Ashwini Bhide Deshpande
S44218
that hard.
The recording you mention is from Rhythm House and she has recorded some other
ones ( I think) for that company. She has recorded for HMV (I have that
recording at home of Bhoop-Nat, Kedara, and Khambavati.)
She has just recorded for Navaras and two recordings put out by the Fountain
label very recently. . She has also recorded for Music Today in the Bhaktimala
and the Young Masters series
So.. she is recording. Last t ime I saw her was a few years back in Vrindavana
singing at the Haridas Sangit Samaroha. She looked rather tired singing a
somewhat uninspired Vibhas. It seemed it was definitely way too early for her
in the morning.
Go to the websites of Shrimatis or Visa Mail Order sites for INdian music.
and look her up that way. I think you will get
what you are looking for. Their sites deal in CDs... I have her cassettes but
I think that you will get what you want.
Yours,
Sandip.
Balwant N. Dixit
number of recordings. She is expected to visit USA/Canada next Spring
for a concert tour. Her tour will be sponsored by the Center for the
Performing Arts of India of the University of Pittsburgh. More in the
near future. ... Balwant Dixit
geeta...@hotmail.com
mentioned.
geeta
In article <HU9b3.5$Cu6...@news.callamer.com>,
"greg" <petro...@netzero.net> wrote:
> Thank you for the help. I should have been more patient, but the
yahoo and
> lycos searches only gave me three or four different responses and so
I had
> assumed she was not widely recorded.
>
> Regards
> Greg
>
>
Sent via Deja.com http://www.deja.com/
Share what you know. Learn what you don't.
sanj...@my-deja.com
geeta...@hotmail.com wrote:
> She has also recorded Jog and Madhuvanti, in addition to those already
> mentioned.
>
hi!
my wife and i are big fans of ashwini bhide deshpande - can you tell me
which label these are recorded on? do you have a copy?
--
Sanjeev Ramabhadran
Abhay
sanj...@my-deja.com wrote:
> In article <7kk7rp$u74$1...@nnrp1.deja.com>,
> geeta...@hotmail.com wrote:
> > She has also recorded Jog and Madhuvanti, in addition to those
already
> > mentioned.
> >
She also has an HMV album where she has sung Yaman, Tilak Kamod, and a
Meera bhajan. In fact, IIRC, this was her debut album.
Warm regards
Abhay
geeta...@hotmail.com
Ashwini Bhide-Deshpande
Tabla- Vishwanath Shirodkar
Harmonium-Seema Shirodkar
RaagRang, Classical Vocal Vol.2
Product of Alurkar Music House
Mfg and Mkd. 1997 Fountain Music Company
599 Budhwar Peth, Pune 411002
Raag-Madhuwanti
Shiv Aad Madha Annt-Madhyalaya-Jhaptaal
Tu Hi Rab Garibnavaz-Drut-Aada Chautaal
Raag-Jog
Ja Re Ja Ja Kagawa-Madhyalaya-Ektaal
Tarana
Dir Dir Tadiyan Re Tare Dani-Drut-Teentaal
Raag-Jhinjhoti
Pati Devan Mahadeo Shiv Shambhu-Madhyalaya-Teentaal
Aakhiya Unso Lag Rahi Mori-Drut-Teentaal
Raag-Nayaki Kanada
Mero Piya Rasiya-Madhyalaya-Rupak
Ratiya Mai Jagi Re-Drut-Teentaal
Rajan P. Parrikar
specialty Raga Sukhiya Bilaval ("devi durge")? This has
been mislabelled on Kesarbai Kerkar tapes as Kukubh Bilaval.
Warm regards,
r
sanj...@my-deja.com
yes she has. this is in a release called "ashwini bhide sings morning
ragas", by rhythm house - it includes lalit, todi, kabiri bhairav, in
sukhiya bilaawal.
by the way, mallikarjun mansur had recorded (what was labelled as)
kukubh bilaawal for the music today "morning ragas" collection. is this
for real? any details on these two prakaars of bilaawal?
Rajan P. Parrikar
sanj...@my-deja.com (Sanjeev Ramabhadran) writes:
>yes she has. this is in a release called "ashwini bhide sings morning
>ragas", by rhythm house - it includes lalit, todi, kabiri bhairav, in
>sukhiya bilaawal.
>
>by the way, mallikarjun mansur had recorded (what was labelled as)
>kukubh bilaawal for the music today "morning ragas" collection. is this
>for real?
Yes, it is Kukubh alright.
>any details on these two prakaars of bilaawal?
Consider Sukhiya as a take-home problem which you
have to figure out. We expect you to post the
'solution' by the end of this week.
Briefly: Kukubh is distinguished by its poorvAnga,
in particular the special attack on the rishab. Elements
of Jaijaivanti and Jhinjhoti are also found. The precise
treatment in the madhya saptak varies. Nevertheless, the
following two features will be found in all the versions:
(a) The bilAval molecule - P P ND N S"; and the bilAvalic
komal nishAd - S" D n P or P D n D P or S" D n D P etc.
(b) The treatment of the shuddha rishab tugged with
the gandhAr (Kukubh's signature) - P M G R S N' S (G)R...
This portion lends the rAga great beauty. A trace of Jhinjhoti
is inserted (and when combined with the rishab treatment just
stated, makes for Mallikarjun's mukhDA), to wit -
G R G S R S (G)R. Notice that the tonal sentence concludes
with the tugged rishab.
Mallikarjun's is a superb rendition. For another beautiful
demonstration of Kukubh's features and a different interpretation,
listen to Mr Khan's brief AlAp on the album "Legacy." Bhatkhande's
own bandish in jhaptAla "kAhe bhajana bina khovata umara 'chatura'"
is a classic. Ramashreya Jha also has a beauty ("sumirana kara
le re mana") which I understand is often sung by C.R. Vyas.
Buddhadeb Dasgupta has also recorded Kukubh but I haven't as yet
laid my hands on it.
Warm regards,
r
Rajan P. Parrikar
>This portion lends the rAga great beauty. A trace of Jhinjhoti
>is inserted (and when combined with the rishab treatment just
>stated, makes for Mallikarjun's mukhDA), to wit -
>G R G S R S (G)R. Notice that the tonal sentence concludes
^^^^^^^^^^^^^^^^
That should have beeen: M G M R G S (G)R
>with the tugged rishab.
r