http://media.putfile.com/Djembe-Madness
Charlie
> All of this guitar playing is starting to make me seasick thus my latest
> video offering which features my composition "Banishment from the Tribe":
>
Hey, bwana, nice stuff. What gauge drumheads are you using? TIs?
http://media.putfile.com/Djembe-Madness
Wow, you sound just like Djembe Bruno!
Djembe Lushi
Charlie
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Charlie
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Charlie
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Charlie
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Thanks in advance
Martin [never in any tribe but a solo nomad nevertheless--in
grimey-grey Toronto]
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Mr.Will
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Charlie
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Martin [vana maru karu] --sorry for the lapses into my native toungue
I'm spewing coffee on the keyboard, once again.
You guys kill me. You might have to butter your ass, since you're on a
roll.
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Have you tried a kora (or cora)? You only need to use a thumb and finger on
each hand but tuning could take a while.
Icarusi
--
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I have tried one of those, its great for arpeggio type stuff - Seckou Keita
is one of my favourites in this regard and comes from the long tradition of
songs being passed down the ages etc. I think he has an album where he sings
and plays Kora.
The tuning is hard because its more sensitive to the weather changes and
climate than our guitar. In other words it slips out of tune very easily.
Its like most of the African instruments, quite basic and crude in
construction. Think djembe compared with conga for example.
Mr.Will
> The tuning is hard because its more sensitive to the weather changes and
> climate than our guitar. In other words it slips out of tune very easily.
> Its like most of the African instruments, quite basic and crude in
> construction. Think djembe compared with conga for example.
I like the kora sound but I think the construction could probably be updated
for convenience, using autoharp pegs for tuning etc. and still keep the
basic sound and ergonomics.
Its an odd one really because you could say the same for djembe - either
change the type of skin so its not sensitive to weather changes, or making
the rope system change so its more convenient.
I think part of the point of having the instrument this way though is that
you as a player take more time and keep connected to the instrument in a
much more personal way than if a machine could do the maintenance for you.
I can't explain in any "logical" terms - any more than you could say there
is a point to learning music and how to play the guitar rather than having
it all as samples on a computer which you can call on at any time.
Does that make sense?
Mr.Will
Charlie
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As far as the Kora is concerned, there was a player around town who was
using one in conjunction with a looper. He would first pound on the back of
it to make a percussion track, then construct a bass track by recording
patterns played on the lower tines and then improvise over all of it. By
this means he was able to hold down solo kora gigs.
Charlie
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Mr.Will
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Charlie
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Mr.Will
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> I think part of the point of having the instrument this way though is that
> you as a player take more time and keep connected to the instrument in a
> much more personal way than if a machine could do the maintenance for you.
I already have a guzheng and I don't have room for a kora unless I can
reduce the size of the 'bowl back', so that's the main reason. If I do that
I may as well use tuning pins too. I spotted a bodhran locally which was my
idea for a sound chamber. Just need to figure out how to insert the 3
cross-posts which support the bridge and become the top 'handles'.