Herman schrieb am Mittwoch, 8. September 2021 um 11:18:35 UTC+2:
> I was completely puzzled by the way Hurwitz constructed an argument that LvB's piano trio were the first piano trios in the modern sense, because apparently none of Haydn 43 piano trios measured up (while at least fifteen of them are much more than 'accompanied piano sonatas) and somehow Mozart's six piano trios fell short in some other unspecified way. The reality is, only two of LvB's piano trios are mature works, so the whole argument falls apart and that's when I gave up on that video.
>
Even with counting problems and maybe unduly discounting op.1,1-3 and op.11 as immature there are at least *three* middle period Beethoven trios, namely op.70,1+2 and op.97. (There are variation sets, arrangements etc. in addition to them, I am not looking up when they were written). But I don't see why the argument should fall apart because of this. Immature or not, Beethoven's op.1 are all both on a larger scale (4 longish movements) and with more important cello parts than Haydn's (and probably most of Mozart's, I have to admit that my favorite Mozart trio is the Kegelstatt and I don't know the ones with standard setup very well), so there could a case be made that they deserve to be singled out as "first modern". The same case could probably be made wrt cello sonatas by Beethoven vs. Boccherini.
Anyway, I agree that not much should hinge on how big a step towards "modern" trio either the early or later Beethoven trios are.
I don't know their later complete recording but I have the three trios op.1/3, 70/1 and 97 with the 1960s Suk as a twofer (with Schubert B flat major) and they are very good.