The Secrets of the Koechel Catalogue: Contents
Nathan Eberhardt
Note: Please be sure that your window width is wide enough
for easy viewing.
-------------------------------------------------------------------
Mozart's Works and the
The Secrets of the Koechel Catalogue
-------------------------------------------------------------------
CONTENTS:*
Introduction and Questions and Answers: Part I
Chamber Music: Serenades, Divertimentos and Marches Part II
String Quartets
String Quintets
String Sonatas, Duos and Trios
Wind Ensembles
Works for Piano with Two or More Instruments
Works for Strings and Winds
House Music: Miscellaneous Works for Piano Part III
Piano Variations
Sonatas for Violin and Piano
Songs
Vocal Ensembles with Piano or Ensemble
Keyboard Music: Piano Sonatas Part IV
Works for Organ, Mechanical Organ or Armonica
Works for Two Pianos or One Piano Four-Hands
Orchest. Music: Arias and Scenes for Soprano Part V
Arias and Scenes for Alto
Arias and Scenes for Tenor
Arias and Scenes for Bass
Ballets
Concertos and Concerto Movements for Piano
Concertos and Concerto Movements for Strings
Concertos and Concerto Movements for Winds
Dances
Duets and Ensembles for Solo Voices
Serenades, Divertimentos and Marches
Symphonies and Symphony Movements
Sacred &
Dramatic Music: Church Sonatas Part VI
Litanies, Vespers and Vesper Psalms
Masses, Mass Movements and Requiem
Operas, Musical Plays and Dramatic Cantatas
Oratorios, Sacred Dramas and Cantatas
Short Sacred Works
Conclusions Part VII
-------------------------------------------------------------------
*The 33 categories in this list are the categories used in the
Mozart Database, Neal Zaslaw.
Roger L. Lustig
Nathan Eberhardt wrote:
> Note: Please be sure that your window width is wide enough
> for easy viewing.
Like, you can't limit your line length?
> -------------------------------------------------------------------
>
> Mozart's Works and the
> The Secrets of the Koechel Catalogue
>
> -------------------------------------------------------------------
Which Koechel Catalogue is this?
Oh. I thought it was a Koechel Catalogue. But then, you misrepresented
Zaslaw's work before; the Compleat Mozart's criteria for inclusion in
the database have no claim on "how we should define works" or anything
like that. Zaslaw made decisions for a particular purpose: a
performance
series at Lincoln Center. (I still want to know how the count gets
up to 800.)
Now, where's that tally of yours?
Roger Lustig
John Grabowski
In <5aulpf$19...@msunews.cl.msu.edu> eber...@pilot.msu.edu (Nathan
Eberhardt) writes:
>
>Note: Please be sure that your window width is wide enough
> for easy viewing.
Of what???
John
Nathan Eberhardt
Note: Please be sure that your window width is wide enough
for easy viewing.
*****Read the introduction _thoroughly_ before reading parts II-VII*****
-------------------------------------------------------------------
Mozart's Works and the
The Secrets of the Koechel Catalogue
Part II: Chamber Music
-------------------------------------------------------------------
Category:
Chamber Music: Serenades, Divertimentos and Marches 1
String Quartets 2
String Quintets 3
String Sonatas, Duos and Trios 4
Wind Ensembles 5
Works for Piano with Two or More Instruments 6
Works for Strings and Winds 7
-------------------------------------------------------------------
(1) Serenades, Divertimentos and Marches
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.205 (167A) Divertimento in D for Horns, Bassoon and Strings
K.290 (167AB) March in D for Chamber Ensemble
K.247 Divertimento in F for Horns and Strings "First Lodron"
K.248 March in F for Chamber Ensemble
K.251 Divertimento in D for Strings and Winds
K.286 (269a) Notturno in D for Four Horn-and-String Sextets
K.287 (271H) Divertimento in Bb for Horns and Strings "2nd Lodron"
K.334 (320b) Divertimento in D for Horns and Strings "Robinig von
Rottenfeld"
K.445 (320c) March in D for Chamber Ensemble
K.522 Ein musikalischer Spass in F for Horns and Strings
K.525 Eine kleine Nachtmusik in G for Strings
(2) String Quartets
~~~~~~~~~~~~~~~
K.80 (73f) String Quartet in G, No.1
K.136 (125a) Divertimento in D for String Quartet
K.137 (125b) Divertimento in Bb for String Quartet
K.138 (125c) Divertimento in F for String Quartet
K.155 (134a) String Quartet in D, No.2
K.156 (134b) String Quartet in G, No.3
K.157 String Quartet in C, No.4
K.158 String Quartet in F, No.5
K.159 String Quartet in Bb, No.6
K.160 (159a) String Quartet in Eb, No.7
K.168 String Quartet in F, No.8
K.169 String Quartet in A, No.9
K.170 String Quartet in C, No.10
K.171 String Quartet in Eb, No.11
K.172 String Quartet in Bb, No.12
K.173 String Quartet in d, No.13
K.387 String Quartet in G, No.14 "First Haydn"
K.421 (417b) String Quartet in d, No.15 "2nd Haydn"
K.428 (421b) String Quartet in Eb, No.16 "3rd Haydn"
K.458 String Quartet in Bb, No.17 "Fourth Haydn"; "Hunt"
K.464 String Quartet in A, No.18 "Fifth Haydn"
K.465 String Quartet in C, No.19 "Sixth Haydn"; "Dissonance"
K.499 String Quartet in D, No.20 "Hoffmeister"
K.546 Adagio and Fugue in c for String Quartet
K.575 String Quartet in D, No.21 "First Prussian"
K.589 String quartet in Bb, No.22 "Second Prussian"
K.590 String Quartet in F, No.23 "Third Prussian"
(3) String Quintets
~~~~~~~~~~~~~~~
K.174 String Quintet in Bb
K.515 String Quintet in C
K.516 String Quintet in g
K.406 (516b) String Quintet in c
K.593 String Quintet in D
K.614 String Quintet in Eb
(4) String Sonatas, Duos and Trios
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.46d Sonata in C for Violin and Unfigured Bass
K.46e Sonata in F for Violin and Unfigured Bass
K.266 (271f) Trio in Bb for Two Violins and Bass
K.423 Duo in G for Violin and Viola
K.424 Duo in Bb for Violin and Viola
K.563 Divertimento in Eb for Violin, Viola and Cello
(5) Wind Ensembles
~~~~~~~~~~~~~~
K.186 (159b) Divertimento in Bb for Winds
K.166 (159d) Divertimento in Eb for Winds
K.213 Divertimento in F for Winds
K.240 Divertimento in Bb for Winds
K.252 (240a) Divertimento in Eb for Winds
K.188 (240b) Divertimento in C for Winds
K.253 Divertimento in F for Winds
K.270 Divertimento in Bb for Winds
K.361 (370a) Serenade in Bb for Winds "Gran Partita"
K.375 Serenade in Eb for Winds
K.388 (384a) Serenade in c for Winds
K.0 [384d] Harmoniemusik in C from "Die Entfuehrung aus dem Serail"
K.A229 (439b) 1. Divertimento in Bb for Winds
2. Divertimento in Bb for Winds
3. Divertimento in Bb for Winds
4. Divertimento in Bb for Winds
5. Divertimento in Bb for Winds
K.411 (484a) Adagio in bb for Winds
K.410 (484d) Adagio in F for Winds
K.487 (496a)^ 1. Allegro
2. Menuetto: Allegretto
3. Andante
4. Plonaise
5. Larghetto
6. Menuetto
7. Adagio
8. Allegro
9. Menuetto
10. Andante
11. Menuetto
12. Allegro
(6) Works for Piano with Two or More Instruments
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.254 Divertimento (Piano Trio) in Bb, No.1
K.442 Trio in d
K.452 Quintet in Eb for Piano, Oboe, Clarinet, Bassoon and
Horn
K.478 Piano Quartet in g
K.493 Piano quartet in Eb
K.496 Piano Trio in G, No.2
K.498 Trio in Eb for Piano, Clarinet and Viola "Kegelstatt"
K.502 Piano Trio in bb, No.3
K.542 Piano Trio in E, No.4
K.548 Piano Trio in C, No.5
K.564 Piano Trio in G, No.6
K.617 Adagio and Rondo in c for Armonica, Flute, Oboe, Viola,
and Cello
(7) Works for Strings and Winds
~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.292 (196c) Sonata in Bb for Bassoon and Cello
K.285 Flute quartet in D, No.1
K.285a Flute Quartet in G, No.2
K.298 Flute Quartet in A, No.4
K.370 (368b) Oboe Quartet in F
K.407 (386c) Horn Quintet in Eb
K.581 Clarinet Quintet in A
-------------------------------------------------------------------
^Some consider notate these duos as 12 separate pieces,
other references 12 movements. Three of the twelve are
preserved in Mozart's own hand, and written in separate
parts.
Nathan Eberhardt
Note: Please be sure that your window width is wide enough
for easy viewing.
-------------------------------------------------------------------
Mozart's Works and the
The Secrets of the Koechel Catalogue
Part I: Introduction and 'Questions and Answers'
-------------------------------------------------------------------
A Brief Introduction to the Koechel Catalogue, by Neal Zaslaw
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sir Ludwig von Koechel's "Chronological-Thematic Catalogue of the
Complete Works of Wolfgang Amadeus Mozart" was published in 1862 (K1).
In it were listed all of Mozart's works known to Koechel in what he
understood to be their chronological order, from number 1(infant
harpsicord piece) to 626 (the Requiem). The second edition of the
Catalogue, prepared by Count Paul von Waldersee in 1905, involved
for the most part minor additions, corrections, and clarifications,
many of them collected by Koechel himself before his death (K2).
The first thoroughgoing revision was the third edition, completed
by Alfred Einstein in 1936 (K3). Einstein adjusted the position
of many works in Koechel's chronology, threw out as spurious some
works Koechel had taken to be genuine, and added as authentic some
works Koechel had believed spurious or not known about. He also
inserted into the chronological scheme a considerable number of
fragmentary and lost works, which Koechel had placed in an appendix
(Anhang) without chronological order. Although many of Mozart's works
were thus redated, Koechel's original numbers could not be dropped or
reassigned, for they formed the basis for innumerable editions, concert
programs, library catalogues, and reference works. Einstein therefore
extended a method already established by Waldersee in K2 for a handful
of works: he inserted new numbers between old ones by adding lower-case
letters. Thus, for instance, Koechel had given the date 1780 to the
Six Variations in B-flat major on "Helas, j'ai perdu mon amant" for
violin and piano and assigned it the listing 360. Einstein suspected
that this work was more likely to have originated in June 1781 and
assigned it the new listing K. 374b, as one of a group of seven works
that he inserted between K. 374 and K. 375. Now the work bears both
numbers.
The third edition of the Koechel Catalogue was reprinted with an
extensive supplement of corrections and additions in 1946 and is
usually identified as K3a. So-called fourth and fifth editions were
nothing more than unchanged reprints of the 1936 edition, without
the 1946 supplement. The sixth and current edition, which appeared
in 1964 edited by Franz Giegling, Alexander Weinmann, and Gerd
Sievers (K6), continued Einstein's innovations by adding even more
numbers with lower-case letters appended, and a few with upper-case
letters as well (for instance, the Symphony in G minor, K.183=173dB),
when a work had to be inserted into the chronology between two of
Einstein's lower-case insertions. So-called seventh and eighth
editions are merely unchanged reprints of the sixth. This history
of the various revisions of the Koechel Catalogue explains why many
of Mozart's works bear two "K" numbers and a few three, such as the
Symphony in B-flat major, K.182=166c=173dA.
In "The Compleat Mozart" Koechel listings are given, when these exist,
from K1 and from K6. The majority of listings in K6 have been taken
over unchanged from K3, but where changes have been made, the K3
listing has also been added.
The chronological arrangements of Mozart's works in the Koechel
Catalogue has had both beneficial and unfortunate effects on our
understanding of the composer's life and works. The availability of
such a detailed chronology, lacking for many other composers, has
encouraged careful study of Mozart's day-to-day activities and of his
month-by-month artistic development. But these seemingly concrete
dates have all too often proven unreliable, as can be seen by the
number of works that have been renumbered in subsequent editions of the
Koechel Catalogue. Writers, taken in by the Catalogue's firm dates,
have often made bold statements based upon flimsy evidence. Indeed,
the very nature of the Koechel Catalogue engenders speculative
behavior on the part of otherwise cautious scholars, for as the
Catalogue is chronological, a work cannot be entered into it without
attempting to date that work, whether or not adequate grounds for such
dating exist.-----end
Q. Do Koechel numbers, like the opus numbers in Chopin's list of works,
each represent one work?
A. No and No. Neither the Koechel numbers in the Koechel Catalogue
nor the opus numbers in Chopin's list of works _necessarily_
represent one individual work. For instance, no educated
professional pianist would consider the three Op.9 nocturnes
of Chopin to be a "work", even though the word "opus" means "work".
But this is not to say that many people wouldn't refer to them
as such very loosely...but to do so would be incorrect under
formal circumstances. Indeed, many scholars even, often simply
refer to everything under an opus number or a Koechel number
as a work without thinking twice. To call something such
as the K.A109b "London Notebook" a 'work' would be purely
illogical. It is a book of staff paper containing 40 complete
compositions. To call the K.A229 'Five Divertimentos for Winds'
a work would also be illogical, in spite of any common sciolistic
appelation. If each of these divertimentos were played from
beginning to end without pause the total timing of performance
would be comparable to the amount of time it takes to perform
the first seven of Mozart's symphonies. Also consider the fact
that sets of Chopin's works, like the 24 Op.28 preludes, are often
referred to as "works", and at the same time the preludes within
are also referred to as "works" in texts. But are we to consider
such a set of 24 as a "work" and at the same time call another
lonesome prelude off by itself under another opus a number a "work"
as well? The answer, of course, is that each prelude in itself
is a miniature and self-contained work and that's the way it must
be counted for logic's sake.
Q. Ok. But what exactly _is_ a work? I thought works had to
be big, like a symphony or an opera or a sonata.
A. No. Compositions do not have to be large to be considered
a "work". Any composition believed to be complete in itself
and independent is a "work". As it says in the Dictionary of
Music, "A Mozart work may range in size from a dance of a few
measures to a full-length opera."
Q. If that's true, what exactly does the number _626_ mean?
Is this not the number of works?
A. No, it isn't. This is simply the number of Koechel numbers.
(See above.) If another scholar besides Koechel were to have
written a catalogue of works in 1862, the chances of him
arriving at the number 626 would be infinitesimal. This
number reflects the way Mozart had his compositions published,
the way Koechel grouped the works for convenience, etc.....
It is a myth that the individual numbers in a thematic catalogue
are there to spell-out what individual works are. Works composed
and published in sets are placed under one opus/Koechel number
for obvious reasons.
Q. Ok. I know what a work is now. But what about all those
fragments, spurious works, doubtful works etc...
What exactly should we count in a list of "Mozart's works"?
A. (from the Compleat Mozart, by Neal Zaslaw- editor of the New Koechel)
"The fist problem was to define 'all' in the phrase 'all of
Mozart's music,' for in addition to the large number of
unquestionably genuine works by Mozart, there are many others
whose status remains uncertain. The latter category includes
works lacking authentic sources whose attribution to Mozart may
be questioned; works that Mozart never completed; additional
versions of works that exist in two or more authentic versions;
recently discovered works whose provenance has yet to be clarified;
and works of other composers arranged by Mozart. To deal with
these and other germane matters, I worked with Fiona Morgan Fein,
who has been appointed to coordinate the Mozart Bicentennial at
Lincoln Center.
The result of our efforts was the 'Mozart Bicentennial at Lincoln
Center for the Performing Arts: Repertoire Database,' which,
because it drew on the latest research, is more up-todate than
comparable lists found in such standard references as the sixth
edition of the Koechel Catalogue, the 'New Grove Dictionary of
Music and Musicians', and the new complete works edition (Neue
Mozart-Ausgabe).
The trickiest aspect of creating the "Mozart Database" was
deciding which pieces to include. After considerable discussion
and some trial and error, the following guidelines were established:
in addition to the unquestionably genuine works we would include
(1) incomplete works with completed movements(for instance, the
unfinished opera 'L'oca del Cairo, K.422, with its seven completed
numbers); (2) fragmentary works completed soon after Mozart's death
by former pupils or other members of his immediate circle (which
meant that we did not have to exclude the Requiem!); (3) recently
discovered works of uncertain status(the Symphony in A minor, K.16a,
was eliminated as probably spurious, but the wind octet arrangement
was included on grounds that a shrewd case had been made for the
possibility of its genuineness); (4) second and third versions of
Mozart's works made by Mozart himself.
Excluded from the canon were questionable and spurious works and
Mozart's arrangements of other composers' works(including such
items as his reorchestration of Handel's Messiah). The only
exceptions to the last category were the seven early pastiche
concertos for keyboard and chamber ensemble, K.37,39,40,41, and
107, based on movements of keyboard sonatas from the 1760s by
J.C. Bach and others; these were included on the ground that
they are not merely mechanical arrangements or orchestrations,
but new compositions in a genre different from their models.
The total number of Mozart's compositions accordings to this
way of reckoning (but not counting authentic second versions
proves to be more than 800." ----end
Q. So that means any tally like say, 624, would have to
be entirely incorrect, right?
A. You bet. :-)
Q. But how far over 800 is it exactly?
A. That's what I'll attempt to explain in the subsequent
parts of "The Secrets of the Koechel Catalogue."
As you can see, the conditions mentioned above
are an elaboration on the problem of how many existing,
authentic Mozart works there are. But to answer the
question of 'How many works did Mozart write during his
lifetime' requires a bit more diligence. One would have
to include a logical estimate for lost works...and this
too will be commented on. It is also important to note
that it is impossible to arrive at any precise number
as questions of "what is a work" span well-beyond even
the exhaustive conditions mentioned above. Thus,
the matter is open to debate, but only to a certain extent.
Nathan Eberhardt
Note: Please be sure that your window width is wide enough
for easy viewing.
*****Read the introduction _thoroughly_ before reading parts II-VII*****
-------------------------------------------------------------------
Mozart's Works and the
The Secrets of the Koechel Catalogue
Part III: House Music
-------------------------------------------------------------------
Category
House Music: Canons 8
Miscellaneous Works for Piano 9
Piano Variations 10
Sonatas for Violin and Piano 11
Songs 12
Vocal Ensembles with Piano or Ensemble 13
-------------------------------------------------------------------
(8) Canons
~~~~~~
K.89aI (73i) Canon in A
K.89 (73k)^ Canon in G, "Kyrie"
K.89II (73r) (Four Puzzle Canons)
1. "Incipe Menalios"
2. "Cantate Domino"
3. "Confitebor tibi Domini"
4. "Thebana bella cantus"
K.A109d (73x) Five Canonic Studies (see notes at bottom of page)
K.0 [74ab] Canon in a
K.229 (382a) Canon in c
K.230 (382b) Canon in c
K.231 (382c) Canon in Bb, "Leck mich im Arsch"
K.347 (382f) Canon in D
K.348 (382g) Canon in G, "V'amo di core teneramente"
K.0 [495b] Canon in F
K.507 Canon in F
K.508 Canon in F
K.508A Canon in C
K.508a&deest 14 Interval Canons in F and 2 Canons in F (see notes)
K.232 (509a) Canon in G, "Lieber Freistaedtler, lieber Gaulimauli"
K.228 (515b) Canon in F
K.553 Canon in C, "Alleluia"
K.554 Canon in F, "Ave Maria"
K.555 Canon in a, "Lacrimoso son'io"
K.556 Canon in G, "Grechtelt's enk wir gehen im Prater"
K.557 Canon in f, "Nascoso e il mio sol"
K.558 Canon in Bb, "Gehn wir im Prater gehn wir in d'Hetz"
K.559 Canon in F, "Difficile lectu mihi mars"
K.560,a-b (559a)Canon in F, "O du eselhafter Peierl!"
K.561 Canon in A, "Bona nox! bist a rechta Ox"
K.562 Canon in A, "Caro bell'idol mio"
K.562a Canon in Bb
K.A191 (562c) Canon in C
(9) Miscellaneous Works for Piano
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.1a Andante in C for Piano
K.1b Allegro in C for Piano
K.1c Allegro in F for Piano
K.1d Minuet in F for Piano
K.1 (1e) Minuet in G for Piano
K.1f Minuet in C for Piano
K.2 Minuet in F for Piano
K.3 Allegro in Bb for Piano
K.4 Minuet in F for Piano
K.5 Minuet in F for Piano
K.9a (5a) Allegro in C for Piano
K.9b (5b) Andante in Bb for Piano
K.6/Al Allegro in C for Piano
K.6/An Andante in F for Piano
K.6/Mi1 Minuet in C for Piano
K.6/Mi2 Minuet in F for Piano
K.7/Mi Minuet in D for Piano
K.8/Al Allegro in Bb for Piano
K.A109b(15a-ss) Pieces for Piano, "London (Chelsea) Notebook" (see
notes)
K.33B Piece in F for Piano, without title
K.103/Pf
(61d/Pf)- Twelve Minuets for Piano (see notes for works with "Pf")
K.61g,2 Minuet in C for Piano
K.94 (73h) Minuet in D for Piano
K.176/Pf- Eleven Minuets for Piano (see notes for works with "Pf")
K.269b (Four Contredanses for Piano)
1. Contradanse in G
2. Contradanse in G
3. Contradanse in C
4. Contradanse in D
K.395 (300g) Capriccio in C for Piano
K.315a (315g) (Eight Minuets for Piano)
1. Minuet in C
2. Minuet in G
3. Minuet in D
4. Minuet in C
5. Minuet in F
6. Minuet in D
7. Minuet in A
8. Minuet in G
K.400 (372a) Allegro in Bb for Piano
K.394 (383a) Prelude and Fugue in C for Piano
K.408,1/Pf
(383e/Pf)- March in C for Piano (see notes for works with "Pf")
K.396/Pf
(385f/Pf)- Fantasia in C for Piano (see notes for works with "Pf")
K.397 (385g) Fantasia in d for Piano
K.399 (385i) Suite in C for Piano
K.453a Funeral march in c for Piano
K.475 Fantasia in c for Piano
K.485 Rondo in D for Piano
K.494 Rondo in F for Piano
K.509/Pf Six German Dances for Piano
K.511 Rondo in a for Piano
K.540 Adagio in b for Piano
K.574 Gigue in G for Piano "Eine kleine Gigue"
K.355 (576b) Minuet in D for Piano
K.A207(AC27.06) (Nine pieces for piano)
K.624 (AC15.11) Modulating Prelude from F to C for Piano
(10) Piano Variations
~~~~~~~~~~~~~~~~
K.24 Variations in G on "Laat ons Juichen" for Piano
K.25 Variations in D on "Willem van Nassau" for Piano
K.180 (173c) Variations in G on "Mio caro Adone" for Piano
K.179 (189a) Variations in C on a Minuet by J.C. Fischer for Piano
K.354 (299a) Variations in Eb on "Je suis Lindor" for Piano
K.265 (300e) Variations in C on "Ah vous dirai-je, Maman" for Piano
K.353 (300f) Variations in Eb on "La belle Francoise" for Piano
K.264 (315d) Variations in C on "Lison dormait" for Piano
K.352 (374c) Variations in F on "Dieu d'amour" for Piano
K.398 (416e) Variations in F on "Salve tu, Domine" for Piano
K.460 (454a) Variations in A on "Come un agnello" for Piano
K.455 Variations in G on "Unser dummer Poebel meint" for Piano
K.500 Variations in Bb on an Original Theme for Piano
K.54 (547b) Variations in F on an Original Theme for Piano
K.573 Variations in D on a Minuet by J.P. Duport for Piano
K.613 Variations in F on "Ein Weib ist das herrlichste
Ding" for Piano
(11) Sonatas for Violin and Piano
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.6 Sonata in C
K.7 Sonata in D
K.8 Sonata in Bb
K.9 Sonata in G
K.10 Sonata in Bb
K.11 Sonata in G
K.12 Sonata in A
K.13 Sonata in F
K.14 Sonata in C
K.15 Sonata in Bb
K.26 Sonata in Eb
K.27 Sonata in G
K.28 Sonata in C
K.29 Sonata in D
K.30 Sonata in F
K.31 Sonata in Bb
K.301 (293a) Sonata in G
K.302 (293b) Sonata in Eb
K.303 (293c) Sonata in C
K.305 (293d) Sonata in A
K.296 Sonata in C
K.304 (300c) Sonata in e
K.306 (300l) Sonata in D
K.378 (317d) Sonata in Bb
K.372 Sonata in Bb
K.379 (373a) Sonata in G
K.359 (374a) Variations in G on "La bergere Celimene"
K.360 (374b) Variations in g on "Helas, j'ai perdu mon amant"
K.376 (374d) Sonata in F
K.377 (374e) Sonata in F
K.380 (374f) Sonata in Eb
K.403 (385c) Sonata in C
K.404 (385d) Andante and Allegretto in C for Piano and Violin
K.402 (385e) Sonata in A
K.396 (385f) Sonata Movement in c
K.454 Sonata in Bb
K.481 Sonata in Eb
K.526 Sonata in A
K.547 Sonata in F
(12) Songs
~~~~~
K.53 (47e) An die Freude
K.147 (125g) "Wie ungluecklich bin ich nit"
K.148 (125h) Lobegesang auf die feierliche Johannisloge
K.307 (284d) "Oiseaux, si tous les ans"
K.308 (295b) "Dans un bois solitaire"
K.392 (340a) "Verdankt sei es dem Glanz der Grossen"
K.391 (340b) "Sei du mein Trost"
K.390 (340c) An die Hoffnung
K.349 (367a) Die Zufriedenheit
K.351 (367b) "Komm, liebe Zither"
K.119 (382h) "Der Liebe himmlisches Gefuehl"
K.178 (417e) "Ah! spiegarti, oh Dio"
K.468 Lied zur Gesellenreise
K.472 Der Zauberer
K.473 Die Zufriedenheit
K.474 Die betrogene Welt
K.476 Das Veilchen
K.483 "Zerfliesset heut', geliebte Brueder" for Male Chorus
K.484 "Ihr unsre neuen Leiter" for Male Chorus
K.506 Lied der Freiheit
K.517 Die Alte
K.518 Die Verschweigung
K.519 Das Lied der Trennung
K.520 Als Luise die Briefe ihres ungetreuen Liebhabers
verbrannte
K.523 Abendempfindung an Laura
K.524 An Chloe
K.529 Des kleinen Friedrichs Geburtstag
K.530 Das Traumbild
K.531 Die kleine Spinnerin
K.552 Lied beim Auszug in das Feld
K.596 Sehnsucht nach dem Fruehlinge
K.597 Im Fruehlingsanfang
K.598 Das Kinderspiel
(13) Vocal Ensembles with Piano or Ensemble
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.A24a (43a) "Ach, was muessen wir erfahren," for two sopranos&piano
K.436 "Ecco quel fiero istante," for 2 sopranos, bass&basset
K.437 "Mi lagnero tacendo," for 2 sopranos, bass, clarinets
and basset horn
K.438 "Se lontan ben mio," for 2 sopranos, bass, clarinets
and basset horn
K.439 "Due pupille amabili," for 2 sopranos, bass&basset horns
K.346 (439a) "Luci care, luci belle," for 2 sopranos, bass&basset
K.441 "Liebes Mandel, wo is's Bandel?" for soprano, tenor,
bass and strings
K.549 "Piu no si trovano," for two sopranos, bass&basset horns
------------------------------------------------------------------------
Notes:
Canons:
K.A109d (73x): contains atleat three original compositions
and several solutions to Martini's riddle
canons. (Compleat Mozart, Cowdery)
K.508a&deest: 16 pieces.
Miscellaneous Works for Piano:
K.A109b (15a-ss): This notebook, according Zaslaw,
contains atleast 40 complete works.
"Pf": means that this is a piano version of some composition(s)
found in another format. In the attempt to count these
instances, only one version will be considered.
Nathan Eberhardt
Note: Please be sure that your window width is wide enough
for easy viewing.
*****Read the introduction _thoroughly_ before reading parts II-VII*****
-------------------------------------------------------------------
Mozart's Works and the
The Secrets of the Koechel Catalogue
Part IV: Keyboard Music
-------------------------------------------------------------------
Category:
Keyboard Music: Piano Sonatas 14
Works for Organ, Mechanical Organ or Armonica 15
Works for Two Pianos or One Piano Four Hands 16
-------------------------------------------------------------------
(14) Piano Sonatas
~~~~~~~~~~~~~
K.279 (189d) Piano Sonata in C
K.280 (189e) Piano Sonata in F
K.281 (189f) Piano Sonata in Bb
K.282 (189g) Piano Sonata in Eb
K.283 (189h) Piano Sonata in G
K.284 (205b) Piano Sonata in D "Duernitz"
K.309 (284b) Piano Sonata in C
K.311 (284c) Piano Sonata in D
K.310 (300d) Piano Sonata in a
K.330 (300h) Piano Sonata in C
K.331 (300i) Piano Sonata in A
K.332 (300k) Piano Sonata in F
K.333 (315c) Piano Sonata in Bb "Linz"
K.457 Piano Sonata in c
K.533 Piano Sonata in F
K.545 Piano Sonata in C "For Beginners"
K.A135 (547a) Piano Sonata in F
K.570 Piano Sonata in Bb
K.576 Piano Sonata in D
(15) Works for Organ, Mechanical Organ or Armonica
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.401 (375e) Fugue in g for Organ
K.594 Adagio and Allegro in f for Mechanical Organ
K.608 Fantasia in f for Mechanical Organ
K.616 Andante in F for Mechanical Organ
K.356 (617a) Adagio in C for Armonica
K.154a(AA61-62) (Two Little Fugues {Versets} for Organ) (see notes)
(16) Works for Two Pianos or One Piano Four-Hands
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.19d Sonata in C for Piano Four-Hands
K.381 (123a) Sonata in D for Piano Four-Hands
K.358 (186c) Sonata in Bb for Piano Four-Hands
K.448 (375a) Sonata in D for Two Pianos
K.0 [388a] Larghetto and Allegro in Eb for Two Pianos
K.426 Fugue in c for Two Pianos
K.497 Sonata in F for Piano Four-Hands
K.501 Variations in G on an Original Theme for Piano Four-Hands
K.521 Sonata in C for Piano Four-Hands
-------------------------------------------------------------------------
Notes:
K.154a (AA61-62): "Since in 1773 Mozart had not yet been appointed
organist at Salzburg, the occasion for these works
is unclear. They may prove to be works by an earlier
Salzburg composer." (W. Cowdery)
Nathan Eberhardt
Note: Please be sure that your window width is wide enough
for easy viewing.
*****Read the introduction _thoroughly_ before reading parts II-VII*****
-------------------------------------------------------------------
Mozart's Works and the
The Secrets of the Koechel Catalogue
Part V: Orchestral Music
-------------------------------------------------------------------
Category:
Orchestral Music: Arias and Scenes for Soprano 17
Arias and Scenes for Alto 18
Arias and Scenes for Tenor 19
Arias and Scenes for Bass 20
Ballet Music 21
Concertos and Concerto Movements for Piano 22
Concertos and Concerto Movements for Strings 23
Concertos and Concerto Movements for Winds 24
Dances 25
Duets and Ensembles for Solo Voices 26
Serenades, Divertimentos and Marches 27
Symphonies and Symphony Movements 28
-------------------------------------------------------------------
(17) Arias and Scenes for Soprano
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.23 "Conservati fedele"
K.0 [49a] "Cara Se le mi pene"
K.70 (61c) "A Bernice...Sol nascente"
K.78 (73b) "Per pieta, bell'idol mio"
K.88 (73c) "Fra cento affanni"
K.79 (73d) "O temerario Arbace...Per quel paterno amplesso"
K.77 (73e) "Misero me...Misero pargoletto"
K.82 (73o) "Se ardire, e speranza"
K.83 (73p) "Se tutti i mali miei"
K.74b "Non curo l'affetto"
K.119 (382h) "Der Liebe himmlisches Gefuehl"
K.217 "Voi avete un cor fedele"
K.272 "Ah, lo previdi...Ah, t'invola agl'occhi miei"
K.294 "Alcandro lo confesso...Non so d'onde viene"
K.486a (295a) "Basta vincesti...Ah, non lasciarmi"
K.316 (300b) "Popoli de Tessaglia...lo non chiedo"
K.368 "Ma che vi fece...Sperai vicino"
K.369 "Misera! dove son...Ah! non son io"
K.374 "A questo seno...Or che il cielo"
K.383 "Nehmt meinen Dank"
K.416 "Mia speranza adorata...Ah, non sai qual pena"
K.418 "Vorrei spiegarvi, oh Dio!"
K.419 "No, che non sei capace"
K.490 "Non piu, tutti ascoltai...Non temer, amato bene"
K.505 "Ch'io mi scordi di te?...Non temer, amato bene"
K.528 "Bella mia fiamma...Resta, o cara"
K.538 "Ah se in ciel, benigne stelle"
K.540c "In quali eccessi...Mi tradi"
K.577 "Al desio di chi t'adora"
K.578 "Alma grande e nobil core"
K.579 "Un moto di gioia"
K.580 "Schon lacht der Holde Fruehling"
K.582 "Chi sa, chi sa, qual sia"
K.583 "Vado, ma dove?"
(18) Arias and Scenes for Alto
~~~~~~~~~~~~~~~~~~~~~~~~~
K.255 "Ombra felice...lo ti lascio"
(19) Arias and Scenes for Tenor
~~~~~~~~~~~~~~~~~~~~~~~~~~
K.21 (19c) "Va dal furor portata"
K.36 (33i) "Or che il dover...Tali e cotanti sono"
K.209 "Si mostra la sorte"
K.210 "Con ossequio, con rispetto"
K.256 "Clarice cara"
K.295 "Se al labbro mio non credi"
K.420 "Per pieta non ricercate"
K.431 (425b) "Misero! o sogno...Aura, che intorno spiri"
K.540a "Dalla sua pace"
(20) Arias and Scenes for Bass
~~~~~~~~~~~~~~~~~~~~~~~~~
K.432 (421a) "Cosi dunque tradisci...Aspri rimorsi atroci"
K.512 "Alcandro, lo confesso...Non so d'onde viene"
K.513 "Mentre ti lascio"
K.539 "Ich moechte wohl der Kaiser sein"
K.541 "Un bacio di mano"
K.584 "Rivolgete a lui lo sguardo"
K.612 "Per questa bella mano"
K.A245 (621a) "lo ti lascio"
(21) Ballet Music
~~~~~~~~~~~~
K.A10 (299b) Les Petits Riens
K.300 Gavotte
K.367 Ballet for Idomeneo (see notes)
(22) Concertos and Concerto Movements for Piano
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.37 Piano Concerto in F, No.1
K.39 Piano Concerto in Bb, No.2
K.40 Piano Concerto in D, No.3
K.41 Piano Concerto in G, No.4
K.107,1 Piano Concerto in D
K.107,2 Piano Concerto in G
K.107,3 Piano Concerto in Eb
K.175 Piano Concerto in D, No.5
K.238 Piano Concerto in Bb, No.6
K.242 Concerto in F for Three Pianos, No.7 "Lodron"
K.246 Piano Concerto in C, No.8 "Luetzow"
K.271 Piano Concerto in Eb, No.9 "Jeunehomme"
K.365 (316a) Concerto in Eb for Two Pianos
K.382 Rondo in D for Piano and Orchestra
K.414 (385p) Piano Concerto in A, No.12
K.386 Rondo in A for Piano and Orchestra
K.413 (387a) Piano Concerto in F, No.11
K.415 (387b) Piano Concerto in C, No.13
K.449 Piano Concerto in Eb, No.14 "First Ployer"
K.450 Piano Concerto in Bb, No.15
K.451 Piano Concerto in D, No.16
K.453 Piano Concerto in G, No.17 "Second Ployer"
K.456 Piano Concerto in Bb, No.18 "Paradis"
K.459 Piano Concerto in F, No.19 "Second Coronation"
K.466 Piano Concerto in d, No.20
K.467 Piano Concerto in C, No.21]
K.482 Piano Concerto in Eb, No.22
K.488 Piano Concerto in A, No.23
K.491 Piano Concerto in c, No.24
K.503 Piano Concerto in C, No.25
K.537 Piano Concerto in D, No.26 "Coronation"
K.595 Piano Concerto in Bb, No.27
(23) Concertos and Concerto Movements for Strings
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.190 (186E) Concertone in C for Two Violins and Orchestra
K.207 Violin Concerto in Bb, No.1
K.211 Violin Concerto in D, No.2
K.216 Violin Concerto in G, No.3 "Strassburg"
K.218 Violin Concerto in D, No.4
K.219 Violin Concerto in A, NO.5 "Turkish"
K.261 Adagio in E for Violin and Orchestra
K.269 (261a) Rondo in Bb for Violin and Orchestra
K.364 (320d) Sinfonia concertante in Eb for Violin, Viola
and Orchestra
K.373 Rondo in C for Violin and Orchestra
(24) Concertos and Concerto Movements for Winds
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.191 (186e) Bassoon Concerto in Bb
K.271k Oboe Concerto in C
K.313 (285c) Flute Concerto in G
K.314 (285d) Flute Concerto in D
K.315 (285e) Andante in C for Flute
K.299 (297c) Concerto in C for Flute and Harp
*K.320/Wi- Sinfonia concertante in G for Two Flutes, Two Oboes
Two Bassoons and Orchestra
K.371 Rondo for Horn in Eb
K.412 (386b) Horn Concerto in D, No.1
K.417 Horn Concerto in Eb, No.2
K.447 Horn Concerto in Eb, No.3
K.495 Horn Concerto in Eb, No.4
K.622 Clarinet Concerto in A
(25) Dances
~~~~~~
K.65a (61b) (7 Minuets)
1. Minuet in G
2. Minuet in D
3. Minuet in A
4. Minuet in F
5. Minuet in C
6. Minuet in G
7. Minuet in D
K.103 (61d) (19 Minuets)
1. Minuet in C
2. Minuet in G
3. Minuet in D
4. Minuet in F
5. Minuet in C
6. Minuet in A
7. Minuet in D
8. Minuet in F
9. Minuet in C
10. Minuet in G
11. Minuet in F
12. Minuet in C
13. Minuet in G
14. Minuet in Bb
15. Minuet in Eb
16. Minuet in E
17. Minuet in A
18. Minuet in D
19. Minuet in G
K.104 (61e) (Six Minuets for Orchestra)
1. Minuet in C
2. Minuet in F
3. Minuet in C
4. Minuet in A
5. Minuet in G
6. Minuet in G
K.123 (73g) Contredanse in Bb for Orchestra
K.122 (73t) Minuet in Eb for Orchestra
K.164 (130a) (6 Minuets for Orchestra)
1. Minuet in D
2. Minuet in D
3. Minuet in D
4. Minuet in G
5. Minuet in G
6. Minuet in G
K.176 (Sixteen Minuets for Orchestra)
1. Minuet in C
2. Minuet in G
3. Minuet in Eb
4. Minuet in Bb
5. Minuet in F
6. Minuet in D
7. Minuet in A
8. Minuet in C
9. Minuet in G
10. Minuet in Bb
11. Minuet in F
12. Minuet in D
13. Minuet in G
14. Minuet in F
15. Minuet in C
16. Minuet in D
K.101 (250a) (Four Contredanses for Orchestra)
1. Contredanse in F
2. Contredanse in G
3. Contredanse in D
4. Contredanse in F
K.267 (271c) (Four Contredanses for Orchestra)
1. Contredanse in G
2. Contredanse in Eb
3. Contradanse in A
4. Contradanse in D
K.363 (Three Minuets)
1. Minuet in D
2. Minuet in Bb
3. Minuet in D
K.461 (448a) (Six Minuets for Orchestra)
1. Minuet in C
2. Minuet in Eb
3. Minuet in G
4. Minuet in Bb
5. Minuet in F
6. Minuet in D
K.462 (448b) (Six Contradanses for Orchestra)
1. Contredanse in C
2. Contredanse in Eb
3. Contredanse in Bb
4. Contredanse in D
5. Contredanse in Bb
6. Contredanse in F
K.463 (448c) (Two Minuets with Contredanses for Orchestra "Quadrilles"
1. Minuet in F
2. Minuet in Bb
K.509 Six German Dances for Orchestra (joined dances)
K.534 Contredanse in D "Das Donnerwetter"
K.535 Contredanse in C for Orchestra "La bataille"
K.536 (Six German Dances for Orchestra)
1. German Dance in C
2. German Dance in G
3. German Dance in Bb
4. German Dance in D
5. German Dance in F
6. German Dance in F
K.567 (Six German Dances for Orchestra)
1. German Dance in Bb
2. German Dance in Eb
3. German Dance in G
4. German Dance in D
5. German Dance in A
6. German Dance in C
K.568 (Twelve Minuets for Orchestra)
1. Minuet in C
2. Minuet in F
3. Minuet in Bb
4. Minuet in Eb
5. Minuet in G
6. Minuet in D
7. Minuet in A
8. Minuet in F
9. Minuet in Bb
10. Minuet in D
11. Minuet in G
12. Minuet in C
K.571 (Six German Dances for Orchestra)
1. German Dance in D
2. German Dance in A
3. German Dance in C
4. German Dance in G
5. German Dance in Bb
6. German Dance in D
K.585 (Twelve Minuets for Orchestra)
1. Minuet in D
2. Minuet in F
3. Minuet in Bb
4. Minuet in Eb
5. Minuet in G
6. Minuet in C
7. Minuet in A
8. Minuet in F
9. Minuet in Bb
10. Minuet in Eb
11. Minuet in G
12. Minuet in D
K.586 (Twelve German Dances for Orchestra)
1. German Dance in C
2. German Dance in G
3. German Dance in Bb
4. German Dance in F
5. German Dance in A
6. German Dance in D
7. German Dance in G
8. German Dance in Eb
9. German Dance in B
10. German Dance in F
11. German Dance in A
12. German Dance in C
K.587 Contredanse in C for Orchestra "Der Sieg vom Helden
Koburg"
K.106 (588a) Overture with Three Contredanses
K.599+601+604 14 Dances (to be played in order as a group)
K.600+602+605 13 Dances (to be played in order as a group)
K.603 (2 Contredanses)
1. Contredanse in D
2. Contredanse in Bb
K.607(605a) Contredanse in Eb for Orchestra "Il trionfo delle donne"
K.606 (Six Dances in Bb)
1. Dance in Bb
2. Dance in Bb
3. Dance in Bb
4. Dance in Bb
5. Dance in Bb
6. Dance in Bb
K.609 (5 Contredanses)
1. Contredanse in C
2. Contredanse in Eb
3. Contredanse in D
4. Contredanse in C
5. Contredanse in G
K.610 Contredanse in G for Orchestra
K.611 German Dance in C for Orchestra
(26) Duets and Ensembles for Solo Voices
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.479 "Dite almeno in che mancai", for soprano, tenor, two
basses and orchestra
K.480 "Mandina amabile", for soprano, tenor, bass& orchestra
K.489 "Spiegarti non poss'io," for soprano, tenor& orchestra
K.540b "Per queste tue manine," for soprano, bass& orchestra
(27) Serenades, Divertimentos and Marches
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.32 Gallimathias musicum for Orchestra
K.100(62a)+K.62 Serenade in D for Orchestra
K.63 Cassation in G for Orchestra
K.99 (63a) Cassation in Bb for Orchestra
K.113 Divertimento in Eb for Orchestra
K.131 Divertimento in D for Orchestra
K.185 (167a) Serenade in D for Orchestra
K.189 (167b) March in D for Orchestra
K.203 (189b) Serenade in D for Orchestra
K.237 March in D for Orchestra
K.204 Serenade in D for Orchestra
K.215 (213b) March in D for Orchestra
K.214 March in C for Orchestra
K.239 Serenade in D for Strings and Timpani"Serenata Notturna"
K.250 (248b) Serenade in D for Orchestra "Haffner"
K.249 March in D for Orchestra
K.320 Serenade in D for Orchestra "Posthorn"
K.335 (320a) (Two Marches in D)
1. March in D
2. March in D
K.408,1 (383e) March in C for Orchestra
K.408,3 (383f) March in C for Orchestra
K.408,2 (385a) March in D for Orchestra
K.477 (479a) Maurerische Trauermusik in c for Orchestra
(28) Symphonies and Symphony Movements
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K.16 Symphony in Eb, No.1
K.19 Symphony in D, No.4
K.A223 (19a) Symphony in F
K.22 Symphony in Bb, No.5
K.43 Symphony in F, No. 6
K.45 Symphony in D, No.7
K.A221 (45a) Symphony in G "Lambach"
K.48 Symphony in D, No.8
K.61g,1 Symphonic Minuet
*K.100/Mv Symphony in D "Serenade"
K.73 Symphony in C, No.9
K.74 Symphony in G, No.10
*K.87/Ov Symphony in D "Mitridate"
*K.118/Ov Symphony in d "La Beulia liberata"
K.110 (75b) Symphony in G, No.12
K.120+111
(111a+111) Symphony in D "Ascanio in Alba"
K.112 Symphony in F, No.13
K.114 Symphony in A, No.14
*K.114/Mi Symphonic Minuet
K.124 Symphony in G, No.15
K.128 Symphony in C, No.16
K.129 Symphony in G, No.17
K.130 Symphony in F, No.18
K.132 Symphony in Eb, No.19
*K.132/An Symphony Andante in Bb
K.133 Symphony in D, No.20
K.134 Symphony in A, No.21
*K.135/Ov Symphony in D "Lucio Silla"
K.161 (141a) Symphony in D "Il sogno di Scipione"
K.184 (161a) Symphony in Eb, No.26
K.199 (161b) Symphony in G, No.27
K.162 Symphony in C, No.22
K.181 (162b) Symphony in D, No.23
*K.185/Mv Symphony in D "Serenade"
K.182 (173dA) Symphony in Bb, No.24
K.183 (173dB) Symphony in g, No.25
K.201 (186a) Symphony in A, No.29
K.202 (186b) Symphony in D, No.30
*K.203/Mv Symphony in D "Serenade"
K.200 (189k) Symphony in C, No.28
K.121+196
(207a+196) Symphony in D, "La finta giardiniera"
*K.204/Mv Symphony in D "Serenade"
K.102+208 Symphony in C "Il re pastore"
(213c+208)
*K.250/Mv
(248b/Mv) Symphony in D "Serenade"
K.297 (300a) Symphony in D, No.31 "Paris"
*K.297/An
(300a/An) Symphonic Andante in G
K.318 Symphony in G, No.32
K.319 Symphony in Bb, No.33
*K.320/Mv Symphony in D "Serenade"
K.338 Symphony in C, No.34
K.409 (383f) Symphonic Minuet in C
K.385 Symphony in D, No.35 "Haffner"
K.425 Symphony in C, No.36 "Linz"
K.504 Symphony in D, No.38 "Prague"
K.543 Symphony in Eb, No.39
K.550 Symphony in g, No.40
K.551 Symphony in C, No.41 "Jupiter"
-------------------------------------------------------------------------
The (*) indicates works which exist in some other format
and are not counted.
K.367 Ballet for Idomeneo: Idomeneo counted only.
John Grabowski
Part V??? Where's Parts II-IV go?
John
MediEdPres
joh...@ix.netcom.com(John Grabowski)
>Part V??? Where's Parts II-IV go?
This is like saying a wave of bombers passed over without dropping their
bombs. With luck these are digitally lost in space.
Bill