I am not familiar with Eastman's beginning outfits, but I own one of
their upper end violas. The guy who does my violin repairs (on an
expensive violin) uses Eastman's extensively for his beginner packages
at his retail store and for his rentals. Eastman's is actually only
about 10 miles from where I live in the outer Washington DC suburbs in
Clarksburg, MD, but I haven't been there myself. They do wholesale
only to dealers from that location. They enjoy a fine reputation. I'm
not familiar with Yamaha violins although I have had a Yamaha piano
for years.
Jon Teske
I'll get into trouble (with someone, doubtless) for doing this, but I really
do like the Cremona violins. At the price, I'm finding good uses for them
in my studio; good trade-up with respect to size, and no problems with them
that can't be easily remedied with a little bit of set-up, and I mean a
little bit:
My viola is a high end Eastman. It was about $2100 in 1997 with
a Bobelok basic retangular case. It has been very servicable and I use
it in my occasional symphonic and chamber playing.
Jon
You hit on the point.
Good set up!
I have seen $100 chinese violins and all they need to work fine is a
new set of pegs, a good bridge and sound post, dominant strings, and a
nice fingerboard dressing.
That is probably the difference between the eastman as set up by a
professional and a yamaha right out of the box.
Jack H.
I'm not familiar with the current Yamaha line.
I used to carry the Cremona low end, but I was unhappy with the last
SV-175 shipment. The setup wasn't where it needed to be. One
soundpost was cut so badly that the sharp edge had cracked the top. I
can't deal with that kind of thing. As I recall, one outfit was
actually having these drop shipped with the stock piano wire strings
and thick bridge. Shudder to think of a beginner getting this to work
well. The lower end of the Cremona line needs a going through to
really be suitable for serious learning.
I've actually had good results with the mid level Cremona.
Unfortunately, low priced web retailers keep the price down low enough
that adding time and good strings makes them uncompetitive in the
typical retail setting where one has to stand behind the
instruments.
Steve
Liz
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