I worked around a speaker depth problem once by mounting the speaker to an
external gasket. The gasket added the needed 1/2" of depth to the cabinet. I
used closed cell foam for the gasket. It worked great for my MBII, but YMMV.
Best,
Mark Guest
Mark at MarkGuest.net
www.MarkGuest.net
"tomw" <tw...@cornell.edu> wrote in message
news:MPG.18971ef95...@newsstand.cit.cornell.edu...
Intruiging. Closed cell foam? Is this some kind of spray on goop?
Available at Radio Shack? Thanks for the info, Mark.
I used closed cell foam because it was the easiest material that I could
find laying around. I scavenged mine from an old camping pad (thin
mattress), but better quality stuff of varying thicknesses and stiffness can
be found at good river sports outfitters. If you're handy with wood, a
wooden spacer/gasket might be a good alternative.
Good luck!
Mark Guest
Mark at MarkGuest.net
www.MarkGuest.net
"tomw" <tw...@cornell.edu> wrote in message
news:MPG.1897284b9...@newsstand.cit.cornell.edu...
Glad to help.
--
Mark Guest
Mark at MarkGuest.net
www.MarkGuest.net
"tomw" <tw...@cornell.edu> wrote in message
news:MPG.189747429...@newsstand.cit.cornell.edu...
> I just had to replace the original 12" speaker in my Roland Cube 60
> because it was too old, dry and brittle and it was distorting all the
> time.
> My repairman put an MG 12" speaker in there, and it fits and sounds
> fine.
> However, with my Borys, I have to add treble if I don't want that
> overly bass sound typical of Chuck Wayne, Mark Elf, Peter Leitch
> etc...
Well my replacement seems to have worked out. I stuck a Weber ceramic
coil blah-blah in there, and it sounds real good. I'm playing a Tele
with humbucker through it -- so you can see you and I have pretty
divergent needs -- but I'm also always fighting the battle of a rich
warm sound without stepping into the muffled underwater too-much-bass
terain. My previous default setting was no bass, no treble, midrange
half way. With this amp speaker combo I'm fiddling with treble and bass
around 2, midrange around 3-4. I use a tube preamp that helps provide
some definition.
tomw <tw...@cornell.edu> wrote in message news:<MPG.189f071c2...@newsstand.cit.cornell.edu>...
"Steven Rosenberg" <steven_h_...@yahoo.com> wrote in message
news:6e8a1c6f.03012...@posting.google.com...
I did pull out the brightness switch once -- it scared me!
tomw <tw...@cornell.edu> wrote in message news:<MPG.18a0a8e13...@newsstand.cit.cornell.edu>...
Last night I employed the bright switch and -- with the bass and treble
once more turned totally off -- the sound was just what I was looking
for. I'm even forgoing the tube preamp for the time being, but I may
need it on the job. I also like it tilted back, and up off the floor.
Thanks for the suggestions.
Also, when you're tilting it backward, don't let it tip over. Maybe
just elevating the thing in a chair will do the trick -- I've done
that a few times.
steven_h_...@yahoo.com (Steven Rosenberg) wrote in message news:<6e8a1c6f.03012...@posting.google.com>...
I've been using my orange Cube 60 on gigs with the new speaker and my
Borys, and it's amazing how a new speaker can change an amp's sound.
For the first time, I have to use treble on the amp with my Borys.
The suggestion about pulling out the bright switch might be my next
move.
All I know is that when I finally added some treble on one gig,
everybody in the club really liked the sound.
I also have to turn up the volume higher than it's ever been before,
and I've had this amp 18 years!
It's getting so weird that I'm gonna take my Fender on my next gig,
just to see if the Cube can still sound as loud as it used to sound.
Tilting it up is very important, as is elevating the Cube.
I'm still traumatized from having Ralph LaLama scream in my ear
"your amp's too fucking loud!" when I used to sit it on the ground and
not tilt it up.