Is there any reason why I should not put a tabla head on my Mridang?
I have a mridang with a 6-inch diameter treble end, which should work
for a 6-inch tabla head. I'm thinking of putting a Vishnu head on,
as friends have told me that they are better than others. I currently
have a "Mridang head" on the drum, and I'm having a hard time getting
the full range of tabla bols on this head.
While I'm at it, another question: Is there any advantage to using
the black tarry goop for the inside of the bass head on the mridang,
or is it better to use some other substance?
I appreciate any advice!
Namaskar,
Chris
mridang? I assume you don't mean the Southern Mridangam. If you do
then only a mridangam head will sound right
No, you are correct. It is not a Southern Mridangam, it is a Mridang
with hooks, as shown on the following page:
http://www.aacm.org/shop/product43.html
I basically would like a tabla-like sound on the treble head, although
not tuned as high as a tabla normally is. I will keep it tuned around
G-A
Chris
I never saw anything like that before!
This type of drum is used extensively in Ashrams and meditation
centers because it is good for accompanying chanting. The metal hooks
make it easy to tune and it stays in tune well. It is quite loud for
playing with large groups of people.
The technique I use for the treble head is basically tabla technique
and not much like traditional mridangam or pakhawaj technique. The
bass head is not much like a bayan, of course. There is a gob on the
inside which might be tar, silicon, or poster putty.
OK, I'm guessing that noone has much to say about my initial
questions.
Chris
It looks as if you're going to have to try it and let us know the results.
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Will do... although I might leave the old head on for a while just so
I can get a bit more life out of it.
Chris
If you would like more information on alternative substances to put on the left hand then check out my book "Manufacture and Repair of Tabla" One of the appenicess contains a discussion on this.
http://chandrakantha.com/products_and_services/marot.html
Good Luck
David Courtney
> The technique I use for the treble head is basically tabla technique
> and not much like traditional mridangam or pakhawaj technique. The
> bass head is not much like a bayan, of course. There is a gob on the
> inside which might be tar, silicon, or poster putty.
That sounds like the gaab used for dholak, dholki or naal.
Orlando
Much of the playing technique on mridangam is quite different from that of
tabla, so why are you trying to get the full range of tabla bols on a
mridangam? Are you trying to play tabla on mridangam? If so, why? In
answer to your initial question, I see no problem with putting a tabla head
on a mridangam, as long as you are aware of the differences. For one, the
chaat on a mridangam head will probably extend right up to the shyaahi and
leave you very little sur to play on, as compared with a tabla head. The
head will also probably be much thicker than a tabla head.
> > While I'm at it, another question: Is there any advantage to using
> the black tarry goop for the inside of the bass head on the mridang,
> or is it better to use some other substance?
Are you asking if you should use shyaahi on the left hand head of the
mridangam? If so, the tradition is to use a paste of flour and water. My
sense is that the shyaahi would be too porous and have too many tiny cracks
to provide the customary bass sound. But you could try it.
Regards,
Orlando
He is not talking of South India's mridangam. Maybe I'm wrong, but I
suspect you are?