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Schubert Sopranos
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Bill Staab
May 22, 2022, 6:17:30 PM5/22/22
to
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
gggg gggg
May 22, 2022, 9:14:21 PM5/22/22
to
Her "Nähe des geliebten" is to die for.
Dan Koren
May 23, 2022, 12:48:48 AM5/23/22
to
into a zombie quote
bot?
dk
Dan Koren
May 23, 2022, 12:50:46 AM5/23/22
to
On Sunday, May 22, 2022 at 6:14:21 PM UTC-7, gggg gggg wrote:
https://www.youtube.com/watch?v=4YuErs2-i-Q
dk
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May 23, 2022, 1:44:09 AM5/23/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Six Sopranos sing Ave Maria
Message has been deleted
gggg gggg
May 23, 2022, 1:55:30 AM5/23/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
"ANNELIESE ROTHENBERGER " FRÜHLINGSGLAUBE" D. 686"
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May 23, 2022, 3:26:10 AM5/23/22
to
"Kathleen Battle - Lincoln Center Recital - 1982"
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May 23, 2022, 12:01:35 PM5/23/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
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May 25, 2022, 1:31:46 AM5/25/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Friederike Sailer: "Die Forelle"
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May 26, 2022, 12:57:28 AM5/26/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Eleanor Steber; "Ständchen"; Franz Schubert
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May 26, 2022, 12:59:34 AM5/26/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Eleanor Steber; "Im Abendrot"; Franz Schubert
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May 26, 2022, 1:33:37 AM5/26/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Schubert - 4 Lieder - Della Casa / Sándor (live)
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May 26, 2022, 1:47:48 AM5/26/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Montserrat CABALLÉ.An die musik, Die junge nonne. . Franz Schubert.
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May 26, 2022, 3:23:22 AM5/26/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
"EDDA MOSER Delphine - (Schubert)"
"EDDA MOSER - Die jünge Nonne (Schubert)"
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May 26, 2022, 4:11:23 AM5/26/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
"ELISABETH RETHBERG SINGS- DER LINDENBAUM-franz schubert 1941 AIR CHECK...."
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May 26, 2022, 4:21:48 AM5/26/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
Beverly Sills = Schubert: "Der Hirt auf dem Felsen" - New York , 1972
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May 26, 2022, 4:32:08 AM5/26/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
Helen Donath; "Der Hirt auf dem Felsen"; Franz Schubert
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May 26, 2022, 4:37:26 AM5/26/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
Helen Donath; "Gott im Frühling"; Franz Schubert
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May 26, 2022, 12:27:06 PM5/26/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Maria Müller; "Lied der Mignon I"; Franz Schubert
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May 26, 2022, 12:28:27 PM5/26/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
ANNELIESE ROTHENBERGER "AN DIE NACHTIGALL" D.497
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May 27, 2022, 3:42:52 PM5/27/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Tiana Lemnitz, Am Grabe Anselmos (Schubert)
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May 28, 2022, 12:07:19 AM5/28/22
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Teresa BERGANZA sings "Die post" - Schubert
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May 28, 2022, 2:13:07 AM5/28/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
"Love songs/Arleen Auger ラヴ・ソング/アリーン・オジェー"
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May 30, 2022, 3:00:43 AM5/30/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
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May 30, 2022, 3:16:32 AM5/30/22
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On Sunday, May 22, 2022 at 12:17:30 PM UTC-10, Bill Staab wrote:
Erna Berger with 80 years sings Schubert's "Im Abendrot" D 799.
gggg gggg
Jun 1, 2022, 2:48:35 AM6/1/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(Recent Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
Erika Köth: "Ave Maria"
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Jun 1, 2022, 3:02:57 AM6/1/22
to
Franz Schubert, 15 Lieder, a tribute to Gundula Janowitz
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Jun 1, 2022, 2:07:58 PM6/1/22
to
Message has been deleted
gggg gggg
Sep 3, 2022, 5:16:36 AM9/3/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
Mattiwilda Dobbs' recordings of Schubert were issued on a Testament cd.
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
Battle's Schubert cd on DG included "Gott im Frühlinge" which was very beautiful in part because of Levine's accompaniment.
gggg gggg
Sep 27, 2022, 1:10:02 PM9/27/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
gggg gggg
Oct 15, 2022, 8:50:04 PM10/15/22
to
On Tuesday, September 27, 2022 at 10:10:02 AM UTC-7, gggg gggg wrote:
> On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> > Surely Irmgard Seefried was perhaps the absolute finest of
> > Schubert sopranos in the postwar era, singing with Gerald Moore
> > just after the war and then mostly with Erik Werba. Many recordings
> > on EMI and then mostly on DGG and live performances on Orfeo from
> > Salzburg. Interpretively more perceptive than Ameling, more
> > natural than Schwarzkopf, and with superlative diction and
> > as expressive as any Schubert soprano one can hear
Wasn't this Seefried's earliest recording?:
> On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> > Surely Irmgard Seefried was perhaps the absolute finest of
> > Schubert sopranos in the postwar era, singing with Gerald Moore
> > just after the war and then mostly with Erik Werba. Many recordings
> > on EMI and then mostly on DGG and live performances on Orfeo from
> > Salzburg. Interpretively more perceptive than Ameling, more
> > natural than Schwarzkopf, and with superlative diction and
> > as expressive as any Schubert soprano one can hear
https://www.google.com/search?q=1944+ariadne+auf+naxos+seefried&tbm=isch&source=hp&biw=1366&bih=657&ei=zVRLY4rTI4e6kPIPq8OoyAQ&iflsig=AJiK0e8AAAAAY0ti3f2iiwsR2BWZ2xFbV5uf7FqcHfkp&ved=0ahUKEwjK7fe1w-P6AhUHHUQIHashCkkQ4dUDCAc&uact=5&oq=1944+ariadne+auf+naxos+seefried&gs_lcp=CgNpbWcQAzoICAAQgAQQsQM6BQgAEIAEOgsIABCABBCxAxCDAToGCAAQBRAeOgYIABAIEB5QAFi6VWCtVmgAcAB4AIAB6gKIAYEbkgEJMTguMTIuMC4xmAEAoAEBqgELZ3dzLXdpei1pbWc&sclient=img#imgrc=necOyxtrxJZN0M
drh8h
Oct 15, 2022, 10:55:28 PM10/15/22
to
For any humans who might be interested, there was a Handel "Laudate pueri" recording in which she participated, dated 1943. It was reissued in the two-lp "The Art of Irmgard Seefried" on HMV Treasury and Seraphim. I believe a recording attributed to the same year was issued in a CRQ Edition cd devoted to her.
DH
DH
gggg gggg
Oct 15, 2022, 11:40:43 PM10/15/22
to
On Saturday, October 15, 2022 at 7:55:28 PM UTC-7, drh8h wrote:
> For any humans who might be interested, there was a Handel "Laudate pueri" recording in which she participated, dated 1943. It was reissued in the two-lp "The Art of Irmgard Seefried" on HMV Treasury and Seraphim. I believe a recording attributed to the same year was issued in a CRQ Edition cd devoted to her.
>
> DH
The interview she gave Lanfranco Rasponi was included in his book THE LAST PRIMA DONNAS:
> For any humans who might be interested, there was a Handel "Laudate pueri" recording in which she participated, dated 1943. It was reissued in the two-lp "The Art of Irmgard Seefried" on HMV Treasury and Seraphim. I believe a recording attributed to the same year was issued in a CRQ Edition cd devoted to her.
>
> DH
https://books.google.com/books?newbks=1&newbks_redir=0&id=Dxo6AQAAIAAJ&dq=rasponi+last+prima+donnas&focus=searchwithinvolume&q=seefried
gggg gggg
Oct 16, 2022, 12:37:12 AM10/16/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
Concerning Schwarzkopf, according to the following:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
- I first heard Irmgard Seefried in the 1950s and 1960s singing lieder recitals in NYC. They were transforming superior to Schwartzkopf in their musicality, voice and interpretations. Her voice had a golden silver quality with a dark underpinning. The true quality which I heard in Town Hall and the Hunter College auditorium has never really been captured on record.
What impressed everybody was the deep emotional and natural communication of her singing-something that Schwartzkopf -whom I heard in her NYC lieder debut - never achieved in concert...
https://www.amazon.com/Irmgard-Seefried-Lieder/dp/B000M05VNE
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Oct 21, 2022, 9:16:32 PM10/21/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Ave Maria - Esther Rethy - Grammophon 78 Rpm"
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Oct 24, 2022, 1:39:23 PM10/24/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
https://groups.google.com/u/1/g/rec.music.classical.recordings/c/JTajRg_39Do/m/THcriIPxIh4J
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
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Oct 24, 2022, 10:20:10 PM10/24/22
to
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Oct 25, 2022, 10:51:32 AM10/25/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(2022 Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Erika Köth: "Ave Maria""
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Oct 25, 2022, 11:12:50 AM10/25/22
to
https://www.youtube.com/watch?v=H7DpqxGVjCE&list=OLAK5uy_mMdtjHj1CL_0GfoBc01ms3ZqJ83fvCqyw&index=38
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Oct 25, 2022, 11:17:28 AM10/25/22
to
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Oct 25, 2022, 11:27:46 AM10/25/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Friederike Sailer: "Die Forelle""
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Oct 25, 2022, 11:59:34 AM10/25/22
to
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Nov 1, 2022, 12:13:12 PM11/1/22
to
"ave maria, anneliese R"
[Schubert's AVE MARIA sung by Anneliese Rothenberger}
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Nov 4, 2022, 10:19:05 PM11/4/22
to
On Saturday, October 15, 2022 at 7:55:28 PM UTC-7, drh8h wrote:
https://www.wfmt.com/2022/11/04/thomson-milhaud-and-mahler
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Nov 5, 2022, 11:10:03 AM11/5/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(2022 Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Mimi Coertse sings "An die musik" by Schubert."
gggg gggg
Nov 5, 2022, 11:47:42 AM11/5/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Elisabeth Söderstöm sings Schubert's Goethe Lieder!"
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Dec 30, 2022, 1:51:43 AM12/30/22
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
Rothenberger's Schubert cd:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
https://www.amazon.com/Schubert-Rosamunde-Lieder-Cologne-Collection/dp/B00H87JVP8
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Apr 16, 2023, 1:08:04 AM4/16/23
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(2023 Y. upload):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"KIRSTEN FLAGSTAD SINGS FRUHLINGSGLAUBE franz schubert 1955"
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Apr 16, 2023, 3:53:38 PM4/16/23
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
(Y. upload - also read the 800+ Comments):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Schubert - Ave Maria - Deanna Durbin"
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Apr 26, 2023, 11:32:34 PM4/26/23
to
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
"Ave Maria" (Clara Ebers):
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
https://www.youtube.com/watch?v=K9cWYWHMsww&list=OLAK5uy_lBWEGYuh_ilIvFOszFYDYHfJCSD4c1vxc
gggg gggg
Apr 29, 2023, 4:07:46 AM4/29/23
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On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
Tebaldi sings "Ave Maria":
> Surely Irmgard Seefried was perhaps the absolute finest of
> Schubert sopranos in the postwar era, singing with Gerald Moore
> just after the war and then mostly with Erik Werba. Many recordings
> on EMI and then mostly on DGG and live performances on Orfeo from
> Salzburg. Interpretively more perceptive than Ameling, more
> natural than Schwarzkopf, and with superlative diction and
> as expressive as any Schubert soprano one can hear
https://www.youtube.com/watch?v=p_UGwxfY1oI
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