On Wednesday, October 20, 2021 at 6:52:04 AM UTC-4, John Fowler wrote:
> On Wednesday, October 20, 2021 at 1:47:26 AM UTC-5, gggg gggg wrote:
> > On Tuesday, February 10, 2015 at 8:32:32 PM UTC-8, Russ (not Martha) wrote:
> > > The orchestral suite from Richard Strauss's 'Der Rosenkavalier' was not compiled by the composer himself, but is generally credited to Artur Rodzinski. I have recordings by Leinsdorf/Concertgebouw, Dorati/Detroit SO, Steinberg/Philharmonia, and the latest of the 4 by Ormandy/Phila. In the first three instances, the arrangement is credited to the respective conductor. I don't know whose arrangement Ormandy conducts; probably his own.
> > >
> > > I love the music and know it pretty well, but here's the question: does anyone know in which particulars these conductor-arrangements differ from one another?
> > >
> > > Russ (not Martha)
> >
https://en.wikipedia.org/wiki/Der_Rosenkavalier#Rosenkavalier_Suite
> There is a comprehensive catalog of the music of Richard Strauss on the internet.
> It lists his music by trv numbers and av numbers (every work has a trv number, only unpublished works have av numbers).
>
https://imslp.org/wiki/List_of_works_by_Richard_Strauss
> Der Rosenkavalier is trv227.
> The orchestral arrangements officially credited to Strauss are trv227 a, b, c, d
> 1911 TrV 227a:
> Der Rosenkavalier, Waltz Sequence No.2 for orchestra. Arranged from Act III.
> 1925 TrV 227b:
> Der Rosenkavalier, incidental music for the film by Robert Wiene - Arrangement of extracts from TrV 227, TrV 167, TrV 214, TrV 217 and TcorV 245.
> 1944 TrV 227c:
> Der Rosenkavalier, Waltz Sequence No.1 for orchestra. Arranged from Acts I and II of TrV 227. .
> 1945 TrV 227d:
> Der Rosenkavalier, suite from the opera, Strauss's authorship uncertain. Possibly compiled by Artur Rodzinski.
There is also a suite compiled by Antal Dorati, which was first recorded in 1946 by Eugene Goossens and the Cincinnatti Symphony, then later three times by Dorati himself (Robin Hood Dell Orchestra [i.e. Philadelphia Orchestra], Minneapolis SO and Detroit SO). Personally, I prefer his arrangement to the "standard" suite, as Dorati gives a wider array of excerpts from the opera (e.g., the opening of Act 3).
Mark O-T