There are two urban myths here in Oz regarding Gibson, the first may be
true, the second almost surely isn't:
1) The biggest single market for Gibson is Japan
2) Japan gets the best, the US gets the reasonable stuff, the rest of
the world gets the rest.
The poor quality control for fit and finish is legendary (as above) here
in Oz, and I have a fine example - My 1995 LP Special looks like the
board binding crenelations were cut with a blunt firemans axe. I have
seen many examples of sloppy f&f, some of which may have been
detrimental to performance, and have commented on some of them in
previous Usenet posts over a long period. I recall one that IMO was
outstandingly bad - a very expensive model, I forget what, with router
chatter around all the top edge binding. I'm not sure if it is true now,
but a few years ago I could pick up just about any Gibson and find a
fault in the f&f. In contrast, you could pickup up Martin or Taylor and
find no flaws. The high price we were paying was seen as adding insult
to injury.
However, I think we have become accustomed to expecting near-perfection
in f&f in good factory guitars, and this really shouldn't be what buying
an guitar is about. I understand that the traditional classical makers
weren't/aren't half so fussy as we have become. The price of low-end
Gibsons is now in the same range as MIM Fenders here in Oz, and I assume
the have maintained the use of high-quality materials and saved on
cosmetics. I'm all in favour of that - produce affordable players - but
there is always the thought that if the f&f is ordinary, what kind of
materials are they using?
--
Tony Done
http://www.soundclick.com/bands/default.cfm?bandID=784456
http://www.flickr.com/photos/done_family/