One can clearly see that despite claims by RDB fans , RDB was not the only
popular MD of 70s. LA and KA were also giving hits. In fact I would say LP
were #1 in 70s. And we all know who was the #1 in 80s.
Also one can see the degradation of HFM in 70s , 80s and 90s. No wonder many
knowledgable music fans do not take the opinion of post 70 born generation
seriously.
-- RaviK.
>Year : 1976
>Song : husn hazir hai mohabat kee saja
>Film : Laila Majnu
>Singer : Lata
>MD : Madan Mohan
>Comments : Nothing special about this song. Many felt this song was boosted
> by SSKR as a tribute to Madan Mohan.
>----
>Year : 1977
>The only year which I am not able to recollect. If someone can help me here
>, that would be great.
>-----
Correction recvd from Satish Subramaniam. Thanks Satish.
Year : 1976
Song : Kabhi Kabhi mere dil main
Film : Kabhi Kabhi
Singer : Lata and Mukesh
MD : Khayyam
---
Year : 1977
Song : husn hazir hai mohabat kee saja
Film : Laila Majnu
Singer : Lata
MD : Madan Mohan
-- RaviK.
Sudeep
P.S. We could done without your "raddi" comments. All the same, gives the
RMIM'ers an insight into your tastes.
I would like to find out which year/week this happened in. Since the inception
of the BGM in 1954 to 1971, when I first left the country, I heard it almost
every week, and I am hoping it must have been in one of those missed programs.
BTW, from 1952 when the program actually started, to sometime in 1954, when it
was changed into its later format, it used to be only a half hour duration, 7
songs would be played, and the listeners would be asked to send in their
choice of those 7 songs, in order of preference. A Rs. 100 award used to be
given to one whose list matched the one made up by the most preferred songs by
most respondents, and so on.
Another point of note here, regards the "points" system. It was disontinued
sometime in the early sixties, IIRC, upon sustained and continuous objections
of MDs and film producers. Also, after a song had played in the BCG for
sixteen times, the song would be pulled out. Further, the one song that got
the most points during the points era was the "Zindagi bhar nahiN bhoolegi woh
barsaat ki raat" , 427 points, IIRC.
There were only a few instances where all the songs from a film made it to the
BCG not necessarily all in the same week, though. Nagin, Jagriti (both music
by Hemant) were two of them that I remember. So was CID, the exception being
the song that was not retained in the film. Can someone list other films
falling in that category?
Happy listenings.
Satish Kalra
Ravi,
Great post! Now "raddi" and "Super raddi" are my favourite words.
I am learning so much from you. Wish i had some more time to go thru the
individual comments about some of the "raddi" and "super raddi" songs
which you mentioned. In any case a sublime post!
>
>Also one can see the degradation of HFM in 70s , 80s and 90s. No wonder many
>knowledgable music fans do not take the opinion of post 70 born generation
>seriously
Yes! how can post '70s opinion be taken seriously? I really wonder how
you keep coming up with such logical and coherent arguements. Sheer
Genius!!!!
regards
Anand (a Ravi Krishna fan)
.
>
>-- RaviK.
Very nice article, Ravi. Impressive feat of memory. Your comments
on the sartaaj geet process are very informative.
There are a few differences with what I remember for the earlier
years you have covered and a few more discrepancies with the list
in the RMIM Archives article for the later years.
>Since it's inception in 1953 till 1968 Shankar Jaikishan
>were the number # 1 MD's in terms of maximum number of songs
>played in the annual hit parade. In fact in one week of BGM all
>the 16 songs were that of SJ. SJ were at last ousted by
>Kalyanji-Anandji in 1969 as the number 1 MD .
One of the early examples of "odd toppers" happened in 1965. You
might remember a Mukesh/Lata tandem from a film called 'Saheli'
with music by K-A: "jis dil mein basaa thaa pyar teraa." It is
a very average Mukesh song and the Lata version is far below average
as a Lata solo. K-A themselves have done better in the past: the
'Dulha Dulhan' tandem "ham ne tujh ko pyar kiya hai jitanaa" is
considerably better. And neither touches their 'Dil Bhi Tera Ham
Bhi Tere' masterpiece "mujh ko is raat ki tanahaai me.n". In the
year 1964-65, the 'Saheli' tandem song made a totally inexplicable,
but spectacular, march through the weekly Binaca rankings. Unlike
the topper of the earlier year "bol radha bol sangam", this one had
no street popularity, nor any critical praise. Further, it had a
very undistinguised frequency in the 'Farmaayish' programs. But it
stayed at the top of Binaca charts week after week and ended up
as the Sartaaj Geet #1 (Is that the expression or was that for the
weekly winner?) of 1965. It is still a mystery.
>Year : 1971
>Song : badi mastani hai , meri mehbooba
>Film : Jeena Ki Raah
>Singer : rafi
>MD : Laxmi-Pyare
>Comments : Raddi song. What else you expect from LP. My cousin insist that
> this song was boosted by BGM as the expense of Carvan and Kati
> Patang songs.
'Jeene Ki Raah' is a 1969 film. The song that topped the list in 1971
is almost certainly "zindagi ek safar hai suhaana" from 'Andaz' (SJ).
When a tandem song enters the weekly ranks, the custom was to alternate
the two versions as long as the song stayed in. I don't remember the
relative frequency in this case, but have a feeling it was the Kishore
version that outsold the Asha version (not to speak of the Rafi version!).
>Year : 1975
>Song : aur nahin bas aur nahin gham ke pyale
>Film : Roti Kapada Aur Makan
>Singer : Mahendra Kapoor
>MD : Laxmi-Pyare
>Comments : I like this song , not for the shouting of MK but for the
> fantastic interlude music by LP , great piano work. Great
> lyrics too.
According to the article, it was another song of the film, the Mukesh-Lata duet,
was the one that topped: "mehangaai maar gai", a raddier song, if you will!
I think Mahendra Kapoor won the best male singer Filmfare award for this one.
Who is the lyricist for this song? Santosh Anand? He did win the Filmfare for
best lyricist for the other raddier song "main na bhooloonga". I do like one
song in this film: Lata's "haay haay ye majboori".
>----
>Year : 1977
>The only year which I am not able to recollect. If someone can help me here
>, that would be great.
>-----
>Year : 1978
>Song : ankheion ke jarakon se
>Film : Ankeion ke jarakon se
>Singer : Hemlata
>MD : Ravinder Jain
>Comments : I simple hate this song.
Over-exposure, perhaps. Don't know about top of the year, but quite a nice song.
>Year : 1979
>Song : O sathi re tere bina
>Film : Mukaddar Ka Sikandar
>Singer : KK and Asha (in seperate version)
>MD : Kalyanji-Anandji
>Comments : Another BORING song. Could never understand why it was such a
> hit.
The RMIM article says the winner for 1979 is
"sheesha ho ya dil" from 'Asha'.
MKS is a 1978 film and 'Asha' is a 1980 film. Hence MKS is more likely.
>-----
>Year : 1984
>Song : tu mera janu hein , to mera
>Film : Hero
>Singer : Manhar and Anurada Paudwal
>MD : Laxmi-Pyare.
>Comments : What to say about this raddi song.
Are you sure the female singer is AP or Lata?
>-----
>Year : 1990
>Song : Gori hain kalian
>Film : Aaj Ka Arjun
>Singer : Lata and Mohd Aziz
>MD : Bappi Lahiri
>Comments : What a decline of the greatest Lata. I can't believe that songs of
> Aaj of Arjun can be ahead of Maine Pyar Kiya.
Is the male singer Mohammad Aziz or Shabbir Kumar?
>-----
>Year : 1993
>Song : Choli ke peeche kya hain
>Film : Khalnayak
>Singer : AlkaY.
>MD : Laxmi-Pyare.
It is a same-sex duet with Ila Arun and Alka Yagnik.
>One can clearly see that despite claims by RDB fans , RDB was not the only
>popular MD of 70s. LA and KA were also giving hits. In fact I would say LP
>were #1 in 70s. And we all know who was the #1 in 80s.
>
>Also one can see the degradation of HFM in 70s , 80s and 90s.
Other than "jo vaada kiyaa vo" and "saavan ka maheenaa", the 1961-70 period
was pretty gahstly, too, in terms of the #1 songs of the respective years.
In fact, even during the 1950s, only in the first and the last years
(with "tu ganga ki mauz" and "zindagi bhar nahin bhoolegi"), I would say
the #1 songs came from the segment of classiest songs of the year.
>No wonder many
>knowledgable music fans do not take the opinion of post 70 born generation
>seriously.
>
>-- RaviK.
Extending that logic, no one born after the inception of Binaca Geetmaala
(and Filmfare Awards) ought to be taken seriously. Perhaps so, although
it might render the set of serious RMIMers almost a null-set. :)
Ashok
Thanks. Yes it is true that the annual top 32 hits were rigged ( atleast
the
top 5 songs) thanks to SSKR. BGM knew very well that if only the sum
total
of points of a song played over the entire year is taken into account ,
there
will be no scope of any fraud. Hence the mysterious SSKR.
>
> stayed at the top of Binaca charts week after week and ended up
> as the Sartaaj Geet #1 (Is that the expression or was that for the
> weekly winner?) of 1965. It is still a mystery.
Sartaaj geet is the term to refer to the song which retires after a
designated number
of runs.
Annual hits need not necessarily take only sartaaz geet, though a
majority of 32 songs
is bound to be sartaaj geet because they have more points.
>
> 'Jeene Ki Raah' is a 1969 film. The song that topped the list in 1971
> is almost certainly "zindagi ek safar hai suhaana" from 'Andaz' (SJ).
> When a tandem song enters the weekly ranks, the custom was to alternate
> the two versions as long as the song stayed in. I don't remember the
> relative frequency in this case, but have a feeling it was the Kishore
> version that outsold the Asha version (not to speak of the Rafi version!).
Correction made. I was wrong.
> According to the article, it was another song of the film, the Mukesh-Lata duet,
> was the one that topped: "mehangaai maar gai", a raddier song, if you will!
> I think Mahendra Kapoor won the best male singer Filmfare award for this one.
> Who is the lyricist for this song? Santosh Anand? He did win the Filmfare for
> best lyricist for the other raddier song "main na bhooloonga". I do like one
> song in this film: Lata's "haay haay ye majboori".
Yes I have deluged with mails from RMIM'ers pointing out this mistake.
I don't know
why I still get the feeling that "aur nahin bus aur nahin" was the # 1
song.
> The RMIM article says the winner for 1979 is
> "sheesha ho ya dil" from 'Asha'.
>
> MKS is a 1978 film and 'Asha' is a 1980 film. Hence MKS is more likely.
RMIM article is wrong.
>
> >-----
> >Year : 1984
> >Song : tu mera janu hein , to mera
> >Film : Hero
> >Singer : Manhar and Anurada Paudwal
> >MD : Laxmi-Pyare.
> >Comments : What to say about this raddi song.
>
> Are you sure the female singer is AP or Lata?
To the best of my knowledge the singer was AP.
>
> >-----
> >Year : 1990
> >Song : Gori hain kalian
> >Film : Aaj Ka Arjun
> >Singer : Lata and Mohd Aziz
> >MD : Bappi Lahiri
> >Comments : What a decline of the greatest Lata. I can't believe that songs of
> > Aaj of Arjun can be ahead of Maine Pyar Kiya.
>
> Is the male singer Mohammad Aziz or Shabbir Kumar?
Does it matter. :-)
>
> Other than "jo vaada kiyaa vo" and "saavan ka maheenaa", the 1961-70 period
> was pretty gahstly, too, in terms of the #1 songs of the respective years.
> In fact, even during the 1950s, only in the first and the last years
> (with "tu ganga ki mauz" and "zindagi bhar nahin bhoolegi"), I would say
> the #1 songs came from the segment of classiest songs of the year.
If only the top song is taken into consideration you are right. But if
top 10 songs
of the year is taken into consideration , the pre 70 period had much
better songs.
On the contrary late 70s and early 80s had almost all top songs raddi.
Hence my
comment.
> Extending that logic, no one born after the inception of Binaca Geetmaala
> (and Filmfare Awards) ought to be taken seriously. Perhaps so, although
> it might render the set of serious RMIMers almost a null-set. :)
>
He He He. I liked it.
--
---------------------
Ravi Krishna
r_kr...@hotmail.com ( remove Z from Zhotmail.com to reply)
---------------------
>
>Year : 1976
>Song : Kabhi Kabhi mere dil main
>Film : Kabhi Kabhi
>Singer : Lata and Mukesh
>MD : Khayyam
>---
Ravi,
Please tell me whether this is a "raddi" or "super raddi" song? I am asking
you because you satisfy all criteria, most importantly you are not post
'70s born. Well IMWO (In my worthless opinion) i think you did not post
a keyword in your original post for this kind of songs ( or was i mistaken?)
Ravi Krishna wrote..>> In fact in one week of BGM all
>>the 16 songs were that of SJ. SJ were at last ousted by
>>Kalyanji-Anandji in 1969 as the number 1 MD .
S. Kalra wrote...>
>I would like to find out which year/week this happened in. Since the
>inception
> of the BGM in 1954 to 1971, when I first left the country, I heard it almost
> every week, and I am hoping it must have been in one of those missed
>programs.
.........................................
The only time I remember about a lot of songs by SJ in one Binaca Geet Mala was
when there were 12 out of 16 songs by them in one BGM.
In the 1974 program celebrating the 20th anniversary of BGM, that was mentioned
by Ameen Sayani, not 16 out of 16. Had that happened, it would have been
headline news all over.
....................................
>
>BTW, from 1952 when the program actually started, to sometime in 1954, when
>it
> was changed into its later format, it used to be only a half hour duration,
>7
> songs would be played, and the listeners would be asked to send in their
> choice of those 7 songs, in order of preference. A Rs. 100 award used to be
> given to one whose list matched the one made up by the most preferred songs
>by
> most respondents, and so on.
>
>Another point of note here, regards the "points" system. It was disontinued
> sometime in the early sixties, IIRC, upon sustained and continuous
>objections
> of MDs and film producers.
...............................................
This chnage away from points was made in the mid-sixties, as per Ameen Sayani
himself in the 2 record lp set of the 25th anniversary of BGM, released in
1979. Until the mid-sixties, they used to announce the popint tally in the
annual programs.
.............................................
> Also, after a song had played in the BCG for
> sixteen times, the song would be pulled out.
........................................
Make that 18 times, not 16. Again, refer to the 1979 2 lp set.
..........................................
> Further, the one song that got
> the most points during the points era was the "Zindagi bhar nahiN bhoolegi
>woh
> barsaat ki raat" , 427 points, IIRC.
...............................................
This as per my own recollection, since that year I had kept a tally of all the
songs played on BGM during the year, and as announced on the annual program. I
remember feeling very elated that my record keeping had been correct.
...............................................
Happy listenings.
Satish Kalra
>BGM had it's 1000th program somewhere in 1974. That was a special
>program for 2 hours.
>I remember entire Gwalior was talking about it.
>In that program Ameen Sayani traced the history of BGM and mentioned
>this. I believe it
>was somewhere in early 60s.
..................................
I heard that program my self. And in that program, Mr. Sayani had played the
Nagin song "man dole mera tan dole" as the #1 song of 1955, whereas it was
actually the Sri 420 song "mera joota hai japani". In the first or second
program following the annual, Mr. Sayani announced receiving many letters
referring to this 'mistake'. The 2 lp set of 1979 does not make any reference
to this mistake at all.
...................................
>
>Also I am not clear about your statement of "points" system. Point
>system and the points
>given by Shrota Sangho Ki Rai were always there. Ameen Sayani use to
>mention it very
>often. Also in the year 1974, in the annual top 32 hits , we checked up
>the points of
>all the songs with the log we maintained and it did tally ,save for top
>5 songs were as
>usual SSKR screwed up the total points.
>
>--
........................
The SSKR system was included as a basis in the early seventies, alright. What
impact it had on the songs' ratings is open for discussion, though I can see
that this left a lot of "subjectivity" with the hosts, coupled with the
'opinions' contributed by MDs, producers, etc., which was now openly made to
the organizers.The points system continued upto the mid-sixties, and the annual
list was made up solely on the points basis until then.
.......................................
Happy listenings.
Satish Kalra
Satish Kalra