CC EC GC AC BbC AC GC EG etc
which seems very suitable for right-hand rock'n'roll/rockabilly/boogie
woogie improvisation. Are there any others I should be aware of? (I know
about the C-G C-G C-A C-A C-Bb C-Bb C-A C-A one and a few other boogie
woogie bass figures but they either sound too rough when played low or
obstruct the right-hand melody/improvisation [please excuse my lacking
knowledge of accepted terminology, but I have literally learned everything
other than classic piano the Duke Ellington way - by observation and
experimenting, playing mostly by ear etc. :) I believe I can handle any
rhytmical level after some practice (the above took a week or two but I
have very little problems with it now except that my wrist starts aching
after a while [as I said, I still have much to learn about technique etc.])
Thank you!
Boris
Here are some others I've come across: (I hope the sequence makes
sense)
C C EbA C EG C FA G
also
C C FA EbG EG C FA G
also
C C Eb E G C A G
I've come across others if you are interested. Let me know.
Boris Skrbic wrote in message <01bd1632$b1880820$66756cc2@lcars>...
> Are there any others I should be aware of? (I know
>about the C-G C-G C-A C-A C-Bb C-Bb C-A C-A one and a few other boogie
>woogie bass figures but they either sound too rough when played low or
>obstruct the right-hand melody/
If you play the above figure keeping the bass note (C) striking whilst the
chord note (G,A,Bb) is held down it will sound much better:
C-G C C-A C C-Bb C C-A C --- holding the G,A,Bb,A whilst playing the
second C.
Other ideas are:
C C Eb C E C F F# G
C C Eb>E C F C F#>G C - flicking your finger from the black to the white
note.
or a roaming bass, e.g.:
C C' E F F# G 'G G - moving to IV through C C' D D' Eb Eb' E E'
Others can be made up around these ideas.
Joel
On Thu, 8 Jan 1998 19:33:32 -0000, "Joel Hogarth" <jr...@cam.ac.uk>
wrote: