE HEARTS DANCING Steve Erquiaga
THREE LITTLE WORDS
'TIL THERE WAS YOU
TIME MARCHES ON John Scofield
TIME REMEMBERED Bill Evans
TIME TRAGKS Chick Corea
TOGETHERNESS Jimmy Heath
TRISTEZA (Brazilian standard)
TRUTH Bob Mintzer
TUNJI John Coltrane
TUNNEL VISION Scott Henderson
TURN OUT THE STARS Bill Evans
26-2 John Coltrane
UNFORGETTABLE
UNLESS IT'S YOU (Orbit) Bill Evans
VEILS Richie Beirach
VELHO PIANO Dori Cayrnrni
WABASH III John Scofield
WALTSE FOR DAVE Chick Corea
WHAT A DIFFERENCE A DAY MADE
WHAT A LITTLE MOONLIGHT CAN DO
WHEN ALL IS SAID AND DONE Billy Childs
WHENEVER YOUR HEART WANTS TO SING Kevyn Lettau
WHILE WE RE YOUNG
WHISPER NOT Benny Golson
WILL YOU SAY YOU WILL Gary Burton
WILL YOU STILL BE MINE
WILLOW Paul McCandless
WIND SPRINT John Patitucci
WINDOWS. Chick Corea
WISE ONE. John Coltrane
WOODY N YOU Dizzy Gillispie
WORDS Mike Stern
YOU FASCINATE ME SO
YOU'RE EVERYTHING Chick Corea
YOU'RE MY EVERYTHING
THE JOINT IS JUMPIN'
MORE THAN YOU KNOW
NO MOON AT ALL
WITHOUT A SONG
WRAP YOUR TROUBLES IN DREAMS
YOU SAY YOU CARE John Coltrane
===============================================================================
New Real Book 3 As recorded by
--------------- --------------
ACTUAL PROOF Herbie Hancock
THE AERIE Peggy Stern & Lee Konitz
AIN'T THAT PECULIAR Marvin Gaye
AJA S THEME Eddie Daniel
ALMOST LIKE BEING IN LOVE
AMERICAN GOTHIC Bob Berg
AND IT ALL GOES ROUND Jaye P Morgan
ANOTHER STAR Stevie Wonder
ANOTHER TIME Alan Broadbent
APPOINTMENT IN GHANA Jackie McLean
ARIETAS Freddie Hubbard.
AUTUMN SERENADE John Coltrane & Johnny Hartman
B STING Brandon Fields & Billy Childs
BABY COME TO ME Patti Austin
BACKSTAGE SALLY Art Blakey
A BALLAD FOR DOLL Jackie McLean
BALLAD FOR TWO MUSICIANS Trilok Gurtu & Joe Zawinul
BIRD OF BEAUTY Stevie Wonder
BLACK NILE Wayne Shorter
BLUE MOON
BLUE SPIRITS Freddie Hubbard
BLUE TUESDAY Jessica Williams
BODYAND SOUL John Coltrane
BROTHERS OF THE BOTTOM ROW Julian Joseph
BU'S DELIGHT Art Blakey
BUD POWELG Chick Corea
BUTTERFLY Herbie Hancock
CAN'T STOP THE WIND Paul McCandless
CARAVAN Duke Ellington
CEORA Lee Morgan
CHAIRS AND CHILDREN Gary Burton
CHICK'S TUNE Chick Corea
CIRCULAR MOTION Phil Markowitz
CIRRUS Bobby Hutcherson
CLOSE YOUR EYES
COOL GREEN Jackie McLean
CREEPING Stevie Wonder
D MINOR MINT Freddie Hubbard
DADDY'S GIRL, CYNTHIA Donald Brown
DANCING IN THE STREET Martha & The Vandellas
DARIUS DANCE Marc Copland
DAY DREAM Duke Ellington
DEXTER Joey Calderazzo
DIENDA Branford Marsalis
DIVERTAMENTO Eddie Daniels
DOLPHIN DANCE Herbie Hancock
DON'T ASK WHY Alan Broadbent
DON'T BE THAT WAY
DON'T BLAME ME
THE DOUBLE UP Lee Morgan
DREAMING Vanessa Williams
EL GAUCHO Wayne Shorter
EMILY Bill Evans
EVERYTHING I HAVE IS YOURS
FALL WITH ME Jude Swift
FOR ALL WE KNOW
FREEDOMLAND Yellow Jackets
FROM DAY TO DAY Mulgrew Miller
THE GENTLE RAIN Luis Bonfa
GET READY The Temptations
A GHOST OF A CHANCE
GRAND CENTRAL John Coltrane
GUSH Mana Schneider
HARD EIGHTS Lyle Mays
HEAT WAVE Martha & The Vandellas
HERZOG Bobby Hutcherson
HOLD ON, I'M COMING Sam & Dave
HOW SWEET IT IS Marvin Gaye
I CAN'T HELP IT Stevie Wonder
I FALL IN LOVE TOO EASILY
I GOT IT BAD
I HEAR A RHAPSODY
I HEARD IT THROUGH THE GRAPEVINE Marvin Gaye
I WANTED TO SAY Kenny Barron
I'M GETTING SENTIMENTAL OVER YOU
I'M LOSING YOU The Temptations
I'M THROUGH WITH LOVE
IF YOU COULD SEE ME NOW Bill Evans
IN A MELLOW TONE
IN A SENTIMENTAL MOOD Duke Ellington
IN CASE YOU MISSED IT Bobby Watson
IN LOVE WITH NIGHT Andy LaVerne
INNER URGE Joe Henderson
INVITATION
ISOAR Nguyen Le
ISOTOPE Joe Henderson
IT ALWAYS IS Tom Harrell
JEAN DE FLEUR Grant Green
THE JITTERBUG WALTZ Fats Waller
JOHN'S WALTZ John Abercrombie
JUST FRIENDS
JUST SQUEEZE ME Duke Ellington
JUST YOU, JUST ME
KAHLIL THE PROPHET Jackie McLean
KNOCK ON WOOD Eddie Floyd
THELAMP IS LOW
LAST NITE Larry Carlton
LAST SEASON Maria Schneider
LAURA
LET'S STAY TOGETHER Al Green
LITHA Chick Corea
LONELY WOMAN Horace Silver
LOOK AT THE BIRDIE Art Blakey
LOVE LETTER Eddie Gomez
LOVE'S HAUNTS Aydin Esen
LULLABY IN RHYTHM Benny Goodman
MAIDEN VOYAGE Herbie Hancock
MAMACITA Joe Henderson
MAN FACING NORTH Yellow Jackets
METAMORPHOSIS Kenny Kirkland
MIDNIGHT SILENCE Othello Molmeaux
MONK ON THE RUN
MOON AND SAND
MOONGLOW
MOONLIGHT SERENADE
MY GIRL The Temptations
NEVER SAID Herbie Hancock / Diane Reeves
NEW BOOTS Frank Gambale
NEXT FUTURE Eddie Gomez
NO WAY OUT Othello Molmeaux
NOWHERE TO RUN Martha & The Vandellas
OFF FLOW Dave Liebman
ON GREEN DOLPHIN STREET
ONE FINGER SNAP Herbie Hancock
OOO BABY BABY Smokey Robinson
OPUS DE FUNK Horace Silver
OUT A DAY Franck Amsallem
OVER THE RAINBOW
PART-TIME LOVER Stevie Wonder
PENDULUM Richie Beirach
PRELUDE TO A KISS Duke Ellington
PROMISE Bob Berg
PUNJAB Joe Henderson
PYRAMID Horace Silver
QUESTION MARK Nguyen Le
RAINLAND Paul McCandless
REACH OUT, I'LL BE THERE The Four Tops
REAL LIFE Phil Woods
RED S BLUES Jerry Bergonzi
RELENTLESS Bob Mintzer
RESPECT Aretha Franklin
REVELATIOIN Yellow Jackets
RIDDLES Richie Beirach
RITUAL Chick Corea
RUBY
SAIL AWAY Tom Hanell
THE SECOND TIME AROUND
SERENATA
THE SHADOW OF YOUR SMILE Kenny Dorham
SHORT STORY Bill Evans
SINCE WE MET Stevie Wonder
SMILE PLEASE
SO NEAR, SO FAR Miles Davis
SOLITUDE Herbie Hancock
SPEAK LIKE A CHILD
SPRING IS HERE Bill Evans
STAIRWAY TO THE STARS
STAR
STARS FELL ON ALABAMA
STEEPIAN FAITH Kenny Kirkland
STEP LIGHTLY Joe Henderson
STOMPIN' AT THE
STREET OF DREAMS
SUB AQUA Scott Henderson & Tribal Tech
SUGAR Stanley Turrentme
SUPER BLUE Freddie Hubbard
SWEET LORRAINE
SWEET LOVE Anita Baker
TAKING A CHANCE ON
THAT GIRL Stevie Wonder
THAT OLD FEELING (Standard version)
THAT OLD FEELING Art Blakey
THERE'S A LULL IN MY LIFE
34 SKIDOO Bill Evans
THIS IS NEW
TINY CAPERS Clifford Brown
TOKYO DREAM Alan Holdsworth
TOO HIGH Stevie Wonder
TOY TUNE Wayne Shorter
THE TRACKS OF MY TEARS Smokey Robinson
TUZZ S SHADOW Warren Bernhardt
(USED TO BE A) CHA CHA Jaco Pastorius
WALK OF THE NEGRESS Bob Hurst
WARM VALLEY Duke Ellington
WEE Charlie Parker
WHAT ARE YOU DOING THE REST OF YOUR LIFE
WHAT'S GOING ON Marvin Gaye
WHAT'S LOVE GOT TO DO WITH IT Tina Turner
WHEN I LOOK IN YOUR EYES
WHEN LIGHTS ARE LOW Miles Davis
WHERE ARE YOU
YOU ARE SO BEAUTIFUL Billy Preston
YOU MUST BELIEVE IN SPRING Bill Evans
YOU STEPPED OUT OF A DREAM
YOU'VE CHANGED
===============================================================================
--
Tony Mountifield | Email: ton...@dmv.co.uk | PGP fingerprint:
Digi-Media Vision Ltd | Tel: +44 1703 573121 | 56 2C 65 C5 90 31 23 D9
Eastleigh, England | Fax: +44 1703 573100 | 6A 7C 7F 0E EB FD 9B 87
-----------------------------------------------------------------------------
Paul Lindemeyer
Lawson G. Stone <lst...@uky.campus.mci.net> wrote:
> I am not about to approve in public of "illegal" fake books. But I am
> really astonished that you can find web sites that tell you how to turn
> model rockets into explosive delivery systems [...] websites featuring child
> pornography, websites selling books on how to assume a new identity in
> order to escape tax obligations or debts [...]
> All these sites are publicly accessible, can be located on Yahoo or Web
> Crawler, and feature incredibly damaging and illegal activities. Those
> sites thrive. Yet here is a xeroxed songbook. [...] I am astonished
> that a xeroxed songbook that has actually had the effect of increasing
> awareness of jazz and therefore sales of "legit" books is practically
> censored on the net. I am not questioning the law, nor even the
> morality. I am just puzzled. The Internet is a virtual swarm of anarchy
> and rebellion, but alas, our little "Real Book" is so dangerous, so
> subversive, so great a threat to the economy of the nation, that the
> mere posting of a few scanned pages as http://WEBSITEDELETED provokes a
> storm of e-mail to the page owner, including threats.
We live in a society of double standards. I'm not saying "tough, get
used to it," but is it possible that the above illegal nonRealBook
activities are mostly the province of creeps, skeevs, jerks and
slimeballs (who could care less about morality or society, probably
won't listen to condemnation of their behavior, and may retaliate in all
sorts of nasty ways if threatened), whereas Real Book trafficking is
engaged in by talented and artistic people (who, some argue, ought to
know better and can probably be stomped on with impunity, especially by
those who may resent musicians for "not working for a living")?
Just a (convoluted) thought...
--
Paul Lindemeyer (pau...@gannett.infi.net)
_______________________________________________________
CELEBRATING THE SAXOPHONE: An Illustrated History
At your local bookseller from William Morrow & Co.
Tony Mountifield
In article <32DBED...@uky.campus.mci.net>,
> volumes of the "new" Real Book; two or three of Hal Leonard's
> "ILLEGIBLE" Fakebooks, and Leonard's books even trade on the word
> "real"--the "REAL LITTLE" Ultimate Jazz Fakebook, etc.
Since you have them all, could you tell me how the UJFB compares with
the three NRBs? How accurate are they? For the songs which appear in
both, are the melody and changes exactly the same? Any other things to
watch out for? Is there a full table of contents of the UJFB online
anywhere?
I'm trying to decide which to go for first, for piano use (as well as
trying to find the "old" RB).
Thanks,
Tony.
Tony Mountifield
> really astonished that you can find web sites that tell you how to turn
> [but] that a xeroxed songbook that has actually had the effect of increasing
> awareness of jazz and therefore sales of "legit" books is practically
> censored on the net.
I have been trying to track down a source for the "old" Real Book volume 1
(C concert) in southern England, with great difficulty. None of the
local music shops knows anything about it, although some have the NRBs.
Everyone else in the jam sessions I have started attending uses it, so
even though I will definitely buy the NRBs sometime, I also want the one
that matches what the others are using.
Someone gave me the details of one source, but they have run out of the
concert edition Real Book 1. The get them shipped from Chicago and don't
expect more until April! :-( They also said there is a book 4 out now,
too. Does anyone have a list of songs in each book they could mail me or
post to the group?
And can anyone mail me with details of another RB source in the UK?
Fathom
> Since you have them all, could you tell me how the UJFB compares with
> the three NRBs?
A lot of different stuff. UJFB has more standards. NRBs have more modern
jazz tunes.
> How accurate are they? For the songs which appear in
> both, are the melody and changes exactly the same?
Pretty close. NRB offers (occasional) alternative subs as found on
differen versions or useful at different tempos, and explains a lot about
various treatments like intros and sequences of choruses and bridges
(which I can take or leave; it's only useful if you want to sound like a
particular recording, and if you've heard the recording, you don't need
anyone to tell you how many times to vamp, or whatever....) ...whereas
UJFB just gives the basics, the most useful version of the changes.
The biggest difference, of course , is typography. You pay 3 times as much
for the 3-volume NRB to get the nice big page spread and large-type chord
symbols.
--
Fathom >8-)>
"If you be innocent of [knowing] what witchcraft is,
how do you know you be not a witch?" --_The Crucible_
Lawson G. Stone
Fathom wrote:
>
>
> The biggest difference, of course , is typography. You pay 3 times as much
> for the 3-volume NRB to get the nice big page spread and large-type chord
> symbols.
>
This may seem odd, but I find the NRB typography and page layout hard to
follow. The page just doens't seem easily navigable to my trifocaled
eyes. The xeroxed "old" Real Book seems somehow cleaner. In fact.
someone has created a font for notation programs that emulates the old
Real Book's look, so I must not be alone in this.
Anybody else find the NRB hard to use when the pressure is on?
tomb...@jhunix.hcf.jhu.edu
In article <E41w5...@dmv.co.uk> ton...@dmv.co.uk (Tony Mountifield) writes:
>> censored on the net.
>
>I have been trying to track down a source for the "old" Real Book volume 1
>(C concert) in southern England, with great difficulty. None of the
>local music shops knows anything about it, although some have the NRBs.
>
>Everyone else in the jam sessions I have started attending uses it, so
So borrow one and xerox it. That's what the store owners do. You'll
save a little money and get the same result.
JFR
I agree with what is said below. The copywrite thing is taken way too
seriously IMHO, even when we are talking about relatively trivial
amounts of money being "lost" (although indirectly there is money
gained elsewhere, legitimately as outlined in the example below).
>
>I am not about to approve in public of "illegal" fake books. But I am
>really astonished that you can find web sites that tell you how to
turn
>model rockets into explosive delivery systems, websites that explain
how
>to make your own plastic explosive, websites the tell you how to pick
>locks, and make the tools to do so (illegal in most states unless you
>are a licensed locksmith). There are websites featuring child
>pornography, websites selling books on how to assume a new identity in
>order to escape tax obligations or debts, websites explaining how to
>grow marijuana, process cocaine, etc. There are other sites that
feature
>pirated software, visa and mastercard hacking, phone phreaking,
network
>hacking, and online sabatage (however you spell it).
>
>All these sites are publicly accessible, can be located on Yahoo or
Web
>Crawler, and feature incredibly damaging and illegal activities. Those
>sites thrive. Yet here is a xeroxed songbook. The illegal Real Book
got
>me going in jazz and is responsible for my going out and buying all 3
>volumes of the "new" Real Book; two or three of Hal Leonard's
>"ILLEGIBLE" Fakebooks, and Leonard's books even trade on the word
>"real"--the "REAL LITTLE" Ultimate Jazz Fakebook, etc. I am astonished
>that a xeroxed songbook that has actually had the effect of increasing
>awareness of jazz and therefore sales of "legit" books is practically
>censored on the net. I am not questioning the law, nor even the
>morality. I am just puzzled. The Internet is a virtual swarm of
anarchy
>and rebellion, but alas, our little "Real Book" is so dangerous, so
>subversive, so great a threat to the economy of the nation, that the
>mere posting of a few scanned pages as http://WEBSITEDELETED provokes
a
>storm of e-mail to the page owner, including threats. In the mean
time,
>if you want to find out some good serial numbers for unlocking that
copy
>of Finale 3.7 you downloaded from a WaReZ newsgroup.....
>
>Peace. Merry Christmas.
Joel Schoenblum
Hey,
I just checked out the New Real Book at
http://www.musicmart.com/fake.html. Since
I already have all 3 volumes of the old real
book, I figured I'd pick a few of my favorite
tunes to see if they're in the new books.
So, I looked up Au Privave(Charlie Parker)
and Joy Spring (Clifford Brown). Both tunes
are in NONE of the 3 volumes of the new real
book.
How, in heavens name, can a real/fake book not
contain Joy Spring??????
JFR
>How, in heavens name, can a real/fake book not
>contain Joy Spring??????
maybe they want to present some new tunes for a change that aren't in
the fake books everyone has already. The overlap in these is really a
bummer sometimes.