Not often enough to rely on since it's only one of a whole lot of ways to write
a song, and not the most frequently seen. By 'verse' I take it you mean 'A
section'.
Hopefully the key sig will be noted, but if not, you have to look at the
cadences and accidentals and bass notes and listen to them and figure it out.
Usually the bass notes in the first 8 bars will tell you what key your'e in -
the chords on top may be different, but they will mostly be in the same key,
the way standards are written.
Clif Kuplen
"Rbsoul" <rbs...@aol.com> wrote in message
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"Jakes452" <jake...@aol.com> wrote in message
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"thom_j" <thom_...@yahoo.com> wrote in message
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I was thinking I should include that to the original poster. Here it is:
The relative minor of:
C is Am
G is Em
D is Bm
A is F#m
E is C#m
B is G#m
F# is D#m
C# is A#m
F is Dm
Bb is Gm
Eb is Cm
Ab is Fm
Db is Bbm
Gb is Ebm
Cb is Abm
Also useful to know is the sequence of sharps or flats in the key signature:
Sharps:
F# C# G# D# A# E# B#
Flats:
Bb Eb Ab Db Gb Cb Fb
Assuming that the writer of the sheet music knows what they are doing,
the key will usually be indicated by the key signature, as the others
here (Rbsoul and Kurt) have explained.
But sometimes the key signature does not accurately reflect the key the
music is in. In cases like these you have to have more personal
experience with music in order to determine the actual key.
For instance... There is a discussion on rec.music.theory right now
about a chart for Scarborough Fair that has the key signature as a minor
key. But the melody is all dorian, so every instance of the 6th scale
degree is marked as being raised a semitone. The writer could just as
easily used a key signature from the parent major scale of the dorian
mode and these raised 6ths would not have been needed.
Eg. A melody in the key of D minor but with a dorian scale choice (i.e.
all B's are natural) could be written with a key signature of D minor (1
flat) or C major (no flats or sharps).
The former more correctly indicates the actual key of the music in my
opinion.
The latter is easier to write and to read.
Both ways of writing are in common usage.
I.e. Sometimes the key signature is selected just to make the reading
and writing of the music simpler even if it obscures the true key of the music.
Don Judy
"Jakes452" <jake...@aol.com> wrote in message
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"Bob Agnew" <rag...@cox.net> wrote in message
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LOL but he never plays diminished. it's always augmented H#, augmented R,
one time he even started in Yaug and modulated to Z. i didn't hear that,
had my ear plugs in by then.
O;)scar
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