Witch of the Westmerland, by Archie Fisher.
more: http://www.robotwisdom.com/jorn/hurley.html
--
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yet playful, polymathic in scope of interests, minimalist
but user-friendly design." --Milwaukee Journal-Sentinel
> I thought with Halloween coming up, it might be fun if everyone
> shared the folk songs they know about ghosts and sprites and goblins
> and vampires and spooky ships and such. I thought it might help to
> take our mind off some of the real life scary things we are dealing
> with these days.
"Miss Bailey" has a ghost in it, treated with charming (I suppose)
18th-centurn skepticism.
In that vein, "Anne Boleyn" is also worth singing.
--
--- Joe Fineman j...@TheWorld.com
||: What's _done_ we partly may compute, :||
||: But know not what's _resisted_. :||
David
Jesiana
"If you can walk, you can dance. If you can talk, you can sing."
What about Buffy Sainte-Marie's "The Vampire"...?
That one's really eery and spooky...
Manfred
http://www.bobdylanroots.com DYLAN "ROOTS" (under construction)
http://www.historysong.com HISTORY IN SONG
http://www.geocities.com/nashville/3448/ DOC WATSON & WOODY GUTHRIE
http://www.manfredhelfert.de/janisjoplin/ JANIS JOPLIN "ROOTS"
Rick
>I thought with Halloween coming up, it might be fun if everyone shared
>the folk songs they know about ghosts and sprites and goblins and
>vampires and spooky ships and such. I thought it might help to take our
>mind off some of the real life scary things we are dealing with these
>days.
Well, it might depend a bit on your definition of folk song. If you
are looking for songs that are widely known (so they can be discussed,
compared and so on) that is one thing. If you are looking for new
songs to learn (or just enjoy) yourself, it opens up a larger field.
People who read science fiction and fantasy have an active subgroup
who write and sing songs about these things. I can list dozens of
songs on such topics. But they are only well known within the
community, and the tapes and CDs are handled by specialty distributors
instead of the big national or international chains.
Originally called Science Fiction Folk Songs, there was a typo that
stuck - they are now called filk songs. If you make the same inquiry
on rec.music.filk you will get many responses.
Just to throw some titles out there:
The Lady
Sweet Savage Vampire
Little Green Eyes
Ferryman, Ferryman
Child of Darkness
Lammas Night
The Queen of Air and Darkness
Howling Mountain
AI, Cthulhu (there are dozens on just the Cthulhu mythos alone)
Bloodsisters
Kraken
Lady of Shadows
Moon
Phantom Rider
Breeze
Crimson and Crystal
Things
Vampire Megabyte
Werewolf's Lament
Baby Vampire Boogie (Fly-By-Night)
If you have a favorite spooky movie (Interview With The Vampire) or TV
show (Buffy the Vampire Slayer, X-Files) or book (various St. Germain
stories), the odds are very good that someone has written a song about
it.
>I thought with Halloween coming up, it might be fun if everyone shared
>the folk songs they know about ghosts and sprites and goblins and
>vampires and spooky ships and such. I thought it might help to take our
>mind off some of the real life scary things we are dealing with these
>days.
The Carter, Bob Franke.
Dan, ad nauseam
I have a few:
1. Baby Vampire Boogie, by Harold Groot
2. Dawson's Christian, by Dwayne Elms
3. Child of Darkness, by Cynthia McQuillian
4. Vampire Megabite, by Steve Savitzky
5. The Ferryman, by Misty Lacky & Leslie Fish
6. Heat of the Blood, by Tom Smith
7. PQR (You Ain't Seen Nothing Yet), by Tom Smith
8. Crimson and Crystal, by Cynthia Mc Quillian
These are just a *few* of my favorites.
Rillaz
-Terri
Rilla
The Purple People Eater!
--
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
-Terri
Both originally 'Border Ballads' and featured in Childe.
Best wishes
Frederick
(Oxfordshire - UK)
If this doesn't send shivers down your spine, you don't have one!
jk
Bob G.
>"Miss Bailey" has a ghost in it, treated with charming (I suppose)
>18th-centurn skepticism.
Speaking of the lady, I've recently been doing a bit research on it. Bruce
Olson has much good background at his website that I won't repeat here.
Except that the tune for this song was, by then, in tradition but based on
"Ally Croker" by Larry Grogan, an Irish piper of the first half of
the 18th century, & traditionally credited with the composition about 1725.
The new song was written by someone only identified as "Risk" for George
Colman's "Love laughs at locksmiths," (a comic opera, in two acts.) It
premiered on July 25, 1803 (Not worth reading, BTW.)
The play was translated word-for-word from the French, "Une Folie" with the
single addition of "Unfortunate Miss Bailey" at the very end. The song
became a pop hit in London and also, 4 years later after the play was
pefmormed in NY, in the US. It went immediately into tradition in both
countries and is recognized as the tune for the Battle of New Orleans song,
"The Hunters of Kentucky."
Now here's the thing. The song's pretty standardized but Marais and
Miranda sing a 5th verse I haven't heard elsewhere. It appears in the Levy
Collection _handwritten_ anonymously onto the sheet music from NY but there
is no piece of this verse in the original book of the play. (I have a
microfiche copy of the book from Inter-Library Loan in front of me now.)
If you go to http://levysheetmusic.mse.jhu.edu/advancedsearch.html and
search titles for Unfortunate Miss Bailey. It's extremely hard to read but
I down-loaded the right-click image and played a bit. Referring back to
Marais's singing, I get this:
Next morn his man knocked at his door,
He says "John, now [come] dreピ me.
Miピ Bailey's got [my] one-pound note."
John says, "Good Heavens, bleピ me!
I should not mind if she had ta'en
No more than all your riches;
But with your one-pound note, Egad!
She's ta'en your [only] breeches."
Oh, Miピ Bailey, unfortunate Miピ Bailey,
Worth singing, I think. I wonder if any might have any additional info on
this last verse?
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
I am Abby Sale - in Orlando, Florida
Boycott South Carolina!
http://151.200.0.60/communications/press_releases/SCEconomic2.asp
There have been some good ones mentioned here; I always play "Tam Lin"
on Samhain/Halloween.
One of my favorite chilling sorts of songs may not entirely be
considered folk, but the feel and sound of it most certainly is:
Robyn Hitchcock and the Egyptians' "Lady Waters and the Hooded One".
Great song about the Black Plague and cheating death.
Ginger-lyn
--
It you can't beat 'em
and they won'tlet you join 'em
best get out of the county. Maverick's Pappy
-> Not sure as you would consider this spooky, but I always get chills
-> from "In the Hills of Shiloh," which Judy Collins recorded ages and
-> ages ago.
Yes! Let's also give credit to the writers, who were Shel Silverstein
and, um, I forget the other one. Sorry.
Gerry Myerson (ge...@mpce.mq.edu.au)
-> I am only familiar with the Mary McHaslin (sp?) version. Is she the
-> person who wrote it? I don't think ( or know if) it is a
-> "traditional" song. Who else did it?
->
-> Rilla Heslin wrote:
->
-> > Which version were you thinking of? I've run across four so far.
-> > I think they are all good, but my favorite is the one done by
-> > Eileen McGann.
-> >
-> > TAsher wrote:
-> > >
-> > > Not a Halloween song, but the song "Windego" can send shivers
-> > > thru ya.
Mary McCaslin recorded a song called Windigo. I don't remember who's
credited as the writer.
Eileen McGann recorded an entirely different song called Windigo's
Coming. The McCaslin song is spooky, I don't think the McGann song is.
Gerry Myerson (ge...@mpce.mq.edu.au)
Back in 1958 (I can just remember that far) my older brother was reading
about the Wendigo, sitting on the windowsill in the toilet... he was so
absorbed by the story that he didn't notice the sash window (note for
non - British- a vertical sliding window) had descended silently,
trapping the tail of his shirt. When he could take no more, he tried to
get up and go....
I was only 3 and a half, and I can still remember the screams as he
found he was trapped.
Paul Burke
Since it is a Native American Myth, we do our version in a very
traditional style. I guess that's what tends to get to our audience.
We have many request for it *because*, we are told, that it is so very
chilling.
Rilla
Yes! Let's also give credit to the writers, who were Shel Silverstein
and, um, I forget the other one. >>
We tend to remember Shel for his children's books and forget what a good
songwriter he was...he is also responsible for the lovely "On Susan's Floor,"
which Gordon Lightfoot put on an album back in the seventies.
>For humourous gruesomeness, Tom Leher's "I hold your hand in mine, Dear."
>and for baby boomer nostalgia, "Spooky, Spooky, lend me your tomb," a take
>off one "Kooky, Kooky, lend me your comb," which I think was done by
>Connie Stevens. So okay they aren't folk songs.
"Kooky..." was Edward Byrnes and Connie Stevens (1959).
"Spooky..." was done by Spike Jones on one of his later albums (one
when it wasn't mainly about the sound effects like his more famous
efforts).
I don't think anyone has mentioned the various
"Vanishing Hitchhiker" songs like "Bringing Mary
Home" and the one Tom Waits does, "Phantom 409."
I wrote a song based on the story of Nasrudin
(hero of a million Sufi folk tales) taking a short cut
through a cemetary and falling into an open grave.
Pint and Dale do a great song called "The Trefina's
Extra Hand" about a sailor dying on board ship who
announces that he likes the ship and intends to stay
on board - and does. I'm afraid I don't know the
author to that one either.
Rob
-Terri
*Ferryman* is a type of "Vanishing Hitchhiker" song. It's been mentioned
twice so far.
Rilla
>I thought with Halloween coming up, it might be fun if everyone shared
>the folk songs they know about ghosts and sprites and goblins and
Staying strictly on topic (for a change), the "Happy!" file gives us the
following actual Halloween songs:
But as it fell out on last Hallow-even,
When the seely [fairy] court was ridin by,
The queen lighted down on a gowany [daisy] bank,
Nae far frae the tree where I wont to lye.
"Allison Gross," Child #35 & Steeleye Span
Then will you meet me here, my faithful Johnny,
Then will you meet me here, my sweet and bonnie?
Though the night be halloween,
When the fearful sights are seen
I will come again, my sweet and bonnie, I will come again.
"Faithful Johnny" sung by Redpath, Dransfields,Dyer-Bennett
- music arr. (not composed) by L Van Beethoven.
But tonight is Halloween and the fairy court rides
Those that would let true love win,
At Miles' Cross they must hide.
"Tamlin" (Child #39)
There must be umpteen versions of that one.
Anybody want to share a few?
========> Email to "jc" at this site; email to "bogus" will bounce. <========
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
http://www.purr.demon.co.uk/purrhome.html food intolerance data and recipes,
freeware logic fonts for the Macintosh, and Scots traditional music resources
> Gordon Bok recorded a song called "The Banging of the
> Wheelhouse Door." I don't know who wrote it. It is
> a ghost story without a ghost. The sailor is thrown
> from his ship and his friend drowns. Someone drags up the
> ship and it lies on the beach near his house and every
> time its windy he hears the banging of the door...
> Very spooky, but no spook. Great song.
Sean Gagnier wrote that song, years ago in Montreal,
around 1969-70. Don't know where he is now.
--
Dennis Brown de...@ncf.ca
It's more funny/spooky, but I always liked an old round called "Have you
seen the ghost of Tom?"
Have you seen the ghost of Tom?
Long white bones with the skin all gone.
Oh, Oh, Oh, Oh Poor old Tom,
Wouldn't it be chilly with no skin on!
We used to couple it with the story of American Revolutionary War
figure, Thomas Paine, and his post-mortem travels.
--
Maynard Johnson
Kitchen Musician WWW Site
http://members.aol.com/kitchiegal/
Jink and Diddle School of Scottish Fiddle
http://members.aol.com/kitchenboy/jink/jink.html/
> ...and the one Tom Waits does, "Phantom 409."
by Red Sovine, I believe -- circa 1970.
Over the Ground -- sung by Dave Goulder, the joke turned
song about the fellows who fall into an open grave.
The Griesly Bride -- young bride turns weremonster on wedding night
His wedding bed still waits for him,
As he lays in a crimson tide
Beware, beware O' trapper man,
Beware of a griesly bride
There was an old woman all skin and bones -- a campfire jump song.
But, the king of humorous spooky songs -- Ten Dead Fingers,
by Tom Baxter.
And easily, without doubt, the king of spooky songs,
The Nightmare -- also by Tom Baxter, about a dream of a
demon ride into the pit of hell and the very palm of
the Dark One himself, and a story hidden within about
a altogether different ride. Brilliant!
rob d.
Jack Dingler
>Is Tam Lin the same as Tomlin. The song about a man captured by faeries?
>
>Jack Dingler
>
Never heard it done as "Tomlin", but yes, in "Tam Lin", he was
captured by the Faerie Queen, and has been captive for 7 years when he
meets his true love, who alone can (and does) free him from the spell.
Ginger-lyn
I have also always found the lyrics to Scarborough Fair to be really dark
and eerie - bitter and twisted man proposes all these impossibkle tasks to
his ex before he'll take her back. There's something eerie not being
said.....
Hugh
I had heard that "Scarborough Fair" was a witch finding song. That if
any woman could do any of the tasks mentioned that she would be deemed a
witch and burned. So that was the intent I used when I sang it. Though
there is probably as many different ideas about the *why's* of the song
and there are versions.
Rilla
> What about Buffy Sainte-Marie's "The Vampire"...?
> That one's really eery and spooky...
That Buffy Sainte-Marie has written (or performed) a song entitled "The
Vampire" is, to me, an interesting coincidence. I happen to be a fan of
a TV series called "Buffy the Vampire Slayer," which is about an
American teenager who is called to a destiny of battling supernatural
evil -- even though (at the time) she was much more interested in
clothes and boys.
Every now and then, someone sneers "What kind of a name is 'Buffy'?
Nobody is really named 'Buffy'!" I usually refer them to Ms. Sainte-
Marie.
--
All opinions are --surprise!-- only that.
Pax vobiscum.
est...@tfs.net
Kansas City, Missouri
> I thought with Halloween coming up, it might be fun if everyone shared
> the folk songs they know about ghosts and sprites and goblins and
> vampires and spooky ships and such.
"A Tale They Won't Believe", by Weddings, Parties, Anything. Escaped
prisoners and cannibalism... :)
Shawn
"Rob Mitchell" <rmit...@NOSPAM.gto.net> wrote in message
news:zDmE7.2232$Am1.42...@radon.golden.net...
Hmmm... guess a lot depends on the version you heard. It's an old
song and many versions are out there. In some versions both the man
and the woman are demanding that the other complete various impossible
tasks. Usually that form has alternating verses - he proposes that
she do various tasks in one verse, she counters with proposals that he
do various tasks in the following verse and so on.
As to "bitter and twisted", that's one interpretation (I will never
want to take him/her back, so I'll make the conditions impossible).
Other interpretations are possible. It could be as simple as an
excess of pride (he/she has to prove him/herself worthy of me, and the
only way to do that is to accomplish these magnificent tasks to match
my own magnificence). While pride is still a character flaw it
doesn't need to imply either bitter or twisted - especially if BOTH
sides are making the same sort of demands. Maybe they really DO
deserve each other...
Since the tasks are impossible, and meant to be, it would account for
the absence of witches burned in England in the last 500 years. Or
perhaps that's better explained by the fact that the penalty for
witchcraft in England was death by hanging (if you lasted long enough in
the jails of the time), and was invoked all too often, notably in the
first half of the 17th century.
Paul Burke
As for the rest, nonsense riddles and challenges are so common they need
not always be linked to superstition. The origins of the song pre-date
witch hysteria anyway.
David
I'd also like to add Gordon Lightfoot's "Ghosts of Old Cape Horn" and Al
Stewart's song about the Marie Celeste, who's title sadly escapes me at
the moment. Haven't heard either of them in years, since I have them
both on LP:-/
didn't the Pogues do that song about worms?
Just to get us started...
"D'yah ever see a hearse go by
And think that you'd be the next to die
They wrap you up in a bloody sheet
And throw you down about 6 feet deep
Then all goes well for 'bout a week
Until your casket springs a leak
The worms crawl in the worms crawl out
The worms play pinnocle on your snout
And them one worm who's not so shy
Goes in one ear and out one eye
Your liver turns a misty green
Your guts pour out like shaving cream
You put it on a piece of bread
And that's what you eat when you are dead
Please pass the gravy."
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
I am Abby Sale - in Orlando, Florida
Boycott South Carolina!
http://www.naacp.org/news/releases/confederateflag011201.shtml
I never thought of this as a spooky song, exactly; to me, "Yarmouth Castle" is
spookier...but "Ghosts" is a fine song indeed.
'A hundred years from now'
as sung by my friend, and working partner for twenty three years... the late
Vic Baker [Professor Wingnut, of Dr. Sunshines Pavement Show]
Do you ever think as the hearse rolls by
That some day you will have to die,
Oh, Oh, Oh, Oh where shall we be in a hundred years from now
They wrap you up in a big white frock
and screw you down in wooden box
Oh, Oh, etc,...
They dress you up in a big white shirt
Then over your coffin they shovel dirt
Oh. Oh...etc
They shovel in earth, they shovel in rocks,
They don't even care if it breaks your box
Oh Oh etc....
The worms crawl in and the worms crawl out
They goes in thin and they comes out stout
Oh, Oh,...etc...
Your eyes fall in and your teeth fall out
Your brains come trickling down your snout
Oh, Oh, etc...
Your tongue turns blue, your skin turns green
Your pus is thick with gangerene ! [Yuk]
Oh Oh etc
Repeat first verse....[if you must!!!]
[tune: First line just like part of the Teddy Bears Picnic [how apt!]
ie 'If you go down in the woods today'
second line repeats same melodic phrase,
Oh, Oh. Oh . Oh. is on a descending minor scale.Where shall we be etc...The
Dead March From Saul]
luvverly!
Dave Hunt [aka Dr. Sunshine]
Dave Hunt...Shropshire
----share what you know...learn what you don't----
For to see Mad Tom of Bedlam
Ten thousand miles I traveled
Mad Maudlin goes on dirty toes
For to save her shoes from gravel.
Still I sing bonny boys, bonny mad boys
Bedlam boys are bonny
For they all go bare and they live by the air
And they want no drink or money.
I now repent that ever
Poor Tom was so disdain-ed
My wits are lost since him I crossed
Which makes me thus go chained
I went down to Satan's kitchen
For to get me food one morning
And there I got souls piping hot
All on the spit a-turning
There I took up a caldron
Where boiled ten thousand harlots
Though full of flame I drank the same
To the health of all such varlets
My staff has murdered giants
My bag a long knife carries
For to cut mince pies from children's thighs
And feed them to the fairies
The spirits white as lightening
Would on me travels guide me
The stars would shake and the moon would quake
Whenever they espied me
No gypsy, slut or doxy
Shall win my mad Tom from me
I'll weep all night, with stars I'll fight
The fray shall well become me
And when that I'll be murdering
The Man in the Moon to the powder
His staff I'll break, his dog I'll shake
And there'll howl no demon louder
So drink to Tom of Bedlam
Go fill the seas in barrels
I'll drink it all, well brewed with gall
And maudlin drunk I'll quarrel
For to see Mad Tom of Bedlam
Ten thousand years I have traveled
Mad Maudlin goes on dirty toes
For to save her shoes from gravel.
Pete
My woodworking site is at: http://peterhyde.mybravenet.com
My home page is at: http://hometown.aol.com/petetukit
Tam Lin, of course. And "The Dreadful Ghost".
jkr
> [tune: First line just like part of the Teddy Bears Picnic [how apt!]
> ie 'If you go down in the woods today' second line repeats same melodic
> phrase, Oh, Oh. Oh . Oh. is on a descending minor scale.Where shall we
> be etc...The Dead March From Saul]
Hmm. Round here it goes to "Bide Ye Yet" (and there are interesting
historical reasons why) - same rhythm as The Teddy Bears' Picnic but
a completely different tune.
>Previously on rec.music.folk, Manfred Helfert wrote:
>
>> What about Buffy Sainte-Marie's "The Vampire"...?
>> That one's really eery and spooky...
>
>That Buffy Sainte-Marie has written (or performed) a song entitled "The
>Vampire" is, to me, an interesting coincidence. I happen to be a fan of
>a TV series called "Buffy the Vampire Slayer," which is about an
>American teenager who is called to a destiny of battling supernatural
>evil -- even though (at the time) she was much more interested in
>clothes and boys.
>
>Every now and then, someone sneers "What kind of a name is 'Buffy'?
>Nobody is really named 'Buffy'!" I usually refer them to Ms. Sainte-
>Marie.
Yabbut... her given name is Barbara. So she's not *really* named
Buffy.
--
Paul L. Madarasz
Tucson, Baja Arizona
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June Tabor's rendition of The Waterson's "Scarecrow" - it's full of
pagan inuendo and absolutely brilliant!
Frederick (Oxfordshire UK)
And the TV character's name is really "Elizabeth". So she's not *really*
named Buffy.
Annie :-)
And the TV character's name is really "Elizabeth". So she's not *really* named
Buffy. <<
But that's what Spike calls her. And he's in love with her, so he should know.
Dave
Annie Walker wrote:
--
> And the TV character's name is really "Elizabeth". So she's not *really*
> named Buffy.
There is no authority for that assertion.