The storyline and the plot are incidental to the movie. They are pretty
much a backdrop or a frame. Basically, (singer) Jack Fate is released from
prison to play a benefit concert. You're never exactly sure what it's for.
You also don't know why Fate is in prison. What you do know is this is in a
war-torn, violent, police state. You're not even sure when this happening
though '60s references (particularly to music) abound throughout. The
setting is a world gone very wrong where virtually every character
apparently has suffered major burnout, and if it's not apparent in their
speech, it is in their faces. There is no luxury or relief anywhere in
sight, and confusion abounds. Soldiers, armed guards are everywhere. The
cars, the rooms are old, dingy, cramped with hints of the third world. The
people in the movie are not of any single nationality, race or religion, but
it appears they are existing (not exactly living) in some crazed inferno.
In almost every scene there is something going on in the background: People
doing menial tasks, vacuuming, cleaning, constantly running around - it is
rarely quiet. And if they're not doing menial tasks, they're praying though
you're never exactly sure what religion they're practicing.
So with that as the backdrop, Nina Veronika (played by Jessica Lange) is
trying to promote a benefit to be broadcast by the Network, which is the
government. Unable to lure any of the big stars she wants, she contacts
manage Uncle Sweetheart, played brilliantly by John Goodman who steals the
movie who can only suggest his former client Jack Fate, a has been singer.
The Network doesn't want him. Fate as it turns out, is also the son of the
dying President whose picture is everywhere. While Fate is apparently
considered a laughingstock, you know there's something special about him,
which comes out of course in the music - Bob Dylan music. As the camera
pans through some desolate urban landscape the opening verse of "Blind
Willie McTell" plays and the key line, "This land is condemned" hits hard.
Dylan music plays constantly through the film, whether by him or an
assortment of covers from all over the world. And it is used to great
And soon it becomes apparent that this movie isn't about Jack Fate at all
(or is it?) but it's about Bob Dylan, whoever that is. At the same time,
it's not about Bob Dylan, but what Bob Dylan (as Jack Fate) sees. This is
his vision and it's not pretty.
Throughout the film various characters, each with their own unique insanity
come and go, usually delivering an intense rant along the way. Fate is the
mostly silent observer and you know nothing escapes his forlorn eyes. He
says little, except when he sings and occasionally delivers fairly revealing
commentary over the proceedings.
Various characters can be related to people in Dylan's life. Sweetheart
could be based on Albert Grossman, Bobby Cupid, (Luke Wilson) could be
loosely based on Bob Neuwirth. Tom Friend, the once hip journalist who
constantly pesters Fate with moronic questions ("What did you think about
Zappa?" "Why weren't you at Woodstock?") could be based on Al Aronowitz.
However, whether they are or not doesn't really matter.
The key to "Masked And Anonymous" isn't in the story or the characters.
It's in the background, what's written on the walls, what's playing on the
radio, the quick one-liners that slip out in conversation.
Even the acting doesn't matter. Some people, are good, others aren't.
Giovanni Ribisi stands out as The Soldier in the beginning of the film as
does Ed Harris as Oscar Vogel, a blackface minstrel who mysteriously
appears, almost like an angel offering Fate advice when things get extremely
And while the film's vision is bleak and the commentary unrelenting, it is
not without humor. There are both hysterical and silly moments, though
being a Dylan fan may help with some of the jokes.
Will "Masked And Anonymous" be a smashing success in the real world whatever
that is? Probably not and who cares? Is it landmark cinematic achievement?
It doesn't matter. It could become as Michael G. Smith has pointed out on
various Internet forums a cult classic, a great midnight movie.
Like "Renaldo & Clara" it is at times like a painting, but this time,
probably thanks to Larry Charles directing, it's much more focused.
Consider it another chapter in the Bob Dylan canon. Perhaps the things he's
wanted to say he couldn't put in a song, though at times the movie is
constructed like a song.
As for the critics and the general public, as this film makes clear, they
never got it to begin with.
Those who are seriously interested in Bob Dylan and what he has to say will
want to see it more than once because you are not going to get it all the
And for those who wonder what Bob Dylan really thinks about this world we
exist in, well you just might find it here.
I really hope you don't mind, but I've cross posted your excellent
review on the British Sea Power website. This is exactly the sort of
film which would appeal to the young men and women who love this band.
Thanks for a great piece
Then click "forum"
"Peter Stone Brown" <ps...@earthlink.net> wrote in message
Do all movies go to DVD?...and if the movie is still openning in theaters in
Sept. when would a DVD most likely be released?
I don't think I can wait that long anyway. Guess I'll have to drive 2 hours to
see it. Oh well.
>Do all movies go to DVD?
..and if the movie is still openning in theaters in
>Sept. when would a DVD most likely be released?
Not all movies are released on DVD, although I'm sure Masked will be, my guess
is around Christmas.
>I don't think I can wait that long anyway. Guess I'll have to drive 2 hours
>see it. Oh well.
Unless you have a home theater, you'd probably want to do that even if you held
the film on DVD in your hands.
Not all. But have you seen some of the crap that makes it on to DVD?
This sounds like a quality piece of work that will show up in the
I was being a little bit of a wise guy. Not likely that this movie will be
a big box office draw, so I was kind of joking that it'll be on DVD in a
Won't be that soon, but I would be surprised if they aren't already pressing
the DVD's for a fall release.
I'm sure it will. They know that all of us can't wait to buy it.
"The last time the French asked for 'more proof' it came marching into
Paris under a German flag."
"I just love the French. They taste like chicken!"
--- Hannibal Lecter
> ><Do all movies go to DVD?>
> >Not all. But have you seen some of the crap that makes it on to DVD?
> >This sounds like a quality piece of work that will show up in the
> I'm sure it will. They know that all of us can't wait to buy it.
Renaldo and Clara never was released on DVD or VHS. Just crappy boots.
Renaldo and Clara was Dylan's pet project; M&A was released by Sony and will
surely be on DVD by November or December.
>Renaldo and Clara was Dylan's pet project; M&A was released by Sony and will
>surely be on DVD by November or December.
In "Judas!" magazine there's an interview with producer Nigel Sinclair
where he mentions a scene with Giovanni Ribisi which was cut heavily
for the final release, and then says "Perhaps Larry Charles will put
the full version on the DVD, which we look forward to."
for what its worth,
>this comes up time and time again. I heard a long, long time ago that
>part of the divorce settlement with Sara Dylan was an agreement to not
>re/release Renaldo and Clara.
If true, this might be Dylan's *excuse* for not releasing the film on dvd, but
I doubt it's the *reason* he has not released the film. Presumably Eat the
Document is under no such restraint and it too has yet to be commercially
released on dvd.
The way I remember it, was Dylan cut R&C down by half, keeping the music and
dumping a lot of the personal Clara stuff. The film was released AFTER the