Frustratingly anonymous recording of Shostakovich 5
td
the forces employed to record some of the most famous recordings in
their history. The theory was that they were all equal, one producer
and engineer very much the equal of another.
In the 1990s the producers and engineers finally got their way and
became known overnight by record buyers.
The problem is with the older recordings. Who did what? Only the card
files in my office would provide that information, which is still
largely unknown. We do know the producer/engineer for most of
Haitink's recordings with the COA, but lots of the others remain
unknown.
A case in point is a recording with the Berlin Philharmonic Orchestra,
no less, under the direction of Semyon Bychkov, touted for a time as a
possible candidate in Berlin!!!
This recording is truly wonderful from a sonic standpoint, right from
the biting edge provided the strings at the opening of the first
movement.
My GUESS would be the late, and probably great, Volker Strauss,
something of a bane of Philips management for the endless time he
would insist on taking with his recordings. Nobody at Philips could
ever give Volker anything ressembling a "deadline". The recoding would
be ready when it was ready. No sooner. No later.
The recording I have been listening to of late is of Symphony No. 5 -
420 069-2 - which has a recording date of May, 1986. A quick glance
doesn't reveal any OTHER versions of this symphony with the BPO.
Shostakovich, indeed, is not a frequent guest in Berlin. Rattle has
done Nos 1 & 14. Karajan did a famous No. 10. Celibicache did No. 7.
Jansons did No. 1. I like what I hear from Bychkov in Symphony No. 5
and it is in no small measure due to the truly extraordinary playing
by the BPO and the wonderful, airy, spacious recording perhaps
provided by the late Volker Strauss.
Frankly, I detect a certain turning up of the nose at Shostakovich's
music in Berlin. It would seem that the three Bychkov Berlin
Philharmonic Orchestra recordings for Philips - all deleted, alas -
were the only significant foray into this music during the last half
of the 20th Century. Perhaps Rattle will improve on that, but who
knows? We certainly do NOT have a Shostakovich 5 whith HvK, which we
had ever right to expect from him, particularly as he did oceans of
bonbons for both DG and EMI during his tenure in Berlin.
In the meantime, collectors might do well to search out those three
Shostakovich discs, Symphony Nos. 5, 8, & 11, all on separate Philips
now deleted CDs. As always, the Berlin Philharmonic's playing is an
object lesson in how to treat this music with nobility instead of
cloying sentimentality. Bychkov has, of course, since been to Paris
and now somewhere else in Germany, most observers no longer
considering him for the Berlin post. But he's not a bad conductor of
this music, you know.
TD
ansermetniac
>This recording is truly wonderful from a sonic standpoint, right from
>the biting edge provided the strings at the opening of the first
>movement.
Did the conductor have anything do with the sound ?
Abbedd
Steve de Mena
> Decades ago Philips Classics maintained complete anonymity regarding
> the forces employed to record some of the most famous recordings in
> their history. The theory was that they were all equal, one producer
> and engineer very much the equal of another.
>
> In the 1990s the producers and engineers finally got their way and
> became known overnight by record buyers.
>
> The problem is with the older recordings. Who did what? Only the card
> files in my office would provide that information, which is still
> largely unknown. We do know the producer/engineer for most of
> Haitink's recordings with the COA, but lots of the others remain
> unknown.
>
> A case in point is a recording with the Berlin Philharmonic Orchestra,
> no less, under the direction of Semyon Bychkov, touted for a time as a
> possible candidate in Berlin!!!
>
> This recording is truly wonderful from a sonic standpoint, right from
> the biting edge provided the strings at the opening of the first
> movement.
>
> My GUESS would be the late, and probably great, Volker Strauss,
> something of a bane of Philips management for the endless time he
> would insist on taking with his recordings.
Right next to this CD on my shelf is a recording made 4 months later
in Berlin (Brahms PC 1, Brendel, Abbado) and Volker Strauss is
credited as the producer. Maybe that offers further evidence that he
was the producer. Maybe not.
Bychkov's Rachmaninoff 2 (5/1990, OdeP) and String Music (10/1991,
BPO) were both produced by Hein Dekker.
Steve
Beaver Lad
<ste...@stevedemena.com> wrote:
====================================================
Bychkov's Tchaik 6 with the Concertgebouw was produced by Volker Straus
[note: one 's', not two]. [26-27 January 1987.]
Steve de Mena
Interesting. The Brahms PC 1 CD I mentioned (420 071-2) has two s's,
Volker Strauss".
Steve
jrs...@aol.com
> The recording I have been listening to of late is of Symphony No. 5 -
> 420 069-2 - which has a recording date of May, 1986. A quick glance
> doesn't reveal any OTHER versions of this symphony with the BPO.
> Shostakovich, indeed, is not a frequent guest in Berlin. Rattle has
> done Nos 1 & 14. Karajan did a famous No. 10. Celibicache did No. 7.
> Jansons did No. 1. I like what I hear from Bychkov in Symphony No. 5
> and it is in no small measure due to the truly extraordinary playing
> by the BPO and the wonderful, airy, spacious recording perhaps
> provided by the late Volker Strauss.
>
> Frankly, I detect a certain turning up of the nose at Shostakovich's
> music in Berlin.
Not to be forgotten is a fine Shosty 1 with Jansons/BP on EMI, plus a
number of other Shostakovich symphony recordings with other conductors
and orchestras in Berlin, like Sanderling and Flor, and of course film
music with the Berlin Radio Symphony and various chamber recordings by
such artists as the Philharmonia Quartet Berlin, and of course the
numerous live concerts (I have, for instance, a rather good
Shostakovich 5 with Kempe/Berlin Radio).
If anyone was turning up a nose at Shostakovich, it was Abbado, who
could have jumped into Karajan's void and done more Shostakovich.
But overall Berliners have done plenty of Shostakovich on disc, and
certainly more that never made it to disc. And by now the Berlin
Philharmonic's recorded legacy in Shostakovich is not really much
worse than any other orchestra at that level--look at Boston,
Cleveland, the Philharmonia, etc. and tell me they've done all that
much Shostakovich on recordings.
--Jeff
Beaver Lad
<ste...@stevedemena.com> wrote:
======================================================
Another misprint! Definitely one 's'.
td
I agree that certain American orchestras have also not been out in
front of the Shostakovich discography. This is easily shown, of
course.
But Berlin and Vienna still rule the orchestral world, in my opinion.
Vienna did some Shostakovich in the distant past. And the COA has done
some, of course
But the Berlin Philharmonic seems to feel that Shostakovich is not,
well, "ready for prime time", one might say? And this is a pity,
considering the stature of the ensemble.
TD
td
> In article <47225f83$0$32472$4c368...@roadrunner.com>, Steve de Mena> > > In article <4722540a$0$5007$4c368...@roadrunner.com>, Steve de Mena
You're probably right, although this is very much a side issue. I knew
Volker Straus(s). He was no Viennese waltz, I can assure you. A more
tormented perfectionist manipulator of sound I have not met. He died
of heart problems. Quelle surprise!
TD
jrs...@aol.com
> > But overall Berliners have done plenty of Shostakovich on disc, and
> > certainly more that never made it to disc. And by now the Berlin
> > Philharmonic's recorded legacy in Shostakovich is not really much
> > worse than any other orchestra at that level--look at Boston,
> > Cleveland, the Philharmonia, etc. and tell me they've done all that
> > much Shostakovich on recordings.
>
> I agree that certain American orchestras have also not been out in
> front of the Shostakovich discography. This is easily shown, of
> course.
>
> But Berlin and Vienna still rule the orchestral world, in my opinion.
But you'll note I also mentioned the Philharmonia, which is surely a
great orchestra, and just as surely not American. What Shostakovich
have they done? Not much. The LSO didn't do all that much either until
more recent years. Yes, they did some with Previn and an odd guest.
And the Orchestre de Paris, the ONF? The Vienna Philharmonic, which
you mentioned? SOBR? SWF? Staatskapelle Dresden? Oslo Philharmonic?
the Gewandhaus in Leipzig? The Israel Philharmonic? I can go on and
on...Overall, very little Shostakovich on disc from non-Russian
orchestras, with a few notable exceptions by orchestras that had
strong relationships with conductors who sought Shostakovich's music:
Ormandy and Stokowski in the U.S., Previn and now Gergiev in London,
Haitink and Kondrashin in Amsterdam, Ancerl in Prague and elsewhere,
etc.
> But the Berlin Philharmonic seems to feel that Shostakovich is not,
> well, "ready for prime time", one might say? And this is a pity,
> considering the stature of the ensemble.
>
Your comment about the Berlin Philharmonic (good of you to narrow it
to that orchestra now instead of Berliners as a whole), seen in
comparison to most other orchestras of great stature, doesn't hold
much water because they've done plenty of Shostakovich since those
early digital efforts with Bychkov. What we have is two principal
conductors, Abbado and Karajan, with little interest in Shostakovich,
but the orchestra itself seems not to have an "attitude" toward
Shostakovich one way or another. They play him well and often and with
conviction when the right conductors come along, same as any other
orchestra.
--Jeff
boombox
jrs...@aol.com wrote:
> Your comment about the Berlin Philharmonic (good of you to narrow it
> to that orchestra now instead of Berliners as a whole), seen in
> comparison to most other orchestras of great stature, doesn't hold
> much water because they've done plenty of Shostakovich since those
> early digital efforts with Bychkov. What we have is two principal
> conductors, Abbado and Karajan, with little interest in Shostakovich,
> but the orchestra itself seems not to have an "attitude" toward
> Shostakovich one way or another. They play him well and often and with
> conviction when the right conductors come along, same as any other
> orchestra.
The recent Berliner Philharmoniker edition has an excellent 15th with
Sanderling (Vol. 11) from 1999. It makes a great companion to the
version he set down with the Berlin Symphony for Berlin Classics. One
or the other is my favorite recording of that elusive work.
td
> Your comment about the Berlin Philharmonic (good of you to narrow it
> to that orchestra now instead of Berliners as a whole)
There are other "Berlin" orchestras, but surely they don't count!!!
There is only one Berlin Philharmonic Orchestra.
, seen in
> comparison to most other orchestras of great stature, doesn't hold
> much water because they've done plenty of Shostakovich since those
> early digital efforts with Bychkov.
And what has all of this activity yielded? Not very much, I would say.
I could not find a single recording of Shostakovich 5 with the BPO
except that now deleted CD with Bychkov.
What we have is two principal
> conductors, Abbado and Karajan, with little interest in Shostakovich,
> but the orchestra itself seems not to have an "attitude" toward
> Shostakovich one way or another.
I don't see any evidence one way or the other. I can only judge by the
results, which are almost nil.
> They play him well and often and with conviction when the right conductors come along, same as any other orchestra.
And the evidence for that? Live performances? Well, I wasn't there,
was I? Nor were any other record collectors. In the end, there is no
evidence of this "conviction" you mention.
Perhaps with Rattle? Not sure about that.
TD
ansermetniac
>There is only one Berlin Philharmonic Orchestra.
Do you really like the sound of Alexander 103s with shallow cup
mouthpieces and microscopic bores? Louder than mf, they sound like
wounded moose
Abbedd
jrs...@aol.com
> On Oct 26, 8:34 pm, "jrsn...@aol.com" <jrsn...@aol.com> wrote:
>
> > Your comment about the Berlin Philharmonic (good of you to narrow it
> > to that orchestra now instead of Berliners as a whole)
>
> There are other "Berlin" orchestras, but surely they don't count!!!
In your first post you were ambiguous. I took your meaning as
"Berliners don't like Shostakovich" which was perfectly reasonable
given that you were talking about the players as much as the
conductors. It is better to be clear and restrict this discussion to
just the Philharmonic, because, after all, the other orchestras have
recorded a fair amount of Shostakovich. That's good evidence that
Berliners have no problem with Shostakovich, if not evidence that the
Philharmonic has no problem with Shostakovich.
I realize that orchestras aren't your primary area of interest, but
keep in mind that from Otto Klemperer and Erich Kleiber all the way to
Barenboim and Boulez today, the "other" Berlin orchestras do count
very much indeed.
>
> , seen in
>
> > comparison to most other orchestras of great stature, doesn't hold
> > much water because they've done plenty of Shostakovich since those
> > early digital efforts with Bychkov.
>
> And what has all of this activity yielded? Not very much, I would say.
> I could not find a single recording of Shostakovich 5 with the BPO
> except that now deleted CD with Bychkov.
>
What is "yielded"? If they do it they do it. If they don't record it,
it doesn't mean they don't "do" it. And anyway, as I said, it's a
relative thing. They've recorded Shosty 5 once. That's not bad.
They've recorded Shosty 10 twice commercially, which is how many more
than 10s than the Leipzig Gewandhaus, Staatskapelle Dresden, Cleveland
Orchestra, and Vienna Philharmonic combined (all orchestras of equal
stature amongst cognescenti)? They've recorded the 1st commercially
once. How many times has the Concertgebouw, with its supposedly
superior Shostakovich tradition, recorded it commercially?
> What we have is two principal
>
> > conductors, Abbado and Karajan, with little interest in Shostakovich,
> > but the orchestra itself seems not to have an "attitude" toward
> > Shostakovich one way or another.
>
> I don't see any evidence one way or the other. I can only judge by the
> results, which are almost nil.
Exactly. There *is* no evidence to suggest what you asserted about the
orchestra, because when given the opportunity to record Shostakovich
they have done so. Like most other groups, they've recorded DSch
relatively frequently since the advent of the digital era..
>
> > They play him well and often and with conviction when the right conductors come along, same as any other orchestra.
>
> And the evidence for that? Live performances? Well, I wasn't there,
> was I? Nor were any other record collectors. In the end, there is no
> evidence of this "conviction" you mention.
Check their schedules if you need evidence. Or go to Parnassus Records
and look at the listings of Shostakovich performances with the Berlin
Phil with Sanderling, Solti, Previn, Jansons, Haitink, Gergiev,
Berglund, and, believe it or not, Abbado! Undoubtedly this is just the
tip of the iceberg.
In short, one doesn't need to be there to know something or to hear
something.
(Speaking of Parnassus, has anyone actually bothered to listen to the
Shostakovich 5 with John Eliot Gardiner and the Czech Philharmonic? Is
that a cool blind listening test or what!)
> Perhaps with Rattle? Not sure about that.
Not sure about Rattle? His Shostakovich sounds very Rattlesque, you
know.
--Jeff
td
> On Oct 26, 6:30 pm, td <tomdedea...@mac.com> wrote:
>
> > On Oct 26, 8:34 pm, "jrsn...@aol.com" <jrsn...@aol.com> wrote:
>
> > > Your comment about the Berlin Philharmonic (good of you to narrow it
> > > to that orchestra now instead of Berliners as a whole)
>
> > There are other "Berlin" orchestras, but surely they don't count!!!
>
> In your first post you were ambiguous. I took your meaning as
> "Berliners don't like Shostakovich" which was perfectly reasonable
> given that you were talking about the players as much as the
> conductors.
You took it incorrectly. I never spoke about "Berliners" except those
who play in the orchestra and their conductors.
It is better to be clear and restrict this discussion to
> just the Philharmonic, because, after all, the other orchestras have
> recorded a fair amount of Shostakovich. That's good evidence that
> Berliners have no problem with Shostakovich, if not evidence that the
> Philharmonic has no problem with Shostakovich.
This was, of course, my meaning. No slight on Barenboim, but his
orchestra is NOT the BPO. It doesn't carry the weight of the real
thing, I would suggest.
The BPO has obviously - or more likely its management - avoided too
much Shostakovich over the years.
> I realize that orchestras aren't your primary area of interest, but
> keep in mind that from Otto Klemperer and Erich Kleiber all the way to
> Barenboim and Boulez today, the "other" Berlin orchestras do count
> very much indeed.
In the scheme of things they are small players on the world scene,
Jeff, however important they may be to musical life in Berlin.
The Metropolitan Orchestra of Montreal is important in Montreal, well,
sort of, but hardly makes a dent on the world scene.
> > , seen in
>
> > > comparison to most other orchestras of great stature, doesn't hold
> > > much water because they've done plenty of Shostakovich since those
> > > early digital efforts with Bychkov.
>
> > And what has all of this activity yielded? Not very much, I would say.
> > I could not find a single recording of Shostakovich 5 with the BPO
> > except that now deleted CD with Bychkov.
>
> What is "yielded"? If they do it they do it. If they don't record it,
> it doesn't mean they don't "do" it.
It means, very obviously, that there is no permanent record of that
commitment.
And anyway, as I said, it's a
> relative thing. They've recorded Shosty 5 once. That's not bad.
LOL!
> They've recorded Shosty 10 twice commercially, which is how many more
> than 10s than the Leipzig Gewandhaus, Staatskapelle Dresden, Cleveland
> Orchestra, and Vienna Philharmonic combined (all orchestras of equal
> stature amongst cognescenti)? They've recorded the 1st commercially
> once. How many times has the Concertgebouw, with its supposedly
> superior Shostakovich tradition, recorded it commercially?
The point is, Jeff, that the BPO sets the standard. And they have
avoided these particular "lists", in favour of endless Beethoven,
Brahms, etc.
> > What we have is two principal
>
> > > conductors, Abbado and Karajan, with little interest in Shostakovich,
> > > but the orchestra itself seems not to have an "attitude" toward
> > > Shostakovich one way or another.
>
> > I don't see any evidence one way or the other. I can only judge by the
> > results, which are almost nil.
>
> Exactly. There *is* no evidence to suggest what you asserted about the
> orchestra, because when given the opportunity to record Shostakovich
> they have done so.
Hmmmmm.
"Given the opportunity".
Nice way of saying "if someone bribes them with enough money, they'll
stoop to doing it. If not, well, zip!"
> > > They play him well and often and with conviction when the right conductors come along, same as any other orchestra.
>
> > And the evidence for that? Live performances? Well, I wasn't there,
> > was I? Nor were any other record collectors. In the end, there is no
> > evidence of this "conviction" you mention.
>
> Check their schedules if you need evidence. Or go to Parnassus Records
> and look at the listings of Shostakovich performances with the Berlin
> Phil with Sanderling, Solti, Previn, Jansons, Haitink, Gergiev,
> Berglund, and, believe it or not, Abbado! Undoubtedly this is just the
> tip of the iceberg.
I don't check the pirates, Jeff. And why should I?
> > Perhaps with Rattle? Not sure about that.
>
> Not sure about Rattle? His Shostakovich sounds very Rattlesque, you
> know.
Fair enough. A cute remark. But utterly meaningless in the context of
this post.
Let's hope that Rattle's respect for Shostakovich - as opposed to
Elgar, I should add - will lead to some DS on CD from Berlin.
TD
jrs...@aol.com
> > > And what has all of this activity yielded? Not very much, I would say.
> > > I could not find a single recording of Shostakovich 5 with the BPO
> > > except that now deleted CD with Bychkov.
>
> > What is "yielded"? If they do it they do it. If they don't record it,
> > it doesn't mean they don't "do" it.
>
> It means, very obviously, that there is no permanent record of that
> commitment.
Only if you define "permanent record" to exclude "that which is
permanently available".
>
> > relative thing. They've recorded Shosty 5 once. That's not bad.
>
> LOL!
LOL! The numbers speak too clearly: that's as often as Cleveland,
Chicago, Philadelphia, and New York in the last 3 decades; try
Dresden, Leipzig, the Czech Philharmonic, the Philharmonia, and pretty
much everyone else at that level too at a time when recordings have
been ubiquitous. The few who do more are the exceptions. And as we've
seen, the BPO have been performing this work and others reasonably
frequently with the same conductors who do it everywhere else. The
fact that they do it so often with guest conductors is a sure sign
that in the past they embraced the music as often as time allows
outside the expertise of their own principal conductors. It's not like
anyone was forcing it on them; they *asked* for it.
>
> > They've recorded Shosty 10 twice commercially, which is how many more
> > than 10s than the Leipzig Gewandhaus, Staatskapelle Dresden, Cleveland
> > Orchestra, and Vienna Philharmonic combined (all orchestras of equal
> > stature amongst cognescenti)? They've recorded the 1st commercially
> > once. How many times has the Concertgebouw, with its supposedly
> > superior Shostakovich tradition, recorded it commercially?
>
> The point is, Jeff, that the BPO sets the standard. And they have
> avoided these particular "lists", in favour of endless Beethoven,
> Brahms, etc.
No, the point is exactly the point I made (actually, I errred..they've
recorded the 1st twice). The orchestra has recorded plenty of
Shostakovich in the modern era. If that orchestra set a universal
standard for recordings then nobody would record Elgar or Vaughan
Williams or Roussel or Copland or Gershwin or Bach cantatas or Haydn's
Sturm und Drang symphonies. We wouldn't have umpteen versions of
Bizet's symphony. The point about one orchestra setting a single
"standard" that others follow is just a figment of your imagination.
The recording facts show something else. Do you somehow think that the
Berlin Philharmonic led the boom in Mahler recording too? Did the
Berlin Philharmonic lead the parade of "authenticists" in Bach and
Mozart and Beethoven too? Of course not.
> > > > What we have is two principal
> > > > conductors, Abbado and Karajan, with little interest in Shostakovich,
> > > > but the orchestra itself seems not to have an "attitude" toward
> > > > Shostakovich one way or another.
> > > > They play him well and often and with conviction when the right conductors come along, same as any other orchestra.
>
> > > And the evidence for that? Live performances? Well, I wasn't there,
> > > was I? Nor were any other record collectors. In the end, there is no
> > > evidence of this "conviction" you mention.
>
> > Check their schedules if you need evidence. Or go to Parnassus Records
> > and look at the listings of Shostakovich performances with the Berlin
> > Phil with Sanderling, Solti, Previn, Jansons, Haitink, Gergiev,
> > Berglund, and, believe it or not, Abbado! Undoubtedly this is just the
> > tip of the iceberg.
>
> I don't check the pirates, Jeff. And why should I?
Maybe to make an accurate point? To have an informed opinion? Because
you're not following what's going on some other way?
--Jeff
td
jrs...@aol.com wrote:
> On Oct 27, 7:02 am, td <tomdedea...@mac.com> wrote:
>
>
> > > > And what has all of this activity yielded? Not very much, I would say.
> > > > I could not find a single recording of Shostakovich 5 with the BPO
> > > > except that now deleted CD with Bychkov.
> >
> > > What is "yielded"? If they do it they do it. If they don't record it,
> > > it doesn't mean they don't "do" it.
> >
> > It means, very obviously, that there is no permanent record of that
> > commitment.
>
> Only if you define "permanent record" to exclude "that which is
> permanently available".
>
> >
> > > relative thing. They've recorded Shosty 5 once. That's not bad.
> >
> > LOL!
>
> LOL! The numbers speak too clearly: that's as often as Cleveland,
> Chicago, Philadelphia, and New York in the last 3 decades; try
> Dresden, Leipzig, the Czech Philharmonic, the Philharmonia, and pretty
> much everyone else at that level too at a time when recordings have
> been ubiquitous.
Interesting list. But as I say, they really don't count. Who cares
what they do with Shostakovich? I certainly don't. But the BPO does
count. At least in my opinion.
> > The point is, Jeff, that the BPO sets the standard. And they have
> > avoided these particular "lists", in favour of endless Beethoven,
> > Brahms, etc.
>
> No, the point is exactly the point I made (actually, I errred..they've
> recorded the 1st twice).
Well, I guess we shall have to disagree about what MY point is, then.
> Do you somehow think that the
> Berlin Philharmonic led the boom in Mahler recording too? Did the
> Berlin Philharmonic lead the parade of "authenticists" in Bach and
> Mozart and Beethoven too? Of course not.
You're right.
Why would the archetypical German orchestra, the band of Furtwangler
and that ex-Nazi Karajan have led the fight for Mahler, a Jewish-born
convert to Christanity? I see no reason why, in fact, although HvK did
get around to some Mahler at the end, after everyone else had done it
and almost shamed him into it.
> > I don't check the pirates, Jeff. And why should I?
>
> Maybe to make an accurate point? To have an informed opinion? Because
> you're not following what's going on some other way?
I am ONLY judging the orchestra on its recorded repertoire. This is,
after all RCMR!!! Perhaps there's a forum where you can tout these
"live" performances of the BPO as indicative of their profound
interest in Shostakovich. But not here. Except for Bychkov and the odd
other symphony of DS, they simply have been "missing in action", as
they say in the military. And now that the three Bychkov are
unavailable, all we have are those other odd symphonies. Nos. 1,7, 10
and 14.
TD
jrs...@aol.com
> I am ONLY judging the orchestra on its recorded repertoire.
I understand. I am just pointing out that this judgment reflects the
business decisions of EMI, Philips, and DG, far more than represents
the experience of the orchestra itself. You can turn a blind eye to
the evidence if you wish, but don't pretend to render an accurate
judgment of an orchestra on this basis. You're merely judging a
fraction of their legacy.
This is,
> after all RCMR!!! Perhaps there's a forum where you can tout these
> "live" performances of the BPO as indicative of their profound
> interest in Shostakovich. But not here.
Except that this forum is about recordings of musicians making music,
so information about those musicians is obviously on topic. Let's not
forget that musicians make commercial recordings only when producers
want those recordings made. So don't continue to err with statements
like:
"Shostakovich, indeed, is not a frequent guest in Berlin."
"Frankly, I detect a certain turning up of the nose at Shostakovich's
music in Berlin."
if you wish to convey the semblance of informed opinion. Cognoscenti
are having a chuckle at your expense.
--Jeff
Ed Romans
> I understand. I am just pointing out that this judgment reflects the
> business decisions of EMI, Philips, and DG, far more than represents
> the experience of the orchestra itself. > This is,
Your points are probably the major factors and I agree with you that
not much can be inferred about the BPO players views from how many
Shostakovich recordings they've made.
On the other hand I think Simon Rattle said something along the lines
that when he first came to the orchestra (which I guess meant in the
1980s) he couldn't believe that they actually thought Richard Strauss
was a greater composer than Mahler.
Ed
td
> On Oct 27, 10:07 am, td <tomdedea...@mac.com> wrote:
>
> > I am ONLY judging the orchestra on its recorded repertoire.
>
> I understand. I am just pointing out that this judgment reflects the
> business decisions of EMI, Philips, and DG, far more than represents
> the experience of the orchestra itself.
I think you have a rather limited understanding of exactly HOW EMI,
Philips and DG make repertoire decisions. If the orchestra and the
conductor WANTED to record Shostakovich, all three companies would
agree.
No question about it.
> You're merely judging a fraction of their legacy.
And you seem to have a strange idea of the meaning of "legacy".
> This is,
>
> > after all RCMR!!! Perhaps there's a forum where you can tout these
> > "live" performances of the BPO as indicative of their profound
> > interest in Shostakovich. But not here.
>
> Except that this forum is about recordings of musicians making music,
> so information about those musicians is obviously on topic. Let's not
> forget that musicians make commercial recordings only when producers
> want those recordings made. So don't continue to err with statements
> like:
>
> "Shostakovich, indeed, is not a frequent guest in Berlin."
I shall do precisely that when I see little sign that DS IS a frequent
guest in Berlin.
> "Frankly, I detect a certain turning up of the nose at Shostakovich's
> music in Berlin."
>
> if you wish to convey the semblance of informed opinion. Cognoscenti
> are having a chuckle at your expense.
Oh dear. I am so very worried.
Cognoscenti, indeed!
This is to laugh.
TD
td
And he could have expanded upon that remark, I feel sure.
Rattle is, perhaps, the real hope that the BPO will climb out of its
cozy cradle in the 19th Century and embrace the 20th by the time we
get a decade or so into the 21st.
The BPO is, as MA once remarked, the "Greta Garbo of orchestras". Self-
absorbed in its own virtue, its own beauty, its own classic stature.
Rattle's job is to shake that all up just a bit, if he gets a chance,
that is.
TD
jrs...@aol.com
I remember that comment, though I'm not sure how well that remark
reflects Rattle's own priorities or the opinion of a few versus the
opinion of many who never talked to him, etc., etc. The personnel have
also changed a lot since then.
In any case, I don't hold it against someone if they feel Strauss is a
greater composer. It's just a matter of taste. I know plenty of
players who don't like Mahler all that much. But even in the case of
Mahler, the orchestra has played a lot of it--far more than the
commercial recordings would suggest--and has been playing it far
longer too.
In every orchestra you will find some people who don't like
Shostakovich, or Mahler, or Brahms, or whatever, as much as you and I
might. But they still can play it well and often.
--Jeff
Taffy Brendel
Jeff when the washed up DJ cannot support his premises he simply
switches them. He is never wrong you see.
As usual he doesn't know what he is talking about. Here is a list of
concerts that contain works by Shostakovich
going back to 1945. The list of concert was taken from the archives
of the concert listings located on the BPO's own
site. I mention this as the Deacon will of course reject the evidence
even when is it cited from the official site. He
has shown himself to be a lazy blowhard who dispenses hot air from his
anus time and time again. He has done
so yet again. He is so predictable. BTW, the list is evidence to a
commitment to Shostakovich's work. Yes, Deaky
they did play this music rather often. Here's the list:
Haus des Rundfunks, Großer Sendesaal
Saturday 6. July 1946 6 p.m.
Dt. Staatsoper im Admiralspalast
Sunday 7. July 1946 11 a.m.
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Erna Berger Sopran
Sergej Prokofjew
Symphonie Nr. 1 op. 25 (Symphonie classique)
Reinhold Gliere
Konzert für Koloratursopran und Orchester
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Haus des Rundfunks, Großer Sendesaal
Saturday 10. August 1946 7 p.m.
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Igor Strawinsky
Suite Nr. 1 für kleines Orchester
Sergej Prokofjew
Symphonie Nr. 1 op. 25 (Symphonie classique)
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Städtische Oper Berlin
Sunday 11. August 1946 8 p.m.
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Joseph Haydn
Symphonie Nr. 94 G-Dur (Mit dem Paukenschlag)
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Haus des Rundfunks, Großer Sendesaal
Saturday 21. December 1946 7 p.m.
Dt. Staatsoper im Admiralspalast
Sunday 22. December 1946 11 a.m.
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Dmitri Schostakowitsch
Symphonie Nr. 7 C-Dur op. 60 ('Leningrader')
Haus d. Kultur der Sowjetunion, Am Festungsgr. 1
Wednesday 9. July 1947
Berliner Philharmoniker
John Bitter Dirigent
Jaro Prohaska Gesang
Peter Iljitsch Tschaikowsky
Serenade für Streichorchester C-Dur op. 48
Dmitri Schostakowitsch
Russische und amerikanische Volkslieder (von S. instr.)
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Titania-Palast, Steglitz
Sunday 31. August 1947 10:30 a.m.
Haus des Rundfunks, Großer Sendesaal
Sunday 31. August 1947 7:01 p.m.
Titania-Palast, Steglitz
Monday 1. September 1947 6 p.m.
Städtische Oper Berlin
Sunday 21. September 1947
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Hector Berlioz
Der Korsar, Ouvertüre Ouverture du Corsaire op. 21
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Richard Strauss
Till Eulenspiegels lustige Streiche op. 28 Nach alter Schelmenweise in
Rondeauform für großes Orchester gesetzt
Claude Debussy
La Mer (Das Meer) Trois Esquisses symphoniques
Haus d. Kultur der Sowjetunion, Am Festungsgr. 1
Saturday 8. November 1947 7:30 p.m.
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Gottlob Frick Baß
Dmitri Kabalewsky
Komödianten-Suite
Sergej Prokofjew
Symphonie Nr. 1 op. 25 (Symphonie classique)
Chrennikow
Viel Lärm um Nichts, Suite
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Titania-Palast, Steglitz
Saturday 12. June 1948 5:30 p.m.
Sunday 13. June 1948 11 a.m.
Berliner Philharmoniker
Leopold Ludwig Dirigent
Patricia Travers Violine
Dmitri Schostakowitsch
Zwei Stücke op. 11 (Fassung für Streichorchester ?)
Roger Sessions
Violinkonzert
Max Bruch
Violinkonzert Nr. 1 g-Moll op. 26
Richard Strauss
Don Juan op. 20 (Tondichtung nach Nikolaus Lenau)
Titania-Palast, Steglitz
Thursday 31. March 1949 6 p.m.
Berliner Philharmoniker
Sergiu Celibidache Dirigent
Wolfgang Amadeus Mozart
Symphonie Nr. 40 g-Moll KV 550
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Friday 10. February 1956 8 p.m.
Saturday 11. February 1956 8 p.m.
Berliner Philharmoniker
Wolfgang Sawallisch Dirigent
Christine Purrmann Klavier
Béla Bartók
Tanzsuite für Orchester
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 23 A-Dur KV 488
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
HARDENBERGSTRASSE
Tuesday 21. January 1958 8 p.m.
Berliner Philharmoniker
Bernhard Conz Dirigent
Sergio Perticaroli Klavier
Franz Schubert
Symphonie Nr. 2 B-Dur D 125
Felix Mendelssohn Bartholdy
Klavierkonzert Nr. 1 g-Moll op. 25
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
HARDENBERGSTRASSE
Thursday 27. November 1958 8 p.m.
Friday 28. November 1958 8 p.m.
Berliner Philharmoniker
Georg Ludwig Jochum Dirigent
Eugène List Klavier
Fritz Wesenigk Trompete
Wolfgang Fortner
Capriccio und Finale für großes Orchester
Dmitri Schostakowitsch
Konzert c-Moll für Klavier, Trompete und Streichorchester op. 35
(Klavierkonzert Nr. 1)
Franz Schubert
Symphonie Nr. 8 C-Dur D 944
HARDENBERGSTRASSE
Sunday 1. March 1959 8 p.m.
Monday 2. March 1959 8 p.m.
Tuesday 3. March 1959 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Michel Schwalbé Violine
Anton Webern
Fünf Sätze für Streichorchester op. 5
Felix Mendelssohn Bartholdy
Violinkonzert e-Moll op. 64
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
HARDENBERGSTRASSE
Sunday 7. June 1959 8 p.m.
Monday 8. June 1959 8 p.m.
Berliner Philharmoniker
Leopold Stokowski Dirigent
Maurice Ravel
Rapsodie espagnole
Claude Debussy
Nocturnes
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Berliner Philharmoniker
Lovro von Matacic Dirigent
Lola Bobesco Violine
Mily Balakirew
Tamara Symphonische Dichtung nach einem Gedicht von Michail
Lermontow
Sergej Prokofjew
Violinkonzert Nr. 1 D-Dur op. 19
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Sunday 11. June 1961 8 p.m.
Monday 12. June 1961 8 p.m.
Berliner Philharmoniker
Leopold Stokowski Dirigent
Bedrich Smetana
Die verkaufte Braut: Ouvertüre
Peter Iljitsch Tschaikowsky
Romeo und Julia: Ouvertüre
Zoltán Kodály
Háry-János-Suite
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Thursday 11. March 1965 8 p.m.
Friday 12. March 1965 8 p.m.
Berliner Philharmoniker
Sir Malcolm Sargent Dirigent
Pierre Fournier Violoncello
Benjamin Britten
Variationen und Fuge über ein Thema von Purcell op. 34 The young
person's Guide to the orchestra
Antonín Dvorák
Konzert für Violoncello h-Moll op. 104
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Tuesday 25. October 1966 8 p.m.
Wednesday 26. October 1966 8 p.m.
Thursday 27. October 1966 8 p.m.
Berliner Philharmoniker
Rudolf Kempe Dirigent
Wolfgang Schneiderhan Violine
Igor Strawinsky
Scherzo à la Russe Symphonische Version
Antonín Dvorák
Violinkonzert a-Moll op. 53
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Tuesday 29. November 1966 8 p.m.
Wednesday 30. November 1966 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Michel Schwalbé Violine
Wolfgang Amadeus Mozart
Violinkonzert Nr. 3 G-Dur KV 216
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Sunday 24. September 1967 8 p.m.
Monday 25. September 1967 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Maurice Ravel
Streichquartett F-Dur
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Sunday 18. May 1969 8 p.m.
Monday 19. May 1969 8 p.m.
Berliner Philharmoniker
Kyrill Kondraschin Dirigent
Dmitrij Baschkirow Klavier
Ludwig van Beethoven
Klavierkonzert Nr. 5 Es-Dur op. 73
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Tuesday 13. January 1970 8 p.m.
Wednesday 14. January 1970 8 p.m.
Berliner Philharmoniker
Lovro von Matacic Dirigent
Wolfgang Boettcher Violoncello
Joseph Haydn
Symphonie Nr. 82 C-Dur (Der Bär)
Darius Milhaud
Cellokonzert Nr. 2 op. 255
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Tuesday 18. January 1972 8 p.m.
Wednesday 19. January 1972 8 p.m.
Berliner Philharmoniker
Dmitri Kitajenko Dirigent
Elisabeth Grümmer Gesang
Peter Iljitsch Tschaikowsky
Romeo und Julia: Ouvertüre
Richard Wagner
Wesendonck-Lieder WWV 91
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Saturday 5. January 1974 7:30 p.m.
Sunday 6. January 1974 11 a.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Wolfgang Amadeus Mozart
Divertimento B-Dur KV 287
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Philharmonie
Monday 14. January 1974 8 p.m.
Tuesday 15. January 1974 8 p.m.
Berliner Philharmoniker
Miklós Erdélyi Dirigent
Raffaele Arié Baß
Stefania Woytowicz Sopran
Dmitri Schostakowitsch
Symphonie Nr. 14 für Sopran, Bass und Kammerorchester op. 135
Symphonie Nr. 14 für Sopran, Baß, Streichorchester und Schlagzeug op.
135
Wolfgang Amadeus Mozart
Symphonie Nr. 40 g-Moll KV 550
Philharmonie
Tuesday 8. October 1974 8 p.m.
Wednesday 9. October 1974 8 p.m.
Berliner Philharmoniker
Alexander Lazarew Dirigent
Rolf Schulte Violine
Sergej Prokofjew
Leutnant Kijé, Suite op. 60
Wolfgang Amadeus Mozart
Violinkonzert Nr. 3 G-Dur KV 216
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Wednesday 24. March 1976 8 p.m.
Thursday 25. March 1976 8 p.m.
Friday 26. March 1976 8 p.m.
Berliner Philharmoniker
Gennady Rozhdestvensky Dirigent
Nikita Magaloff Klavier
Joseph Haydn
Klavierkonzert Nr. 11 D-Dur
Dmitri Schostakowitsch
Symphonie Nr. 4 c-Moll op. 43
Philharmonie
Friday 8. October 1976 8 p.m.
Saturday 9. October 1976 8 p.m.
Berliner Philharmoniker
Wassilij Sinaiski Dirigent
Werner Thärichen Marimba
Johann Doms Posaune
Ludwig van Beethoven
Symphonie Nr. 1 C-Dur op. 21
Werner Thärichen
Konzert für Marimbaphon, Posaune und Orchester op. 53
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Tuesday 17. May 1977 8 p.m.
Wednesday 18. May 1977 8 p.m.
Berliner Philharmoniker
Gennady Rozhdestvensky Dirigent
Oleg Kagan Violine
Ludwig van Beethoven
Die Geschöpfe des Prometheus op. 43 Ballettmusik
Dmitri Schostakowitsch
Violinkonzert Nr. 1 a-Moll op. 77 op. 99
Dmitri Schostakowitsch
Die Nase op. 15, Ouvertüre
Dmitri Schostakowitsch
Die Nase op. 15, Entreakt
Dmitri Schostakowitsch
Die Nase op. 15, Galopp
Philharmonie
Saturday 17. December 1977 8 p.m.
Sunday 18. December 1977 3 p.m.
Berliner Philharmoniker
Mstislaw Rostropowitsch Dirigent
Galina Wischnewskaja Sopran
Peter Iljitsch Tschaikowsky
Francesca da Rimini Fantasie für Orchester nach Dante op. 32
Eugen Onegin, Brief-Szene Arie der Tatjana
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Tuesday 7. March 1978 8 p.m.
Wednesday 8. March 1978 8 p.m.
Berliner Philharmoniker
Hiroyuki Iwaki Dirigent
Helmut Roloff Klavier
Toru Takemitsu
Marginalia für Orchester
Ludwig van Beethoven
Klavierkonzert Nr. 5 Es-Dur op. 73
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Philharmonie
Wednesday 25. October 1978 8 p.m.
Thursday 26. October 1978 8 p.m.
Berliner Philharmoniker
Erich Bergel Dirigent
Götz-Wolfgang Teutsch Violoncello
Dmitri Schostakowitsch
Cellokonzert Nr. 2 op. 126
Anton Bruckner
Symphonie Nr. 1 c-Moll (Linzer Fassung)
Philharmonie
Wednesday 16. May 1979 8 p.m.
Thursday 17. May 1979 8 p.m.
Berliner Philharmoniker
Emil Tchakarov Dirigent
Alexis Weissenberg Klavier
Sergej Rachmaninow
Klavierkonzert Nr. 3 d-Moll op. 30
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Thursday 19. February 1981 7 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Krzysztof Penderecki
Polymorphia für 48 Streichinstrumente
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Wednesday 10. March 1982 8 p.m.
Thursday 11. March 1982 8 p.m.
Berliner Philharmoniker
Zubin Mehta Dirigent
Wolfgang Dünschede Flöte
Michel Schwalbé Violine
Rainer Sonne Violine
Emil Maas Violine
Hanns-Joachim Westphal Violine
Lothar Koch Oboe
Martin Kretzer Trompete
David Levine Klavier
Antonio Vivaldi
Konzert für Flautino und Streichorchester C-Dur op. 11 RV 443
Konzert h-Moll für vier Violinen, Streicher und Basso continuo op. 3
Nr. 10 RV 5
Joseph Haydn
Konzert für Oboe C-Dur
Dmitri Schostakowitsch
Konzert c-Moll für Klavier, Trompete und Streichorchester op. 35
(Klavierkonzert Nr. 1)
Nikolai (oder: Nikolaj) Rimsky-Korsakow
Capriccio espagnol op. 34
Tuesday 11. January 1983 8 p.m.
Wednesday 12. January 1983 8 p.m.
Berliner Philharmoniker
Krzysztof Penderecki Dirigent
Dimiter Petkov Baß
Galina Wischnewskaja Sopran
Mstislaw Rostropowitsch Violoncello
Krzysztof Penderecki
Cellokonzert Nr. 2 in einem Satz
Dmitri Schostakowitsch
Symphonie Nr. 14 für Sopran, Bass und Kammerorchester op. 135
Symphonie Nr. 14 für Sopran, Baß, Streichorchester und Schlagzeug op.
135
Friday 11. February 1983 8 p.m.
Saturday 12. February 1983 8 p.m.
Berliner Philharmoniker
Kurt Masur Dirigent
Herren d. Chores d. St. Hedwigs-K. (B.)
Gustav Schmahl Violine
Sergej Leiferkus Baß
Siegfried Köhler
Violinkonzert op. 64
Dmitri Schostakowitsch
Symphonie Nr. 13 b-Moll op. 113 (Babij Jar) für Baß-Solo, Baß-Chor und
Orchester
Philharmonie
Tuesday 15. March 1983 8 p.m.
Wednesday 16. March 1983 8 p.m.
Berliner Philharmoniker
Vaclav Neumann Dirigent
Carl Seemann Klavier
Gottfried Schneider Violine
Christoph Henkel Violoncello
Wolfgang Amadeus Mozart
Symphonie Nr. 36 C-Dur KV 425 ("Linzer Symphonie")
Bohuslav Martinu
Konzert für Klaviertrio und Streichorchester Nr. 1
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Wednesday 12. October 1983 8 p.m.
Thursday 13. October 1983 8 p.m.
Berliner Philharmoniker
Yoav Talmi Dirigent
Jörg Baumann Violoncello
Carl Maria von Weber
Euryanthe: Ouvertüre
Robert Volkmann
Cellokonzert in einem Satz a-Moll op. 33
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Tuesday 2. October 1984 8 p.m.
Wednesday 3. October 1984 8 p.m.
Berliner Philharmoniker
Riccardo Chailly Dirigent
Yo-Yo Ma Violoncello
Modest Mussorgsky
Bilder einer Ausstellung (Orchesterfassung)
Alexander Mossolow
Stahl op. 19, Eisengießerei Ballett
Dmitri Schostakowitsch
Cellokonzert Nr. 1 Es-Dur op. 107
Philharmonie
Wednesday 7. November 1984 8 p.m.
Thursday 8. November 1984 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Shlomo Mintz Violine
Johannes Brahms
Violinkonzert D-Dur op. 77
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Tuesday 8. January 1985 8 p.m.
Wednesday 9. January 1985 8 p.m.
Berliner Philharmoniker
Semyon Bychkov Dirigent
Alexis Weissenberg Klavier
Sergej Prokofjew
Klavierkonzert Nr. 3 C-Dur op. 26
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Sunday 8. September 1985 8 p.m.
Berliner Philharmoniker
Charles Dutoit Dirigent
Herren des Städt. Musikver. Düsseld. (S)
Herren d. Chores d. St. Hedwigs-K. (F.)
Marius Rintzler Baß
Georg Friedrich Händel
Concerto grosso F-Dur op. 3 Nr. 4
Bernd Alois Zimmermann
Stille und Umkehr für Orchester
Dmitri Schostakowitsch
Symphonie Nr. 13 b-Moll op. 113 (Babij Jar) für Baß-Solo, Baß-Chor und
Orchester
Philharmonie
Tuesday 17. September 1985 8 p.m.
Wednesday 18. September 1985 8 p.m.
Berliner Philharmoniker
Yuri Temirkanov Dirigent
Vladimir Krajnev Klavier
Peter Iljitsch Tschaikowsky
Romeo und Julia: Ouvertüre
Sergej Prokofjew
Klavierkonzert Nr. 1 Des-Dur op. 10
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Tuesday 6. May 1986 8 p.m.
Wednesday 7. May 1986 8 p.m.
Berliner Philharmoniker
Semyon Bychkov Dirigent
Dinorah Varsi Klavier
Carl Maria von Weber
Oberon: Ouvertüre
Frédéric Chopin
Klavierkonzert Nr. 2 f-Moll op. 21
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Saturday 10. May 1986 8 p.m.
Sunday 11. May 1986 8 p.m.
Berliner Philharmoniker
Stanislaw Skrowaczewski Dirigent
Mikhail Rudy Klavier
Anton Webern
Sechs Stücke für Orchester op. 6 (Fassung 1909)
Sergej Prokofjew
Klavierkonzert Nr. 2 g-Moll op. 16
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Friday 20. February 1987 8 p.m.
Saturday 21. February 1987 8 p.m.
Berliner Philharmoniker
Myung-Whun Chung Dirigent
Marielle Labèque Klavier
Katia Labèque Klavier
Nikolai (oder: Nikolaj) Rimsky-Korsakow
Die Legende von der unsichtbaren Stadt Kitesch, Suite
Francis Poulenc
Konzert für 2 Klaviere und Orchester d-Moll
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Tuesday 3. March 1987 8 p.m.
Berliner Philharmoniker
Dmitri Kitajenko Dirigent
Andreas Blau Flöte
Maurice Ravel
Ma Mère l'Oye (Cinq Pièces Enfantines)
Jacques Ibert
Flötenkonzert
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Saturday 21. March 1987 8 p.m.
Sunday 22. March 1987 8 p.m.
Berliner Philharmoniker
Semyon Bychkov Dirigent
Claudio Arrau Klavier
Richard Wagner
Lohengrin: Vorspiel zum 3. Aufzug
Franz Liszt
Klavierkonzert Nr. 2 A-Dur
Dmitri Schostakowitsch
Symphonie Nr. 11 g-Moll op. 103 »Das Jahr 1905«
Philharmonie
Tuesday 26. January 1988 8 p.m.
Wednesday 27. January 1988 8 p.m.
Berliner Philharmoniker
Woldemar Nelsson Dirigent
Natalia Gutman Violoncello
Dmitri Schostakowitsch
Cellokonzert Nr. 2 op. 126
Peter Iljitsch Tschaikowsky
Symphonie Nr. 5 e-Moll op. 64
Philharmonie
Friday 8. April 1988 8 p.m.
Saturday 9. April 1988 8 p.m.
Berliner Philharmoniker
Mariss Jansons Dirigent
Antonio Meneses Violoncello
Edvard Grieg
Peer Gynt, Auszüge
Antonín Dvorák
Konzert für Violoncello h-Moll op. 104
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Wednesday 11. May 1988 8 p.m.
Thursday 12. May 1988 11 a.m.
Berliner Philharmoniker
Krzysztof Penderecki Dirigent
Iwan Monighetti Violoncello
Ernst-Senff-Chor (E. Senff)
Krzysztof Penderecki
Cellokonzert Nr. 2 in einem Satz
Agnus Dei für gemischten Chor a cappella
Lobgesang für Cherubim für gemischten Chor a cappella
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Saturday 17. September 1988 7 p.m.
Sunday 18. September 1988 11 a.m.
Berliner Philharmoniker
Kurt Sanderling Dirigent
Maria Tipo Klavier
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 20 d-Moll KV 466
Dmitri Schostakowitsch
Symphonie Nr. 15 A-Dur op. 141
Philharmonie
Friday 19. May 1989 8 p.m.
Saturday 20. May 1989 8 p.m.
Berliner Philharmoniker
André Previn Dirigent
Hector Berlioz
Der Korsar, Ouvertüre Ouverture du Corsaire op. 21
Joseph Haydn
Symphonie Nr. 104 D-Dur ("Salomon")
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Tuesday 17. October 1989 8 p.m.
Wednesday 18. October 1989 8 p.m.
Berliner Philharmoniker
Semyon Bychkov Dirigent
Lynn Harrell Violoncello
Carl Maria von Weber
Oberon: Ouvertüre
Dmitri Schostakowitsch
Cellokonzert Nr. 1 Es-Dur op. 107
Johannes Brahms
Klavierquartett Nr. 1 g-Moll op. 25 (Orchesterfassung von A.
Schönberg)
Philharmonie
Tuesday 6. March 1990 8 p.m.
Wednesday 7. March 1990 8 p.m.
Berliner Philharmoniker
Paavo Berglund Dirigent
Mikhail Pletnev Klavier
Jean Sibelius
Symphonie Nr. 6 d-Moll op. 104
Sergej Rachmaninow
Klavierkonzert Nr. 1 fis-Moll op. 1
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Tuesday 20. March 1990 8 p.m.
Wednesday 21. March 1990 8 p.m.
Berliner Philharmoniker
Semyon Bychkov Dirigent
Joseph Haydn
Symphonie Nr. 85 B-Dur (La Reine) Die Königin
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Friday 5. October 1990 8 p.m.
Saturday 6. October 1990 8 p.m.
Berliner Philharmoniker
Kurt Sanderling Dirigent
Joseph Haydn
Symphonie Nr. 82 C-Dur (Der Bär)
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Sunday 30. December 1990 7 p.m.
Monday 31. December 1990 5:45 p.m.
Berliner Philharmoniker
Mstislaw Rostropowitsch Dirigent
Yuri Bashmet Viola
Wladimir Spiwakow Violine
Mstislaw Rostropowitsch Violoncello
Peter Iljitsch Tschaikowsky
Romeo und Julia: Ouvertüre
Valse-Scherzo C-Dur op. 34 für Violine und Orchester
Alfred Schnittke
Monolog für Viola und Streichorchester
Peter Iljitsch Tschaikowsky
Andante cantabile für Violoncello und Orchester
Dmitri Schostakowitsch
Lady Macbeth von Mzensk, 5 Zwischenaktmusiken
Schauspielhaus / Gendarmenmarkt
Saturday 8. February 1992 8 p.m.
Sunday 9. February 1992 11 a.m.
Berliner Philharmoniker
Sir Georg Solti Dirigent
Felix Mendelssohn Bartholdy
Symphonie Nr. 4 A-Dur op. 90 (Italienische)
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Berliner Philharmoniker
Bernard Haitink Dirigent
Toru Yasunaga Violine
Georg Faust Violoncello
Felix Mendelssohn Bartholdy
Die Hebriden: Ouvertüre op. 26
Johannes Brahms
Konzert a-Moll für Violine, Violoncello und Orchester op. 102
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Friday 12. June 1992 8 p.m.
Saturday 13. June 1992 8 p.m.
Berliner Philharmoniker
Mariss Jansons Dirigent
Dmitri Schostakowitsch
Symphonie Nr. 7 C-Dur op. 60 ('Leningrader')
Philharmonie
Friday 23. October 1992 8 p.m.
Saturday 24. October 1992 7 p.m.
Sunday 25. October 1992 11 a.m.
Berliner Philharmoniker
Neeme Järvi Dirigent
Truls Mork Violoncello
Arvo Pärt
Fratres für Streichorchester und Schlagzeug in memoriam Eduard Tubin
Dmitri Schostakowitsch
Cellokonzert Nr. 1 Es-Dur op. 107
Franz Schmidt
Symphonie Nr. 3 A-Dur
Philharmonie
Thursday 11. March 1993 8 p.m.
Friday 12. March 1993 8 p.m.
Sunday 14. March 1993 11 a.m.
Berliner Philharmoniker
Sir Georg Solti Dirigent
Ludwig van Beethoven
Symphonie Nr. 2 D-Dur op. 36
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Saturday 5. June 1993 7 p.m.
Sunday 6. June 1993 11 a.m.
Monday 7. June 1993 8 p.m.
Tuesday 8. June 1993 8 p.m.
Berliner Philharmoniker
Valery Gergiev Dirigent
Leon Spierer Violine
Sergej Prokofjew
Violinkonzert Nr. 2 g-Moll op. 63
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Friday 10. September 1993 8 p.m.
Berliner Philharmoniker
Claus Peter Flor Dirigent
Walter Schmidinger Sprecher
Robert Holl Baß
Robert Schumann
Symphonie Nr. 4 d-Moll op. 120 (2. Fassung)
Dmitri Schostakowitsch
Suite nach Gedichten von Michelangelo Buonarroti op. 145a für Baß und
Orchester
Philharmonie
Tuesday 8. March 1994 8 p.m.
Wednesday 9. March 1994 8 p.m.
Thursday 10. March 1994 8 p.m.
Berliner Philharmoniker
Sir Georg Solti Dirigent
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Peter Iljitsch Tschaikowsky
Symphonie Nr. 6 h-Moll op. 74 (Pathétique)
Philharmonie
Wednesday 9. November 1994 8 p.m.
Thursday 10. November 1994 8 p.m.
Friday 11. November 1994 8 p.m.
Berliner Philharmoniker
Mark Wigglesworth Dirigent
Benjamin Britten
Sinfonia da Requiem op. 20
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Friday 3. February 1995 8 p.m.
Saturday 4. February 1995 8 p.m.
Sunday 5. February 1995 8 p.m.
Monday 6. February 1995 8 p.m.
Berliner Philharmoniker
Ulf Schirmer Dirigent
Gidon Kremer Violine
Ludwig van Beethoven
Coriolan-Ouvertüre op. 62
Dmitri Schostakowitsch
Violinkonzert Nr. 2 op. 129
Carl Nielsen
Helios-Ouvertüre op. 17
Jean Sibelius
Symphonie Nr. 7 C-Dur op. 105 (in einem Satz)
Philharmonie
Tuesday 21. March 1995 8 p.m.
Wednesday 22. March 1995 8 p.m.
Berliner Philharmoniker
Sir Georg Solti Dirigent
Herren des Prager Ph. Chores (P. Kühn)
Sergej Aleksashkin Baß
Wolfgang Amadeus Mozart
Symphonie Nr. 25 g-Moll KV 183
Dmitri Schostakowitsch
Symphonie Nr. 13 b-Moll op. 113 (Babij Jar) für Baß-Solo, Baß-Chor und
Orchester
Philharmonie
Saturday 9. September 1995 8 p.m.
Sunday 10. September 1995 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Alfred Brendel Klavier
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 27 B-Dur KV 595
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Friday 15. September 1995 8 p.m.
Saturday 16. September 1995 8 p.m.
Berliner Philharmoniker
Mariss Jansons Dirigent
Viktoria Mullova Violine
Peter Iljitsch Tschaikowsky
Violinkonzert D-Dur op. 35
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Friday 19. April 1996 8 p.m.
Saturday 20. April 1996 7 p.m.
Sunday 21. April 1996 11 a.m.
Monday 22. April 1996 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Ludwig Quandt Violoncello
Peter Iljitsch Tschaikowsky
Romeo und Julia: Ouvertüre
Dmitri Schostakowitsch
Cellokonzert Nr. 2 op. 126
Sergej Prokofjew
Romeo und Julia op. 64, Auzüge
Philharmonie
Sunday 26. January 1997 8 p.m.
Monday 27. January 1997 8 p.m.
Tuesday 28. January 1997 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Franz Schubert
Symphonie Nr. 3 D-Dur D 200
Dmitri Schostakowitsch
Symphonie Nr. 4 c-Moll op. 43
Philharmonie
Sunday 8. June 1997 8 p.m.
Monday 9. June 1997 8 p.m.
Tuesday 10. June 1997 8 p.m.
Berliner Philharmoniker
Kurt Sanderling Dirigent
Joseph Haydn
Symphonie Nr. 82 C-Dur (Der Bär)
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Friday 13. June 1997 8 p.m.
Saturday 14. June 1997 7 p.m.
Sunday 15. June 1997 11 a.m.
Berliner Philharmoniker
Yakov Kreizberg Dirigent
Christian Tetzlaff Violine
Berthold Goldschmidt
Passacaglia
Wolfgang Amadeus Mozart
Violinkonzert Nr. 3 G-Dur KV 216
Peteris Vasks
Cantabile für Streicher
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Philharmonie
Friday 5. December 1997 8 p.m.
Saturday 6. December 1997 8 p.m.
Sunday 7. December 1997 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Peter Mattei Gesang
Midori Violine
Dmitri Schostakowitsch
Violinkonzert Nr. 1 a-Moll op. 77 op. 99
Luigi Nono
No hay caminos, hay que caminar... Andrej Tarkowskij für sieben
Orchestergruppen
F / W Schubert / Rihm
Der Wanderer
Gustav Mahler
Lieder eines fahrenden Gesellen
Richard Strauss
Till Eulenspiegels lustige Streiche op. 28 Nach alter Schelmenweise in
Rondeauform für großes Orchester gesetzt
Tuesday 16. March 1999 8 p.m.
Wednesday 17. March 1999 8 p.m.
Berliner Philharmoniker
Kurt Sanderling Dirigent
Alfred Brendel Klavier
Robert Schumann
Klavierkonzert a-Moll op. 54
Dmitri Schostakowitsch
Symphonie Nr. 15 A-Dur op. 141
Philharmonie
Tuesday 21. December 1999 8 p.m.
Wednesday 22. December 1999 8 p.m.
Thursday 23. December 1999 8 p.m.
Berliner Philharmoniker
Mariss Jansons Dirigent
Hilary Hahn Violine
Ludwig van Beethoven
Symphonie Nr. 2 D-Dur op. 36
Dmitri Schostakowitsch
Violinkonzert Nr. 1 a-Moll op. 77 op. 99
Sergej Prokofjew
Romeo und Julia op. 64, Auzüge
Philharmonie
Thursday 2. March 2000 8 p.m.
Friday 3. March 2000 8 p.m.
Saturday 4. March 2000 8 p.m.
Berliner Philharmoniker
Lorin Maazel Dirigent
Han-Na Chang Violine
Sergej Prokofjew
Symphonie Nr. 1 op. 25 (Symphonie classique)
Peter Iljitsch Tschaikowsky
Rokoko-Variationen op. 33
Dmitri Schostakowitsch
Symphonie Nr. 5 d-Moll op. 47
Philharmonie
Sunday 4. June 2000 8 p.m.
Monday 5. June 2000 8 p.m.
Tuesday 6. June 2000 8 p.m.
Berliner Philharmoniker
Paavo Järvi Dirigent
Leif Ove Andsnes Klavier
Arvo Pärt
Cantus in memory of Benjamin Britten
Benjamin Britten
Klavierkonzert D-Dur op. 13
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Philharmonie
Friday 27. October 2000 8 p.m.
Saturday 28. October 2000 8 p.m.
Sunday 29. October 2000 8 p.m.
Berliner Philharmoniker
Valery Gergiev Dirigent
Krystian Zimerman Klavier
Anatolij Konstantinowitsch Ljadow
Der verzauberte See op. 62 Legende für Orchester
Sergej Rachmaninow
Klavierkonzert Nr. 2 c-Moll op. 18
Alexander Mossolow
Stahl op. 19, Eisengießerei Ballett
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Philharmonie
Thursday 17. May 2001 8 p.m.
Friday 18. May 2001 8 p.m.
Saturday 19. May 2001 8 p.m.
Berliner Philharmoniker
Paavo Berglund Dirigent
Olli Mustonen Klavier
Igor Strawinsky
Konzert für Klavier und Bläser (Revidierte Fassung von 1950)
Dmitri Schostakowitsch
Symphonie Nr. 8 c-Moll op. 65
Philharmonie
Thursday 24. May 2001 8 p.m.
Friday 25. May 2001 8 p.m.
Saturday 26. May 2001 8 p.m.
Berliner Philharmoniker
Sakari Oramo Dirigent
Heinrich Schiff Violoncello
Jean Sibelius
Pohjolas Tochter Sinfonische Fantasie op. 49
Dmitri Schostakowitsch
Cellokonzert Nr. 1 Es-Dur op. 107
Carl Nielsen
Symphonie Nr. 4 op. 29 (Das Unauslöschliche)
Philharmonie
Friday 9. November 2001 8 p.m.
Saturday 10. November 2001 8 p.m.
Sunday 11. November 2001 8 p.m.
Berliner Philharmoniker
Andrej Boreyko Dirigent
Viktoria Mullova Violine
Ludwig van Beethoven
Violinkonzert D-Dur op. 61
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Philharmonie
Wednesday 24. April 2002 8 p.m.
Thursday 25. April 2002 8 p.m.
Friday 26. April 2002 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Eric Ericson Kammerchor (Chr. Hörnell)
Schwedischer Rundfunkchor (Hörnell)
Elena Zhidkova Mezzosopran
Anatoli Kotscherga Baß
Waltraud Meier Mezzosopran
Johannes Brahms
Schicksalslied op. 54 für Chor und Orchester
Gustav Mahler
Fünf Lieder nach Gedichten von Friedrich Rückert
Dmitri Schostakowitsch
King Lear (Fassung aus op. 58 Bühnenmusik und op. 137 Filmmusik) nach
William Shakespeare (Übertragung ins Russische: Boris Pasternak)
Philharmonie
Saturday 2. November 2002 7 p.m.
Sunday 3. November 2002 8 p.m.
Neeme Järvi Conductor
Alexander Markovich PIANO
Ferruccio Busoni Tanzwalzer
Xaver Scharwenka Piano Concerto No. 4 in F minor
Dmitri Shostakovich Symphony No. 6 in B minor
Philharmonie
Thursday 20. February 2003 8 p.m.
Friday 21. February 2003 8 p.m.
Saturday 22. February 2003 8 p.m.
Berliner Philharmoniker
Mikko Franck Dirigent
Jean-Yves Thibaudet Klavier
Maurice Ravel
Klavierkonzert D-Dur für die linke Hand mit Begleitung des
Orchesters
Pause
Dmitri Schostakowitsch
Symphonie Nr. 7 C-Dur op. 60 ('Leningrader')
Philharmonie
Thursday 12. June 2003 8 p.m.
Friday 13. June 2003 8 p.m.
Saturday 14. June 2003 8 p.m.
Berliner Philharmoniker
Esa-Pekka Salonen Dirigent
Rundfunkchor Berlin
Simon Halsey Chor-Einstudierung
Igor Strawinsky
Petruschka (revidierte Fassung von 1947) Burleske in vier Bildern auf
ein Szenario von Igor Strawinsky und Alexander Benois
Pause
Esa-Pekka Salonen
Insomnia (für Orchester)
Dmitri Schostakowitsch
Symphonie Nr. 2 H-Dur op. 14 »An den Oktober« für Orchester und
gemischten Chor mit einem Text von Alexander Besymensky
Philharmonie
Thursday 18. December 2003 8 p.m.
Friday 19. December 2003 8 p.m.
Saturday 20. December 2003 8 p.m.
Berliner Philharmoniker
Franz Welser-Möst Dirigent
Johannes Brahms
Symphonie Nr. 3 F-Dur op. 90
Pause
Dmitri Schostakowitsch
Symphonie Nr. 6 h-Moll op. 54
Philharmonie
Thursday 20. January 2005 8 p.m.
Friday 21. January 2005 8 p.m.
Saturday 22. January 2005 8 p.m.
Berliner Philharmoniker
Sakari Oramo Dirigent
Rundfunkchor Berlin
Charles Ives
Symphonie Nr. 4
Pause
Dmitri Schostakowitsch
Symphonie Nr. 11 g-Moll op. 103 »Das Jahr 1905«
Philharmonie
Thursday 10. February 2005 8 p.m.
Friday 11. February 2005 8 p.m.
Saturday 12. February 2005 8 p.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Daniel Stabrawa Solo-Violine
Wolfgang Kühnl Cembalo
Joseph Haydn
Symphonie Nr. 98 B-Dur
Pause
Dmitri Schostakowitsch
Symphonie Nr. 10 e-Moll op. 93
Großes Festspielhaus, Salzburg
Monday 21. March 2005 6:30 p.m.
Saturday 26. March 2005 6:30 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Ian Bostridge Tenor
Wolfgang Amadeus Mozart
Symphonie Nr. 40 g-Moll KV 550
Benjamin Britten
Nocturne für Tenor solo, sieben obligate Instrumente und
Streichorchester op. 60
Pause
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Thursday 19. May 2005 8 p.m.
Friday 20. May 2005 8 p.m.
Saturday 21. May 2005 8 p.m.
Berliner Philharmoniker
Mariss Jansons Dirigent
Tamás Velenczei Trompete
Yefim Bronfman Klavier
Joseph Haydn
Symphonie Nr. 97 C-Dur
Dmitri Schostakowitsch
Konzert c-Moll für Klavier, Trompete und Streichorchester op. 35
(Klavierkonzert Nr. 1)
Pause
Jean Sibelius
Symphonie Nr. 2 D-Dur op. 43
Philharmonie
Wednesday 15. June 2005 8 p.m.
Thursday 16. June 2005 8 p.m.
Friday 17. June 2005 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Stipendiaten der Orchester-Akademie BPhO
Marie-Christine Zupancic Flöte
Tobias Winbeck Trompete
Balázs Taiger Klarinette
Rainer Seegers Pauke
Jan Schlichte Schlagzeug
Raphael Sachs Viola
Timothy Robinson Tenor
Harald Persicke Schlagzeug
Keisuke Okazaki Violine
Bernhard Obernhuber Horn
Karin Löffler Violine
Topi Lehtipuu Tenor
Renate Hupka Horn
Reinhard Hagen Baß
Luigi Gaggero Cimbalom
Ines Fehr Schlagzeug
Hernando Escobar Oboe
Adrian Eröd Baß
David Delacroix Violoncello
Sarah Chang Violine
Mor Biron Fagott
Hiroaki Aoe Kontrabass
Igor Strawinsky
Renard Burleske Geschichte in Liedern und Tänzen für 2 Tenöre, 2 Bässe
und kleines Orchester
Sergej Prokofjew
Violinkonzert Nr. 1 D-Dur op. 19
Johannes Maria Staud
Apeiron. Musik für großes Orchester
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Philharmonie
Wednesday 1. November 2006 8 p.m. A2
Thursday 2. November 2006 8 p.m. G2
Friday 3. November 2006 8 p.m. E2
Berliner Philharmoniker
Sir Charles Mackerras Dirigent
Dmitri Schostakowitsch
Symphonie Nr. 9 Es-Dur op. 70
Wolfgang Amadeus Mozart
Serenade Nr. 9 D-Dur KV 320 »Posthorn-Serenade«
Saturday 11. November 2006 7 p.m. K2
Sunday 12. November 2006 8 p.m. F2
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Dmitri Schostakowitsch
Symphonie Nr. 1 f-Moll op. 10
Symphonie Nr. 15 A-Dur op. 141
Taffy
Taffy Brendel
>
> Why would the archetypical German orchestra, the band of Furtwangler
> and that ex-Nazi Karajan have led the fight for Mahler, a Jewish-born
> convert to Christanity? I see no reason why, in fact, although HvK did
> get around to some Mahler at the end, after everyone else had done it
> and almost shamed him into it.
>
As usual the benighted Deacon doesn't know what he is talking about.
Facts mean nothing to him. Why indeed would the Karajan and
Furtwangler
fight for Mahler's music? The fact is they did.
Anyone the least bit familiar with Furtwangler's repertoire knows that
up
until the Nazi era he was a champion of Mahler's music and played
it fairly frequently. As for Karajan he was playing Mahler's music
as early as 1960 when he conducted Das Lied. Actually, Mahler
was played frequently by the BPO from 1948 on. They played
Mahler's music approximately 90 times from 1948 through 1980,
a period when Mahler's music was becoming a part of the standard
repertoire that is has now become. So under the BPO music directorship
of Karajan
a great deal of Mahler's music was played with his and the orchestra's
approval.
Here is a list taken from the
BPO's website listing the BPO concerts containing Mahler's
music:
Städtische Oper Berlin
Thursday 18. March 1948 10:30 a.m.
Berliner Philharmoniker
Robert Heger Dirigent
Ludwig van Beethoven
Leonoren-Ouvertüre Nr. 3 C-Dur op. 72 a
Gustav Mahler
Symphonie Nr.10, Adagio
Johannes Brahms
Symphonie Nr. 1 c-Moll op. 68: Finale
Titania-Palast, Steglitz
Sunday 2. May 1948 10:30 a.m.
Haus des Rundfunks, Großer Sendesaal
Sunday 2. May 1948 7 p.m.
Titania-Palast, Steglitz
Monday 3. May 1948 6 p.m.
Berliner Philharmoniker
Otto Klemperer Dirigent
Edith Laux Sopran
Ludwig van Beethoven
Egmont: Ouvertüre op. 84
Wolfgang Amadeus Mozart
Symphonie Nr. 38 D-Dur KV 504 (Prager Symphonie)
Gustav Mahler
Symphonie Nr. 4 G-Dur
Haus des Rundfunks, Großer Sendesaal
Saturday 18. September 1948 7:01 p.m.
Sunday 19. September 1948 7:01 p.m.
Monday 20. September 1948 7:01 p.m.
Berliner Philharmoniker
Otto Klemperer Dirigent
Elisabeth Grümmer Sopran
Lore Fischer Alt
Chor d. St. Hedwigs-Kathedrale
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Titania-Palast, Steglitz
Sunday 22. May 1949 10:30 a.m.
Monday 23. May 1949 6 p.m.
Berliner Philharmoniker
Leopold Ludwig Dirigent
Franz Schubert
Symphonie Nr. 6 C-Dur D 589
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Titania-Palast, Steglitz
Wednesday 16. November 1949 7:30 p.m.
Berliner Philharmoniker
Hans Schmidt-Isserstedt Dirigent
André Navarra Violoncello
Johann Pachelbel
Kanon und Gigue D-Dur für drei Violinen und B. c (auch
Streichorchester)
Antonín Dvorák
Konzert für Violoncello h-Moll op. 104
Gustav Mahler
Symphonie Nr. 9 D-Dur
Titania-Palast, Steglitz
Sunday 11. December 1949 10:30 a.m.
Monday 12. December 1949 7:30 p.m.
Berliner Philharmoniker
Leopold Ludwig Dirigent
Vasa Prihoda Violine
Marcel Poot
Rhapsodie
Antonín Dvorák
Violinkonzert a-Moll op. 53
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Titania-Palast, Steglitz
Sunday 26. February 1950 10:30 a.m.
Monday 27. February 1950 7:30 p.m.
Berliner Philharmoniker
Joseph Keilberth Dirigent
Gertrude Pitzinger Alt
Erich Witte Tenor
Franz Schubert
Symphonie Nr. 6 C-Dur D 589
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Titania-Palast, Steglitz
Saturday 13. May 1950
Berliner Philharmoniker
Leopold Ludwig Dirigent
Edvard Grieg
Sigurd Jorsalfar
Gustav Mahler
Symphonie Nr. 5 cis-Moll, Adagietto
Ludwig van Beethoven
Egmont: Ouvertüre op. 84
Titania-Palast, Steglitz
Thursday 1. January 1953 7:30 p.m.
Berliner Philharmoniker
Leopold Ludwig Dirigent
Dietrich Fischer-Dieskau Bariton
Joseph Haydn
Symphonie Nr. 88 G-Dur
Gustav Mahler
Lieder eines fahrenden Gesellen
Franz Schubert
Symphonie Nr. 8 C-Dur D 944
Titania-Palast, Steglitz
Sunday 25. October 1953 11 a.m.
Monday 26. October 1953 7:30 p.m.
Berliner Philharmoniker
Leopold Ludwig Dirigent
Elsa Cavelti Alt
Knabenchor der St. Hedwigs-Kath. (K. F.)
Damenchor der St. Hedwigs-Kath. (K. F.)
Ferruccio Busoni
Doktor Faust, Intermezzo (Sarabande)
Carl Orff
Klage der Ariadne Lamento d'Arianna di Monteverdi 1608 in freier
Umgestaltung
Gustav Mahler
Symphonie Nr. 3 d-Moll
Sunday 6. December 1953
Monday 7. December 1953
Tuesday 8. December 1953
Berliner Philharmoniker
Wilhelm Furtwängler Dirigent
Dietrich Fischer-Dieskau Bariton
Christoph Willibald Gluck
Iphigenie in Aulis: Ouvertüre
Gustav Mahler
Kindertotenlieder
Anton Bruckner
Symphonie Nr. 5 B-Dur Originalfassung (Edition: Leopold Nowak)
HARDENBERGSTRASSE
Wednesday 7. April 1954 7:30 p.m.
Berliner Philharmoniker
Arthur Rother Dirigent
Carol Brice Alt
Constance Keene Klavier
Barbara Gibson Sopran
John Sebastian Mundharmonika
Jorge Bolet Klavier
Johannes Brahms
Akademische Festouvertüre op. 80
Gustav Mahler
Lieder eines fahrenden Gesellen
Frédéric Chopin
Klavierkonzert Nr. 1 e-Moll op. 11
Gioacchino Rossini
Der Barbier von Sevilla: Ouvertüre
Giacchomo Meyerbeer
Dinorah oder Die Wallfahrt nach Ploermel, Der Schattentanz Arie für
Sopran
Ralph Vaughan Williams
Romanze für Harmonika, Streichorchester und Klavier
Sergej Rachmaninow
Rhapsodie über ein Thema von Paganini op. 43 für Klavier und
Orchester
HARDENBERGSTRASSE
Sunday 7. November 1954 8 p.m.
Monday 8. November 1954 8 p.m.
Berliner Philharmoniker
Hans Rosbaud Dirigent
Wolfgang Schneiderhan Violine
Boris Blacher
Orchester-Ornament op. 44
Johannes Brahms
Violinkonzert D-Dur op. 77
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
HARDENBERGSTRASSE
Wednesday 2. February 1955 8 p.m.
Berliner Philharmoniker
André Cluytens Dirigent
Margarete Klose Alt
Set Svanholm Tenor
Wolfgang Amadeus Mozart
Symphonie Nr. 35 D-Dur KV 385 (Haffner-Symphonie)
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
HARDENBERGSTRASSE
Tuesday 20. September 1955 8 p.m.
Berliner Philharmoniker
Fritz Stiedry Dirigent
Lore Fischer Alt
Elfriede Trötschel Sopran
Kammerchor Waldo Favre
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
HARDENBERGSTRASSE
Sunday 8. April 1956 8 p.m.
Monday 9. April 1956 8 p.m.
Berliner Philharmoniker
Hans Knappertsbusch Dirigent
Lucretia West Mezzosopran
Max Trapp
Konzert für Orchester Nr. 3 op. 50
Gustav Mahler
Kindertotenlieder
Ludwig van Beethoven
Symphonie Nr. 5 c-Moll op. 67
HARDENBERGSTRASSE
Wednesday 30. May 1956 8 p.m.
Berliner Philharmoniker
Klaus Pringsheim Dirigent
Hermann Prey Bariton
Gustav Mahler
Lieder eines fahrenden Gesellen
Symphonie Nr. 5 cis-Moll
HARDENBERGSTRASSE
Friday 31. May 1957 8 p.m.
Saturday 1. June 1957 8 p.m.
Sunday 2. June 1957 8 p.m.
Berliner Philharmoniker
Hermann Scherchen Dirigent
Maria Stader Sopran
Wolfgang Amadeus Mozart
Symphonie Nr. 01 Es-Dur KV 16
Messe c-Moll KV 427, Et incarnatus est
Gustav Mahler
Wo die schönen Trompeten blasen
Gustav Mahler
Ich atmet' einen linden Duft Rückertlieder Nr. 2
Gustav Mahler
Ich bin der Welt abhanden gekommen für Sopran und Orchester
(Rückertlieder Nr. 5)
Gustav Mahler
Symphonie Nr. 7 e-Moll
HARDENBERGSTRASSE
Wednesday 5. February 1958 8 p.m.
Thursday 6. February 1958 8 p.m.
Berliner Philharmoniker
Hans Rosbaud Dirigent
Pierre Fournier Violoncello
Gioacchino Rossini
Sonate Nr. 3 C-Dur für Orchester für zwei Violinen, Violoncello und
Kontrabaß
Joseph Haydn
Konzert für Violoncello D-Dur
Gustav Mahler
Symphonie Nr. 9 D-Dur
HARDENBERGSTRASSE
Thursday 29. May 1958 8 p.m.
Berliner Philharmoniker
Klaus Pringsheim Dirigent
Mariele Höfer Violine
Carl Maria von Weber
Preciosa, Ouvertüre C-Dur op. 78
Luigi Boccherini
Violinkonzert D-Dur
Yoritsune Matsuraida
Sa-Mai für großes Orchester
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Saturday 25. April 1959 8 p.m.
Sunday 26. April 1959 8 p.m.
Berliner Philharmoniker
Jascha Horenstein Dirigent
Agnes Giebel Sopran
Joseph Haydn
Symphonie Nr. 85 B-Dur (La Reine) Die Königin
Wolfgang Amadeus Mozart
Il Rè pastore KV 208, Aer tranquillo e di sereni Arie
Wolfgang Amadeus Mozart
Il Rè pastore: L'amerò sarò costante (Arie für Sopran mit obligater
Violine)
Gustav Mahler
Symphonie Nr. 4 G-Dur
Jagdschloß Grunewald
Saturday 22. August 1959 7:30 p.m.
Berliner Philharmoniker
Berthold Lehmann Dirigent
Wanda Wilkomirska Violine
Luigi Cherubini
Ali Baba: Ouvertüre
Walter Jentsch
Konzertante Serenade für Orchester op. 8
Niccolò Paganini
Violinkonzert Nr. 1 D-Dur op. 6
Gustav Mahler
Symphonie Nr. 7 e-Moll, Nachtstück II (Andante amoroso)
Ludwig van Beethoven
Symphonie Nr. 1 C-Dur op. 21
HARDENBERGSTRASSE
Wednesday 14. October 1959 8 p.m.
Thursday 15. October 1959 8 p.m.
Berliner Philharmoniker
Ferenc Fricsay Dirigent
Dietrich Fischer-Dieskau Bariton
Wolfgang Amadeus Mozart
Symphonie Nr. 29 A-Dur KV 201
Gustav Mahler
Kindertotenlieder
Zoltán Kodály
Háry-János-Suite
HARDENBERGSTRASSE
Sunday 28. February 1960 8 p.m.
Monday 29. February 1960 8 p.m.
Tuesday 1. March 1960 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Hildegard Rössel-Majdan Alt
Sandor Kónya Tenor
Wolfgang Amadeus Mozart
Symphonie Nr. 29 A-Dur KV 201
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
HARDENBERGSTRASSE
Tuesday 8. March 1960 8 p.m.
Wednesday 9. March 1960 8 p.m.
Berliner Philharmoniker
Eugen Szenkar Dirigent
Clara Ebers Sopran
Joseph Haydn
Symphonie Nr. 96 D-Dur (The Miracle)
Szene der Berenice Hob XXIV a: 10 Text aus Pietro Metastasios
"Antigone"
Gustav Mahler
Symphonie Nr. 4 G-Dur
HARDENBERGSTRASSE
Wednesday 23. March 1960 8 p.m.
Thursday 24. March 1960 8 p.m.
Berliner Philharmoniker
Constantin Silvestri Dirigent
Lucretia West Alt
Maurice Ravel
Pavane pour une infante défunte (Orchesterfassung)
Max Reger
An die Hoffnung für Singstimme und Orchester op. 124
Gustav Mahler
Symphonie Nr. 3 d-Moll
HARDENBERGSTRASSE
Friday 8. April 1960 8 p.m.
Saturday 9. April 1960 8 p.m.
Sunday 10. April 1960 7:30 p.m.
Berliner Philharmoniker
Constantin Silvestri Dirigent
Georg Friedrich Händel
Concerto grosso B-Dur op. 3 Nr. 1
Gustav Mahler
Symphonie Nr.10, Adagio
Ludwig van Beethoven
Symphonie Nr. 3 Es-Dur ("Eroica") op. 55
HARDENBERGSTRASSE
Monday 9. January 1961 8 p.m.
Tuesday 10. January 1961 8 p.m.
Wednesday 11. January 1961 8 p.m.
Berliner Philharmoniker
Lorin Maazel Dirigent
Gustav Mahler
Symphonie Nr.10, Adagio
Alban Berg
Drei Orchesterstücke op. 6 (1929)
Ludwig van Beethoven
Symphonie Nr. 5 c-Moll op. 67
HARDENBERGSTRASSE
Wednesday 8. March 1961 8 p.m.
Thursday 9. March 1961 8 p.m.
Berliner Philharmoniker
Rafael Kubelik Dirigent
Pierre Fournier Violoncello
Bedrich Smetana
Die verkaufte Braut: Ouvertüre
Bohuslav Martinu
Cellokonzert Nr. 1 (1955)
Gustav Mahler
Symphonie Nr. 5 cis-Moll
HARDENBERGSTRASSE
Sunday 12. March 1961 8 p.m.
Monday 13. March 1961 8 p.m.
Berliner Philharmoniker
István Kertész Dirigent
Claudio Arrau Klavier
Wolfgang Amadeus Mozart
Divertimento D-Dur KV 136
Robert Schumann
Klavierkonzert a-Moll op. 54
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
HARDENBERGSTRASSE
Monday 18. September 1961 8 p.m.
Tuesday 19. September 1961 8 p.m.
Wednesday 20. September 1961 8 p.m.
Berliner Philharmoniker
Zubin Mehta Dirigent
Enrico Mainardi Violoncello
Gottfried von Einem
Orchestermusik op. 9
Robert Schumann
Konzert für Violoncello a-Moll op. 129
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
HARDENBERGSTRASSE
Thursday 26. April 1962 8 p.m.
Friday 27. April 1962 8 p.m.
Berliner Philharmoniker
Sir Georg Solti Dirigent
Henryk Szeryng Violine
Cathrine Gayer Sopran
Felix Mendelssohn Bartholdy
Die Hebriden: Ouvertüre op. 26
Robert Schumann
Violinkonzert d-Moll
Gustav Mahler
Symphonie Nr. 4 G-Dur
HARDENBERGSTRASSE
Monday 26. November 1962 8 p.m.
Tuesday 27. November 1962 8 p.m.
Berliner Philharmoniker
Eugen Jochum Dirigent
Sona Cervena Alt
Ernst Haefliger Tenor
Franz Schubert
Symphonie Nr. 7 h-Moll D 759 (Unvollendete)
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
HARDENBERGSTRASSE
Friday 4. January 1963 8 p.m.
Saturday 5. January 1963 8 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Sir Clifford Curzon Klavier
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 24 c-Moll KV 491
Gustav Mahler
Symphonie Nr. 9 D-Dur
HARDENBERGSTRASSE
Friday 19. April 1963 7:30 p.m.
Berliner Philharmoniker
Lorin Maazel Dirigent
Christa Ludwig Alt
Cathrine Gayer Sopran
Chor d. St. Hedwigs-Kathedrale (Forster)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Wednesday 8. January 1964 8 p.m.
Thursday 9. January 1964 8 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Irmgard Seefried Sopran
Joseph Haydn
Symphonie Nr. 92 G-Dur (Oxford-Symphonie)
Gustav Mahler
Wo die schönen Trompeten blasen
Gustav Mahler
Rheinlegendchen aus Des Knaben Wunderhorn
Gustav Mahler
Ich bin der Welt abhanden gekommen für Sopran und Orchester
(Rückertlieder Nr. 5)
Gustav Mahler
Wer hat dies Liedlein erdacht?
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Saturday 15. February 1964 8 p.m.
Sunday 16. February 1964 8 p.m.
Berliner Philharmoniker
William Steinberg Dirigent
Gerhard Puchelt Klavier
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 20 d-Moll KV 466
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Monday 14. September 1964 8 p.m.
Berliner Philharmoniker
Paul Klecki Dirigent
Dietrich Fischer-Dieskau Bariton
Arthur Honegger
Symphonie Liturgique (Symphonie Nr. 3)
Gustav Mahler
Lieder eines fahrenden Gesellen
Hugo Wolf
Harfenspieler Drei Lieder
Witold Lutoslawski
Konzert für Orchester
Philharmonie
Thursday 3. June 1965 8 p.m.
Friday 4. June 1965 8 p.m.
Saturday 5. June 1965 7:30 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Janet Baker Alt
Maria Stader Sopran
Chor d. St. Hedwigs-Kathedrale (Lippe)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Friday 17. September 1965 8 p.m.
Saturday 18. September 1965 8 p.m.
Berliner Philharmoniker
William Steinberg Dirigent
Zara Nelsova Violoncello
Robert Schumann
Konzert für Violoncello a-Moll op. 129
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Tuesday 30. November 1965 8 p.m.
Berliner Philharmoniker
Hans Werner Henze Dirigent
Ingeborg Hallstein Sopran
RIAS-Kammerchor (G. Arndt)
Wolfgang Amadeus Mozart
La Clemenza di Tito: Ouvertüre
Hans Werner Henze
Cantata della fiaba estrema für Sopran, kleinen Chor und dreizehn
Instrumente
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Thursday 13. January 1966 8 p.m.
Friday 14. January 1966 8 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Wolfgang Amadeus Mozart
Symphonie Nr. 34 C-Dur KV 338
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Wednesday 18. January 1967 8 p.m.
Thursday 19. January 1967 8 p.m.
Berliner Philharmoniker
Fritz Weisse Dirigent
Oralia Dominguez Alt
Berliner Konzert-Chor
Lisa Otto Sopran
Antor Kaposy Baß
Johannes Brahms
Tragische Ouvertüre op. 81
Rhapsodie für eine Altstimme, Männerchor und Orchester op. 53
Gustav Mahler
Das klagende Lied für Sopran, Alt, Tenor, Bariton, Chor und
Orchester
Philharmonie
Wednesday 8. March 1967 8 p.m.
Thursday 9. March 1967 8 p.m.
Berliner Philharmoniker
Joseph Keilberth Dirigent
Ernst Haefliger Tenor
Dietrich Fischer-Dieskau Bariton
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Haus des Rundfunks, Großer Sendesaal
Sunday 5. November 1967 8 p.m.
Berliner Philharmoniker
Michael Gielen Dirigent
Bernhard Kontarsky Klavier
Aloys Kontarsky Klavier
Alfons Kontarsky Klavier
Niccolò Castiglioni
Aprèslude per orchestra
Wolfgang Fortner
Triplum für Orchester mit obligaten Klavieren
Arnold Schönberg
Drei kleine Stücke für mehrere Instrumente
Gustav Mahler
Symphonie Nr.10, Adagio
Philharmonie
Saturday 18. November 1967 8 p.m.
Sunday 19. November 1967 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Dietrich Fischer-Dieskau Bariton
Alban Berg
Drei Orchesterstücke op. 6 (1929)
Gustav Mahler
Fünf Lieder nach Gedichten von Friedrich Rückert
Ludwig van Beethoven
Symphonie Nr. 7 A-Dur op. 92
Philharmonie
Friday 12. January 1968 8 p.m.
Saturday 13. January 1968 8 p.m.
Sunday 14. January 1968 8 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Sir Clifford Curzon Klavier
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 26 D-Dur KV 537 "Krönungskonzert"
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Wednesday 12. June 1968 8 p.m.
Thursday 13. June 1968 8 p.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Daniel Barenboim Klavier
Ludwig van Beethoven
Die Geschöpfe des Prometheus op. 43, Ouvertüre
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 25 C-Dur KV 503
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 16. November 1968 8 p.m.
Sunday 17. November 1968 8 p.m.
Monday 18. November 1968 8 p.m.
Berliner Philharmoniker
Gerd Albrecht Dirigent
Hertha Töpper Alt
Gustav Mahler
Kindertotenlieder
Anton Bruckner
Symphonie Nr. 9 d-Moll
Philharmonie
Sunday 12. January 1969 8 p.m.
Monday 13. January 1969 8 p.m.
Tuesday 14. January 1969 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Lothar Koch Oboe
Wolfgang Amadeus Mozart
Oboenkonzert C-Dur KV 314 (285 d)
Gustav Mahler
Symphonie Nr. 6 a-Moll
Saturday 8. March 1969 8 p.m.
Sunday 9. March 1969 8 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Lucretia West Alt
Damenchor der St. Hedwigs-Kath. (Lippe)
Knabenchor der St. Hedwigs-Kath. (Lippe)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Wednesday 10. December 1969 8 p.m.
Thursday 11. December 1969 8 p.m.
Friday 12. December 1969 8 p.m.
Berliner Philharmoniker
Moshe Atzmon Dirigent
Yuuko Shiokawa Violine
Elly Ameling Sopran
Johannes Brahms
Violinkonzert D-Dur op. 77
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Friday 20. February 1970 8 p.m.
Saturday 21. February 1970 8 p.m.
Sunday 22. February 1970 8 p.m.
Berliner Philharmoniker
Sir John Barbirolli Dirigent
Claude Frank Klavier
Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 9 Es-Dur KV 271»Jenamy« (früher: »Jeunehomme«)
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Monday 14. December 1970 8 p.m.
Tuesday 15. December 1970 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Christa Ludwig Alt
Ludowic Spiess Tenor
Horst Laubenthal Tenor
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Philharmonie
Saturday 27. February 1971 8 p.m.
Berliner Philharmoniker
Moshe Atzmon Dirigent
Cathrine Gayer Sopran
Anna Reynolds Gesang
Chor d. St. Hedwigs-Kathedrale (Lippe)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Wednesday 15. September 1971 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Robert Casadesus Klavier
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 24 c-Moll KV 491
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Saturday 20. November 1971 8 p.m.
Sunday 21. November 1971 8 p.m.
Monday 22. November 1971 8 p.m.
Berliner Philharmoniker
Uri Segal Dirigent
Pierre Fournier Violoncello
Gerti Zeumer Sopran
Joseph Haydn
Konzert für Violoncello D-Dur
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Thursday 13. April 1972 8 p.m.
Friday 14. April 1972 8 p.m.
Berliner Philharmoniker
Carlo Maria Giulini Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Friday 16. February 1973 8 p.m.
Saturday 17. February 1973 7:30 p.m.
Sunday 18. February 1973 11:30 a.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Wednesday 28. February 1973 8 p.m.
Thursday 1. March 1973 8 p.m.
Berliner Philharmoniker
Zubin Mehta Dirigent
Chor d. St. Hedwigs-Kathedrale (Lippe)
Ileana Cotrubas Sopran
Birgit Finnilä Alt
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Wednesday 20. June 1973 8 p.m.
Thursday 21. June 1973 8 p.m.
Berliner Philharmoniker
Rafael Kubelik Dirigent
Knabenchor der St. Hedwigs-Kath. (Lippe)
Damenchor der St. Hedwigs-Kath. (Lippe)
Norma Procter Alt
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Wednesday 9. January 1974 8 p.m.
Thursday 10. January 1974 8 p.m.
Friday 11. January 1974 8 p.m.
Berliner Philharmoniker
Christoph von Dohnányi Dirigent
Maurizio Pollini Klavier
Robert Schumann
Klavierkonzert a-Moll op. 54
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Wednesday 18. September 1974 8 p.m.
Berliner Philharmoniker
Hans Zender Dirigent
Anja Silja Gesang
Gustav Mahler
Symphonie Nr.10, Adagio
Arnold Schönberg
Sechs Orchesterlieder op. 8
Anton Webern
Fünf Stücke für Orchester op. 10
Alban Berg
Drei Bruchstücke aus Wozzeck op. 7
Philharmonie
Wednesday 18. September 1974 8 p.m.
Berliner Philharmoniker
Hans Zender Dirigent
Gustav Mahler
Symphonie Nr.10, Adagio
Anton Webern
Fünf Stücke für Orchester op. 10
Alban Berg
Drei Bruchstücke aus Wozzeck op. 7
Philharmonie
Saturday 11. January 1975 8 p.m.
Sunday 12. January 1975 8 p.m.
Berliner Philharmoniker
Gennady Rozhdestvensky Dirigent
Norma Procter Alt
Knabenchor der St. Hedwigs-Kath. (R. B.)
Damenchor der St. Hedwigs-Kath. (R. B.)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Saturday 8. March 1975 8 p.m.
Sunday 9. March 1975 8 p.m.
Monday 10. March 1975 8 p.m.
Berliner Philharmoniker
Bernhard Klee Dirigent
Misha Dichter Klavier
Elisabeth Speiser Sopran
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 9 Es-Dur KV 271»Jenamy« (früher: »Jeunehomme«)
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Saturday 12. April 1975 8 p.m.
Sunday 13. April 1975 8 p.m.
Berliner Philharmoniker
Fritz Weisse Dirigent
Gerti Zeumer Sopran
Ortrun Wenkel Alt
Adalbert Kraus Tenor
Shogo Miyahara Baß
Berliner Konzert-Chor
Wolfgang Amadeus Mozart
Kantate, Laut verkünde unsre Freude KV 623
Fünf Kanons
Gustav Mahler
Das klagende Lied für Sopran, Alt, Tenor, Bariton, Chor und
Orchester
Philharmonie
Thursday 18. September 1975 8 p.m.
Friday 19. September 1975 8 p.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Chor des Bayerischen Rundfunks (W. Sch.)
Chor des Süddeutschen Rf. (Dahmen)
Chor des NDR (H. Franz)
RIAS-Kammerchor (U. Gronostay)
Knaben d. Staats- u. Domchores Bln (CG.)
Pilar Lorengar Gesang
Gerti Zeumer Sopran
Lucy Peacock Gesang
Norma Procter Alt
Marga Schiml Alt
Donald Grobe Tenor
Barry McDaniel Bariton
Franz Crass Baß
Gustav Mahler
Symphonie Nr. 8 Es-Dur Symphonie der Tausend
Philharmonie
Sunday 29. February 1976 8 p.m.
Monday 1. March 1976 8 p.m.
Berliner Philharmoniker
Carlo Maria Giulini Dirigent
Joseph Haydn
Symphonie Nr. 94 G-Dur (Mit dem Paukenschlag)
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Tuesday 16. March 1976 8 p.m.
Wednesday 17. March 1976 8 p.m.
Berliner Philharmoniker
Jan Krenz Dirigent
Julia Hamari Mezzosopran
Witold Lutoslawski
Trauermusik für Streichorchester à la mémoire de Béla Bartók
Gustav Mahler
Lieder eines fahrenden Gesellen
Franz Schubert
Symphonie Nr. 8 C-Dur D 944
Philharmonie
Saturday 19. February 1977 7 p.m.
Sunday 20. February 1977 11 a.m.
Monday 21. February 1977 8 p.m.
Thursday 29. December 1977 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Friday 29. April 1977 8 p.m.
Saturday 30. April 1977 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Mira Zakai Gesang
Judith Beckmann Gesang
Chor d. St. Hedwigs-Kathedrale (R. B.)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Friday 9. December 1977 8 p.m.
Saturday 10. December 1977 7 p.m.
Sunday 11. December 1977 11 a.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Sunday 1. January 1978 4:30 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Wednesday 4. January 1978 8 p.m.
Thursday 5. January 1978 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Agnes Baltsa Mezzosopran
Hermann Winkler Tenor
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und Orchester
Philharmonie
Saturday 29. April 1978 8 p.m.
Sunday 30. April 1978 8 p.m.
Berliner Philharmoniker
Klaus Tennstedt Dirigent
Gerhard Oppitz Klavier
Ludwig van Beethoven
Klavierkonzert Nr. 3 c-Moll op. 37
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 3. March 1979 8 p.m.
Sunday 4. March 1979 8 p.m.
Berliner Philharmoniker
Sir Georg Solti Dirigent
Lucia Popp Gesang
Chor d. St. Hedwigs-Kathedrale (R. B.)
Mira Zakai Gesang
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Wednesday 7. March 1979 8 p.m.
Thursday 8. March 1979 8 p.m.
Berliner Philharmoniker
Bernhard Klee Dirigent
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Sunday 10. June 1979 8 p.m.
Monday 11. June 1979 8 p.m.
Berliner Philharmoniker
Zubin Mehta Dirigent
Maureen Forrester Alt
Knabenchor der St. Hedwigs-Kathedrale
Chor d. St. Hedwigs-Kathedrale
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Thursday 4. October 1979 8 p.m.
Friday 5. October 1979 8 p.m.
Berliner Philharmoniker
Leonard Bernstein Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Saturday 26. January 1980 7 p.m.
Sunday 27. January 1980 11 a.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Edith Mathis Sopran
Alban Berg
Drei Sätze aus der Lyrischen Suite vom Komponisten bearbeitet für
Streichorchester
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Sunday 3. February 1980 8 p.m.
Monday 4. February 1980 8 p.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Ottomar Borwitzky Violoncello
Eugen D'Albert
Cellokonzert C-Dur op. 20
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Thursday 11. September 1980 8 p.m.
Berliner Philharmoniker
Giuseppe Sinopoli Dirigent
Maurizio Pollini Klavier
Igor Strawinsky
Symphonies d'instruments à vent
Giacomo Manzoni
Masse: Omaggio a Edgard Varèse für Klavier und Orchester
Gustav Mahler
Symphonie Nr.10, Adagio
Philharmonie
Friday 27. March 1981 8 p.m.
Saturday 28. March 1981 8 p.m.
Berliner Philharmoniker
Gary Bertini Dirigent
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Monday 5. October 1981 8 p.m.
Tuesday 6. October 1981 8 p.m.
Berliner Philharmoniker
Gustav Kuhn Dirigent
Leon Spierer Violine
Reinhard Schwarz-Schilling
Violinkonzert
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Monday 12. October 1981 8 p.m.
Tuesday 13. October 1981 8 p.m.
Wednesday 14. October 1981
Berliner Philharmoniker
Giuseppe Sinopoli Dirigent
Wolfgang Brendel Gesang
Franz Schubert
Symphonisches Fragment D 936 A
Ferruccio Busoni
Berceuse élégiaque op. 42 Des Mannes Wiegenlied am Sarge seiner
Mutter
Gustav Mahler
Lieder eines fahrenden Gesellen
Igor Strawinsky
Symphonie in drei Sätzen
Philharmonie
Saturday 30. January 1982
Sunday 31. January 1982 11 a.m.
Saturday 1. May 1982 8 p.m.
Thursday 30. September 1982 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Sunday 5. September 1982 8 p.m.
Berliner Philharmoniker
Hans Zender Dirigent
Manfred Jung Tenor
Birgit Finnilä Alt
Maria de Francesca-Cavazza Sopran
Cathrine Gayer Sopran
George Fortune Bariton
Chor d. St. Hedwigs-Kathedrale (R. B.)
Aribert Reimann
Drei Lieder für Sopran und Orchester nach Gedichten von Edgar Allen
Poe
Gustav Mahler
Das klagende Lied für Sopran, Alt, Tenor, Bariton, Chor und
Orchester
Philharmonie
Wednesday 8. September 1982 8 p.m.
Berliner Philharmoniker
Moshe Atzmon Dirigent
Danmarks Radiokor (S. Schultz)
Südfunk-Chor Stuttgart (H. Mende)
Kölner Rundfunkchor (H. Schernus)
Chor des NDR (R. Bader)
Thomas Thomaschke Gesang
Ruthild Engert Gesang
Ortrun Wenkel Gesang
Maria Venuti Gesang
Esther Hinds Sopran
RIAS-Kammerchor (U. Gronostay)
Knaben d. Staats- u. Domchores Bln (CG.)
Horst Laubenthal Tenor
Wolfgang Meyer Orgel
Dietrich Fischer-Dieskau Gesang
Julia Varady Sopran
Gustav Mahler
Symphonie Nr. 8 Es-Dur Symphonie der Tausend
Philharmonie
Saturday 11. September 1982 8 p.m.
Sunday 12. September 1982 11 a.m.
Berliner Philharmoniker
Giuseppe Sinopoli Dirigent
Oleg Kagan Violine
Natalia Gutman Violoncello
Lucia Popp Gesang
Tom Krause Gesang
Giuseppe Verdi
La forza del destino: Ouvertüre
Alfred Schnittke
Concerto grosso II für Violine, Violoncello und Orchester
Gustav Mahler
Lieder (Auswahl 2)
Philharmonie
Friday 17. September 1982 8 p.m.
Berliner Philharmoniker
Herbert von Karajan Dirigent
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Thursday 15. December 1983 8 p.m.
Friday 16. December 1983 8 p.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Bläser der Berliner Philharmoniker
Dietrich Fischer-Dieskau Gesang
Wolfgang Amadeus Mozart
Serenade Nr. 10 B-Dur KV 361 (Gran Partita) für je zwei Oboen,
Klarinetten, Bassetthörner, Fagotte, vier Hörner und Kontrabaß
Gustav Mahler
Lieder (Auswahl 2)
Philharmonie
Tuesday 14. February 1984 8 p.m.
Wednesday 15. February 1984 8 p.m.
Berliner Philharmoniker
Carlo Maria Giulini Dirigent
Brigitte Fassbaender Alt
Francisco Araiza Tenor
Franz Schubert
Symphonie Nr. 4 c-Moll D 417 ("Tragische")
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Philharmonie
Friday 15. June 1984 8 p.m.
Saturday 16. June 1984 8 p.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Wolfram Christ Viola
Toru Yasunaga Violine
Karlheinz Zoeller Flöte
Eberhard Finke Violoncello
Mitsuko Uchida Klavier
JS / G Bach / Mahler
Suite nach den Orchestersuiten Nr. 2 und 3
Detlev Müller-Siemens
Konzert für Viola und Orchester
Johann Sebastian Bach
Brandenburgisches Konzert Nr. 5 D-Dur BWV 1050
Olivier Messiaen
Oiseaux exotiques für Soloklavier und kleines Orchester
Philharmonie
Thursday 13. September 1984 8 p.m.
Berliner Philharmoniker
Erich Leinsdorf Dirigent
Knabenchor der St. Hedwigs-Kath. (R. B.)
Ortrun Wenkel Gesang
Damenchor der St. Hedwigs-Kath. (R. B.)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Wednesday 6. February 1985 8 p.m.
Thursday 7. February 1985 8 p.m.
Berliner Philharmoniker
Gary Bertini Dirigent
Bella Davidovich Klavier
Felix Mendelssohn Bartholdy
Das Märchen von der schönen Melusine, Ouvertüre F-Dur op. 32
Klavierkonzert Nr. 1 g-Moll op. 25
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 18. May 1985 8 p.m.
Sunday 19. May 1985 8 p.m.
Berliner Philharmoniker
Klaus Tennstedt Dirigent
Israela Margalit Klavier
Edith Wiens Sopran
Wolfgang Amadeus Mozart
Don Giovanni: Ouvertüre KV 527
Klavierkonzert Nr. 26 D-Dur KV 537 "Krönungskonzert"
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Tuesday 27. May 1986 8 p.m.
Wednesday 28. May 1986 8 p.m.
Berliner Philharmoniker
Erich Leinsdorf Dirigent
Brigitte Fassbaender Alt
Gustav Mahler
Lieder eines fahrenden Gesellen
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 31. May 1986 8 p.m.
Sunday 1. June 1986 8 p.m.
Berliner Philharmoniker
James Levine Dirigent
Damenchor der St. Hedwigs-Kath. (R. B.)
Christa Ludwig Gesang
Knabenchor der St. Hedwigs-Kath. (K. H.)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Friday 19. September 1986 8 p.m.
Saturday 20. September 1986 8 p.m.
Berliner Philharmoniker
Giuseppe Sinopoli Dirigent
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Friday 5. December 1986 8 p.m.
Saturday 6. December 1986 8 p.m.
Berliner Philharmoniker
James Levine Dirigent
Rudolf Serkin Klavier
Dawn Upshaw Sopran
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 18 B-Dur KV 456
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Wednesday 18. March 1987 8 p.m.
Thursday 19. March 1987 8 p.m.
Berliner Philharmoniker
Semyon Bychkov Dirigent
Maureen Forrester Alt
Edith Wiens Sopran
Chor d. St. Hedwigs-Kathedrale (R. B.)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Tuesday 31. March 1987 8 p.m.
Wednesday 1. April 1987 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Peter Rösel Klavier
Carl Maria von Weber
Klavierkonzert Nr. 2 Es-Dur op. 32
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 14. November 1987 8 p.m.
Sunday 15. November 1987 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Friday 27. November 1987 8 p.m.
Saturday 28. November 1987 8 p.m.
Berliner Philharmoniker
James Levine Dirigent
Wolfgang Amadeus Mozart
Symphonie Nr. 36 C-Dur KV 425 ("Linzer Symphonie")
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 14. May 1988 8 p.m.
Sunday 15. May 1988 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
André Watts Klavier
Felix Mendelssohn Bartholdy
Klavierkonzert Nr. 1 g-Moll op. 25
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Wednesday 5. April 1989 8 p.m.
Thursday 6. April 1989 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Saturday 17. June 1989 8 p.m.
Sunday 18. June 1989 11 a.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Friday 29. September 1989 7 p.m.
Saturday 30. September 1989 7 p.m.
Berliner Philharmoniker
Riccardo Chailly Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Wednesday 6. December 1989 8 p.m.
Thursday 7. December 1989 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Jessye Norman Alt
Gustav Mahler
Symphonie Nr.10, Adagio
Lieder eines fahrenden Gesellen
Igor Strawinsky
Der Feuervogel (L'Oiseau de feu), Ballett Ballett in 2 Bildern nach
einem russischen Volksmärchen
Philharmonie
Saturday 16. December 1989 8 p.m.
Sunday 17. December 1989 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Franz Schubert
Symphonie Nr. 7 h-Moll D 759 (Unvollendete)
Wolfgang Rihm
Dämmerung
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 27. January 1990 8 p.m.
Sunday 28. January 1990 11 a.m.
Berliner Philharmoniker
Seiji Ozawa Dirigent
Dietrich Fischer-Dieskau Gesang
Franz Schubert
Symphonie Nr. 5 B-Dur D 485
Michael Tippett
Konzert für doppeltes Streichorchester
Gustav Mahler
Kindertotenlieder
Philharmonie
Saturday 15. December 1990 8 p.m.
Sunday 16. December 1990 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Ernst-Senff-Chor (H. Matthiesen)
Florence Quivar Alt
Tölzer Knabenchor (G. Schmidt-Gaden)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Schauspielhaus / Gendarmenmarkt
Saturday 5. January 1991 4 p.m.
Sunday 6. January 1991 8 p.m.
Monday 7. January 1991 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Sir Willard White Baß
Alfreda Hodgson Alt
Arleen Auger Sopran
Rundfunkchor Berlin (D. Knothe)
Karol Szymanowski
Stabat mater op. 53 (für Soli, Chor, Orgel und Orchester) Nach der
lateinischen Dichtung Jacopone da Todis in der polnischen Übersetzung
von Czeslaw Jankowski
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Schauspielhaus / Gendarmenmarkt
Sunday 10. March 1991 8 p.m.
Monday 11. March 1991 8 p.m.
Berliner Philharmoniker
Riccardo Chailly Dirigent
Jadwiga Rappé Alt
Siegfried Jerusalem Tenor
Joseph Haydn
Symphonie Nr. 44 e-Moll (Trauersymphonie)
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Schauspielhaus / Gendarmenmarkt
Sunday 19. May 1991 8 p.m.
Monday 20. May 1991 8 p.m.
Berliner Philharmoniker
Klaus Tennstedt Dirigent
Gustav Mahler
Symphonie Nr. 6 a-Moll
Waldbühne
Sunday 23. June 1991
Berliner Philharmoniker
Claudio Abbado Dirigent
Leontyne Price Sopran
Gustav Mahler
Symphonie Nr. 4 G-Dur
Igor Strawinsky
L'Oiseau de feu (Der Feuervogel), Suite (1919) Konzertsuite aus dem
gleichnamigen Ballett (Fassung von 1919)
Gioacchino Rossini
La gazza ladra (Die diebische Elster): Ouvertüre
Schauspielhaus / Gendarmenmarkt
Friday 29. November 1991 8 p.m.
Saturday 30. November 1991 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Lilya Zilberstein Klavier
Sergej Rachmaninow
Klavierkonzert Nr. 2 c-Moll op. 18
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Schauspielhaus / Gendarmenmarkt
Saturday 14. December 1991 4 p.m.
Sunday 15. December 1991 11 a.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Sylvia McNair Sopran
Wolfgang Amadeus Mozart
Die Hochzeit des Figaro: Ouvertüre
Die Hochzeit des Figaro: Porgi amor qualche ristoro (Cavatine der
Gräfin aus dem 2. Akt)
Die Hochzeit des Figaro: Giunse alfin il momento / Al desio, di chi
t'adora (Rez. u. Rondo Susanna)
Gustav Mahler
Symphonie Nr. 4 G-Dur
Schauspielhaus / Gendarmenmarkt
Wednesday 18. March 1992 8 p.m.
Thursday 19. March 1992 8 p.m.
Berliner Philharmoniker
Carlo Maria Giulini Dirigent
Keith Lewis Tenor
Brigitte Fassbaender Alt
Wolfgang Amadeus Mozart
Symphonie Nr. 39 Es-Dur KV 543
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Philharmonie
Friday 29. May 1992 8 p.m.
Saturday 30. May 1992 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Thursday 3. September 1992 8 p.m.
Friday 4. September 1992 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Marjana Lipovsek Mezzosopran
Wolfgang Amadeus Mozart
Serenade D-Dur KV 320 (Posthorn-Serenade)
Gustav Mahler
Kindertotenlieder
Leos Janácek
Sinfonietta op. 60
Philharmonie
Wednesday 4. November 1992 8 p.m.
Friday 6. November 1992 8 p.m.
Berliner Philharmoniker
James Levine Dirigent
Jessye Norman Alt
Siegfried Jerusalem Tenor
Richard Wagner
Wesendonck-Lieder WWV 91
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und Orchester
Philharmonie
Wednesday 20. January 1993 8 p.m.
Thursday 21. January 1993 8 p.m.
Friday 22. January 1993 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Sylvia McNair Gesang
Jard van Nes Gesang
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Wednesday 12. May 1993 8 p.m.
Thursday 13. May 1993 7:30 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Waltraud Meier Mezzosopran
Alban Berg
Sieben frühe Lieder für Sopran und Orchester
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Saturday 9. October 1993 8 p.m.
Sunday 10. October 1993 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Wednesday 13. October 1993 8 p.m.
Thursday 14. October 1993 8 p.m.
Friday 15. October 1993 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Barbara Bonney Gesang
Gustav Mahler
Ich atmet' einen linden Duft Rückertlieder Nr. 2
Wo die schönen Trompeten blasen
Rheinlegendchen aus Des Knaben Wunderhorn
Wer hat dies Liedlein erdacht?
Symphonie Nr. 4 G-Dur
Philharmonie
Sunday 30. January 1994 8 p.m.
Monday 31. January 1994 8 p.m.
Tuesday 1. February 1994 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Frank Peter Zimmermann Violine
Wolfgang Amadeus Mozart
Violinkonzert Nr. 5 A-Dur KV 219
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 12. February 1994 8 p.m.
Sunday 13. February 1994 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Jan-Hendrik Rootering Baß
Andrea Rost Sopran
Peter Seiffert Tenor
Rosemarie Lang Alt
Cheryl Studer Sopran
Sylvia McNair Gesang
Bryn Terfel Baß
Anne Sofie von Otter Alt
Gustav Mahler
Symphonie Nr. 8 Es-Dur Symphonie der Tausend
Philharmonie
Sunday 26. February 1995 8 p.m.
Monday 27. February 1995 8 p.m.
Tuesday 28. February 1995 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Marjana Lipovsek Mezzosopran
Gustav Mahler
Kindertotenlieder
Symphonie Nr. 6 a-Moll
Philharmonie
Thursday 4. May 1995 8 p.m.
Friday 5. May 1995 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Waltraud Meier Mezzosopran
Gustav Mahler
Vier Lieder aus Des Knaben Wunderhorn
Symphonie Nr. 9 D-Dur
Philharmonie
Tuesday 5. September 1995 8 p.m.
Wednesday 6. September 1995 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Hansjörg Schellenberger Oboe
Richard Strauss
Oboenkonzert D-Dur
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Thursday 2. November 1995 8 p.m.
Friday 3. November 1995 8 p.m.
Saturday 4. November 1995 8 p.m.
Berliner Philharmoniker
Zubin Mehta Dirigent
Rundfunkkinderchor Berlin (Roost)
Florence Quivar Alt
Ernst Senff Chor (S. Brauns)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Wednesday 13. December 1995 8 p.m.
Thursday 14. December 1995 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Barbara Bonney Gesang
Waltraud Meier Mezzosopran
Ernst Senff Chor (S. Brauns)
Rundfunkchor Berlin (R. Gritton)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Friday 16. February 1996 8 p.m.
Saturday 17. February 1996 7 p.m.
Sunday 18. February 1996 11 a.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Christine Cairns Gesang
Christine Schäfer Sopran
Hector Berlioz
Béatrice et Bénédict, Auszüge
Gustav Mahler
Symphonie Nr.10 Fis-Dur
Philharmonie
Friday 31. January 1997 8 p.m.
Saturday 1. February 1997 8 p.m.
Sunday 2. February 1997 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Friday 26. September 1997 8 p.m.
Saturday 27. September 1997 8 p.m.
Sunday 28. September 1997 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Christiane Oelze Sopran
Marjana Lipovsek Mezzosopran
Rundfunkchor Berlin
RIAS-Kammerchor (M. Creed)
Gustav Mahler
Symphonie Nr. 2 c-Moll ("Auferstehung")
Philharmonie
Friday 5. December 1997 8 p.m.
Saturday 6. December 1997 8 p.m.
Sunday 7. December 1997 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Peter Mattei Gesang
Midori Violine
Dmitri Schostakowitsch
Violinkonzert Nr. 1 a-Moll op. 77 op. 99
Luigi Nono
No hay caminos, hay que caminar... Andrej Tarkowskij für sieben
Orchestergruppen
F / W Schubert / Rihm
Der Wanderer
Gustav Mahler
Lieder eines fahrenden Gesellen
Richard Strauss
Till Eulenspiegels lustige Streiche op. 28 Nach alter Schelmenweise in
Rondeauform für großes Orchester gesetzt
Philharmonie
Thursday 19. February 1998 8 p.m.
Friday 20. February 1998 8 p.m.
Saturday 21. February 1998 7 p.m.
Sunday 22. February 1998 11 a.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Electric Phoenix
Christine Schäfer Sopran
Luciano Berio
Sinfonia für 8 Stimmen und Orchester
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Saturday 28. February 1998 8 p.m.
Sunday 1. March 1998 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Alfred Brendel Klavier
Gustav Mahler
Lieder (Auswahl 2)
Ludwig van Beethoven
Klavierkonzert Nr. 5 Es-Dur op. 73
Philharmonie
Thursday 5. March 1998 8 p.m.
Friday 6. March 1998 8 p.m.
Saturday 7. March 1998 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Marjana Lipovsek Mezzosopran
Damen des Bayerischen Rundfunkchores
Tölzer Knabenchor (G. Schmidt-Gaden)
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Friday 29. May 1998 8 p.m.
Saturday 30. May 1998 8 p.m.
Sunday 31. May 1998 8 p.m.
Berliner Philharmoniker
Kent Nagano Dirigent
Matthias Goerne Bariton
Joseph Haydn
Symphonie Nr. 06 D-Dur (Le Matin)
Gustav Mahler
Fünf Lieder nach Gedichten von Friedrich Rückert
Igor Strawinsky
Le Sacre du printemps dt. Titel: Die Frühlingsweihe
Philharmonie
Friday 5. June 1998 8 p.m.
Berliner Philharmoniker
Lorin Maazel Dirigent
Mstislaw Rostropowitsch Violoncello
Lorin Maazel
Musik für Violoncello und Orchester in einem Satz op. 10
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Thursday 11. February 1999 8 p.m.
Friday 12. February 1999 8 p.m.
Saturday 13. February 1999 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Inger Dam-Jensen Sopran
Benjamin Britten
Les Illuminations op. 18 für Sopran und Streichorchester
Gustav Mahler
Symphonie Nr. 4 G-Dur
Philharmonie
Tuesday 8. June 1999 8 p.m.
Wednesday 9. June 1999 8 p.m.
Thursday 10. June 1999 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Majella Stockhausen-Riegelbauer Klavier
Pierre Boulez
Eclat
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Monday 6. September 1999 8 p.m.
Tuesday 7. September 1999 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur
Philharmonie
Saturday 11. September 1999 8 p.m.
Sunday 12. September 1999 8 p.m.
Berliner Philharmoniker
Kurt Masur Dirigent
Iris Vermillion Alt
Gustav Mahler
Kindertotenlieder
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Saturday 18. September 1999 8 p.m.
Sunday 19. September 1999 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
HA Klangkörper Chor des MDR
Birgitta Svendén Alt
Pamela Coburn Sopran
Tina Kiberg Sopran
Jane Henschel Alt
Peter Lika Baß
Matthias Goerne Bariton
Juliane Banse Sopran
Rundfunkchor Berlin
Jon Villars Tenor
Gustav Mahler
Symphonie Nr. 8 Es-Dur Symphonie der Tausend
Philharmonie
Friday 24. September 1999 8 p.m.
Saturday 25. September 1999 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Gustav Mahler
Symphonie Nr.10 Fis-Dur
Philharmonie
Wednesday 29. September 1999 8 p.m.
Thursday 30. September 1999 8 p.m.
Saturday 2. October 1999 8 p.m.
Sunday 3. October 1999 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Ben Heppner Tenor
Deborah Polaski Sopran
Anna Larsson Alt
Stella Doufexis Mezzosopran
Wolfgang Rihm
In doppelter Tiefe für Frauenstimmen und Orchester
Gustav Mahler
Das Lied von der Erde Symphonie für Tenor- und Altstimme und
Orchester
Philharmonie
Thursday 30. December 1999 8 p.m.
Friday 31. December 1999 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Klaus Maria Brandauer Sprecher
RIAS Kammerchor
Rundfunkchor Berlin
Ludwig van Beethoven
Symphonie Nr. 7 A-Dur op. 92: 4. Satz (Allegro con brio)
Antonín Dvorák
Symphonie Nr. 8 G-Dur op. 88, Allegro ma non troppo
Gustav Mahler
Symphonie Nr. 5 cis-Moll, Rondo Finale
Igor Strawinsky
Der Feuervogel, Suite (1919), Auszüge
Maurice Ravel
Daphnis et Chloé: Danse générale
Sergej Prokofjew
Skythische Suite op. 20, Aufbruch Lollis und Sonnenaufgang
Arnold Schönberg
Gurrelieder, Sehet die Sonne
Otto Nicolai
Die lustigen Weiber von Windsor: Ouvertüre
Paul Lincke
Grigri-Ouvertüre
Paul Lincke
Folies bergères-Marsch
Paul Lincke
Brandbrief Galopp
Ernst Fischer
Prélude champagner
Sigmund Schlichting
Kreuzpolka
Walter Kollo
Unter den Linden - Medley
Philharmonie
Saturday 5. May 2001 8 p.m.
Sunday 6. May 2001 8 p.m.
Monday 7. May 2001 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Sunday 16. September 2001 11 a.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Gustav Mahler
Symphonie Nr. 9 D-Dur (4. Satz)
Philharmonie
Monday 24. September 2001 8 p.m.
Wednesday 26. September 2001 8 p.m.
Thursday 27. September 2001 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Thomas Quasthoff Bariton
Anton Webern
Sechs Stücke für Orchester op. 6 (Fassung 1909)
Gustav Mahler
Lieder (Auswahl 2)
Pause
Richard Wagner
Tristan und Isolde: Vorspiel und Isoldes Liebestod
Richard Wagner
Tannhäuser: Ouvertüre
Philharmonie
Wednesday 24. October 2001 8 p.m.
Thursday 25. October 2001 8 p.m.
Friday 26. October 2001 8 p.m.
Berliner Philharmoniker
Kent Nagano Dirigent
Sigurd Brauns Orgel
Maximilian Schell Sprecher
Prager Philharmonischer Chor (J. Brych)
Cornelia Kallisch Alt
Christoph Prégardien Tenor
Stella Doufexis Alt
Christiane Oelze Sopran
John Adams
Harmonielehre, daraus 2. Satz: "Amfortas' Wound"
Wolfgang Rihm
Maximum est unum (für Altsolo, vier Soprane, zwei gemischte Chöre,
Orchester und Orgel)
Gustav Mahler
Das klagende Lied (zweisätzige Fassung) für Sopran, Alt Tenor,
gemischten Chor und Orchester
Philharmonie
Thursday 6. December 2001 8 p.m.
Friday 7. December 2001 8 p.m.
Saturday 8. December 2001 8 p.m.
Berliner Philharmoniker
Myung-Whun Chung Dirigent
Hans Werner Henze
Symphonie Nr. 8 Sinfonia nach Shakespeares Sommernachtstraum
Gustav Mahler
Symphonie Nr. 1 D-Dur Der Titan
Philharmonie
Wednesday 24. April 2002 8 p.m.
Thursday 25. April 2002 8 p.m.
Friday 26. April 2002 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Eric Ericson Kammerchor (Chr. Hörnell)
Schwedischer Rundfunkchor (Hörnell)
Elena Zhidkova Mezzosopran
Anatoli Kotscherga Baß
Waltraud Meier Mezzosopran
Johannes Brahms
Schicksalslied op. 54 für Chor und Orchester
Gustav Mahler
Fünf Lieder nach Gedichten von Friedrich Rückert
Dmitri Schostakowitsch
King Lear (Fassung aus op. 58 Bühnenmusik und op. 137 Filmmusik) nach
William Shakespeare (Übertragung ins Russische: Boris Pasternak)
Philharmonie
Saturday 7. September 2002 8 p.m.
Sunday 8. September 2002 8 p.m.
Monday 9. September 2002 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Thomas Adès
Asyla op. 17
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Thursday 5. February 2004 8 p.m.
Friday 6. February 2004 8 p.m.
Saturday 7. February 2004 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Matthias Goerne Bariton
Anton Webern
Im Sommerwind (Idyll für großes Orchester nach einem Gedicht von Bruno
Wille)
Gustav Mahler
Lieder aus »Des Knaben Wunderhorn« (Auswahl Haitink/Goerne))
Pause
Johannes Brahms
Symphonie Nr. 4 e-Moll op. 98
Philharmonie
Sunday 21. March 2004 8 p.m.
Berliner Philharmoniker
Adam Fischer Dirigent
Brett Dean
Carlo Musik für (15) Streicher, Sampler und Tonband
Pause
Gustav Mahler
Symphonie Nr. 7 e-Moll
Philharmonie
Thursday 3. June 2004 8 p.m.
Friday 4. June 2004 8 p.m.
Saturday 5. June 2004 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Thomas Quasthoff Bariton
Frank Martin
Sechs Monologe aus Jedermann (auf Texte aus Hugo von Hofmannsthals
gleichnamigem Drama)
Pause
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Thursday 23. September 2004 8 p.m.
Friday 24. September 2004 8 p.m.
Saturday 25. September 2004 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
Thomanerchor Leipzig
Rundfunkchor Berlin
Anna Larsson Alt
Sigurd Brauns Chor-Einstudierung
Georg Christoph Biller Chor-Einstudierung
Gustav Mahler
Symphonie Nr. 3 d-Moll
Barbican Centre, London
Monday 27. September 2004 7:30 p.m.
Concertgebouw, Amsterdam
Tuesday 28. September 2004 8 p.m.
Berliner Philharmoniker
Bernard Haitink Dirigent
The Choristers of St. Pauls Cathedral
Anna Larsson Alt
Ladies of the London Symphony Chorus
Gustav Mahler
Symphonie Nr. 3 d-Moll
Philharmonie
Wednesday 13. October 2004 8 p.m.
Thursday 14. October 2004 8 p.m.
Friday 15. October 2004 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Pinchas Zukerman Violine
Alban Berg
Violinkonzert (»Dem Andenken eines Engels«)
Pause
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Symphony Hall, Okayama
Thursday 4. November 2004 7 p.m.
Bunka Kaikan, Tokio
Tuesday 16. November 2004 7 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Antonín Dvorák
Die Waldtaube op. 110
Gustav Mahler
Symphonie Nr. 5 cis-Moll
Philharmonie
Friday 11. March 2005 8 p.m.
Berliner Philharmoniker
Lothar Zagrosek Dirigent
Claudia Barainsky Sopran
Alban Berg
Drei Bruchstücke aus Wozzeck op. 7
Pause
Gustav Mahler
Symphonie Nr. 4 G-Dur
Großes Festspielhaus, Salzburg
Tuesday 22. March 2005 6:30 p.m.
Sunday 27. March 2005 6:30 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Radek Baborák Horn
Ian Bostridge Tenor
Gustav Mahler
Symphonie Nr.10, Adagio
Benjamin Britten
Serenade für Tenor, Horn und Streicher op. 31
Pause
Franz Schubert
Symphonisches Fragment D 936 A
Wolfgang Amadeus Mozart
Symphonie Nr. 41 C-Dur KV 551 (Jupiter)
Philharmonie
Saturday 2. April 2005 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Wiener Philharmoniker
Guy Braunstein Violine
Christian Stadelmann Violine
Christian Frohn Viola
Franz Bartolomey Violoncello
Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis
Pause
Gustav Mahler
Symphonie Nr. 6 a-Moll
Konzerthaus Wien
Sunday 8. May 2005 11 a.m.
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis
Pause
Gustav Mahler
Symphonie Nr. 6 a-Moll
Philharmonie
Friday 27. May 2005 8 p.m.
Saturday 28. May 2005 8 p.m.
Sunday 29. May 2005 8 p.m.
Berliner Philharmoniker
Claudio Abbado Dirigent
Renée Fleming Sopran
Guy Braunstein Violine
Alban Berg
Sieben frühe Lieder für Sopran und Orchester
Pause
Gustav Mahler
Symphonie Nr. 4 G-Dur
Usher Hall, Edinburgh
Thursday 31. August 2006 8 p.m.
Berliner Philharmoniker
Sir Simon Rattle Conductor
Lisa Milne Soprano
Frank Peter Zimmermann Violin
Karol Szymanowski
Violin Concerto No. 1
Gustav Mahler
Symphony No. 4
Thursday 14. September 2006 8 p.m. A1
Friday 15. September 2006 8 p.m.
Saturday 16. September 2006 8 p.m. M1
Berliner Philharmoniker
Sir Simon Rattle Dirigent
Soile Isokoski Sopran
Magdalena Kožená Mezzosopran
Niederländischer Rundfunkchor
Simon Halsey Chorus Master
György Kurtág
Stele for large orchestra op. 33
Gustav Mahler
Symphonie Nr. 2 c-Moll »Auferstehung«
Introductory presentation each at 7 p.m
Philharmonie
Wednesday 13. December 2006 8 p.m. C3
Thursday 14. December 2006 8 p.m. L2
Friday 15. December 2006 8 p.m. I3
Berliner Philharmoniker
Zubin Mehta Dirigent
Gustav Mahler
Symphonie Nr. 7 e-Moll
Introductory presentation each at 7 p.m.
Auditorio Alfredo Kraus, Las Palmas de Gran Canaria
Tuesday 27. February 2007 8:30 p.m.
Auditorio de Tenerife, Santa Cruz de Tenerife
Friday 2. March 2007 8:30 p.m.
Salle Pleyel, Paris
Sunday 4. March 2007 5 p.m.
Berliner Philharmoniker
Sir Simon Rattle Conductor
Soile Isokoski Soprano
Bernarda Fink Mezzo-Soprano
Orfeón Donostiarra
Gustav Mahler
Symphony No. 2 »Resurrection«
Philharmonie
Thursday 10. May 2007 8 p.m. D6
Friday 11. May 2007 8 p.m. A6
Saturday 12. May 2007 8 p.m. N5
Berliner Philharmoniker
Mariss Jansons Conductor
Igor Stravinsky
Petrushka (1947 Version)
Gustav Mahler
Symphony No. 1
Philharmonie
Saturday 25. August 2007 7 p.m. SK1
Opening concert in association with Deutsche Bank AG
Berliner Philharmoniker
Sir Simon Rattle Conductor
Magnus Lindberg
Seht die Sonne Première of a work commissioned jointly by the Berliner
Philharmoniker and San Francisco Symphony
Gustav Mahler
Symphony No. 9
Introductory presentation at 6 p.m.
Salzburg, Grosses Festspielhaus
Monday 27. August 2007 8:30 p.m.
Luzern, Kultur- und Kongresszentrum
Friday 31. August 2007 7:30 p.m.
Berliner Philharmoniker
Sir Simon Rattle Conductor
Gustav Mahler
Symphony No. 9
This is evidence of the BPO's commitment to Mahler's music. I would
think that
German Radio has many of the tapes that contain these concerts and
that at
some point many of them will be made listenable to the public. In
fact, it is
most probable that many of the concerts have been broadcast over the
years.
The same can be said of Shostakovich's music. BTW, if one wants to
spend the money one can obtain legitimate study copies of concerts
from
German Radio's transcription service.
Taffy
Steve de Mena
> Sunday 24. September 1967 8 p.m.
> Monday 25. September 1967 8 p.m.
> Berliner Philharmoniker
> Herbert von Karajan Dirigent
> Maurice Ravel
> Streichquartett F-Dur
> Dmitri Schostakowitsch
> Symphonie Nr. 10 e-Moll op. 93
The Ravel String Quartet? Is there a string orchestra, or orchestra,
version, of this?
Actually I just checked the Karajan foundation web site and they show
the Shostakovich Symphony No.10 paired with the Brandenburgisches
Konzert Nr. 5 D-Dur BWV 1050. No Ravel.
Steve
HKAlan
from that list: In 1955, on tour with the BPO he conducted Lieder
eines fahrenden Gesellen in Chicago and Syracuse, with the great
American contralto Carol Brice as soloist.
Also, in June 1960, after the BPO performances of Das Lied von der
Erde, he conducted it three times with the VPO. Rössel-Majdan was also
the contralto in those performances, but Fritz Wunderlich was the
tenor in the first two performances (in the Musikverein), while Anton
Dermota was the tenor in the last (in the Staatsoper).
You can find all this info (along with details on all of Karajan's
Mahler performances) at http://www.karajan.org/en/research/performances/list.asp?Komponist=57&Anzahl=20
Alan
HKAlan
source at the moment, that the only Shostakovich symphony Fluffy
really liked was the 10th.
Of course, he recorded several works that he didn't really like, and
some of those recordings turned out pretty well (the Ariadne auf Naxos
and Cosi Fan Tutté in particular). Of course, those two were done in
the days when he must have felt that if Walter Legge wanted something
from him, Walter Legge got it and he got it as good as Fluffy could do
it.
Alan
Steve de Mena
> Karajan first conducted Mahler's music even earlier than you can tell
> from that list: In 1955, on tour with the BPO he conducted Lieder
> eines fahrenden Gesellen in Chicago and Syracuse, with the great
> American contralto Carol Brice as soloist.
Karajan probably conducted this work because (I'll assume) it was
something Furtwängler had scheduled?
Steve
HKAlan
> > Karajan first conducted Mahler's music even earlier than you can tell
> > from that list: In 1955, on tour with the BPO he conducted Lieder
> > eines fahrenden Gesellen in Chicago and Syracuse, with the great
> > American contralto Carol Brice as soloist.
>
> Karajan probably conducted this work because (I'll assume) it was
> something Furtwängler had scheduled?
>
> Steve
That's a good surmise, and it may well be correct, especially if Brice
had already been engaged. (I think she'd already recorded it with
Reiner and Pittsburgh so it was a work for which she was known.)
The Chicago program also consisted of Leonore #3, the Barber Adagio
for Strings (would Furtwängler have conducted that, I wonder), and the
Tchaikovsky 5th, while the Syracuse programe also had Don Juan and the
Brahms 2nd.
Alan
Gerard
> Of course, those two were done in
> the days when he must have felt that if Walter Legge wanted something
> from him, Walter Legge got it and he got it as good as Fluffy could do
> it.
>
I don't know if this is "of course" of Legge.
Karajan has recorded other stuff he never played in concerts.
AFAIK some Bruckner symponies and the Tchaikovsky symphonies 1-3 among those.
These have been recorded for DG, not for Legge.
HKAlan
> > Of course, those two were done in
> > the days when he must have felt that if Walter Legge wanted something
> > from him, Walter Legge got it and he got it as good as Fluffy could do
> > it.
>
> I don't know if this is "of course" of Legge.
> Karajan has recorded other stuff he never played in concerts.
> AFAIK some Bruckner symponies and the Tchaikovsky symphonies 1-3 among those.
> These have been recorded for DG, not for Legge.
I wasn't trying to suggest that those were the only times he recorded
music that he never played in concert, or that the only times he did
that was when he was asked by Legge.
All I was trying to say was that (IIRC) he was on record as not liking
Ariadne and Cosi, and I was just trying to playfully suggest that if
Legge had asked him to record something at that time, he probably
would have done it, even if it was a work that he didn't like.
Also, I wasn't trying to say that this was definitively what happened.
I'm sorry if it read that way.
Alan
santiago538
> A case in point is a recording with the Berlin Philharmonic Orchestra,
> possible candidate in Berlin!!!
>
> This recording is truly wonderful from a sonic standpoint, right from
> the biting edge provided the strings at the opening of the first
> movement.
>
about it...but for some reason I need to increase the gain by about 5
dB to attain a comparable volume with other recordings of the same
work.
BTW, the liner notes mention that HvK gave Bychkov permission to take
the BPO on tour. In the mid 80s, Herbie and the orchestra were
supposed to make a US tour, but he canceled because of health reasons
and the tour went on without him. Did Bychkov take the helm then?