It is true that the organ starts to get tired and fragile: van Oosten told
me that when playing tutti, he had to remove virtually all 32' and 16'
foundation stops, to keep a stable wind supply! He also had to apply some
other tricks.
Let us all hope for a successful restauration, so that this magnificient
instrument will again produce its beautiful sound in its full glory!
--
Christian Ohn { c h o h n }
at { u l b }
dot { a c }
dot { b e }
Have you heard the organ at St. Sulpice and can you report on it? Thanks.
June
Christian Ohn wrote in message
: Have you heard the organ at St. Sulpice and can you report on it? Thanks.
The only (small) changes Renaud did was to revert on previous changes. He
certainly didn't change anything in the style.
Generally speaking, the was a dark age when people changed the style of
many organs while "restauring" them (witness the massacre of Notre-Dame
under Cochereau's influence during the 1960s). Fortunately, since the
advent of "historically informed <whatever>", this age is now over, and
the few remaining intact Cavaille-Coll organs can be expected to be
restaured faithfully. This has recently been done at St-Sernin in
Toulouse, and shall shortly be done at St-Ouen in Rouen. I guess
St-Francois de Sales in Lyon will be next on the list.
As for St-Sulpice, Daniel Roth has recorded a number of CDs there (for the
Motette label), some before the restauration, some after. The difference
is clear.
David Enos