I like that alot of pop musik which now uses auto-tune, or the myth of
auto-tune ie what is misheard as autotune alot in music. Marina in her song
Daddy was a Sailor for instance could be auto-tune. But that can sometime
disintegrate the rest of the song to make it sound even worse so I'd say
its not a good tool to use and often not for that reason. Often its
mistaken for other effects put on tracks or that they have been run through
or the bandwidth manipulated by. Like a vocoder, reverb unit, just messing
with the frequency band there are hundreds of such units to choose from,
that sound similar but have a different principle in how they manipulate a
soundwave by way of decompressing or stretching or adding space by way of
acoustics or a room. I think here Marina used a vocoder like that first
used for SiGSaly and during WWII for decoding Eisenhower and Churchill by
encoding then decoding only what could be heard later and the speech by
decoding at a certain frequency. This could be humanly done if you knew the
frequencies and coding however. Or project X at the Pentagon before it was
declassified and picked up by recording artists as the robot sound. If on
auto tune a computer takes the bandwidth analyses it and corrects the
frequency sonically how a computer thinks a human sounds this is a totally
different sound altogether, it sounds like a computer generated vocal. And
that could be double tracked over to make it sound more human or as a guide
track. It is just the most overused and most misunderstood word in the
music press today I think. But that's nothing new music is misunderstood
aswell I think of what it is capable of and what we only allow it to be
used for:
from a bar in contemplation:
http://www.youtube.com/watch?v=TcNUBfuEbxk
Angela
On Sunday, 14 April 2013 03:14:47 UTC+1, Douglas Alan wrote:
> On Sat, Apr 13, 2013 at 6:09 PM, Richard Messum <
spri...@cyg.net<javascript:>