Karlheinz Stockhausen: LICHT
"7 Tage in dreieinhalb Stunden : Eine Collage von Reinhard Ermen"
Three files:
http://rapidshare.com/files/141262194/Licht_CD1.zip
http://rapidshare.com/files/141265695/Licht_CD2.zip
http://rapidshare.com/files/141269555/Licht_CD3.zip
The excerpts (interspersed with interviews) are as below.
(1) Dienstag, Jahreslauf (bells)
(2) Sonntag, Licht-Bilder
(3) Samstag, Licht-Formel
(4) Montag, Montags-Gruss
(5) Montag, Befreuchtung mit Klavierstück
(6) Dienstag, Dienstags-Gruss
(7) Dienstag, Jahreslauf
(8) Dienstag, Jahreslauf
(9) Dienstag, Pietà
(10) Mittwoch, Mittwochs-Gruss
(11) Mittwoch, Helikopter-Quartett
(12) Donnerstag, Donnerstags-Gruss
(13) Donnerstag, Donnerstags-Gruss
(14) Donnerstag, Michaels Jugend
(15) Freitag
(16) Freitag, Kinder-Chor
(17) Freitag, Kinder-Tutti
(18) Freitag, Kinder-Krieg
(19) Samstag, Luzifers Traum
(20) Samstag, Luzifers Traum
(21) Samstag, Luzifers Tanz
(22) Sonntag, Hoch-Zeiten
(23) Sonntag, Sonntags-Abschied
Mark Stratford
Should this be labeled "All the Stockhausen You'll Ever Need"?
Brendan
snip
>> (22) Sonntag, Hoch-Zeiten
>> (23) Sonntag, Sonntags-Abschied
>>
>> Mark Stratford
>
>
> Should this be labeled "All the Stockhausen You'll Ever Need"?
>
> Brendan
I am thinking the same thing as it S L O W L Y downloads.
But of course its not true, you actually do need "Gruppen".
Doug McDonald
and Hymnen
and Punkte
alex
> From SWR2 "Stockhausen Day" 22/08/08
>
> Karlheinz Stockhausen: LICHT
> "7 Tage in dreieinhalb Stunden : Eine Collage von Reinhard Ermen"
>
> Three files:
>
> http://rapidshare.com/files/141262194/Licht_CD1.zip
> http://rapidshare.com/files/141265695/Licht_CD2.zip
> http://rapidshare.com/files/141269555/Licht_CD3.zip
Thanks so much for this..
Bernard
Hmmm we'll clear up the titles later, I'm still downloading!
> Should this be labeled "All the Stockhausen You'll Ever Need"?
Trouble is it excludes the only Stockhausen I really need: Gruppen,
Carré, and Punkte. But maybe I should take this opportunity to hear
Licht whole.
-david gable
Doug McDonald
I guess I should download this. I have one of the 'days' complete
(Donnerstag?), and there were longish stretches of what I assumed was
Augenmusik (i.e., stage business with not much to listen to).
So what exactly is this? Highlights? Something like 10% of the full
'Licht'?
Regards,
Eric Grunin
www.grunin.com/eroica
Here are the musical example names from the first zipfile. Bassetsu Trio is
derived from Michaelion the final scene of Mittwoch.
(1) Dienstag, Jahreslauf (bells)
(2) Sonntag, Lichter Wasser
(3) (Mittwoch), Bassetsu Trio
(4) Montag, Montags-Gruss
(5) Montag, Befreuchtung mit Klavierst�ck
(6) Dienstag, Dienstags-Gruss
(7) Dienstag, Jahreslauf
(8) Dienstag, Jahreslauf
(9) Dienstag, Piet�
(10) Mittwoch, Mittwochs-Gruss
Well, not so much 'highlights' (in the sense that you might have
Highlights of The Ring, for instance) as an intelligent selection meant
to be representative - insofar as that's possible with Stockhausen - of
the whole thing.
The whole of LICHT is 29 hours
(http://www.stockhausen.org/LICHT_timing.html), so I suppose this is
actually just over 12% :) I'd say it's certainly worth dipping into,
even for the wary, though bearing in mind that almost every
opera/scene/section of LICHT is very different from every other...
Simon
Hi Simon - are you still there?
I presume these two concerts, listed on Stonebraker, are you..?
Sunday, February 8th Aberdeen, Aberdeen University
Wedn., Febr. 11th, 8:15 p.m. Edinburgh, Queens Hall
KLAVIERSTÜCKE (PIANO PIECES) I–IV, V, VII, IX, XIII
mark
That's me. A nice easy-going programme; can't wait :)
Simon
11) Mittwoch: Helikopter Streichquartett
12) Donnerstags Gruss
13) Donnerstags Gruss
14) Donnerstag: Act 1 Michaels Jungend: Scene 2: Mondeva
15) Freitag: Kinder-Orchester
16) Freitag: Kinder-Chor
17) Freitag: Kinder-Tutti
Third Zipfile:
18) Freitag: Kinder-Krieg
19) Samstag: Luzifers Traum
20) Samstag: Luzifers Traum
21) Samstag: Luzifers Tanz - Orchesterstreik
22) Sonntag: Hoch Zeiten f�r Chor
23) Sonntag: Sonntags Abshied
--
I think this broadcast turns out to be a compelling collection of interviews
(in German), illustrated by music from all 7 operas.
But as a potted survey of the music it is inconsistent, dwelling on and
returning to particular sections, while avoiding other Acts and Scenes
altogether.