...
That stare mid-1960s Dylan fixes you with: it's a challenge to every
assumption about boundaries... if, as announced, an actress plays mid-1960s
Bob, then as Dylanologist Andrew Muir once said, they'll never find anyone
beautiful enough.
(Michael Gray)
There is in the heart of this documentary a sublime, mute sequence which
could be the secret key for it all... made in 1965 by Andy Warhol, in the
Factory, at the time of a screen test. Dylan sits. The camera approaches.
It fixes on the face of archangel, divided between shade and light. He
raises towards us an absent glance. The mystery of Dylan, I suppose?
(Bernard Loupias)
So arrogant, so sneaky, and so utterly beautiful to look at as a young man
- all soft brow, high cheekbones and bushy ringlets (Grant Smithies)
Good quotes, would have to agree with the authors, I love those pics from
the '60's.
You know on that "I Shot Warhol" movie they played a cover of
"I'll keep it with Mine" over the closing credits. Glad I
stayed for the ending.
The whole WARHOL thing was kind of interesting, anything which culminates
in the version of "She's Your Lover Now" on Bootleg 1-3 has to be
investigated fully.
Mr Jinx
Mr Jinx
Barbara