One of the best examples of Bill Monroe's connection to
old-time music is the last track (27) of the Smithsonian/
Folkways CD "Bill Monroe and the Bluegrass Boys: Live
Recordings 1956--1969, off the record, volume 1." Ralph
Rinzler produced the CD before his recent death. That
9:45 minute track includes an interview (recorded at the
1969 Smithsonian Festival of American Folklife) with Bill
in which he explains how he tried to adapt the sound
of the old-time fiddle shuffle to his mandolin. Charlie and
Birch Monroe are also on this track, and Birch plays two
fiddle tunes: "Durang's Hornpipe" and "How Old Are You My
Pretty Little Miss."
Bluegrass is certainly a legitimate offspring of old-time
music, and Bill's passing marks the end of an era. It's a
sad moment, though Bill Monroe certainly lived a long and
very productive life. You had to see him at a festival to
appreciate how much he loved his fans, especially children.
And he'd wander around and jam with people, too. The last
time I saw him perform alive was here in California almost
two years ago. I remember him coming up on stage unannounced
and unexpected to play along with two friends of mine, one of
whom was a friend of his, on a day when Bill wasn't even
scheduled to perform.
The only thing I can think to do that seems appropriate is to
play some music in his memory.
--
-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o
Steve Goldfield :<{ {>: ste...@uclink.berkeley.edu