Russ,
I was poking around a drum shop the other day and saw a set of clear
Fibes. I checked the badge and saw that they were made in Pennsylvania.
Are these the new Fibes or are they from an older era?
jw
> four drums, and love them to death. And the assurance of knowing that
> the company stands behind what they make makes them an even sweeter
deal....
> Thanks Tommy!
> Russell
I second that thought. My Fibes sound great. I was treated like a king by
Tommy Robertson(owner of Fibes). Look him up if your in the market for a
set.
Robert Gaines
Old. They're a product of the first of the many sales/relocations of Fibes.
Martin Guitars bought the company in the late '70s or early '80s. Their stay
in Nazareth, PA was brief. Fibes was later to become Corder, then Darwin,
before returning to Fibes a couple of years ago. A Pennsylvania badge would
date the drums to the Martin ownership, roughly 1980 or so.
<BR>
---------------------<BR>
Dan<BR>
DIR...@aol.com<BR>
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=17613705
Just my two cents...
-Lee
I had a set of Gretsch drums in the early 80's and they were all 6 ply
maple and were near perfect in construction quality. I have heard that
there is more variation in the grain apearance on Jasper shells than on
Keller shells though. They were the Best sounding drums I have ever had
except for the Kick Drum. I have never heard your drums though, but would
like to some time. From what I hear on this news group they sound great.
Later,
Steve
Thanks in advance for any info,
Mark Talbott
big...@bigdog.seanet.som
Patricia Mazzucco wrote:
> It's nice to see the word is getting around. I have 2 new Fibes kits. One
> silver sparkle , and one in the black onyx . Both are the best sounding
> kits I have ever owned. Don't forget the SFT snare drums. I've got the
> 5x14 fiberglass with the brushed copper finish. Unbelievable sound
> projection! (just ask Buddy) I also have a 6 1/2 x 14 and 6 1/2 x 13
> Maple that I am equally happy with. Bottom line is this, Fibes is a small
> company that will bend over backwards to make the customer happy. And
> they make the best sounding drums around. ( Yes, that remark is aimed
> directly at all of you worshipers at the church of DW...)
>
> Lee Thompson
> www.halmarcusband.com
> LeeTh...@prodigy.com
Gene M.
P.S. Fibes does not give away kits to any endorser.(Me included
unfortunately)
Lee Thompson
Well, the Fibes v. DW war has begun.....
As a Fibes owner, I understand where Lee (?) is coming from, and
agree that Fibes do rival DW... for one very basic reason.... VALUE!!!!
Compare the price of a Fibes kit to the price of a DW kit, and for the
money, I think Fibes is a better value. I have seen numerous shoddy DW
kits, new in the store, with such flaws as peeling covering, and still
costing over $2000 for a five piece kit. I understand that DW has a
loyal following. I understand that perhaps people like the DW sound (yes,
I must admit, I have heard a few nice DW kits).... but simply because
"everyone else plays DW" doesn't make it a better kit. It might simply
mean that DW has been around long enough to produce drums in higher
quantities. But my original point is simply that, for the money, you
can't get a better maple shelled kit. You can argue that a DW kits rival
Fibes, but you're going to pay a lot more money for the same kit, and to
my ears, it certainly isn't worth the extra money...
Russell
Sean L. Younge (sly...@ionet.net) wrote:
: I was sitting here reading your post thinking how nice it was for someone to
: enjoy their kit so much, but now I must respond because you so readily put
: down the Brand that I like so much. I'm sure that Fibes drums are a good
: product, and I know many drummers that I respect who play Fibes and respect
: fibes, but I know more people who play DW drums and like them better. This
: obviously is a matter of opinion, but if you were to take number of pros who
: like and play dw and number of pros who like and play Fibes you would be way
: out voted, and don't give me that crap about DW giving away more stuff. If
: Terry Bozzio or Carl Allen or Jason Bonham or Jonathon Moffet or many others
: wanted to play Fibes, I guarantee that Fibes would give them a kit.
:
: Patricia Mazzucco wrote:
:
: > It's nice to see the word is getting around. I have 2 new Fibes kits. One
:
:
:
Does this mean that "great gretsch sound" is not %100 maple? there is
gumwood in gretsch shells?
D
: Does this mean that "great gretsch sound" is not %100 maple? there is
: gumwood in gretsch shells?
Exactly, and right now, as i work on Mark Polis' Gretsch project snare,
i have discovered that the old 1950s 3 ply shells are maple/poplar/maple.
Other oddities i have spotted with Gretsch snares was a 1940s Broadcaster
with a birdseye maple outside ply (under factory white laquer), mahogany/
maple inner; also worked on a maple/teak/maple. I could tell it was Teak
because the oil was leaching into the maple where there were any holes,
and it was causing these beautiful dark brown patterns in the grain of
the maple as the teak oil bled into the top veneer. The sound was
incredible as well.
--
-matt
Gaither Custom Drums gai...@sas.upenn.edu
1325 N. 5th Street, Studio 1D http://www.sas.upenn.edu/~gaither
Philadelphia, Pa. 19122
(215)235-4313 toll free (888)739-1727
>Dcymbals (dcym...@aol.com) wrote:
>: > Be aware that Jasper uses Gumwood inner plies; they are not 100% maple.
>: > Not that they are bad shells, but i have seen some crappy Jasper shells
>: > in the past. I have worked on about 50 or more old Gretsch shells, and i
>: > have never seen any consistency in their quality. Keller, on the other
>: > hand, has always made excelent shells (over 40 years, starting with
>: >Rogers).
>: > --
>: > -matt
>: >
>
>: Does this mean that "great gretsch sound" is not %100 maple? there is
>: gumwood in gretsch shells?
>
>Exactly, and right now, as i work on Mark Polis' Gretsch project snare,
>i have discovered that the old 1950s 3 ply shells are maple/poplar/maple.
>Other oddities i have spotted with Gretsch snares was a 1940s Broadcaster
>with a birdseye maple outside ply (under factory white laquer), mahogany/
>maple inner; also worked on a maple/teak/maple. I could tell it was Teak
>because the oil was leaching into the maple where there were any holes,
>and it was causing these beautiful dark brown patterns in the grain of
>the maple as the teak oil bled into the top veneer. The sound was
>incredible as well.
>
>--
>-matt
>
>Gaither Custom Drums
Very interesting Matt, you mean to tell me that at different periods in Gretsch
drum manufacturing, there were different filler woods being used? This also
means that Gretsch's sound was not consistent eventhough they were touted
as(and still are) the standard warm drum sound especially for jazz. With the
craze now about "%100 all-maple shells" and whatnot, does anybody think that
should lessen the perception everybody has of Gretsch? dosent that kind of
prove to everybody that what you get is not always what you see? I always
thought of Gretsch as being the all maple sound to judge others by but I
suppose there is more too it than just the shell material.
D
Yes, them shells be Keller.
--
-matt
Gaither Custom Drums gai...@sas.upenn.edu
1325 N. 5th Street, Studio 1D http://www.sas.upenn.edu/~gaither
Philadelphia, Pa. 19122
: Yes, them shells be Keller.
i've heard that in the past few years gretsch has changed their standard
factory bearing edge to a sharp 45 degree cut. all their endorsers also
seem to be country rockers as opposed to their more traditional jazz
clientel. are the reissue broadkasters equipped with the same harsh
bearing edges?
m
: i've heard that in the past few years gretsch has changed their standard
: factory bearing edge to a sharp 45 degree cut. all their endorsers also
: seem to be country rockers as opposed to their more traditional jazz
: clientel. are the reissue broadkasters equipped with the same harsh
: bearing edges?
: m
Well, all of the newer Gretschs i have seen did have that severe/
aggresive edge. I can only imagine that new drums haven't changed much;
and they still don't seal the edges.
Sharp edges tend to bind up the drum heads once the head has seated
itself. A corrected radius on the outer edge would make tuning so
much easier. Why they chose that crazy edge in the first place? I can
only surmise that they were under the influence of that "sharp edge equals
resonance" fad. R and D, what's that?
At one point, Gretsch jumped back and forth between Keller and Jasper
(early-mid 80s); these days they are back to Jasper. Go figure... cheers.