PACM035: Sonata No. 1 for Cello and Piano (Brahms)
Emanuel Feuermann, Theo van der Pas (1934)
PACM036: Sonata for Arpeggione and Piano (Schubert)
Emanuel Feuermann, Gerald Moore (1937)
PASP012: Melodie from 'Orphée' (Gluck)
Emanuel Feuermann, Theo van der Pas (1934)
PASP013: Nocturne in E flat, Op. 9 No. 2 (Chopin)
Emanuel Feuermann, Wolfgang Rebner (1936)
Of course all of these are available on Pearl's "Columbia Recordings" set,
whose 78 sources weren't so quiet, as I recall. How would you compare the
transfers?
Here's a link to an MP3 of the finale from the Schubert, which I think
sounds really special, especially from about 1'15":