"Sam Smiley" <dolp...@hotmail.com> wrote in message
news:8qrq40$j1g$1...@news.wmich.edu...
I'm a pretty die hard Bill Evans fan. I've transcribed several of his tunes
and solos, and have checked out a lot of the commerically available
transcriptions. Obviously, some of his stuff is unplayable on guitar, but with
a little creativity you can go through some transcriptions and figure out how
to leave out a few notes here or there and still get the gist of things. I may
put some "Bill Evans for guitar" stuff up on my website eventually, so try
checking there at some point. I don't know of any specific Bill Evans stuff
online, but I'd recommend checking out the playing of Lenny Breau to hear the
application of a lot of Evans' stuff to the guitar. I also have a solo guitar
"medley" of Remembering the Rain/Make Someone Happy called "Tribute to Bill
Evans" which should be up as a real audio file within the next couple of weeks.
Tom Lippincott
Guitarist, Composer, Teacher
audio samples, articles, CD's at:
http://www.tomlippincott.com
Eddie
"Sam Smiley" <dolp...@hotmail.com> wrote in message
news:8qrq40$j1g$1...@news.wmich.edu...
> Check out John McLaughlin's "Time Remembered" album... regarded by some as a
> little too straight, but it's obviously a labour of love
It's a beautiful recording, highly recommended.
Jeff
--
www.jeffgower.com
Tom Lippincott wrote:
>
> >I'm seriously getting into Bill Evans right now. I'm a guitarist and I want
> >to try to adapt his concepts both to the guitar and to a guitar trio. So I
> >was wondering if anyone knew of this being done, or if they have
> >suggestions. I'd like any interviews, transcription, comentaries, whatever
> >that you guys know of online. Thanks a lot for any help.
> >
>
> I'm a pretty die hard Bill Evans fan. I've transcribed several of his tunes
> and solos, and have checked out a lot of the commerically available
> transcriptions. Obviously, some of his stuff is unplayable on guitar, but with
> a little creativity you can go through some transcriptions and figure out how
> to leave out a few notes here or there and still get the gist of things. I may
> put some "Bill Evans for guitar" stuff up on my website eventually, so try
> checking there at some point. I don't know of any specific Bill Evans stuff
> online, but I'd recommend checking out the playing of Lenny Breau to hear the
> application of a lot of Evans' stuff to the guitar. I also have a solo guitar
> "medley" of Remembering the Rain/Make Someone Happy called "Tribute to Bill
> Evans" which should be up as a real audio file within the next couple of weeks.
>
> Tom Lippincott
> Guitarist, Composer, Teacher
> audio samples, articles, CD's at:
> http://www.tomlippincott.com
--
Regards:
Joey Goldstein
Guitarist/Jazz Recording Artist/Teacher
Home Page: http://webhome.idirect.com/~joegold
Email: <joegold AT idirect DOT com>
Someone else mentioned Lorne Lofsky - he's gone farther than almost anyone IMHO
as far as adapting Bill's ideas to a guitar trio. He really goes beyond the
"nice voicings" thing to really try and approximate the approach of Bill, rather
than just mimick a few trademark ideas. (You can get both of his in-print CD's
"Bill Please" and "Lorne Lofsky" cheap form either half.com or
cybermusicsurplus.com) Also, Ed Bickert's older records are also in that line.
There's a double CD on DSM records, a small Canadian label, called the "Gutiar
Mastery of " that has one CD of trio performances with Don Thompson and Terry
Clarke (of Jim Hall Live fame) that's very much in that B.E. spirit. His duo
record with Don Thompson os Sackville(?) also shows a strong Bill influence.
And the aforementioned Jim Hall Live certainly has the group interplay aspect
that the B.E. trio forged.
Peace
Victor
> Sam Smiley wrote in message <8qrq40$j1g$1...@news.wmich.edu>...
"Victor Magnani" <vmagn...@netscape.net> wrote in message
news:39D1F648...@netscape.net...
"I Remember Bill" by Don Sebesky was released in '97 on RCA. It features
the guitar of John Pizzarelli along with Don's inimitable and
outstanding orchestration. In addition to several Evans compositions
there are standards that Bill himself favored like "Autumn Leaves" and
"I'm Getting Sentimental Over You". The disc concludes with a spoken
statement by Evans during which he discusses his approach and artistic
outlook. Larry Coryell, Tom Harrell, Joe Lovano and Toots Thielemans all
contribute great solos. Former Evans sidemen Eddie Gomez and Marty
Morell are also on hand for this incredible all-star blowout. Lyrics
prepared specifically for this recording are sung by Pizzarelli and The
New York Voices. When this one came out I listened to it constantly for
a month or so and it has become a great favorite of mine since.
The "Time Remembered" session by McLaughlin mentioned in this thread
previously is also highly recommended. The Evans compositions are here
orchestrated for a choir of guitars. The textures they achieve are very
beautiful. As a guitarist you are sure to appreciate this unusual
recording.
The playing of Fred Fried may also interest you. He seems to have a
pianistic and somewhat Evans-like approach. He plays a nylon string
guitar finger style. I have two trio CDs by him that are really special.
He is one of those independent artists that is pretty much unhearalded
but deserving of a bigger audience. ....joe
Sent via Deja.com http://www.deja.com/
Before you buy.
Faizal Ali wrote:
> Before anyone does themselves serious injury trying to duplicate the
> voicings on Lofsky's "Bill Please", they should realize that he used
> overdubbing on many of the tracks to create them.
Only on the "Conversation with myself" type tunes. where it's just 2 or 3
overdubbed guitars. On the trio tunes it's just him.
Victor
how is it? thumbs up or down?
The "Intro" on that record is one of my favorite moments in music right now.
--paul
Russ
Well, Lenny was a major Bill Evans fan and in some ways based his whole style
on Evans'. I hear a lot of Bill Evans in most of his playing, but probably his
earlier records have more "non-Evans" influences (like country and flamenco
type stuff) whereas in his later years he gravitated more strictly to playing
standards. I'd recommend the "Live at Bourbon St." double CD (with Dave Young
on bass) for starters.
someone gave me a tape of that a while back; it's a nice recording, but not a
very good example (IMO) of a guitar player incorporating Evans' style in his
playing. Though it's all Evans compositions, Alden pretty much plays in his
typical more "traditional guitaristic" style (although I have to admit it's
been a while since I listened to it). Not to dis Howard Alden, who is a fine
player; I just don't hear very much Bill Evans in his playing (chord voicings,
phrasing, ect.) and the original poster was asking for examples of people
copping Bill Evans' style on guitar.
-Jim
Tom Lippincott wrote:
> >
> >Howard Alden has a CD out called "Your story - the music of Bill Evans" on
> >Concord Jazz. It's very good. Tunes include "Time Remembered"; "Funkallero";
> >"Laurie"; "Two lonely people" and "Tune for a lyric" also called "Show type
>
> someone gave me a tape of that a while back; it's a nice recording, but not a
> very good example (IMO) of a guitar player incorporating Evans' style in his
> playing. Though it's all Evans compositions, Alden pretty much plays in his
> typical more "traditional guitaristic" style (although I have to admit it's
> been a while since I listened to it). Not to dis Howard Alden, who is a fine
> player; I just don't hear very much Bill Evans in his playing (chord voicings,
> phrasing, ect.) and the original poster was asking for examples of people
> copping Bill Evans' style on guitar.
>
I agree totally - it's a great CD but beyond the tunes doesn't really show a
strong Evans influence.
Victor
>
The Bill Evans Collection For Solo Guitar
by Greg Stone; WB pub.
is pretty cool. The voicings are real hard to adapt to guitar, but well worth
it.
Everyone has been recommending guitarists to listen to (including me!) but
this seems to me to be a good chance to come up with your own thing in
regards to Bill's style. Why not just listen to a lot of Bill and find your
own way of playing his thing on guitar? I generally find that when I really
get into an artist (in the way that you're describing), it's because of
something they do that really hits me in a certain way. Figuring what that
is out directly from the source can really help.
btw I'm going through the same thing with freddie hubbard :).
--paul
that is a nice version
To me it's worth putting up with the bootleg sound quality to hear more "Velvet
Touch" era Lenny, though.
Ed's playing on that album has been like a bible to me since it came out.
If I could just once play a solo as great as Ed's on Just Squeeze Me...