It has a sunburst, too! At first glance, it looks like a Gibson. But it has
a strange combination of fan-bracing and pin bridge. No fingerboard markers,
peghead shape very nearly the same as a Gibson. Vaguely dread-not shape,
only slightly smaller. I would say, judging from the amount of finish
crazing, that the guitar was made some time during the 1950's.
I have it here at my studio. It's a nice guitar for taking a few moments
break from my art work. Has anybody in this group come across a guitar like
this? Unlike my friend, Mr. Pearse, I know next to nothing about European
guitars. I do know Swedish cars, though! I drive a '66 Volvo 122S wagon & a
'67 Volvo P-1800. I like the idea of having a Swede guitar to accompany me
to the various Volvo car events I attend, by-yiminie!
Neil (anything from Sweden is okay with me) Harpe
John...can't thank you enough. My friend will be most pleased to learn
of the uniqueness of his instrument. I knew the members of RMMGA would
come through. Love this group!
Thanks again.
Robert
P.S. I use your strings exclusively. Excellent!
Neil. Hope you got to read John's response. It was excellent. I
can send it to you if your newsreader missed it.
I found this follow up (by you) accidentally.
Hope you got the info.
Cheers,
Robert
I love this story! Goya "folk guitars" were quite common in Southern
California back then; my friend Neil Fond always called his Goya a
"shiksa", which is a Yiddish word for a non-jewish female as is "goya".
I knew at the time that the guitars were made by Levin, and I always
had a nagging feeling that there was a joke in there someplace.
Thank you!
Bob Abramowitz