"Sean" <se...@fake.con> wrote in message
news:5dLui.69680$Io4.26709@edtnps89...
Someone should write a "thread transposer" for situations like this.
Ah, that's why there's Google Capo.
Your earnest response makes me feel guilty for being a smartass.
"Sean" <se...@fake.con> wrote in message
news:YlMui.69686$Io4.10067@edtnps89...
If you've read some of my other dimwitted comments and questions, it
isn't really surprising that you thought I actually needed to be told to
move all the ideas up a minor third. I blame myself. Luckily, I can
accept guilt with a light heart. But then, that makes me a psychopath...
"Sean" <se...@fake.con> wrote in message
news:yHOui.83128$tB5.36832@edtnps90...
Know thyself? If I knew myself I would run away.
Johann Wolfgang von Goethe
My take is "If you think it's hard being around me, you should try
being inside me."
I love these theory threads.
Where's Joey?
Pt
That chord can only be played with two-handed tapping. You might want
to ask on the Van Halen newsgroup.
Not if you wish to make a perfect cadence into Bbmaj7. Ab7#9 can make
a "back-door" cadence into Bbmaj7, but considerably weaker. The motif
of the points made in the initial thread spiraled itself into
*function*. Function is also spoken here. You might play and *listen*
to F7#9 as a b5 sub (via the cycle of 2) cadencing into E-7 and play
and listen to Ab7#9 also cadencing into E-7. The latter can work
nearly as close as the former and certainly in conjunction (two beats
each into the E-7 or dig: Eb-7 to Ab7#9 to F7#9 into E-7 and this can
be another good modulation device into the key of C from various keys
that can house Ab7#9 comfortably. E-7 begs to find it's way home.). E
is a "harmonic root" of Ab (G#) and so, Ab may be tempted to resolve
that way. Play the note Ab and sing E below it. Ernie Eisley may
suddenly jump out of your closet and walk backwards (Thinking of Twist
and Shout here, of course and stretching humor).
-TD
Ernie was only ten years old when Twist and Shout came out. That was
pre-Hendrix even.
You get the idea. His family, correct? Eisley Brothers?
-TD
Isley Brothers. Ernie is the younger brother that plays guitar in the
Hendrix style, but he didn't join the band until the late 60s or so.
They recorded a lot of good pop singles.
*I know*. And thanks for the spelling correction. Ernie and I once did
a clinic together for the National Recording Arts and Science in
Atlanta (2002) for Steve Vai concerning various guitar styles. I chose
Ernie's name for my "humoresque" remark is all, knowing that Isley
Bros had the original hit, Twist and Shout, and making the analogy
with the root, third, fifth and seventh routine is all. Not knowing
the older brother's name, I chose Ernie. Ain't that wild? I like
Ernie, by the way, good guy and good player in his bag.
-TD
<crip...@aol.com> wrote in message
news:1186751946.7...@z24g2000prh.googlegroups.com...
Do you have an old VW bus with paisley flowers painted on it?
Pt
Of course. Need you ask?
Nope.
They're totally different.
One's an F7#9 chord and the other's an Ab7#9 chord.
Totally different points, and tips as well. Wings too.
If you can ever understand this, you'll be well on your way towards
being the next leader of the jazz community.
Louis, Bird, Miles & Trane, Wynton (ouch)... Sean.
As a teacher - with no accreditation - I can guarantee it.
--
Joey Goldstein
http://www.joeygoldstein.com
http://www.soundclick.com/bands/joeygoldstein
joegold AT sympatico DOT ca
I await that eventuality with a trout in my mouth. (Bated breath
attracts 'em.)
"Max Leggett" <kidk...@gmail.com> wrote in message
news:0ispb3dictktvi7nl...@4ax.com...
>If you fish around enough you can usually find something that fits.
Just ask Joe Finn.
It's all about scales, eh?
>Max Leggett wrote:
>> On Sat, 11 Aug 2007 09:51:30 -0400, "charles robinson"
>> <robins...@comcast.net> wrote:
>>
>>> If you fish around enough you can usually find something that fits.
>>
>> Just ask Joe Finn.
>
>It's all about scales, eh?
>
Jimmy Bruno prefers them descaled, but I think I'm fishing for lame
puns.
> Max Leggett wrote:
> > On Sat, 11 Aug 2007 09:51:30 -0400, "charles robinson"
> > <robins...@comcast.net> wrote:
> >
> >> If you fish around enough you can usually find something that fits.
> >
> > Just ask Joe Finn.
>
> It's all about scales, eh?
As long as the line has a good hook.
"Max Leggett" <kidk...@gmail.com> wrote in message
news:rjasb3hoe50v605mm...@4ax.com...
>You seem to be floundering here.
>Charlie
I contribute to this thread just for the halibut.
I hate puns. I'm tuna-ing out of this grouper.
Count Bassie would understand.
Pollocks!
Des
>
>"Max Leggett" <kidk...@gmail.com> wrote in message
>news:5r6ub3h3k0768ndfk...@4ax.com...
>> On Sun, 12 Aug 2007 09:18:24 -0400, "charles robinson"
>> <robins...@comcast.net> wrote:
>>
>>>You seem to be floundering here.
>>>Charlie
>>
>>
>> I contribute to this thread just for the halibut.
>>
>
>Pollocks!
>
That's not very tunny at all.
The gripes of Wrasse
Yeah, you should just clam up.
stop trying to mussel in on my puns.
> From my perch this is going nowhere.
Seems to me you have it bass ackwards.
Till-I-pee...ah, I can't post anymore.
I'll have to take off my codpiece I suppose.
-TD
OK. I'm out.
That was virtuosic.
I can't compete with that.
--
Joey Goldfish
http://www.joeygoldfish.com
http://www.soundclick.com/bands/joeygoldfish
joegoldfish AT sympatico DOT ca
"Michael L Kankiewicz" <mich...@buffalo.edu> wrote in message
news:Pine.GSO.4.05.107081...@joxer.acsu.buffalo.edu...
This is a guitar group. Better to ask Julian Bream.
Carp diem!
-TD
Yes, but Fluke Ellington would have a better overall picture.
Oi; we was discussin fish; flukes are parts of Whales which are
mammals or did you do that on porpoise.
<decapr...@hotmail.com> wrote in message
news:1187014124....@k79g2000hse.googlegroups.com...
Fluke is a fish too. We catch on Long Island Sound. Tastes like
flounder. So, don't be a Mobey Dick.
-TD
That is what I love about this newsgroup; the really useful things you
learn; I stand corrected and concede the point (and this will have a
load of people scanning for the fishy pun so I better save you the
time and state that there are none that I am aware of so far but I am
tired so you never know).
C'mon Charlie, let's keep it clean! Save the bluefish material for
the late show, where the language gets a little roughy.
Your post sounds fishy to me. It must of had a boat tied to it. I
didn't mean to barge in on you.
-TD
That some kind of social disease?
ok ok I give in :-)
>
> -TD
>
"unknownguitarplayer" <unknowngu...@comcast.net> wrote in message
news:1187021141.0...@z24g2000prh.googlegroups.com...
I'll stick with the bass.
Pt
"Pt" <pea...@yahoo.com> wrote in message
news:1187055384....@q3g2000prf.googlegroups.com...
Getting back to that celebrity party, I forgot to mention that Robert
Crayfish was performing the blues, Yoko *Ono* was running the sushi
bar, several of the Miami Dolphins (fish league variety) were there
betting on seahorses, John Mackerel was acting holier than thou (he
plays guitar by the way); lots of groupers were standing outside the
doorway. Oh, I also forgot to mention that the "King" was there,
although a bit crabby as he just flew in on the redeye from Alaska.
Yes, and what party would be a party without the token tilapia dancer?
Kids were spotted in the kitchen making peanut butter and jelly-fish
sandwiches, of course, and McLaughlin was there trying to pawn off his
scalloped fretted gator. By the way, several of the hookers were
already konched out. And naturally it was soon discovered that the
"shrimp were on the shrimp-boats and the crabs were on the Captain's
dinghy". Some bad fish were trying to steal, but quite soon realized
that all that glitters is not goldfish. I met a fish called Wanda and
we decided to talk about the original Ocean's Eleven. Mahi-Mahi it was
quite a bash!
-TD
You can't tuna....never mind.
Pt
"Pt" <pea...@yahoo.com> wrote in message
news:1187093565....@q4g2000prc.googlegroups.com...
Hey Joey, speaking of fishhooks, I believe I may be "off the hook"
concerning the definition of "tetrachord." I had been using it in
recent years as any consequetive four note scale fragment and ignoring
the perfect fourth rule, because in the back of my mind I had read
that such a rule had been relaxed. I have come to discover that the
rule has been relaxed. One place I had seen this in print of late is
Wikapedia:
"Traditionally, a tetrachord is a series of four tones filling in the
interval of a perfect fourth, a 4:3 frequency proportion. In modern
usage a tetrachord is any four-note segment of a scale or tone row.
The term tetrachord derives from ancient Greek music theory. It
literally means four strings, originally in reference to harp-like
instruments such as the lyra or the kithara, with the implicit
understanding that the four strings must be contiguous. Ancient Greek
music theory distinguishes three genera of tetrachords."
So perhaps I am now officially "off the hook."
As you know, a similiar language shift had occurred with the meaning
of pentatonic.
-TD
Joey Goldstein wrote:
ARCHIVE the dog for further study. MEANwhile, refer to the item in
question as "Mystery BoW."
ThAnK YeW.
HeNRoI D
> Sean wrote:
> >>>>> Do all the points made about F7#9 apply to Ab7#9? Would those posters
> >>>>> please repeat their points but in a different key?
> >>>> Nope.
> >>>> They're totally different.
> >>>> One's an F7#9 chord and the other's an Ab7#9 chord.
> >>>> Totally different points, and tips as well. Wings too.
> >>>> If you can ever understand this, you'll be well on your way towards being
> >>>> the next leader of the jazz community.
> >>>> Louis, Bird, Miles & Trane, Wynton (ouch)... Sean.
> >>>> As a teacher - with no accreditation - I can guarantee it.
>
> >>> I await that eventuality with a trout in my mouth. (Bated breath attracts
> >>> 'em.)