1. Describe your kit.....brand, sizes, cymbals, ect...
2. What type of music do you usualy play
3. Main influences
these are just some things i wanted to know about everyone....brandon
2. Play rock, fusion, jazz, anyhting
3. Main influence is Carter Beauford
Shawn
10/12/14/16/22 Premier Genista toms/bass (on RIMS); 5x14 Pearl Chad
Smith Sig snare; Dixon rack with assorted cymbal arms and tom holders;
Yamaha FP8xx kick pedal; cheap Westbury hat/snare stand; cheaper Sabian
cymbals with a 16" AA Bright crash; Hat Trick tambourine, Toca
woodblock.
>2. What type of music do you usualy play
We do most of the popular rock/alternative stuff. I jam to my
Soundgarden CDs once in a while, but the band plays some Nirvana, Foo
Fighters, Sloan, Green Day, Radiohead and the like.
>3. Main influences
Well... first came Matt Cameron from Soundgarden. I've gotten over
their disbanding now. I'm HEAVILY influenced by Andrew Scott (?) from
Sloan. I love what he does! I'd give anything to play in a band like
that, cause their music is so... cool! I'm like the only 15 year old
who digs their sixties style around here. I have a Buddy Rich CD... but
that stuff is mostly wayyy too "flashy" for me to handle... maybe
someday *sigh*
>these are just some things i wanted to know about everyone....brandon
I'm interested as well. How bout you, Brandon?
b. Kit due at my house Monday: Natural birch stain Sonor Sonic plus 5pc.
(10", 12", 14", 20", 14x51/2") Zildjian K series cymbals (20" Pre-Aged dry
light ride, 20" Heavy ride, 16" Thin dark crash) Zildjian A series 13" New Beat
hats. (yay!)
2.) Usually in practice I start out with 4/4 fast swing and digress through
samba, shuffle, and funk, hip-hop, etc.
3.) Influence/What I took from them:
Buddy Rich/ the value of sheer technical ability if nothing else.
Carter Beauford/ again technical ability, this time applied maybe a little more
musically, within a funk/rock setting. Also creativity (use of temple blocks,
different pitched cow bells, etc.)
Vinnie C./ I like these kind of guys don't I? Um... what I took... fast stuff
will sound cool if I can ever play it?
Brian Blade/ subtlety is also good.
Joe Morello/ swiped a few of his solo ideas, learned a lot about creative
timekeeping by breaking down some of his hihat and ride patterns and imitating
them.
Others...
Joe
2. I play mainly rock stuff....mainly pearl jam and alice in chains type
stuff....but i play everything
3. dave krusen, dave abbruzzesse, matt cameron, scott mercado, carter,sean
kinney, and many more
Paiste 101 14" Hi Hat, 16" Crash, 14" Crash, Zilco/Zildjian 20" Ride (They
Sux)
Evans Heads plus a Aquarian on the Snare
Tama Hardware plus a Gibraltar Rack.
Tama 8" CowBell, Premier 4" Cowbell
>2. What type of music do you usualy play
Rock, Hard Rock, Metal, Grunge, Country, 60s Rock 'n' Roll, Jazz, Blues, Old
Time, e.t.c
>3. Main influences
My Dad, also heaps of unknown drummers.
Lars Ulrich, Dave Grohl, Chad Smith, Adrian Young, Taylor Hawkins e.t.c.
From Jamie
http://homepages.ihug.co.nz/~burmus1/jamie.htm
1. Kit:
Mapex Mars standard kit.
3o2 13" hi-hat
3o2 16" Crash
3o2 20" Ride
2. Music:
I play rock/alternative/metal to my best ability which is about "very bad"
:)
3. Influences
Lars Ulrich, Mike Portnoy. I do not have that many drum influences as I am
not that much into drumming (yet) as I used to be into guitars ... Hey, I'll
come around eventually :-)
--
----------------------------------------------
Live!
communication - graphics - interactive
old/new/multimedia .oOo. inter/intra/extranet
dare to dream
---------------------------------------------
http://www.live-communication.com
Brandon431 wrote in message
<199808090349...@ladder03.news.aol.com>...
>hey all....just for fun...
>
>1. Describe your kit.....brand, sizes, cymbals, ect...
>2. What type of music do you usualy play
>3. Main influences
crash, Zildjian 12" oriental splash, Zildjian 20" oriental china
boy, Zildjian A cusom 22" ride, UFIP 10" class series splash,
Zildjian ZBT hi-hats (erg!), a tambourine, set of chimes and a
cow bell, darn it!
DW5000 double pedal.
2. Hippy Metal (Hippy *Electronica* Metal once I get an electric
kit). Pink Floyd meets Pantera (meets Prodigy, soon).
3. Glen Graham (Blind Melon), Dave Krusen (Pearl Jam, Candlebox),
Nick Menza (Megadeth), Prodigy, Sean Kinney (Alice In Chains),
Mike Bordin (Faith No More), Danny Carey (Tool), 311, the Cure,
NIN, the Deftones, Neil Peart, Nick Mason, Igor Cavalera, Raymond
Herrera, Ringo Starr, Garbage, Eric Kretz, Matt Cameron, Dean
Castronova, Steven Adler and Matt Sorum (Guns n' Roses), Lars
Ulrich, Vinnie Paul (Pantera), Korn, Mitch Mitchell, lots more.
-----== Posted via Deja News, The Leader in Internet Discussion ==-----
http://www.dejanews.com/rg_mkgrp.xp Create Your Own Free Member Forum
2. Now mostly blues and rock. I'd like to get a jazz thing going.
3. BR, Bonzo, Roger Taylor (Queen), Keltner, Watts, Powell, Ringo, Peart,
Copeland, Alex VanHalen, Vinnie Appice.
Blair
----
root@localhost admin@localhost ro...@mailloop.com jo...@mailloop.com
jor...@earthlink.net rhu...@fcc.gov jqu...@fcc.gov sn...@fcc.gov
rch...@fcc.gov abuse@localhost postmaster@localhost admin@localhost
postm...@aol.com
2. Big Band/Swing
3. Buddy Rich, Butch Miles, Sonny Payne
Scratch
>hey all....just for fun...
>
>1. Describe your kit.....brand, sizes, cymbals, ect...
Yamaha Maple Custom
8x8,8x10,8x12,12x14,14x16, 16x22, 5 1/2x14 Snare
Paiste Signature Cymbals
13" Dark Crisp Hats, 10" Splash, 14" Fast Crash, 14' Thin China, 17"
Full Crash, 18" Full Crash, 20" Dry Ride, 20" Thin China
>2. What type of music do you usualy play
Jazz, Progressive, Rock, Pop, Funk...
>3. Main influences
All the really big guys, Matt Chamberlain, Bermuda Shwartz(yes,
Bermuda), Matt Cameron, Tico Torres, The guy who plays with Prince,
Shawn Pelton, Carter Beauford, Phil Collins, Joel Rosenblatt, Phil
Rudd, anybody who plays live...including local drummers.
2. anything
3. (sp?) Danny Carey, Matt Cameron, Chad Smith, Terry Bozzio, Jason Bonham,
Jimmy Chamberlin (before the iccident), Taylor Hawkins, Chad Sexton, ect.....
Justin
SABI...@aol.com
http://members.aol.com/SABIANAA/index.html
"Sometimes I stink"
Cymbals: Sabian: 14" AAX Stage Hats, 16" AAX Stage Crash, 18" AA
Medium Crash, 8" AA China Splash, 20" AA Chinese; Zildjian: 20" Scimitar
Bronze Rock Ride (to be replaced soon, hopefully by a Sabian 21" Ed
Shaughnessy Ride)
Hardware: Tama Iron Cobra double bass drum pedal; DW 5500T Hi-Hat
stand; assorted Tama and Premier stands
Auxilary Percussion: LP: Jam Block (High Pitch), Mounted Tamborine,
Black Beauty Cowbell mounted to a bass drum pedal
Heads: Remo Emperors tops of toms, Ambassadors on bottoms; CS coated
dot on 14" snare; coated Powerstroke 3 on
bass drum batter; factory heads everywhere else
2. Mainly rock, jazz, funk, and metal
3. Dave Weckl, Mike Portnoy, Danny Carey, Chad Sexton, and Dave Abbruzzese
Brandon431 wrote:
> hey all....just for fun...
>
> 1. Describe your kit.....brand, sizes, cymbals, ect...
> 2. What type of music do you usualy play
> 3. Main influences
Ayotte Wood Hoops:20*16, 12*10, 14*14 and 14*5 1/2 in a natural maple finish14
Zildjian New Beats
20 K Custom Dark Medium Thin Ride
16 K Dark Crash
> 2. What type of music do you usualy play
jazz, blues, rock
> 3. Main influences
Dave WecklPretty Purdie
Simon Phillips
TRICK DRUMS. `16x22, 9x10, 10x12, 14x16, 6x14.(lollypop red candy color, chrome
hardware)
SABIAN CYMBALS. 20"AArock ride, 18"AArock crash, 16"AArock crash, 12"AArock
splash, 10"AAsplash, 14"AAfusion hats.
GIBRALTER HARDWARE. 350-c rack, cymbal arms, tom mounts, snare stand
DW. 5000 accelerator delta bass drum pedal. 5500t turbo hi-hat.
ROC-N-SOC. mac saddle throne with back rest
REMO HEADS. emperor clear as batters for toms and bass drum. ambassador clears
and resonance for toms. ambassador ebony with 6" off set hole with chrome
"holz" as resonance for bass drum. c.s with dot on bottom as snare batter, and
ambassador snare side as resonance.
VATER STICKS. power 5B with nylon tip
PERCUSSION. LP red jam block
>2. What type of music do you usualy play
in a orgional band.(no covers). alternative rock. co-owner of an independent
label. also baecameTRICK DRUMS endorsing artist.
.
>3. Main influences
from buddy to neil. eric kretz (stp) is the main man! i respect all who make an
effort to learn this fine art form!
>
2. jazz, jazz-rock, fusion, progressive rock
3. Gerry Brown, Billy Cobham, Steve Gadd, Lenny White, Mike Portnoy,
Dave Lombardo, Gene Hoglan...
>
>1. Describe your kit.....brand, sizes, cymbals, ect...
>2. What type of music do you usualy play
>3. Main influences
>
I own three kits, a 6 pc. SONOR Hilite (maple, black sparkle lacquer)
for recording (rarely use all six drums though); a 4pc RIDEAU crappy kit
(60's PEARL); and most of the time I gig on:
SONOR PHONIC (beech) in red covered finish: 14x22 (sometimes switched
with a 14x20 in metallic orange finish), 16x16, 9x13. Snares: SONOR
Hilite 5.75x14, Yamaha brass piccolo, and SONOR 1960's 5x14 chrome
student model
Cymbals: 13" Zildjian K/Z hihats, 17" Paiste SF thin crash (or 16" SF
crystal, or 17" K dark crash), 20" Paiste Sig. Dark Full ride (or 20" 602
Medium, or 22" Sabian Jack Dejohnette).
(I also own a bunch of other crashes and splashes, PAISTE and Sabian,
and have a 19" K China that was formerly owned by Neil Peart)
> 2. What type of music do you usualy play
most everything, visit my websiet for more info on my gigs
http://www.inforamp.net/~drumz/
> 3. Main influences
drumset influences are: Tony Williams, Levon Helm, Tom Ardolino (of the
great NRBQ!!!!), Jim Keltner, Ed Greene, and so many more. But, I'm also
incredibly influenced by percussionists (I am a full time percussionist
as well), other musicians, composers, dancers, 70's TV celebrities, etc.)
thanks for the opportunity to post
chris
Buddy Rich and Butch Miles? Hmmm, does anyone else find this odd??? :)
--
Shawn Martin
America's Ace Drummer Man Gene Krupa!
http://crash.simplenet.com/krupa.html
LIVE SET 1970 Fibes. PINK Crystalite set
10x14, 16x16, 14x22, 5x14 Matching snare'
Cymbals: Zildjain 22 ride, 17" cras, 20 Sizzle, 14" K.Istanbul heavy
hats,
Hard rock music from this 19 60"s hippie with plenty of groove .
Influences. Mitch Mitchell, Ginger Baker, Carmine Appice, (You get the
drift?) King Louie
I just pick and choose, depending on the situation.
> 2. What type of music do you usualy play
> 3. Main influences
The rest can be found by clicking on the band page below. You'll find a
bio page, there.
Nathan Kilen
...wishing you a successful day!
Art Beyond Image
http://friends.bankpds.com/nkilen
Kit #1) Gretsch round badge champagne sparkle - all with original
hardware & stands:
14 x 20 / 8 x 12 / 14 x 14 / 4" Progressive Jazz Max Roach (or 5½"
Name Band) x 14
22" K. Istanbul ride or 22" Paiste 602 ride / 20" first series K.
Zildjian Flat Top Ride with three rivets / 18" Paiste Traditional Thin
Crash / 14" K. Istanbul HiHats
Kit #2) Rogers Cleveland/Dayton mix black diamond pearl Holiday series
- all with original hardware & stands:
14 x 20 / 8 x 12 / 14 x 14 / 5" x 14" matching wood Dynasonic (!) or
matching Powertone or C.O.B. Dyna or Powertone
22" K. Constantinople medium ride / 22" K. Flat Top Ride / 18" first
series K. Crash Ride / 14" K. Zildjian hats
Kit #3) Yamaha Maple Custom black maple:
14 x 20 / 8 x 10 / 8 x 12 / 14 x 14 / Gaither custom G-Drum 4 x 14 in
snakewood finish OR Ludwig bronze 5 x 14 Supraphonic
UFIP Class series 22" Medium Ride / 18", 17", 16" thin Crashes / 14"
heavy Hi-hats / 9" Splash **OR** 22" Sabian Manhattan Ride / 20" K.
Flat Top Ride with three rivets / 18" Istanbul Agop thin Crash / 14"
Istanbul Mel Lewis bottom hat on top with 14" A. New Beat bottom on
bottom
Three OTHER kits (!!) - two vintage, one contemporary - but this is
already getting too long. Lots of other snare drums. Lots of other
cymbals. Lots. A real disease, this is.
Heads:
Toms:
Genera G1 coated batters / Genera Resonants (on Maple Custom kit)
Coated Ambassador batter / coated Diplomat resonant (on vintage kits)
Snare batters:
Coated Ambassadors or coated G1's or Aquarian Jack deJohnettes
Snare side:
Diplomats
Bass drums:
Aquarian Superkick I batter / Aquarian Regulator front (no hole) on
Yamaha kit with nothing inside.
Coated Powerstroke 3 batter / coated Genera G2 front on vintage kits.
Evans EQ pad inside against batter.
Sticks:
*Zildjian John Riley (Concert Jazz) or Vic Firth 5A or ProMark Will
Kennedy (5AS) or Zildjian Vinnie Colaiuta (for heavier applications) -
almost never use nylon tipped sticks
Brushes:
Zildjian
Bass pedals:
Gretsch Floating Action footboard replacing original DW footboard on
DW 5000ANH nylon strap pedal on Gretsch kit / SwivOMatic split
footboard or DW 5000ANH nylon strap pedal on Rogers kit / DW 5000 ANH
nylon strap pedal on Yamahas
Interests:
Jazz (bop, swing, urban, mainstream, big band, Afro-Cuban) / fusion /
funk / rock
Major Influences and Likes:
Steve Gadd, Peter Erskine, Jeff "Tain" Watts, Mickey Roker, Jeff
Hamilton, Grady Tate, Steve Smith, Buddy Rich, Ringo Starr, Andre
"DeDe" Ceccarelli, Art Blakey (not for his chops, but for his drive
and creativity, and 'cause he wore his heart on his sleeve and "went
for it" - like Ringo did, eh?).
--
o-----« Mark Polis mjp...@csrlink.net »-----o
OTHERS:
Gretsch restored (read bastardizd by yours truly) 20/12/14, Silver sparkle
(unoriginal) lacquer, RIMS.
Maxwin practice kit (entire project for under $450) 20/12/14, stripped to
shells, all new hardware, mounts, edging, blue sparkle plastic finish.
SINGLES & SNARES:
24" Slingerland black/gold duco single tension
12" Leedy tom. WMP, cracked lugs, in the process of refinishing/
15" Ludwig floor tom, fake wood veneer
7x14 Built-it-myself Keller Maple, all cast, clear lacquer
5.5x14 Premier Genista, matches set
3.5x14 Pearl Free Floater with Maple and Brass inserts
5x14 Slingerland Chome over Brass
12x14 Ludwig Field Drum
Cymbals are 95% Sabian. Typical gig: 13" AAX Fusion, 16 & 18" AAX Stage
Crashes, 21" AAX Stage Ride, 10" Zil K Splash, 22" Wuhan
>2. What type of music do you usualy play
Any and all. From cocktail jazz to thrash metal, rap to ska, alternative to
polka, country to blues, classical to corps... you get the idea.
>3. Main influences
Peter Erskine, Jim Keltner, Smitty, Gadd, Jimmy Chamberlain, Joe Morello,
Elvin, Max Roach, Louie Bellson, Buddy, Charlie Watts, Dennis Chambers, Mike
Portnoy, Kenny Aronoff, Carter, Dave Krusen, Dave Abruzzesse, Jeremy Taggert,
Mitch Mitchell, Bonzo, Chad Sexton, Steve Ferrone, Vinnie Colaiuta, Larry
Mullen, Jr., Liberty Divitto, Walfredo Rayes and sons, Michael Shrieve, Horacio
Hernandez
--------------------
Dan
DIR...@aol.com
acoustic- - 1960's Ludwig 22/20/16/16/13/12/10/
8/6..the 8 and 6 are mounted bongos
Rogers COB Dyna-Sonic
A.Zildjian- -20/18/18/16/14/8/13hh
all above in 3 closets
electronic- - Yamaha DTX V2.0(my baby)
rock and roller
jazz pretender
big band pretender
Ringo,Charlie Watts,Ginger Baker,Dino
Danelli,Bonzo,Clive Bunker,Gene Krupa
BR, Mitch Mitchell, Kevin Kerrigan (me)
Kristof Elst and DiRads (humor)
Trick aluminum shells, textured stone finish with gloss black hardware:
8x10 tom
10x12 tom
4x14 snare
16x18 bass
Cymbals, some good and some trash:
Sabian HH Manhattan 20" ride (great for the price & in general)
Sabian B8 Pro 14" crash (actually not too bad)
Zildjian AmirII 14" hats (real CRAP that came w/ my old kit, need new hats)
Gibraltar and Sound Percussion hardware, Roc 'n' Soc throne, Vic Firth hickory 8D's
> 2. What type of music do you usualy play
I'm a student w/o that much experience, so anything, but my main interests are in
jazz, funk, fusion, electronica (jungle), and anything inbetween. I don't play
heavy rock (though I listen to a lot of it), but I'm interested in stuff on the
experimental side.
> 3. Main influences
Anything bop, fusion, or jungle. Jimmy Cobb, Max Roach, Art Taylor, Yuval Gabay
(Soul Coughing), Dave Weckl, Alex Acuna, Billy Martin, Klaus Dinger (early
Kraftwerk), Jimmy Carl Black (Zappa).
--
SG
-----------------------------------------------
We can't do it, man! That's discipline! That's like tellin' Gene Krupa not to go
BOOM BOOM BAM BAM BAM BOOM BOOM BAM BAM BAM BAM BOOM BOOM BAM BA BA BA BA DA BOO BOO
TSS!
------------------------------------------------
Pearl Prestige Studio (BLX) kit, in Sheer Blue color.....8", 10", 12", 14"
toms, 20" bass.
Cymbals: Paiste Alpha 14" Power Hi-Hats, 12" Splash, Paiste 2000 20"
Ride, Zildjian A 18" Medium/ Thin crash (still looking for a 14" Paiste
2000 Sound Reflections crash...) Hopefully I'll have another crash (14"
or 16") and a china cymbal by the end of the year.
Evans / Remo heads, Vic Firth / Pro-Mark / Zildjian sticks, in 5A or 7A.
> 2. What type of music do you usualy play
Rock, alternative sorta stuff, as well as more mellow stuff
> 3. Main influences
Number one influence is Scott Trembath (OK, so none of you have heard of
him, but that doesn't mean he isn't a good drummer!).I guess I'm also
influence by guys like Matt Cameron, Chad Smith and Danny Carey etc.
By the way, great idea Brandon! Nice to hear what everyone else has.
**************************************************
Alzheimers advantage: New friends every day.
Name: Spadex Jacquousci
Alias: Damien Hartley
**************************************************
Yamaha Stage Custom with natural wood finish. It's a 5-piece kit, but I never
use the 13" tom. Heads are pinstripes on the toms, coated Ambassador on the
snare, clear Emperor on the kick. All A. Zildjian cymbals: 14" rock hi-hats
(soon to be traded in for something lighter), 16" medium thin crash, 20" medium
ride.
2. What type of music do you usualy play
Funk and rock, with an occasional straight-ahead jazz gig thrown in.
3. Main influences
Oh, there are so many! Early influences included Alex Van Halen, Lars Ulrich,
Charlie Benante and John Bonham. Bonham is the only one who I'm still
listening to. In the years since high school, the following have all made an
impact on the way I play and think about music: Mitch Mitchell, Steve Gadd,
Dannie Richmond (Charles Mingus' drummer), Dennis Chambers, Al Jackson (Booker
T. and the MGs), Jerome "Bigfoot" Brailey (P-Funk), Dave Weckl, Philly Joe
Jones, Buddy Rich, Gene Krupa, Lewis Nash, Ringo, Ansley Dunbar with Zappa,
Dave Garibaldi, Matt Cameron, Phil Collins and so many others.
Also, since moving to New Orleans last year, I've been very influenced by many
of the greats from this area, past and present: Zigaboo Modeliste (The
Meters), Mean Willie Green (the Neville Brothers), Stanton Moore (Galactic),
Johnny Vidacovich (Astral Project and John Scofield), Kevin O'Day (N.O. Klezmer
All Stars and Iris May Tango) Russell Batiste (Funky Meters) and Jason
Marsalis. The rhythms these New Orleans guys play are so funky! They could
knock down a wall with those street beats.
-Jason
***********************************
Jason Isaac
dru...@aol.com
Radio announcer,starving musician, lazy bum
New Orleans, LA
"Free your mind and your ass will follow..."
-George Clinton
************************************
My background....
From England, I started playing in 1984 when I was 12, while at school I was
involved with a number of groups playing music of the time (The Smiths, Simple
Minds, U2, and so on...) Most of my 'real' experience came through the local
Christian scene, by the time I was 18 where I developed as a live drummer
playing festivals and opening acts for major christian artist tours.
I held off playing for a couple of years while at University and while
studying for my PhD. When my wife and I married, we moved to the US (around
Boston) where I now live and work. I am now again becoming involved in the
local christian music scene and I have been asked to audition in Nashville
for a couple of gigs.
My early influences were primarily 1970s and 80s British Drummers... Ian
Paice, Mark Brezecki, Mel Gaynor, Bob Chambers, Stewart Copeland. Other
major players for me were Omar Hakim, Chester Thompson, Manu Katche. I have
come to appreciate the playing of 'stars' such as Simon Phillips, Dave Weckl,
Vinnie Colaiuta... but I still tend towards the less technical British style
that I grew up with.
Drums...
Snare 1: 3x13 Ludwig Brass Piccolo
remo coated ambassador top, ludwig snare resonant bottom.
Snare 2: 6.5x14 Pearl Sensitone (steel)
remo coated ambassador top, ludwig snare resonant bottom.
Kit 1: Pearl Prestige Session Select
Liquid Amber Laquer
11x12 12x13 16x16 16x22
Remo Clear Ambassadors top and bottom.
Kit 2: Premier EMI-HAMMA (c.1974)
Polychromatic Yellow Covering
11x13 14x16 16x20
Remo Clear Ambassadors top, Remo Clear Diplomats bottom
Hardware: Pearl
Premier Olympic (c.1974)
Kick Pedal: Pearl Powershifter P101P (used on both kits)
Cymbals...
Zildjian A-Custom: 14" Projection Hats
15" Crash
17" Crash
20" Projection Ride
Zildjian A-Brilliant: 18" China boy high
Vintage Zildjian A: 14" New Beats
16" Medium Crash
20" Dry ride
Sticks: Vic Firth, 5A Nylon Tipped (for most playing)
Vic Firth, Dave Weckl (for lighter playing)
Brushes: Regal Tip, Clayton Cameron Sig.
Seat: Roc-N-Soc Gray Mac Saddle
Cases: Humes & Berg Enduro (foamless) for Pearl/Snare drums
Home made green vinyl bags for Premier drums
Humes & Berg Tuxedo for hardware
Sabian Bac-Pac for cymbals
That's me!
Rich Williams
My background....
Drums...
Cymbals...
That's me!
--
Rich Williams
<->-<->-<->-<->-<->-<->
Global Email: ara...@hotmail.com
Resume: http://resumes.dice.com/rwilliams
Steve, any chance you could post a pic of that kit on a webpage???
--
Rich Williams
<->-<->-<->-<->-<->-<->
Global Email: ara...@hotmail.com
Resume: http://resu
-----== Posted via Deja News, The Leader in Internet Discussion ==-----
>hey all....just for fun...
>1. Describe your kit.....brand, sizes, cymbals, ect...
Drums: Premier XPK, Amber stain
8x8, 9x10, 10x12, 12x14, 14x16, 16x20, 5.5x14 (wood)
Cymbals: Paiste, Zildjian
Paiste Signature
6" Splash, 8" Splash, 13" Dark Crisp Hats, 16" Fast Crash, 16" Full
Crash, 20" Dry Ride
Zildjian
12" A SR Hats (Aux.), 14" K Mini China, 14" Oriental China Trash
Hardware: DW, Gibraltar, Roc-N-Soc
DW 5002ANH-TS Nylon strap double pedal
DW 5500TH hi-hat
Gibraltar GRS400C/100C rack, snare stand, X-hat, cymbal boom
arms, tom arms, clamps
Roc-N-Soc Nitro throne
Sticks: Pro-Mark, RegalTip, Zildjian
Pro-Mark 747 natural/wood tip (95%)
Pro-Mark Hot Rods, Lightning Rods
RegalTip wire brushes (retractable)
Zildjian Tim Alexander/6A (virtually the same stick)
Heads: Still the crappy stock heads that came with the XPKs, but will
likely be replacing them with Evans in the near future. Seems like
everyone here w/XPKs swears by 'em.
>2. What type of music do you usualy play
You name it, but primarily modern/progressive rock, especially power
trios with busy drummers! Primus, Dave Matthews Band, Police, Tool,
STP, Sting solo, Marillion, Yes, Genesis, and when I feel like being
humbled, Rush.
>3. Main influences
Almost too many to name, but first and foremost: Micky Dolenz!
Originator of the X-hat and pioneer of the open hand hi-hat! :)
Seriously, though, here's a few: Tim Alexander, Carter Beauford, Bill
Bruford, Mark Brzezicki, Danny Carey, Vinnie Colaiutta, Phil Collins,
Stewart Copeland, Ian Mosely (Marillion), Carl Palmer, Neil Peart.
>2. What type of music do you usualy play
Blues, Classic Rock, Funk
>3. Main influences
The Meters (Ziggy M.)
Chris Duarte (Barry "Frosty" Smith, Brannen Temple)
Jimi Hendrix (Mitch Mitchell, Buddy Miles)
I just got a brand new kit. I got a set of shells from the Precision
Drum Co. to fit my existing Tama Artstar II hardware (except that I got
all new die-cast hoops for all the toms). PDC did all the drilling for
lugs and spurs, and all fit perfectly.
Shells are Keller maple. 6 plies/4mm thick, no reinforcement rings on
toms (the die-cast hoops offer the extra rigidity which isn't really
needed anyway), 8 plies/5mm thick on bass drums. Tom sizes: 9x10, 9x12,
12x14, 14x16. Bass drums: 16x18, 16x20, 18x22.
Shells are totally unfinished, and I haven't figured out how I'm going
to finish them yet. They look fantastic the way they are, but I need to
protect them with something. I really wanted to get a new Ayotte kit,
but didn't have $5000 lying around, so I did what I feel was the next
best thing--basically custom designed my own. With the ultra-thin
shells and die-cast hoops, they have a definite Gretsch vibe to them!
Nothing wrong with that, especially after spending only about $1500.
Cymbals:
K Zildjian: 22" Custom Medium ride, 20" Pre-Aged, 20" Custom Flat Top,
20" 'Old' K (Istanbul), 16", 17" Dark Crash Thin, a couple of Chinas,
8", 10" K splash.
A Custom: 18" crash, 6" splash.
Sabian: 21" DeJohnette Encore ride, 20" DeJohnette (original) ride, 18"
mini-bell ride.
> 2. What type of music do you usualy play
I play a fairly broad mix of styles, most of which fall *very loosely*
into the jazz category. I do play in a wedding band on the weekends for
the steady $$$, but I also play in the Chicago area with many jazz
players. I play with some fairly well-known (in Chicago) people such as
Patricia Barber, Fred Simon and Ron Friedman, also with a great young
pianist named Ryan Cohan. I used to play with a "smooth jazz" recording
artist named Brian Culbertson.
A short discography:
Culbertson, "Modern Life"
Culbertson, "After Hours" (Both on Mesa/Bluemoon)
Ryan Cohan, "Real World" (independent)
Deanna Witkowski, "Having To Ask" (Tilapia)
Rob Parton JazzTech big band, "Fascinatin' Rhythm" (ROPA Jazz)
> 3. Main influences
Peter Erskine, Vinnie Colaiuta, Tony Williams, Jack DeJohnette, Roy
Haynes, Elvin Jones, Bill Stewart, Joey Baron, Dennis Chambers, Adam
Nussbaum, Jeff 'Tain' Watts, Dave Weckl, Omar Hakim, Manu Katche, Joel
Spencer, Al Foster, Art Blakey, "Philly" Joe Jones, Horacio 'El Negro'
Hernandez...
--
Tom Hipskind....Drummer, composer, Simpsoniac, all-around swell guy
hips...@starnetinc.com Thip...@aol.com
http://members.aol.com/Thipdrum/index.html
>Homepage updated!<
"Oh Princess Fair, willst thou grant me thy dainty hoof in marriage?"
--Troy McClure, to Miss Piggy
Ayotte WoodHoop 4x14 (10-ply shell)
Tama Bird's Eye Maple 5.5x14
Pearl 5x13 Mahogany Omar Hakim Sig.
have you ever heard of "the arivals" or "captin midnight"?
Tom,
How does the Omar Hakim snare sound? I have seen them advertised and I always
loved Omars recorded sound. Is it worth the $$$?
--
Rich Williams
Yamaha Recording Custom, Maple
10, 12, 13, 16" toms, 6 1/2x14" steel snare, 20" bass drum
18" med. ride, 15" & 16" thin crashes, 16" china, 8" splash, 14" quick beat
HHs, mounted tambourine and a big old cowbell (over HH)
>2. What type of music do you usualy play
Band (Fast Leslie and the Sin City Horns) style is grounded in 60's & 70's R&B,
peppered with any cool tunes from the past 30 years that have good horn parts.
We're a 10-piece band that takes an original approach to old songs -- drumming
style ranges from R&B/rock to fusion-rock to latin-jazz to hip-hop to
alternative, depending on the tune
>3. Main influences
Peter Erskine, Omar Hakim, Steve Gadd, Carter Beauford, Harvey Mason, Alex
Acuna, Tony Williams, Simon Phillips, Terry Bozio, Concord Blue Devils Drumline
go to www.trickdrums.com and then check out their jazz drummers dream kit page,
and there is a picture of one on it.
> 1. Describe your kit.....brand, sizes, cymbals, ect...
> 2. What type of music do you usualy play
> 3. Main influences
>
Visit www.sdstate.edu/f3ar/http/drumpage.htm
SDdrummer in South Dakota
I just started playing about a year ago in my church. They needed a drummer
one night and I was the only one that could keep ANY sort of rythm so......I
play the churches set of Pearls (don't know what type, they just have Pearl
plates on 'em...). They are probably older then God himself but they sound
great and I can play them anytime I want (I got keys) in a large
auditorium-like setting (loud as I want). PLUS, we have a killer sound
system which I can use with some buds to jam...all for free! 5-piece kit
BTW.
I bought my own symbols (22" rock ride, 16" and 14" crash) and intend on
getting some hats soon. They're all Sabian. OHHH, also just recently got a
8" Sabian china splash which I highly recommend!
>2. What type of music do you usualy play
It's a charasmatic church (Penticostal) so I play
everything...9/8,7/8,6/8,4/4,3/4, swing, straight, rock, soft, countryish
(yuck) and even some funk. On my own I play blues, a little jazz and
alternative, etc. Plus, I do a lot of playing in front of 160-200 people I
know every week so I got over stage fright pretty fast... :-)
>3. Main influences
Buddy Rich and mostly the people I have learned from at the church (we have
5 drummers who all play different stuff, plus one is a professional
teacher...).
Don't know his name but the guy that plays for Midnight Oil is a favorite of
mine too...
Chris
Tama SuperStar in a clear laquer finish, 24x14 bass drum, 12,13,14,15, and 18
toms, 5x14 SuperSensitive snare and a 5x14 maple snare in the making.
21" Sabian Dry Ride, 18" Wuhan China, a temporary 17" Sabian Medium Thin Crash,
10"A Custom Splash, 16" Paiste Alpha Series Thin crash used in a combo with a
accidentally steped on 13" Zildjian thin high hat, which sound a lot better
now, and the other part of the high hat, which I think should have been a crash
cymbal, both are Zildjian Platinum, and 14" Paiste Alpha Series Sound Edge
hats.
>2. What type of music do you usualy play
Jazz, Funk, Contemperary Gospel.
>3. Main influences
Too many to name. They range from advanced to professional, locally and
abroud.
Nate
> hey all....just for fun...
>
> 1. Describe your kit.....brand, sizes, cymbals, ect...
Out of the frying pan into the fire...
Well, my kit is pretty easy to describe: V-drums. I'm currently using
Vic Firth nylon tipped 5As and a really shitty bass drum pedal (Yamaha)
which will be corrected very soon (like this weekend).
> 2. What type of music do you usualy play
Well, here's the crux of the biscuit: I played (very badly) when I was 19
with a little power trio specializing in Humble Pie covers, with equally
bad renditions of Santana and other main-stream rock & roll stuff. About
that time, I discovered jazz and haven't looked back. However, I was on a
borrowed kit at that time, and, well, circumstances prevented me from
pursuing my life long dream. Finally, about 4 months ago, I won a whole
bunch of money in a poker game, and, well, instead of buying a
refrigerator, I bought some V-drums. So, essentially, I'm getting back
into the swing of things. At this point, I'm taking my rudiments very
seriously, and spend my non-exercise time noodling along with some of
those great rock & roll tunes of the 60's and 70's. I'm having fun
playing along with Bonzo (naturally), and I get a kick out of playing
along with Boston (don't like their music, but some fun fills in there),
Humble Pie (too easy), Doug Clifford (some of it is more difficult than
it sounds, I have learned), Jeff Beck (BBB NOT!---Mostly the easy stuff
from There & Back), getting a handle on Rod Morgenstein (Dixie Dregs ---
What If? is maaaavelous), mastering some Deep Purple, and am currently
trying to master "Zomby Woof" and "Son of Mr. Green Genes" by Mr. Frank
Zappa (thank you, but I'll save TBP for later!). I play much better now
at 37 than I did when I was 19...(or maybe it's the equipment???)
> 3. Main influences
Well, I'm not quite good enough to be "influenced" just yet, but here's a
handful of folks I listen to very carefully: Anyone who played for Zappa
with the obvious exception of Jimmy Carl Black (especially Dunbar,
Thompson, Bozzio, Colaiuta, Wackerman), Billy Cobham (focusing on
Mahavishnu), Jack Dejohnette, Danny Gottlieb, Paul Wertico, the obligatory
Gadd and Weckl, love the work by that dude on Beck's "Blow by Blow" though
I always forget his name, and am completely fascinated by Ralph Peterson
these days (I wanna play like HIM, mommy!). Many, many more!
Oh yeah. And Joey Kramer from Aerosmith!!!! He Rocks, man!
Peace,
---Doug
>
>I held off playing for a couple of years while at University and while
>studying for my PhD. When my wife and I married, we moved to the US (around
>Boston) where I now live and work. I am now again becoming involved in the
>local christian music scene and I have been asked to audition in Nashville
>for a couple of gigs.
>
I think I am going to cry. You're 26, married with a PhD, toured
around England with major acts and get asked to audtition in
Nashville? I AM ABSOLUTELY JEALOUS!
I'm 22, and I am a driver who lives in a trailer with his Grandmother.
I left my PhD after a year as I was being forced to publish work that I didn't
think was ready and I fell out with my supervising team. I still have the
half-completed dissertation at home and I fully expect to complete it one day.
As for the touring around England - it was a lot of fun - but now I realize I
could have made much more of it than I did at the time. I was too young at
17 to realize that I had reached a point where I could start earning money
for what I was doing, it all happened so fast that I was totally oblivious to
the business side of the deal and was just enjoying playing, treating it as a
hobby! Had I been a couple of years older, I'm sure I would have made more
of the situation - but it was still some of the best times of my life!
--
Rich Williams
This guy is excellent (he is on two albums with
Bireli Lagrene: "Standards" and "Blue Eyes"). Talk about swing!
Is there any more good CDs with him on drums?
Andreas
By the way you have one hell of a lot of drums :)
--
Please note that the e-mail address of this message is invalid to avoid spam.
3. Buddy Rich, Brain, Mike Bordin, Steve Gadd, and all the jazz drummers.
Oyster Blue Ludwig (Blue/Olive Badge)
12 x 8
13 x 9
16 x 16
22 x 14
14 x 5 Mahagny Finish Slingerland Snare 63'
14 x 5 Premier Olympic Steel Shell Snare
Zildjian
14" New Beat Hi Hat Top w/ 70's A Hi Hat Bottom
18" A Custom Crash
20" Paiste Prototype. Late 80's Sounds like a K Custom Dry
or 60's Premier Black Diamond Pearl with the same cymbal setup
13 x 9
16 x 16
22 x 14
14 x 5 Premier Olympic
3. Main influences
Bozzio, Pat Mastelotto, Steve Jordan, Bill Berry, Nick Mason, Andy
Newmark, Bonahm, Baker, Krupa.
Mike Kelley
http://home.chattanooga.net/~monequin
ICQ # 7779787
¤Mark Polis wrote:
¤> Hamilton, Grady Tate, Steve Smith, Buddy Rich, Ringo Starr, Andre
¤> "DeDe" Ceccarelli, Art Blakey (not for his chops, but for his drive
¤> ^^^^^^^^^^
¤>
¤>
¤This guy is excellent (he is on two albums with
¤Bireli Lagrene: "Standards" and "Blue Eyes"). Talk about swing!
¤Is there any more good CDs with him on drums?
¤Andreas
¤By the way you have one hell of a lot of drums :)
Yeah, Andreas, I do - and I cherish everything I've been fortunate
enough to have collected over the years, and I (restore them, if need
be, and) play them all. I don't just collect in order to amass
quantities of drums and cymbals - I only acquire what I'd actually
use. That which falls my way and which I don't or won't use, I pass
along to those who will (e.g., students, deserving friends with less
means than I'm blessed with) or sometimes trade, occasionally sell.
I've written to Modern Drummer requesting an article on Andre *DeDe*
Ceccarelli - thus far, no response. Word has it he's the Steve Gadd
of Europe - but apparently he has a quirk about leaving France to
tour, so he's limited his exposure. His younger brother's also a
great player, but not quite on DeDe's level.
DeDe's recorded a few CD's with DeeDee Bridgewater (e.g., *In
Montreaux*, etc.) all of which absolutely KICK, and he's also done a
GREAT album with the Enrico Pieranunzi Trio called Seaward. He's a
major inspiration for me. *Blue Eyes* with Birelli Lagrene's awesome,
eh? Ceccarelli's got such mature drumming artistry going - great
feel. I'm glad you appreciate this guy, Andreas.
--
o-----«Ť Mark Polis Ť mjp...@csrlink.net Ť»-----o
>1. Describe your kit.....brand, sizes, cymbals, ect...
Premier Signias, in emerald green. 10", 12", 13", and 16" mounted
toms, 5 1/2" snare, 20" bass drum. Cymbals are 14" Zildjian Quick
Beat hi-hats, a gorgeous 20" K. Custom Medium ride, 16" and 18"
Sabian AA crashes, a 12" Sabian AA splash, and a Paiste Accent
cymbal. Sometimes I'll also use an LP Rancan and a splash mounted
on an X-hat.
>2. What type of music do you usualy play
In public...rock. Currently, it's a punky-power-pop thing, but
I've done some stuff with a serious Peter Gabriel-type sound,
a RHCP/Jane's Addiction/Living Colour-style sound, and a bad
goth band. I play funk, jazz and latin, too, and I'm working
to actually play those styles in front of actual PEOPLE!
>3. Main influences
Vinnie Colaiuta, Tony Williams, Bill Bruford, Simon Phillips,
Chad Wackerman, Matt Cameron, Tim Alexander, Neil Peart. The
Peart influence used to be *way* too prominent, but as I listen
to other guys, it's not nearly as obvious. As of late, I've
been trying to work Tony Williams licks into quasi-industrial
and punk settings, which is lots of fun.
I've also been influenced a lot lately by a local Chicago drummer
named Steve Gillis, who I share a practice space with. He's
damn good, and you'll be hearing about him pretty soon...
Later,
COZ
NP: Tuatara, _Breaking the Ethers_
--
**********Feel free to update your address books and bookmarks**********
Chris 'Coz' Costello || http://www.enteract.com/~coz || c...@enteract.com
"H I P N E S S I S T R A N S I E N T...you've got to change
in order to be continually hip." - Vinnie Colaiuta
Ayotte drums: 10, 12, 14 & 16 toms, 18x18 bass, 6.5" deep 24 ply snare.
Purple woodgrain.
Cymbals: Zildjian A custom crashes & hi-hat, Sabian AAX crashes & ride.
Etc: Cowbell, Icebell, Sabian China splash and 18" china.
> 2. What type of music do you usualy play
Varies a *lot*. Centered on hard rock usually.
> 3. Main influences
Matt Cameron, Neil Peart, Bill Bruford, Stephen Perkins, Ringo, Terry
Bozzio, Tony Williams, Phil Collins, and Mike Bordin come to mind first.
-- David
davidt at visio dot com
Asif Khan MD
http://www.angelfire.com/pa/StormTower
KHA...@auhs.edu
Drums: Premier Genister in turquoise: 20x16 bass, 10x9 tom, 14x14 floor
tom. Both toms have RIMS. Rogers Dynasonic snare, Ludwig Supersensitive
snare (1930s).
Cymbals: Sabian 14" AA Fusion Hi-hats, 10" AA china splash, Zildjian 16" K
dark medium-thin crash, 20" K heavy ride, 13" (approx) Zildjian crash
(1920s).
>2. What type of music do you usualy play
Blues, Jazz (trio and Big Band), Punk, Indie, Orchestral
>3. Main influences
Influences: Fred Below, Jim Keltner, Ted Harvey, Oddie Payne, Sam Lay, Steve
White, Brian Neville, Taylor Hawkins (sp), Little Walter, Junior Wells
Mike
> Sonor Hilite (made of african bubinga).
are you so sure about this? SONOR, to my knowledge, has never made a
drumshell out of bubinga. They have used Bubinga veneers as inner and
outer plies (very thin plies) of shells, and they have made shells out of
maple, birch, beech, poplar, and combinations thereof.
SONOR Hilite drums are maple plywood drums, and I don't recall them ever
being offered in any of the "veneer" finishes (which included bubinga,
ebony, oak, mahogany, birch, and rosewood). They were offered in
transparent and opaque lacquers though.
Whatever you have, I am sure it is a beautiful drum (I have a 5.75x14
Hilite snare in red transparent lacquer that is amazing), I am just
pretty sure it can't be BOTH bubinga and Hilite, nor can it be a bubinga
shell.
:):)
just nit-picking about SONOR stuff (as usual!!!)
chris
Blue Eyes is the nicest thing Bireli Lagrene has come up with for a long
time. (I'm a fan ever since his tours with Pierre Moerlen and Dennis
Chambers in Germany.) It's a jazz tribute to Frank Sinatra's music (but
made before his death) and features Bireli doing an impressive job at
singing some of the songs. The musicianship is incredibe.
Ceccarelli swings great. Actually, I think the only reason why I get
away with playing jazz sometimes is that I'm imitating his
'tick-tick-a-ticking' ride feel. I love this sound. And he plays these
awesome rolls...
Yep, go to home depot and pick up some R11 sound control foam - $10 for a
roll of nine 7'x1' pieces. Staple it between all the joists in the walls and
ceiling. Then run back down to home depot and pick up some soundboard
(they're brown) about $8 per 8'x4' sheet and nail it up over the walls and
ceiling.
This will significantly reduce the sound - you will not be able to totally
sound proof your basement but this will really help... I know because I did
it.
--
________________________________________________
Drums are my antidepressant of choice
---
Drum = an interesting auditory driving technique
_____________________B_O_F_O____________________
> In article <199808090349...@ladder03.news.aol.com>,
> brand...@aol.com (Brandon431) wrote:
> > hey all....just for fun...
> >
> > 1. Describe your kit.....brand, sizes, cymbals, ect...
> > 2. What type of music do you usualy play
> > 3. Main influences
> >
> > these are just some things i wanted to know about everyone....brandon
> >
1. I have a 4-piece kit...the 12x12(?) Rack-tom, 16x16 Floor-tom and 16x22
kick are all Pearl Prestige Studio , w/ all-Birch shells. I have a 3x13
Purecussion Maple piccolo snare...I use Remo coated emporers on everything
except the kick, which has an Aquarian head that I bought about seven years
ago...I have a 22" Zildjian K Heavy Ride, 18" Zildjian A Medium Crash, 14"
New Beat Hi-hats...a DW 5000 Pedal...God only knows what kind of hardware and
cases... 2. I played in a pop-punk band (ala Husker Du, Pegboy, etc.) for
about 4 years...Than I played in a heavy-but-not-Metal band (ala Jesus
Lizard, Barkmarket) for about a year-&-a-half, and also a punchy pop thang
(ala Pixies) for about six months... After that, I played a Patsy Cline
tribute for about 2&1/2 months (and actually made some $$)... Now I play in a
sort of glitter-rock band (ala Cheap Trick, Imperial Drag, Johnny Thunders, T
Rex)... I've also subbed for various friends and been involved in several
ill-fated side-projects as well... 3. Too numerous to list, but I'll try
anyway...Mac Mcneilly (Jesus Lizard), Ian Paice, Bonzo, Tommy Lee, Rat
Scabies (the Damned), Todd Trainor (Shellac), Jerry Nolan (NY Dolls), Keith
Moon, Topper Headon (Clash), Tom Waits (for the spirit of things), Charlie
Watts, Rock Savage (Barkmarket), Phil Puleo (Cop Shoot Cop), William
Goldsmith (Sunny Day Real Estate), Dave Lombardo (Even though I don't play
double bass, or speed-metal at all), Mark Brzierzki (sp?) (for the fabulous
drumming on the Cult's "Love" album), Kenny Aronoff, Alex Van Halen (old
stuff), Stephen Perkins...also, the drummer who played on Steve Albini's
Rapeman album, as well as Scratch Acid and several other bands (for the life
of me, I can't remember his name at the moment)... etc.
All Rogers--5 sets worth.
2 sets
8x12
9x13
16x16
16x16
14x22
one is wine red the other is butcher block.
one set power toms
9x13
10x14
16x16
16x18
14x24
piano white
Bop Jazz
8x12
14x14
16x16
14x20
red sparkle
Ancient Wonder
8x12
8x12
16x16
14x20
Champagne Sparkle--This set is like new.
All pedals are Swiv-O-Matic both BD and Hi-hat on all sets. One very
lonely DW5000 Delta hinge pedal. Sorry, just not as fast as the SOM's
are.
Snares are all 5x14
2-Dyna-Sonic COB
1-Champagne Sparkle wood Dyna-Sonic
1-Champagne Sparkle wood Powertone
1-Powertone COB
1-Power 10 COB
Cymbals
Yes, lots. Mostly Zildjians and 1 K heavy ride. All hand selected for
tone. Just acquired a set of Sabian AA's with one of the sets. Not sure
I like them yet. Much different than the 30 odd Zildjians I have. And
yes, I DO have an old Zildjian sizzle with 10 rivets thank you!
Music
Any, but like blues and old heavy metal the best.
Influences.
Many over 40 years of playing.
Favorites.
Sam Lay (does ANYONE know who he is??), Buddy Rich, Louis Bellson, Elvin
Jones, Billy Cobham (yes, HIS playing changed my life!) Ringo, Ian
Paice, Bill Ward, Nick Mason, Buddy Miles, Mitch Mitchell, John Bonham,
Bermuda Schwartz (shameless plug! I REALLY like WA's whole group) and
Neal Peart. Wynonna's drummer-forgot his name, master of off beat fills
and less is more and drives me crazy trying to play them!
Gene M.
Sounds like the big sweaty guy from the
Paul Butterfield Blues Band..Kevin
BINGO!! We have a winner! For bonus points, who did Paul "steal" him
from?
Second round bonus points. What band was Buddy Miles playing in when
Mike Bloomfield talked him into joining the Electric Flag???
Gene M.
Drew Ritchie wrote in message <35D1ACE8...@hempseed.com>...
>> -----== Posted via Deja News, The Leader in Internet Discussion ==-----
>> http://www.dejanews.com/rg_mkgrp.xp Create Your Own Free Member Forum
>
CYMBALS: PAISTE FREAK! 8" 2002 RUDE splash, 10" 505 splash, 15" RUDE hats,
16" 2002 crash, 16" Colorsound power crash, 18" 602 crash, 20" 505 heavy ride,
16" Wuhan china.
MUSIC: Grew up playing in metal bands. Have since slowed down to become a
church drummer but still like the heavy stuff. Getting into jazz and
bigband/swing. Really liking Brian Setzer's new stuff.
INFLUENCES: Peart, Bonham, Rich, Ian Paice, Moon, Watts, Palmer, Matt Sorum,
John Densmore, Simon Phillips, Bozzio, Colaiuta, the list goes on. Too many
great drummers to list.
> Drums
>
> All Rogers--5 sets worth.
>
5??? What's up with that? : )
> Cymbals
>
> Yes, lots. Mostly Zildjians and 1 K heavy ride. All hand selected for
> tone. Just acquired a set of Sabian AA's with one of the sets. Not sure
> I like them yet. Much different than the 30 odd Zildjians I have. And
> yes, I DO have an old Zildjian sizzle with 10 rivets thank you!
Hey, anytime you wanna throw some of those cymbals my way, I'll be waiting
with open arms to catch them! : )
(Heck, it'd be nice to be finished uni and earning some money...then I could
have 30 Zildjians too!)
**************************************************
Alzheimers advantage: New friends every day.
Name: Spadex Jacquousci
Alias: Damien Hartley
**************************************************
A room-within-room will only work if all the sides of the inner room are
separated from the outer room - that means floor, ceiling, and walls. This
raises a real problem in basements which typically are only 7' high. A room
within a room would require probably 6 inches to a foot making it almost
impractical.
Mike is also correct in that ventilation, and electricity are required and
getting this into an inner room without compromising the sound insulation
qualities of the room is difficult.
I think that for a basement, insulation and coverings are more suitable (and
more legal) and do reduce the sound enough that you shouldn't bother your
neighbours too much.
--
Rich Williams
1. Soundproofing the ceiling
To soundproof the ceiling to a maximum, you would need to build a 'fake'
ceiling under the actual ceiling. This would, strangely enough, consist of a
wooden plate, or more wooden plates. This is to keep the sound from sounding
'natural' on the inside of the room. Apparently, they put isolation material
between the wooden plates and the ceiling (rockwool or a similar material),
another non-resounding material and then they put (this is cool) springs in
between (the springs make sure the fake ceiling vibrates but does not
transmit the vibrations to the floor above so it also reduces the 'trampling
elephant' effect you get from loud bass sounds) ... You got this
construction:
=========== -> actual ceiling
$ $ $ $ $ $ -> springs bolted to the upper ceiling and the fake ceiling
=========== -> some dunno anymore material (prolly PVC)
MWMWMWMWMWM -> rockwool
=========== -> wood
2. The walls
I can't remember how they did the walls. I think it was in a similar fashion
...
I could be wrong, I'm not an engineer :)
--
bc98 - exp: 31/12/98
use with caution - shake before use - wrong side up
--
drumme...@my-dejanews.com wrote in message
<6qupo9$mef$1...@nnrp1.dejanews.com>...
I collect and restore and sometimes even resell Rogers drums. I always
have at least 5 sets. Some sets are so rare they are permanent residents
in my collection. The Red Sparkle and the Champagne Sparkle set are
examples. Most cymbals I keep I have hand selected through the years and
they each have their own sound. Some cymbals come with sets I buy and
most of them get resold out with sets. Cymbals are one of the most
personal parts of your overall "sound" and I pay particular attention to
them.
Gene M.
1. Remo 14' Djembe
L.P. Valje "Armando Peraza" Series 11'
Quinto,11 3/4 Conga, 12 1/2 Tumba. L.P. Valje "A.P.S." Bongos. All drums
Cherry Wood, Chrome Hardware. L.P. Tito Puente Timbalitos, 9 1/4 & 10
1/4 Brass Shells. Hardware: Gibraltar
Cymbals: Paiste Signature Thin China 14', Mellow Crash 15', Fast Crash
14', Sound Formula Thin Crash 14'', Alpha Power Splash 12', Signature
Splash 10', Alpha Splash 8'.
Electronics: Drumkat 3.7 upgrade
Akai S1000
2. R&B, Jazz, Pop, Rock, Latin, African, Country
3.Main Influences: The Gap Band, The Time, TonyToniTone', Miles Davis,
Clave Y Guaguanco, Los Munezuitos De Matanzas, Pancho Quinto, George
Benson & Earl Klugh, The Rippingtons.
Endorsements:
Paiste
L.P.
Remo
Rhythm Tech
Vater
JoCo Percussion
DrumKat
14" Sabian Flat Hats (w/rivets)
10" Sabian HH spash
2x18" Sabian Med. Thin AA Crash
16" Sabian Med. Thin AA Crash
20" Sabian Rock Ride
18" Wuhan China (kicks ass!)
RhythmTech JingleRing
All Tama Hardware except Ludwig Speed Kings & DW HH Stand
I play mostly punk/HC type stuff, but dabble in jazz & swing
Influences? Ringo, Copeland, Jim Keltner, Kenny Aronoff, Philly Jo Jones
I regularily play two kits:
Kit #1: Milestone - 18"x18" bass drum, 10"x8" tom, 14"x14" floor tom
Snare Drum: Tempus 13"x6 or Pearl Omar Hakim Sig. 13"x5"
Cymbals: 22" K ride (from the '50's), 18" K Med. crash Dark,
18" Sabian HH Flat Ride,
16" K crash, 14" K hi hats, 6" A Custom splash
Kit #2: Tempus - 20"x16" bass drum, 10"x9" tom, 14"x12" hanging floor tom
Snare Drums: Tempus 13"x6" or Tama Artstar 14"x6 1/2" or
Pearl Free Floating 14"x3 1/2"
Cymbals: 20" Sabian Jack DeJohnette (old version) or 20" K
Custom Medium, 20" Pastie 2002 Flat ride
16" Sabian A crash,15" A Custom crash, 13" K/Z hi hats, 10" A
Splash, 8" HH spash.
> 2. What type of music do you usually play
Small group jazz with kit #1 and kit #2 for large group jazz (I don't want
to use the phrase big band since it doesn't really seem correct -
contemporary large group playing - how's that?).
> 3. Main influences
Paul Motian, Joey Baron, Elvin Jones, Tony Williams, Jack DeJohnette,
Peter Erskine, Barry Romberg, Philly Joe
Jones.
--
Mike Cassells
Technical Director, EMS
School of Music
Queen's University
Kingston, Onatario
1. 1963/4 Ludwig Oyster Blue kit, 14X22, 16X16, 9X13, 5X14 with original
hardware (SpurLok hi-hat stand, Speed King, two Ludwig flat base cymbal
stands, Buck Rogers snare stand and Ludwig throne). Cymbals: Zildjian As:
14" hi-hats, 18" crash and 20" crash/ride
2. 1960s-1990s
3. Ringo mostly
Cary
Black Pearl MX Series 5 pc 16" b8 pro crash 14" b8 crash 20 b8 pro ride some
metal thing that sounds like a cowbell w/o actually being a cowbell
>2. What type of music do you usualy play
blues, rock, some jazz
>3. Main influences
My uncle, bonham, baker, mitchell, and countless other rythmic noises
Play rock, punk rock, pop rock, rock 'n' roll, glitter rock, rock, rock, rock!
Influences are: Kenny Aronoff,Peter Criss John Bonham,Carmine Appice,Thommy
Price, Paul Cook,Phil Rudd, Clem Burke, and although not a drummer, JOAN JETT!
ISA (80's kit) 5 piece, 22 inch bass, 12, 13 and 18 inch toms, pearl snare,
Sabian AAX 16 in crash, PowerBeat 18 inch crash/ride, Zildgian 22 inch medium
ride, PowerBeat 14inch light high hats. Gibraltar Avenger double bass pedal,
Pearl cymbal stands, Aquarain Bass Drum heads, Remo Pinstripes on the 12 and
14, and an Emporer Batter on the 18. Easton Ahead sticks.
>2. What type of music do you usualy play
Rock, Metal, Jazz, Classic Rock, and whatever else is fast and interesting
>3. Main influences
Lars Ulrich, Carter Beauford, Neal Peart, the guy from Primus, the guy from
Clutch, and the guy from Megadeth. Anyone who plays double bass real well is my
idol.
Andrew
> Brandon431 wrote:
>
> hey all....just for fun...
>
> 1. Describe your kit.....brand, sizes, cymbals, ect...
Crappy Tama Rockstar (black)
10(red),12,13,16 toms,16x22 bass drum
3.25x14 Tama Artwood Maple snare
(I´m saving money to buy a new set,had this one since I started playing
seriously 6 years ago)
cymbals:
14" Istanbul Quick Beat Hats (bottom cymbal cracked)
7" Ufip Class splash
8" Zildjian K splash
10" A custom splash
15" K custom dark crash
17" K medium thin crash
18" Sabian HH thin crash
20" Istanbul ping ride
18" Paiste 2002 china
14" Zildjian K mini china
hardware:
Tama,Pearl,Yamaha stands
Yamaha DFP 870L(leftie) double pedal
Tama HH95 hihat stand
heads:
Remo coated ambassadors,clear emperors,pinstripes
Evans clear G1 and G2 ,EQ 3
(the head departement is a real mess at the moment...)
> 2. What type of music do you usualy play
Rock"Math"MetalJazzFusionChaos...
and Death,Meshuggah,Cynic,Atheist,Tool ,S.Y.L,Dark Angel,
Slayer,Morbid Angel and other stuff for covers.
I like to play along to Primus aswell :)
> 3. Main influences
Jouni Kesti(taught me the basics),Sean Reinert,Gene Hoglan,
Tomas Haake,Danny Carey,Rod Morgenstein,Dave Weckl,Mike Portnoy,
Tim Alexander,Dave Lombardo,Terry Bozzio,Vinnie Colaiuta,Steve Gadd,
Pete Erskine,Zappa :),Max Roach etcetcetcetc
I figure that we need a 20'x15' practice area. Does any one have any
information on how I should go about building a practice room such that my
neighbors won't hate me and my wallet won't implode?
I found the following post on DejaNews. I think this is helpful, but I want
to know how I should construct the walls, especially considering that the
cinderblock walls might get a bit damp during the wet seasons.
In article <6qs50i$ir9$1...@nnrp1.dejanews.com>,
drumme...@my-dejanews.com wrote:
> Yep, go to home depot and pick up some R11 sound control foam - $10 for a
> roll of nine 7'x1' pieces. Staple it between all the joists in the walls and
> ceiling. Then run back down to home depot and pick up some soundboard
> (they're brown) about $8 per 8'x4' sheet and nail it up over the walls and
> ceiling.
>
> This will significantly reduce the sound - you will not be able to totally
> sound proof your basement but this will really help... I know because I did
> it.
>
I haven't tried it yet, but using conventional framing methods I have read
that
you can virtually sound-proof a room with a special wall building technique.
The technique involves creating 6" thick walls instead of 4" standard.
Then,
you use standard 2x4 studs, but alternate which side of the 6" wall they
are placed on. By doing so, you create a thick wall that you can stuff full
of insulation, but no single stud allows sympathetic vibration to pass all
the
way through. The air trapped in the middle acts an insulator, as well.
I also found in an earlier home that by gluing acoustic ceiling tiles to the
walls, I was able to not only reduce the amount of sound passing to the
outside, but also knock down a lot of the sound that bounces around the
room due to hard walls. It didn't look all that great, but it was cheap,
and
made an excellent wall-sized bulletin board, as well! :-)
--
--- bc98 > Mostly Harmless ...
Hi Mark & Andreas,
Ceccarelli is just killin' on Kenny Wheeler's CD, "California
Daydream" Musidisc 500292 (Kenny: tmpt, Jeff Gardner: piano, HeinVan
De Geyn: bass - live in Paris 12/91).
Jay Epstein
"It's always night, that's why there is light." - Thelonious Monk
Ludwig/Westbury set. two westbury toms (can't remember sizes), one ludwig
tom (no size..and don't want to look either.) a westbury floor tom (love the
sound) a ludwig snare, westbury bass, paiste 16'' crash, paiste 14'' hi-hat,
sabian 16'' crash, zildjian K 10'' splash, zildjian ride (old).
2. What type of music do you usualy play
hard rock, jazz, metal, punk, country, blues, pop, anything.
3. Main influences
carter beauford, lars ulrich, igor cavalera, the drummer for cherry poppin'
daddies, buddy rich, terry bozzio, etc.
¤On Tue, 11 Aug 1998 21:45:15 GMT, mjp...@csrlink.net (Mark Polis)
¤wrote:
¤>Andreas Moser <A.M...@sheffield.uk> wrote:
¤>¤Mark Polis wrote:
¤>¤> Andre "DeDe" Ceccarelli
¤>¤> ^^^^^^^^^^
¤>¤This guy is excellent (he is on two albums with
¤>¤Bireli Lagrene: "Standards" and "Blue Eyes"). Talk about swing!
¤>¤Is there any more good CDs with him on drums?
¤>¤Andreas
¤Hi Mark & Andreas,
¤Ceccarelli is just killin' on Kenny Wheeler's CD, "California
¤Daydream" Musidisc 500292 (Kenny: tmpt, Jeff Gardner: piano, HeinVan
¤De Geyn: bass - live in Paris 12/91).
¤Jay Epstein
¤"It's always night, that's why there is light." - Thelonious Monk
I second that, Jay - and thanks!!! I love knowing that this fantastic
drummer is being recognized over here in the U.S., 'though he
apparently won't come over to the States on tour for personal reasons.
What a loss for us.
--
o-----«Ť Mark Polis Ť mjp...@csrlink.net Ť»-----o
hi,
for personal reasons, it is said here in france that dede don't like
to be to far away from his family, that's why he doesn't make too
much travel.
you can hear his jazz drumming on a couple a record by the singer
DeeDee Bridgewater, and on the Martial Solal Big-Band (from the 70's) :
he also makes a lot of studio work ...
his brother Jean-Paul and son are also playing drums ...
Sabian made a 21' HH ride cymbal DeDe Signature ...
that's all,
franck
--