On Wednesday, March 5, 2014 5:24:28 PM UTC-5, Willem Orange wrote:
> > If yes, be careful. Many here do not like UMG's AMSI "remastering", which is really more sound-shaping through DSP (Digital Signal Processing) than anything an audio engineer would associate with teh term "remaster".<<
I own this Ring in two forms - in the big Wagner at Bayreuth set, and also the aforementioned Eloquence issue. They sound "different", but it's a fairly subtle difference that's only apparent if I listen with good headphones (Sennheiser HD600's) via a Creek headphone amp. The big box is a little smoother in sound, while the Eloquence seems perhaps a bit clearer, but with a trace of hardness in the voices. I don't hear any fake reverb in the latter. Nor, BTW, can I tell which is truer to the "Bayreuth acoustic", since I've never set foot in the Festspielhaus. I will admit that my comparison wasn't very comprehensive - just a couple of spots.
If musical continuity matters to you, though, the Eloquence is preferable. Each act of Siegfried gets its own disc, as does the third act of Walkure. The big box spreads each opera over four discs, which wreaks havoc on Siegfried, and they screwed up Walkure big time - if you use four discs, it's pretty simple to split Act 2 over two discs, and give each of the outer acts its own disc. It's a shame that the Eloquence issue didn't pay attention to the final act of Gotterdammerung, which could have easily fit onto one disc, and not required a split (the same one as in the big box).
BTW, I have a higher opinion of this Ring than "Willem". Yeah, it's fast, sometimes excessively so. But I'd rather hear a fleet performance than one that is long and drawn out without much purpose. It's not my favorite Ring by any means - I'd probably pick the 1955 Keilberth or 1953 Krauss - but I enjoy it a great deal for its fine cast and sonics.
Bill