>>> On 7/9/14, 9:35 AM, Herman wrote:
>>>> a saddening story with a lot of nasty ramifications.
>>>>
>>>> one would like to know where this bunch of fellow CBS / Sony artists
>>>> with whom Stern often recorded or performed stand on this exclusionary business.
>>>>
>>>> Interesting how Stern liked to promote himself by acting like this
>>>> really generous guy who helped younger artists - preferably on camera
>>>> - while exercizing a kind of scorched-earth strategy when it concerned
>>>> coevals who weren't part of his circle.
>>>>
>>>
>>>
>>> Yes, Stern was a very complex individual as many people are. Few are all
>>> good or all bad. Stories, some of them first-hand, of his questionable
>>> behavior have filled RMCR threads for decades. Check the archives.
>>>
>>> As for his generosity, it's also worth noting that quite often when he
>>> pegged a young musician as a potential beneficiary, he'd place a call to
>>> Freddy Mann to actually write the checks. So yes,
>>> he still gets credit for channeling good fortune in a worthy direction
>>> that may not have happened without his active involvement, but it often
>>> wasn't his money or resources he was generous with. To the public,
>>> however, it always appeared that the generosity flowed from Stern, and
>>> Stern always made sure to reap the future political capital of his "generosity."
>>>
>>> As for Bernstein's culpability if the above story were true - Bernstein
>>> learned to be a bit of a politician pragmatist from the early 1950's
>>> onward. When he failed to win the BSO seat despite his undeniable
>>> talent, he learned that he had to get better at the game if he ever hoped
>>> to hold the directorship of a major orchestra. He knew making an enemy
>>> of Stern would come with enormous cost, especially in NYC. Also, his own
>>> orchestra members would lose out on session fees if he decided
>>> to "take the high road."
>>>
>>> On the other side of the scale, I am always dubious of performers that
>>> claim "so-and-so ruined my career." Yes, a generous colleague can give a
>>> boost and a powerful spiteful one can occasionally throw a curveball, but
>>> talent usually wins out. Many artists are somewhat high-strung and
>>> egotistical and somewhat quick to blame external forces or situations
>>> when things don't work out as they'd like. I don't know Aaron Rosand
>>> personally so I can't judge his character. He never built a huge career
>>> in Europe either. I've heard several of his recordings and while he's a
>>> talented musician, I don't put him in the first-tier of his
>>> contemporaries, including Isaac Stern in his prime (the violinist, not the person).
>>>
>>> DF
>>
>> What a strange "argument". First you cast doubt on the veracity of the
>> stories "if the story were true", then you come in "on the other hand.
>>
>> No, you can't get away with that game.
>>
>> Clearly you disbelieve the stories, make excuses, of a sort, for IS and LB,
>> then come in with the clincher: AR wasn't much good anyway.
>>
>> Hahahahaha
>>
>> Sorry, some of us were not born yesterday. We have witnessed IS at the
>> height df his sloppy career. And that was one long sloppy career. Proof?
>> Just listen to the Hess Stern recital from 1958. Dame Myra musty have been
>> horrified by the bad intonation, sloppy musicianship.
>>
>> In my presence Gilels walked out of a rehearsal IS was conducting in
>> Toronto in 1984. To quote EG: "Isaac no practise!"
>
> I'm confused by your post. Did you read it as pro-Stern? Hardly. Even if
> all of Rosand's stories are true (and neither you nor I have any way of
> knowing at this point), I still don't buy into the notion that Stern was
> the anti-gravitational force that held back his career.
This is clearly your problem, not that of any other objective reader.
Moreover, once the career was stymied - as Ida Haendel's was - little can
be done. All of Sterns many allies on 57th street would see to that.
Rosand has had a
> very long, solid career as a professional violinist and he's had plenty of
> opportunity to put his art before the public.
But clearly NOT through the events made specific in this letter.
I believe that by in large
> the public has weighed in fairly in his case.
Believe? Or think?
Leave belief to the priests and rabbis. Stick to opinion.
If Rosand had the talent of
> an Oistrakh, a Menuhin, or a Milstein, or even a Stern, he would have fared
> better as did they all.
This you cannot possibly know. Indeed, Milstein, a truly great violinist,
unlike Stern, never enjoyed the success of IS.
Musicians can get derailed for all sorts of
> reasons but if they have long enough careers, water generally reaches it's
> level.
Thank you for this perceptive homily.
--
TD