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Tobias Koch plays Schubert’s last three piano sonatas.
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Mandryka
Jan 30, 2022, 5:34:36 PM1/30/22
to
This has the most wonderful 959 I’ve ever heard. The interpretation stands to Schubert as Bezuidenhout’s first Mozart CD - the uncompromising one with the red cover - stood to Mozart. Here’s a link
https://open.spotify.com/album/41tSyVdTENAsD8qAEdTOge
https://open.spotify.com/album/41tSyVdTENAsD8qAEdTOge
Mandryka
Jan 30, 2022, 5:42:45 PM1/30/22
to
On Sunday, January 30, 2022 at 10:34:36 PM UTC, Mandryka wrote:
> This has the most wonderful 959 I’ve ever heard. The interpretation stands to Schubert as Bezuidenhout’s first Mozart CD - the uncompromising one with the red cover - stood to Mozart. Here’s a link
>
> https://open.spotify.com/album/41tSyVdTENAsD8qAEdTOge
Here's the booklet, complete with essay.
> This has the most wonderful 959 I’ve ever heard. The interpretation stands to Schubert as Bezuidenhout’s first Mozart CD - the uncompromising one with the red cover - stood to Mozart. Here’s a link
>
> https://open.spotify.com/album/41tSyVdTENAsD8qAEdTOge
http://tobiaskoch.eu/wp-content/uploads/SCHUBERT_SONATAS_TOBIAS_KOCH.pdf
Todd M. McComb
Jan 30, 2022, 5:46:03 PM1/30/22
to
In article <7ab5e05c-a044-4593...@googlegroups.com>,
I checked this out after you (I think it was you?) posted about
this pianist here....
3CDs recording is on the MusikMuseum label, released 2020, titled
Zukunfstmusik.
I checked this out after you (I think it was you?) posted about
this pianist here....
3CDs recording is on the MusikMuseum label, released 2020, titled
Zukunfstmusik.
Mandryka
Jan 31, 2022, 12:06:11 PM1/31/22
to
Listening again to the 960 something which I think I got from Richard Barrett’s book came to mind - that one possible mark of improvisation is that the performer creates the music in response to the specific sound qualities of the instrument he’s using. And suddenly I saw what’s really essentially gained by using a piano like the one Koch uses - it’s that he is creating D960 by tapping into the unique timbral possibilities of his piano. What he does is in some as yet undefined sense more improvisatory, or differently improvisatory, than, for example, to pick a name at random, Curzon.
Dan Koren
Feb 3, 2022, 7:29:57 AM2/3/22
to
On Monday, January 31, 2022 at 9:06:11 AM UTC-8, Mandryka wrote:
>
> Listening again to the 960 something which I
> think I got from Richard Barrett’s book came to
> mind - that one possible mark of improvisation is
> that the performer creates the music in response
> to the specific sound qualities of the instrument
> he’s using. And suddenly I saw what’s really
> essentially gained by using a piano like the
> one Koch uses - it’s that he is creating D960
> by tapping into the unique timbral possibilities
> of his piano. What he does is in some as yet
> undefined sense more improvisatory, or
> differently improvisatory, than, for example,
> to pick a name at random, Curzon.
any kind of "improvisation". He was a starch
from head to toe stiff upper lip (and every
other body part) arrogant English pianist
who claimed he was better than Richter!
What an idiot!
dk
Todd M. McComb
Feb 15, 2022, 5:50:44 PM2/15/22
to
In article <1cf34f6f-39b8-4e32...@googlegroups.com>,
start any of these three sonatas is the relative lack of resonance...
followed by the basic physicality required to play the music. Time,
likewise, can seem more labored -- rather than drifting into a kind
of haze, as Schubert repeats can seem to do. And I do feel I'm
hearing new aspects of the music.
Mandryka <howie....@gmail.com> wrote:
>On Sunday, January 30, 2022 at 10:46:03 PM UTC, Todd M. McComb wrote:
>>3CDs recording is on the MusikMuseum label, released 2020, titled
>>Zukunfstmusik.
>On Sunday, January 30, 2022 at 10:46:03 PM UTC, Todd M. McComb wrote:
>>3CDs recording is on the MusikMuseum label, released 2020, titled
>>Zukunfstmusik.
>And suddenly I saw what's really essentially gained by using a
>piano like the one Koch uses - it’s that he is creating D960 by
>tapping into the unique timbral possibilities of his piano.
Finally getting back to this today, the first thing I notice to
>piano like the one Koch uses - it’s that he is creating D960 by
>tapping into the unique timbral possibilities of his piano.
start any of these three sonatas is the relative lack of resonance...
followed by the basic physicality required to play the music. Time,
likewise, can seem more labored -- rather than drifting into a kind
of haze, as Schubert repeats can seem to do. And I do feel I'm
hearing new aspects of the music.
Todd M. McComb
Feb 26, 2022, 6:24:01 PM2/26/22
to
In article <suhao0$rs1$1...@hope.eyrie.org>,
Maybe this response came off as too ambivalent. I'm continuing to
listen to this set, and finding it increasingly engaging. The
opening movement of D960 is revelatory, as Mandryka had noted early
on, but everything else is engaging too. I thought I'd burn out
my interest here, but that doesn't appear to be the case. I don't
know if Koch is the "world's greatest pianist" (as I believe Howie
had quipped a while back...), but he's certainly worth hearing in
Schubert.
listen to this set, and finding it increasingly engaging. The
opening movement of D960 is revelatory, as Mandryka had noted early
on, but everything else is engaging too. I thought I'd burn out
my interest here, but that doesn't appear to be the case. I don't
know if Koch is the "world's greatest pianist" (as I believe Howie
had quipped a while back...), but he's certainly worth hearing in
Schubert.
Dan Koren
Feb 26, 2022, 7:29:59 PM2/26/22
to
On Saturday, February 26, 2022 at 6:24:01 PM UTC-5, Todd M. McComb wrote:
>
> he's certainly worth hearing in Schubert.
>
Let's be serious. He can barely play the
>
> he's certainly worth hearing in Schubert.
>
piano. And he cannot reach the pedals.
I listened to D.958 for a few minutes.
Nauseating.
dk
Todd M. McComb
Feb 26, 2022, 8:34:38 PM2/26/22
to
In article <c56f5738-5650-4c52...@googlegroups.com>,
Snap judgments are always the best judgments, after all.
Snap judgments are always the best judgments, after all.
Dan Koren
Feb 26, 2022, 8:39:18 PM2/26/22
to
a considered professional opinion.
dk
Lawrence Kart
Feb 27, 2022, 11:12:21 AM2/27/22
to
Ricardo Jimenez
Feb 27, 2022, 12:16:00 PM2/27/22
to
history. Only a few of them, such as the G major “Fantasie-Sonata”,
were printed during his lifetime; the rest were published
posthumously, and it was only with the publication of Deutsch’s
systematic catalogue in the 20th century that they finally came to
light. For various reasons, they were long seen by musicians as minor
works. There’s one very telling story which seems plausible enough to
me: back in 1934, the great pianist Artur Schnabel ran into the
composer Sergei Rachmaninov at Abbey Road Studios in London. When
asked what he was doing there, he answered: “I’m recording the
Schubert sonatas.” Rachmaninov was a bit taken aback, and asked,
“Really? Did Schubert write sonatas too?” Now Rachmaninov was, of
course, an erudite, highly intelligent musician, no question about it
– it was just that at the time, so few people were aware of Schubert
as a composer of piano sonatas".
https://danielbarenboim.com/daniel-barenboim-records-complete-schubert-piano-sonatas-on-deutsche-grammophon-label/
I have heard a different version of this where Rachmaninoff was asked
during 1927 if he would program any of the piano sonatas during the
anniversary year 1928. I don't know if he ever played any in public.
Todd M. McComb
Feb 27, 2022, 1:09:52 PM2/27/22
to
In article <634be591-ff1b-4de5...@googlegroups.com>,
others....
Lawrence Kart <ljk...@aol.com> wrote:
>If that's the way Schubert sounded on the forte piano back in the
>day, it's a wonder that any of his music survived..
Funny, these performances have had me whistling the tunes like no
>If that's the way Schubert sounded on the forte piano back in the
>day, it's a wonder that any of his music survived..
others....
Dan Koren
Feb 27, 2022, 1:30:50 PM2/27/22
to
pianistic art is whether it makes
one whistle the tunes? Sounds a
bit strage. Can you whistle any of
the Chopin Etudes? Or Mazeppa?
What about all the notes left out
of the "whistle"?
dk
Todd M. McComb
Feb 27, 2022, 1:38:57 PM2/27/22
to
In article <82852ebd-f209-414a...@googlegroups.com>,
Perhaps I should have pointed out to Lawrence that, Schubert aside,
we do know what pianos sounded like. Koch is playing quite a fancy
one, actually, using different registers & the like. I like the
sound of it. And no, Dan, that is not the ultimate criterion for
great pianistic art -- as if such exists.
But Dan, no one in the universe would expect you to like this music.
Please don't act as if I suggested that you might. (I did think,
a while back, that maybe you'd like Byrd, but oh well. I think
it's sad that you don't, but that's your business.) Some discussions
really don't involve you.
(Ha! And to think that someone *else* in this group is currently
being criticized for "hyperbole" of all things....)
Dan Koren <dan....@gmail.com> wrote:
>So the ultimate criterion for great pianistic art is whether it
>makes one whistle the tunes? Sounds a bit strage. Can you whistle
>any of the Chopin Etudes? Or Mazeppa? What about all the notes
>left out of the "whistle"?
No, Dan, that is not the criterion, as if such exists.
>So the ultimate criterion for great pianistic art is whether it
>makes one whistle the tunes? Sounds a bit strage. Can you whistle
>any of the Chopin Etudes? Or Mazeppa? What about all the notes
>left out of the "whistle"?
Perhaps I should have pointed out to Lawrence that, Schubert aside,
we do know what pianos sounded like. Koch is playing quite a fancy
one, actually, using different registers & the like. I like the
sound of it. And no, Dan, that is not the ultimate criterion for
great pianistic art -- as if such exists.
But Dan, no one in the universe would expect you to like this music.
Please don't act as if I suggested that you might. (I did think,
a while back, that maybe you'd like Byrd, but oh well. I think
it's sad that you don't, but that's your business.) Some discussions
really don't involve you.
(Ha! And to think that someone *else* in this group is currently
being criticized for "hyperbole" of all things....)
Lawrence Kart
Feb 27, 2022, 3:01:45 PM2/27/22
to
Dan Koren
Feb 27, 2022, 3:09:23 PM2/27/22
to
Preferably one with a
rotary engine.
dk
Todd M. McComb
Feb 27, 2022, 3:10:46 PM2/27/22
to
In article <be1dd4ab-abd4-4555...@googlegroups.com>,
makes the music feel as though it's "spontaneously created" -- per
Mandryka's remarks -- i.e. that the singing quality seems to arise
via effort. I like the sound of it more & more, but didn't
immediately. The feeling of using the full resources of the
instrument also adds to the sense of drama cultivated particularly
in the opening movements, with their sort of "character development"
amid strong timbral contrasts.
Lawrence Kart <ljk...@aol.com> wrote:
>I've heard plenty of forte pianos from that era that don't sound
>as rattle-trap as this one -- I'm reminded of a vintage Volkswagen
>that's badly in need of an oil change, though much of this may be
>due to Koch's leaden foot on the gear shift.
He really ends up with a singing tone out of it. It's part of what
>I've heard plenty of forte pianos from that era that don't sound
>as rattle-trap as this one -- I'm reminded of a vintage Volkswagen
>that's badly in need of an oil change, though much of this may be
>due to Koch's leaden foot on the gear shift.
makes the music feel as though it's "spontaneously created" -- per
Mandryka's remarks -- i.e. that the singing quality seems to arise
via effort. I like the sound of it more & more, but didn't
immediately. The feeling of using the full resources of the
instrument also adds to the sense of drama cultivated particularly
in the opening movements, with their sort of "character development"
amid strong timbral contrasts.
Frank Berger
Feb 27, 2022, 4:29:52 PM2/27/22
to
mINE109
Feb 27, 2022, 4:32:03 PM2/27/22
to
contrasting key area. Not keen on the divided hands and the draggy
pauses, but he's not the only offender there. And the famous bass trill
isn't the usual mess.
Lawrence Kart
Feb 27, 2022, 5:37:32 PM2/27/22
to
Dan Koren
Feb 27, 2022, 10:03:23 PM2/27/22
to
On Sunday, February 27, 2022 at 3:10:46 PM UTC-5, Todd M. McComb wrote:
>
> He really ends up with a singing
> tone out of it. It's part of what
> makes the music feel as though
> it's "spontaneously created" -- per
> Mandryka's remarks -- i.e. that the
> singing quality seems to arise
> via effort. I like the sound of it
> more & more, but didn't
> immediately. The feeling of using
> the full resources of the
> instrument also adds to the sense
> of drama cultivated particularly
> in the opening movements, with
> their sort of "character development"
> amid strong timbral contrasts.
You should hear the sound of an
>
> He really ends up with a singing
> tone out of it. It's part of what
> makes the music feel as though
> it's "spontaneously created" -- per
> Mandryka's remarks -- i.e. that the
> singing quality seems to arise
> via effort. I like the sound of it
> more & more, but didn't
> immediately. The feeling of using
> the full resources of the
> instrument also adds to the sense
> of drama cultivated particularly
> in the opening movements, with
> their sort of "character development"
> amid strong timbral contrasts.
Audi RS4 (B5) when I press the
pedals! ;-)
dk
Dan Koren
Feb 28, 2022, 2:15:15 PM2/28/22
to
On Sunday, February 27, 2022 at 5:37:32 PM UTC-5, ljk...@aol.com wrote:
>
> I had an Audi Fox that caught
> fire under the hood in the service
> place's driveway, While the motor
> was running, hot oil dripped from
> the side of the engine onto the
> exhaust manifold, which was
> made of cardboard (!!) as I recall,
> and we had smoke and flames.
> Cute car though. My young son
> loved its metal fox logo.
Sorry to hear about this incident
>
> I had an Audi Fox that caught
> fire under the hood in the service
> place's driveway, While the motor
> was running, hot oil dripped from
> the side of the engine onto the
> exhaust manifold, which was
> made of cardboard (!!) as I recall,
> and we had smoke and flames.
> Cute car though. My young son
> loved its metal fox logo.
and about the loss of your Audi.
The explanation provided above
is however incorrect. Exhaust
manifolds cannot be made of
cardboard. The temperature
of exhaust gas is too high to
allow any materials other than
than steel alloys and/or ceramic
to be used in making exhaust
manifolds.
dk
Dan Koren
Feb 28, 2022, 2:21:42 PM2/28/22
to
understand each other clearly.
I wouldn't want to hear any pianist
perform on the instrument Mr. Koch
is using. And I wouldn't want to hear
Mr. Koch perform on any instrument
no matter how good.
Likewise, I wouldn't want to hear
Byrd's music performed on any
instrument. There are plenty of
birds in my backyard, and they
sing beautiful music witn my
cats accompanying them! ;-)
dk
Todd M. McComb
Feb 28, 2022, 2:50:29 PM2/28/22
to
In article <e78ddafb-b97a-4f84...@googlegroups.com>,
all over a thread where no one would expect you'd have any interest
in the first place. Your "contribution" is null.
Dan Koren <dan....@gmail.com> wrote:
>I wouldn't want to hear any pianist perform on the instrument Mr.
>Koch is using. And I wouldn't want to hear Mr. Koch perform on any
>instrument no matter how good.
There's no lack of understanding underway. It's simply you shitting
>I wouldn't want to hear any pianist perform on the instrument Mr.
>Koch is using. And I wouldn't want to hear Mr. Koch perform on any
>instrument no matter how good.
all over a thread where no one would expect you'd have any interest
in the first place. Your "contribution" is null.
Dan Koren
Feb 28, 2022, 3:01:01 PM2/28/22
to
On Monday, February 28, 2022 at 2:50:29 PM UTC-5, Todd M. McComb wrote:
> In article <e78ddafb-b97a-4f84...@googlegroups.com>,
> Dan Koren <dan....@gmail.com> wrote:
> >
>> I wouldn't want to hear any pianist
> > perform on the instrument Mr. Koch
> > is using. And I wouldn't want to hear
> > Mr. Koch perform on any instrument
> > no matter how good.
>
> There's no lack of understanding underway.
How so?
> In article <e78ddafb-b97a-4f84...@googlegroups.com>,
> Dan Koren <dan....@gmail.com> wrote:
> >
>> I wouldn't want to hear any pianist
> > perform on the instrument Mr. Koch
> > is using. And I wouldn't want to hear
> > Mr. Koch perform on any instrument
> > no matter how good.
>
> There's no lack of understanding underway.
> It's simply you shitting all over a thread where
Mr. Koch's "piano"?
> no one would expect you'd have any interest
> in the first place.
interpretations. And I listened through Mr. Koch's
"performance".
> Your "contribution" is null.
Yet another perfect example of suppression of
minority opinions. This ng has become really
intolerant of opinions that diverge from the
"norms". Automaticalli liking things and
going gaga over the slightest bit of
historical crap is now deemed to
make "contributions". Not liking
what everybody else likes is no
"contribution". Did you catch the
Melmoth disease? Or did you
learn this technique in party
indoctrination sessions?
dk
Todd M. McComb
Feb 28, 2022, 3:14:15 PM2/28/22
to
In article <c11ced52-13ad-40e9...@googlegroups.com>,
You've said nothing here you haven't said before. Everyone knows
your opinion. The idea that it's "suppressed...." Wow.
Your attitude reminds me of the way so-called "conservatives" have
to pick on LGBT people all the time... they can't just leave it
alone, and neither can you. I guess you feel threatened too. What
a jackass.
Dan Koren <dan....@gmail.com> wrote:
>Yet another perfect example of suppression of minority opinions.
What a ridiculous response.
>Yet another perfect example of suppression of minority opinions.
You've said nothing here you haven't said before. Everyone knows
your opinion. The idea that it's "suppressed...." Wow.
Your attitude reminds me of the way so-called "conservatives" have
to pick on LGBT people all the time... they can't just leave it
alone, and neither can you. I guess you feel threatened too. What
a jackass.
Dan Koren
Feb 28, 2022, 3:27:29 PM2/28/22
to
On Monday, February 28, 2022 at 3:14:15 PM UTC-5, Todd M. McComb wrote:
> In article <c11ced52-13ad-40e9...@googlegroups.com>,
> Dan Koren <dan....@gmail.com> wrote:
> >Yet another perfect example of
> > suppression of minority opinions.
> What a ridiculous response.
Facts don't matter, right?
> In article <c11ced52-13ad-40e9...@googlegroups.com>,
> Dan Koren <dan....@gmail.com> wrote:
> >Yet another perfect example of
> > suppression of minority opinions.
> What a ridiculous response.
> You've said nothing here you
> haven't said before.
> Everyone knows your opinion.
Everyone in this ng knows
everyone else's opinions.
> The idea that it's "suppressed...."
> Wow.
other people's opinions, no
matter how often repeated.
> Your attitude reminds me of the
> way so-called "conservatives" have
> to pick on LGBT people all the time...
> they can't just leave it alone, and
> neither can you.
old pianos and related instruments
of torture ;-)
> I guess you feel threatened too.
> What a jackass.
Make that two.
dk
Todd M. McComb
Feb 28, 2022, 3:36:29 PM2/28/22
to
In article <c1dbffb5-8e79-4067...@googlegroups.com>,
>We haven't seen you protesting other people's opinions, no matter
>how often repeated.
Try paying attention.
>I see it as a public service to fight old pianos and related
>instruments of torture ;-)
Yes, you are "fighting" against interests you do not share. You
aren't willing to live & let live.
>>I guess you feel threatened too.
>No, I don't.
Ha.
Dan Koren <dan....@gmail.com> wrote:
>On Monday, February 28, 2022 at 3:14:15 PM UTC-5, Todd M. McComb wrote:
>>You've said nothing here you haven't said before.
>Neither have others.
Ha.
>On Monday, February 28, 2022 at 3:14:15 PM UTC-5, Todd M. McComb wrote:
>>You've said nothing here you haven't said before.
>Neither have others.
>We haven't seen you protesting other people's opinions, no matter
>how often repeated.
>I see it as a public service to fight old pianos and related
>instruments of torture ;-)
aren't willing to live & let live.
>>I guess you feel threatened too.
>No, I don't.
Message has been deleted
Dan Koren
Feb 28, 2022, 5:14:59 PM2/28/22
to
On Monday, February 28, 2022 at 3:36:29 PM UTC-5, Todd M. McComb wrote:
>
> Yes, you are "fighting" against
> interests you do not share. You
> aren't willing to live & let live.
?!? I have always supported all
>
> Yes, you are "fighting" against
> interests you do not share. You
> aren't willing to live & let live.
instruments that do not pollute
(which excludes brass) and all
instruments that don't harm the
listeners' brains and hearing by
being out of tune. There is
nothing in it about "interests".
dk
Al Eisner
Feb 28, 2022, 7:07:13 PM2/28/22
to
it. Are there any suggested links other than spotify (which I don't
use)? Preferably (for a start) something other than the first
movement of D960.
Todd: please ditch the multiple "Re"s in your subject lines! Thanks.
--
Al Eisner
Todd M. McComb
Feb 28, 2022, 7:19:32 PM2/28/22
to
In article <alpine.LRH.2.00.2...@iris02.slac.stanford.edu>,
do.... My 1980s technology does get confused by some of the newer
character sets, though, as per in the Subject line here, the pointless
"special" possessive....
Al Eisner <eis...@slac.stanford.edu> wrote:
>Todd: please ditch the multiple "Re"s in your subject lines!
I only see one "Re:" so I don't think there's anything that I can
>Todd: please ditch the multiple "Re"s in your subject lines!
do.... My 1980s technology does get confused by some of the newer
character sets, though, as per in the Subject line here, the pointless
"special" possessive....
Dan Koren
Feb 28, 2022, 7:21:04 PM2/28/22
to
On Monday, February 28, 2022 at 7:07:13 PM UTC-5, Al Eisner wrote:
>
> This is such a large dichotomy that I think I'd like to hear some of
> it. Are there any suggested links other than spotify (which I don't
> use)? Preferably (for a start) something other than the first
> movement of D960.
Pronto:
>
> This is such a large dichotomy that I think I'd like to hear some of
> it. Are there any suggested links other than spotify (which I don't
> use)? Preferably (for a start) something other than the first
> movement of D960.
https://www.youtube.com/results?search_query=tobias+koch+topic+schubert
dk
Lawrence Kart
Feb 28, 2022, 7:48:38 PM2/28/22
to
https://youtu.be/d0rNFyXw120
Lawrence Kart
Feb 28, 2022, 7:50:13 PM2/28/22
to
Lawrence Kart
Feb 28, 2022, 7:53:01 PM2/28/22
to
Al Eisner
Feb 28, 2022, 10:58:08 PM2/28/22
to
link to hear this particular pianist on this particular piano in this
particular repertory (Schubert sonatas).
--
Al Eisner
Todd M. McComb
Feb 28, 2022, 10:59:02 PM2/28/22
to
In article <alpine.LRH.2.00.2...@iris02.slac.stanford.edu>,
Al Eisner <eis...@slac.stanford.edu> wrote:
Al Eisner <eis...@slac.stanford.edu> wrote:
>Are there any suggested links other than spotify (which I don't
>use)?
I don't know what's the best choice for a free audition. I got the
>use)?
studio master download from Qobuz.
Dan Koren
Mar 1, 2022, 12:45:48 AM3/1/22
to
On Monday, February 28, 2022 at 10:58:08 PM UTC-5, Al Eisner wrote:
> I'm looking to hear a recommended (not by you, I realize)
> link to hear this particular pianist on this particular piano
> in this particular repertory (Schubert sonatas).
> --
https://www.youtube.com/results?search_query=tobias+koch+topic+schubert
> I'm looking to hear a recommended (not by you, I realize)
> link to hear this particular pianist on this particular piano
> in this particular repertory (Schubert sonatas).
> --
Dan Koren
Mar 1, 2022, 3:27:26 PM3/1/22
to
On Monday, February 28, 2022 at 7:21:04 PM UTC-5, Dan Koren wrote:
> On Monday, February 28, 2022 at 7:07:13 PM UTC-5, Al Eisner wrote:
> >
> > This is such a large dichotomy that I think I'd like to hear some of
> > it. Are there any suggested links other than spotify (which I don't
> > use)? Preferably (for a start) something other than the first
> > movement of D960.
>
> https://www.youtube.com/results?search_query=tobias+koch+topic+schubert
> On Monday, February 28, 2022 at 7:07:13 PM UTC-5, Al Eisner wrote:
> >
> > This is such a large dichotomy that I think I'd like to hear some of
> > it. Are there any suggested links other than spotify (which I don't
> > use)? Preferably (for a start) something other than the first
> > movement of D960.
>
>
(How) do you like it?
dk
Todd M. McComb
Mar 1, 2022, 4:19:49 PM3/1/22
to
In article <c75ffabc-cb28-4b5d...@googlegroups.com>,
Mandryka <howie....@gmail.com> wrote:
>Here's the booklet, complete with essay.
>http://tobiaskoch.eu/wp-content/uploads/SCHUBERT_SONATAS_TOBIAS_KOCH.pdf
I finally read this today. Some interesting thoughts... does talk
about cultivating a singing quality toward the end.
(I also took the special character out of the Subject line, but I
suppose it's too late for the thread overall....)
Mandryka <howie....@gmail.com> wrote:
>Here's the booklet, complete with essay.
>http://tobiaskoch.eu/wp-content/uploads/SCHUBERT_SONATAS_TOBIAS_KOCH.pdf
I finally read this today. Some interesting thoughts... does talk
about cultivating a singing quality toward the end.
(I also took the special character out of the Subject line, but I
suppose it's too late for the thread overall....)
Al Eisner
Mar 3, 2022, 8:35:40 PM3/3/22
to
insulting!) I was hoping that one of the advocates would make a more
specific suggestion. However, lacking that, I did a little sampling of
D958. Not particularly attracted by it, but out of respect I will give
him a longer try when I have a chance.
--
Al Eisner
Al Eisner
Mar 3, 2022, 8:39:52 PM3/3/22
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--
Al Eisner
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