JC
"Halim Sutanto" <halims...@hotmail.com> wrote in message
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Why stop there? Get back to Bo and Hong Kong, Mississippi!
Why stop there? "I Drink Alone"
I get it as a 16th note thing with accents on triplet groups starting
on 1,4,7,10 and 13,15. I think it's a fast bossa nova with the lyric
stressing the beat more than usual?
Interestingly there are also some flamenco rhythms which have that
form but all the 'triplet' notes are played with the 1,4,7,10,13 and
15 accented. I think the 'Bo Diddely' beat is much the same.
Icarusi
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So, any more songs that have that kinda rhythm playing??? So I can
call it the "Bo diddely" rhythm?? Doesn't seems that familiar to many
people i think. ANy other more commong and easier name to that rhythm?
Pls advise!
well, you could call it a Johnny Otis rhythm, or even clave, which it sort of
is, or the 'hand jive' rhythm, or a 'B Section of Would You Go All the Way For
The USA?" rhythm, but I don't think there's an official name.
Clif
I've always heard it referred to as the Bo Diddley beat. I think most working
musicians are familiar with it, even those who don't know what to call it.
That's interesting, Clif, I never realized it's the same rhythm as a 3:2 clave.
Tom Lippincott
Guitarist, Composer, Teacher
audio samples, articles, CD's at:
http://www.tomlippincott.com
8 string guitar audio samples at:
http://www.soundclick.com/bands/3/tomlippincottmusic.htm
I haven't heard of those artist name before. THanks for introducing me
to them. Anyway, these artist are blues, rock n roll kinda style
right??? So this rhythm is birth from blues rock n roll roots. I think
I can call it Bo Diddley rhythm. Any more songs that incorporate this
rhythm?
Hi,
Yes, it's the Bo Diddley beat, as popularized by Bo Diddley in March
1955 in his debut recording "Bo Diddley".
Other famous examples of the Bo Diddley beat are the Johnny Otis song
"Willie & The Hand Jive", Buddy Holly's "Not Fade Away", the
Strangeloves' "I Want Candy", Nick Lowe's "I Love The Sound Of
Breaking Glass", the Pretenders' "Cuban Slide" and U2's "Desire".
David Blakey, Webmaster,
BO DIDDLEY-The Originator
http://members.tripod.com/~Originator_2/index.html
A Celebration of his unique contribution to Popular Music.
Mr.Will
"David Blakey" <dae...@eudoramail.com> wrote in message
news:5388d55c.03090...@posting.google.com...
You can find it used in a jazz context on "Big Alice" (George Adams and Don
Pullen Live at The Village Vanguard), but you can also hear it on the Folkways
recording "The Music of the Upper Nile" which presents the possibility that
it's origins could be centuries old. Some guys here used to call it the
"Hambone Rhythm".
Charlie Robinson Jazz Guitarist, Composer
You can hear me online at: http://www.cdbaby.com/cd/robinsonchazz
or http://www.soundclick.com/bands/rmmgj_music.htm
The "Mrs. Robinson" beat?
Mark Smart
www.marksmart.net
There was a reggae band in Boston in the early 80s that did an
absolutely killer version of this song (I didn't even know it was a
cover for the longest time) that was a solid one drop. I wish I had a
recording of them doing that. The Montegomery Bros fronted the band, but
later they left and it was populated by fusion musicians and they lost a
bit of their groove.
Don't know too much about the original.
</rambling>
Edwin
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I don't have a recording, but I recall it's the "Bo Diddley" rhythm (based on
certain songs he recorded, more than one I believe) ..
Some call this the "Hand Jive" groove too.. These are the terms I've heard on
stage, when we're about to start a song I've never played. just generic terms
to convey a groove idea.
"OldJazzBass" <oldja...@aol.com> wrote in message
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