Sa' Ni Dha Pa, Ma Pa ni Dha Pa, Ma
(Ma = tiivra madhyam)
Madhuvanti has become quite a common concert piece these days (just heard
it from Uday Bhawalkar last weekend--Madhuvanti in dhrupad style gives one
pause, doesn't it?), but it's been a long time since I've heard this komal
nishad prayog. The singer I vividly remember using komal nishad in this
way is Ashok Ranade, more than ten years ago.
thx
-s
This vivAdi use of komal nishAd in Madhuvanti is not new but it
is not very common. Limited, appropriate touches of that swara
certainly enhances the development.
In recent times the Carnatic Hemavati, which is more or less
Madhuvanti with only one nishAd (komal), is becoming
popular in the Hindustani paddhati, especially among the
instrumentalists.
Warm regards,
r
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Before you buy.
Personally, I don't find it appealing. The change in mood is somewhat
jarring to me.
- Chith Eshwaran
Amba's name finds extensive application in other spheres as well.
For instance, in my hometown there is the sartorial establishment
Amba Tailors. And how can one forget Hotel Amba, that renowned
specialist in batata-vada?
Warm regards,
r
I have to agree with you here - I don't like the addition of the komal Nishad.
--
Sanjeev Ramabhadran
>In recent times the Carnatic Hemavati, .....
>r
It'd be unfortunate if Dr. Parrikar has made a
conscious decision to go back to the British Raaj
spellings Carnatic, Cawnpore, etc.
Ashok