Currently I have only his Sym 1 (Marriner) and 5 (Muti, Dorati).
Jarvi, Ozawa and Gergiev have complete sets, and Naxos has a complete
cycle from Theodore Kuchar and NSO Ukraine.
Favorites, anyone? Get a set, or pick and choose individual
recordings? Thanks for your observations.
Jarvi, a conductor I don't always leap to the defence of, is very good,
if, as a set, you are prepared to accept a fairly weak 5th. The RSNO
play well for him. I like Previn for the 5th on EMI, with great sound.
People will mention Szell for the 5th, although I have always been
bewildered by this choice. It is passable though, but nowhere near first
choice.
Kuchar is next in my affections. Excellent engineering too, and a set
worth hearing imo. He uses a Ukrainian orchestra also, and they do know
this music.
Ray (Dawg) Hall, Taree
The Rostropovich set has been re-released. Weller's can be picked up
from time to time. Rozhdestvensky's can be gotten from Japan. And
Kitaenko has a new set coming out.
Suddenly, we have a lot of choice in Prokofiev. I imprinted on Jarvi
when they were about the only ones easy to get. I've enjoyed, if not
completely been knocked over by, the Gergiev set. I can see wanting
to add one of the old-school Russian sets (are there any other besides
Rozh-D's?).
--Brian
Järvi's is a good starter set, but you can do much better by getting
individual recordings of the symphonies
(Celibidache in No. 1, Grin in No. 2, Muti in No. 3, Ormandy or
Rozhdestvensky in No. 4, Levine/CSO, Janssons/Leningrad, Temirkanov/
St. Petersburg, ... in No. 5, Mravinsky in No. 6 [accept no
substitutes here],
and Rozhdestvensky in No. 7 with the original ending)
If I were to choose a single set, it would be Rozhdestvensky's. He's
got a great feel for Prokofiev
[sample his recording of Romeo and Juliet]. You can't go wrong.
Kuchar's is also a good set, and much cheaper that Järvi's. I would
avoid Ozawa at all costs. Both he and the BPO
are unidiomatic in Prokofiev.
Martinon's set on two Vox Boxes is interpretatively very interesting,
but the French orchestra (ORTF) leaves a lot to be desired.
RK
BTW, I meant to add that Rostropovich's set should be avoided by all
means.
A lamer set set of Prokofiev's symphonies I cannot imagine.
I am looking forward to the new Kitaenko set (his first recordings of
some of the symphonies
were quite promising).
RK
> BTW, I meant to add that Rostropovich's set should be avoided by all
> means.
> A lamer set set of Prokofiev's symphonies I cannot imagine.
>
Absolutely!
For number 2, Polyansky and the Russian State Symphony Orchestra are
monumental (where others tend to be rather frantic).
Ozawa / BPO give good clean performances of 3 & 4, but not very
Russian.
For 6 & 7 Ashkenazy and the Cleveland are excellent.
>
> Järvi's is a good starter set, but you can do much better by getting
> individual recordings of the symphonies
> (Celibidache in No. 1, Grin in No. 2, Muti in No. 3, Ormandy or
> Rozhdestvensky in No. 4, Levine/CSO, Janssons/Leningrad, Temirkanov/
> St. Petersburg, ... in No. 5, Mravinsky in No. 6 [accept no
> substitutes here],
> and Rozhdestvensky in No. 7 with the original ending)
>
> If I were to choose a single set, it would be Rozhdestvensky's. He's
> got a great feel for Prokofiev
> [sample his recording of Romeo and Juliet]. You can't go wrong.
>
> Kuchar's is also a good set, and much cheaper that Järvi's. I would
> avoid Ozawa at all costs. Both he and the BPO
> are unidiomatic in Prokofiev.
>
> Martinon's set on two Vox Boxes is interpretatively very interesting,
> but the French orchestra (ORTF) leaves a lot to be desired.
>
> RK
I agree, Ozawa should be given a very wide berth. I find Jarvi's
recordings of nos. 5 & 6 enjoyable. No.7 is also very good and
includes the charming Sinfonietta, op.5/48.
Alf
OT, but I have his Shostakovich symphonies in the Brilliant set, and am
impressed.
Ed Presson
Do you know if it is also available in Russia?
Are you sure about Kuchar recorded the Shostakovich symphonies, on Brilliant
Classics?
I only know the Barshai set on Brilliant Classics.
CharlesSmith <sigma....@ntlworld.com> wrote:
>For number 2, Polyansky and the Russian State Symphony Orchestra are
>monumental (where others tend to be rather frantic).
Is there any conductor that can save this Symphony (and Shostakovich
Second and Third too)? :-) :-)
Thanks
Juan I. Cahis
Santiago de Chile (South America)
Note: Please forgive me for my bad English, I am trying to improve it!
So far nobody has mentioned Leinsdorf/Boston Symphony Orchestra from
RCA Victor via Testament.
The orchestra in those recordings is at least top notch.
TD
Considering that they go for over $25/disc, I sure as hell won't be
buying anything on Testament.
For the Prokofiev 2nd, the answer is a resounding YES. Try Leonid
Grin on Ondine.
Leinsdorf's recording with the BSO is not bad either, although the
sound is compressed
and you need a wide dynamic range to enjoy this symphony's wild ride.
RK
The Leinsdorf set is not complete.
RK
Well, as always, I'm sure you can do better picking individual
performances than going with a cycle, since every complete set seems
to include a dud or two. I find Gergiev the most interesting of the
cycles I've heard (Jarvi, Ozawa, Weller), with the only poor
performance in that set being, curiously enough, the1st. As for
individual symphonies, I'm very fond of Ancerl in 1, Muti in 3 and 5,
and Ormandy in 6. (I've never heard the much-revered Mravinsky 6, but
I hope to find a copy one of these days.) The other symphonies
interest me less, so I'm not sure I have favorites in 2, 4, or 7.
Now, the piano concertos on the other hand, ar all masterpieces!
JM
>
> Jarvi, a conductor I don't always leap to the defence of, is very good,
> if, as a set, you are prepared to accept a fairly weak 5th. The RSNO
> play well for him.
If you are going down the Järvi/RSNO route it's also worthwhile to get
their Chandos disc of the Prodigal Son ballet, which also includes the
Divertimento Op 43 and the Symphonic song Op 57 - both first-rate
symphonic works.
IMO the Prokofiev second is a superb well-crafted majestic and
powerful 1920's symphony. I like the Polyansky recording because he
gives the forceful passages a breadth and nobility, which also serves
to make the contrasting meditative sections of the second movement
very effective. To be honest, the only other recording I know well is
the Gergiev - who I was thinking of when I used the word "frantic"
earlier.
Since you mention it, I'll note that I also like Shostakovich 2 - a
highly original darkness-to-light composition. (But someone else will
have to stick up for Shostakovich 3.)
> Dear Charles & friends:
>
> CharlesSmith <sigma....@ntlworld.com> wrote:
>
>>For number 2, Polyansky and the Russian State Symphony Orchestra are
>>monumental (where others tend to be rather frantic).
>
> Is there any conductor that can save this Symphony (and Shostakovich
> Second and Third too)? :-) :-)
For those two bottom-of-the-barrel Shostakovich symphonies, I'd certainly
like to have a "legit" transfer to CD of the Morton Gould recordings.
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
My main music page --- http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
Opinions expressed here are not necessarily those of my employers
>For those two bottom-of-the-barrel Shostakovich symphonies, I'd certainly
>like to have a "legit" transfer to CD of the Morton Gould recordings.
You're not the only one.
- Sol L. Siegel, Philadelphia, PA USA
>So far nobody has mentioned Leinsdorf/Boston Symphony Orchestra from
>RCA Victor via Testament.
>
>The orchestra in those recordings is at least top notch.
I'm still mentally kicking myself that I never got either of
Leinsdorf's Kijes (one of which was paired with 5 on RCA Navigator)
when I had the chance. Is he the only one who's recorded it with the
baritone vocals?
I disagree completely. Although there are very few Ozawa recordings I
find really good, I think he does have a great feeling for
Prokofieff"s music and the BP is in its very best form here, so that
is, overall, my favorite complete set. Ozawa's Romeo and Juliet with
the BSO is also particularly good with some stunningly beautiful and
very musically detailed playing there. I think what you mean by
"idiomatic" is more a clichéed, one-sided idea of how Prokofieff's
music should sound, based on - what? The idea that the music should
always sound screechy and distorted? Why do you include such smooth-
over artists as Ormandy and Muti in your list then?
Ozawa (DG) and Jurowski (cpo).
Russ (not Martha)
Having said all that, my recommendations may change once I've had a
chance to listen to my recently-obtained set of symphonies conducted by
Rozhdestvensky.
As for the other sets I've listened to, I keep wanting to like the Jarvi
set; it has great recorded sound and great orchestral playing, and I
can't find any fault with it in particular. I keep pulling random disks
out and listening to them every once in a while, but nothing has really
connected with me. And I like Jarvi in a lot of works.
On the other hand, I really enjoy listening to the Vox set conducted by
Martinon. The sound is not that great, but the atmosphere is terrific. I
have kind of an opposite feeling from that of the Jarvi set: it seems
like a lot more than the sum of its parts.
I've enjoyed reading all the recommendations for individual recordings
and will try to track down some of the ones I don't have.
Dan
Oh! I didn't know about that. So I immediately ordered it. There is
also a BBC Legends disc with Symphonie fantastique and Francesca da
Rimini with LP/Rozh - that must be from live concerts from the same UK
tour when they also recorded the late Tchaikovsky symphonies with
Mravinsky, as DG also taped Francesca da R and a suite from Gayaneh
with Rozh during the same sessions. I wonder if the BBC also has live
recordings of the Tchaikovsky symphonies played during that tour. It
would be fascinating to compare those to the famous DG recordings.
> and the Malko/Philharmonia recordings of symphonies
> 1 & 7 (and Love for Three Oranges).
>
> Having said all that, my recommendations may change once I've had a
> chance to listen to my recently-obtained set of symphonies conducted by
> Rozhdestvensky.
>
> As for the other sets I've listened to, I keep wanting to like the Jarvi
> set; it has great recorded sound and great orchestral playing, and I
> can't find any fault with it in particular. I keep pulling random disks
> out and listening to them every once in a while, but nothing has really
> connected with me. And I like Jarvi in a lot of works.
I don't, so I understand what you mean here. The SNO is very good, the
sound is attractive - but it's Järvi. He never really gets into the
music. He probably didn't even know the scores that well. After all,
he didn't have time to study when he had to make hundreds of
recordings within a few years.
I also have a complete set with Kosler and the Czech Philharmonic
which is similarly underwhelming. OK playing, but not as good and
stylish as one would expect from the CO, lacklustre, undetailed
direction, reverberant, indirect recording.
I had recently read Yury Tyanyanov's story Lieutenant Kije (translated
by Mirra Ginsburg), so perhaps I found myself in a Prokofiev mood.
Though it is obvious upon reflection, I was still started when I saw
that in translation, he had to be called Lieutenant Nants. Heh.
Reviving this old thread: BBC3's CD Review from October 4 features a
new set by Kitajenko/Gurzenich Orch, which the reviewer (Rob Cowan)
praised highly. I believe he said it included two versions of #4.
It's a live cycle recorded in 2005. His summary comment was that it
impressed him more than any cycle since Rozhdestvensky's from the
1960s.
Some excerpts are part of the program, and these sounded impressive.
But it's hard to judge the set this way. Has anyone heard this set?
--
Al Eisner
>Reviving this old thread: BBC3's CD Review from October 4 features a
>new set by Kitajenko/Gurzenich Orch, which the reviewer (Rob Cowan)
>praised highly. I believe he said it included two versions of #4.
>It's a live cycle recorded in 2005. His summary comment was that it
>impressed him more than any cycle since Rozhdestvensky's from the
>1960s.
>
>Some excerpts are part of the program, and these sounded impressive.
>But it's hard to judge the set this way. Has anyone heard this set?
So farI have been through the set once plus the revised #4 twice.
They were excellent although I might choose individual single releases
for most of them. Another pass this week/weekend.
Kal
Most sets include both versions of #4. Kuchar does both, as also does Jarvi.
Ray (Dawg) Hall, Taree
Look for the old Anosov Parliament disk for a close to definitive (if
ever this is possible) version (also, try to get a aircheck of the
Tennstedt/ NY Phil live performance). Hauser
Tennstedt and Anosov are fine choices for Kije, of course. Neither of
them tops two recent broadcasts I've heard. One was led by Vladimir
Verbitzky with one of the Australian orchestras (offhand I can't
remember if it was the WASO or QSO). The other was MTT/SFS. Finally,
if there's an aircheck to find, it's the amazing performance of an all-
brass arrangement of Lt Kije that was aired a couple years ago, with
the Royal Concertgebouw Orchestra brass section.
--Jeff
Al Eisner
Kosler / Czech Philharmonic
> I'm still mentally kicking myself that I never got either of
> Leinsdorf's Kijes (one of which was paired with 5 on RCA Navigator)
> when I had the chance. Is he the only one who's recorded it with the
> baritone vocals?
Slatkin and Ozawa also recorded it with a baritone.
Leinsdorf's Kije with Dan Iordecescu and the Philharmonia is currently
available from Testament along with the Boston SO R&J selections. Not too
bad a price now that the GBP has dropped in value:
http://www.mdt.co.uk/MDTSite/pages/product/product.asp?ctgry=&prod=SBT1394
You can also get the EMI/Capitol CD used:
http://www.amazon.com/Iordachescu-Browning-Prokofiev-Kodaly-Ravel/dp/B000002S79
Note that this only includes a few movements of the Hary Janos.
Dave Cook
Some additional Leinsdorf on Testament ( I think his # 5 with the BSO
was magnificant) at Amazon-US:
Prokofiev: Symphonies Nos. 5 & 3 by Sergey Prokofiev, Erich Leinsdorf,
and Boston Symphony Orchestra (Audio CD - 2005) - Import
16 Used & new from $13.77
Prokofiev: Symphonies Nos. 2 & 6 by Sergey Prokofiev, Erich Leinsdorf,
and Boston Symphony Orchestra (Audio CD - 2005)
26 Used & new from $12.94
Rugby