Mark
Romeo and Juliet - complete ballet - Seiji Ozawa/Boston Symphony (DG 2 CD)
Now about 30 posts will follow listing just about every work Prokofiev
composed and every recording ever made....
Steve
Very little of Prokofiev's music is essential, IMO. Shostakovich is far
more interesting. Other than what you already have, maybe the Piano
Sonatas 6, 7 and 8. Richter is probably better than anyone else in these
- you can get them all on a single Russian Revelation disc.
Piano Concertos, Piano Sonatas, Romeo & Juliet Suites.
Regards
Piano Concerti, especially the first three. I'm bigoted in favor of
Mindru Katz in 1, Horacio Gutierrez in 2 and either Kapell or
the composer in 3. Others will post with different ideas.
Romeo and Juliet, preferably complete; Maazel is excellent.
6th Symphony: Kuchar on Naxos is the current winner, only
partly by default.
Alexander Nevsky cantata. I'm a big fan of the Abbado disc
which also includes Scythian Suite and Lt. Kije, though
others here hate it.
Violin Sonatas. Wonderful pieces. I have and enjoy
Perlman/Ashkenazy and Kremer/Argerich.
Piano Sonatas 6 (with Richter and Cliburn OOP,
Pogorelich seems to get the nod here), 7 (Pollini)
& 8 (Richter!).
Good luck.
- Sol L. Siegel, Philadelphia, PA
"My reputation has nothing to do with me." - Terry Gilliam
These are canonically 'essential':
Piano Concerto #3
Piano Sonatas #6, #7,# 8
Symphonies #1, #5, #6
Violin Concerto #2
Lt. Kije Suite
Romeo and Juliet (at least a Suite, complete if you like)
Alexander Nevsky
These used to be considered 'essential', but have faded a bit:
Scythian Suite
'Love for the Three Oranges' Suite
Violin Concerto #1
Visions Fugitives
Finally, a few personal favorites:
Violin Sonata #1
Flute Sonata (aka Violin Sonata #2)
Overture on Hebrew Themes
Regards,
Eric Grunin
Seconded.
This is all essential Prokofiev.
Add piano concerto 2 and somewhat Cinderella.
And for children: Peter and the wolf.
> Very little of Prokofiev's music is essential, IMO.
I have no idea what essential means then.
> Shostakovich is far more interesting.
I don't see why Shostakovich comes into the picture. That's a false
pairing like Bruckner/Mahler; they were from different generations.
Dave Cook
I addition to the usual works recommended, I'd add
Cinderella
Just a hair below Romeo and Juliet in quality. Some of the other "lesser"
ballets, such as The Steel Step, the Stone Flower, and Chout, are worth
getting eventually.
Ivan the Terrible
Unfortunately Prokofiev died before he could make any "canonical"
arrangements of the score; you tend to get a different arrangement from
recording to recording. I like Slatkin (best 1-disc selection, I think;
no narration), Muti (very exciting, though the narration wears thin), and
Fedoseyev, which has more music than any other recording.
Sinfonia Concertante
Either Rostropovich/Sargent or Ha-Na Chang. (this was a revision of a
Cello Concerto which has been recorded a few times)
And some opera DVDs for some balance:
War and Peace
The Paris Opera DVD. This has cuts, though. You might be able to find
Malik-Pashayev CDs used
Betrothal in a Monastery.
The Gergiev DVD with Netrebko.
As you have a Prok 1 and 5, then the following :-
Romeo & Juliet ballet suite - Previn/LSO on EMI. Far more finesse and lilt
in many of the dances than Maazel shows with Cleveland, but Maazel 2nd
choice and very good.
Agree with another poster about Kuchar's 6th, and you can add Kuchar's
Prokofiev's 4th coupled with the associative Prodigal Ballet suite. Jarvi's
symphony set is generally excellent also on Chandos, and includes both the
original and a revised version of the 4th symphony. In fact, whilst you are
at it, Jarvi or Kuchar for the 2nd and 3rd symphonies, of which I have come
to admire greatly lately.
Prok 5th piano concerto - Richter/Rowicki. Nobody else comes close.
Btw, imo Prokofiev was the greatest tunesmith of ANY composer, and the above
are just merely some of his greatest works, and doesn't reflect on the value
of his others, his piano sonatas, his other piano concertos, Peter and the
Wolf, Alexander Nevsky suite (Reiner is superb, avoid Abbado), Lt. Kije,
Love for Three Oranges, etc..
Basically, if the weight of his lower orchestral colours are not displayed,
then avoid, especially in his symphonies. Symphony no.7 is quite lightweight
really, but very delightful. It is virtually impossible to mash up a tune,
and in this regard Prok was a master, especially in the larger orchestral
forms.
The Prokofiev piano concerto No.3 is very popular, but is best left for the
inevitable scrum from the painophiles wrt this work. I can imagine many of
them having 100s of different versions of this work, in wild adoration of
their pianistic gods. Makes one wonder what else they listen to.
<g>
Ray H
Taree
Prokofiev is quite hit-and-miss with listeners so I would recommend
listening to as much as you can by him and then making your own
decision as to which works you should keep and which discard. This
pretty much goes for everything though :)
> The Prokofiev piano concerto No.3 is very popular, but is best left for the
> inevitable scrum from the painophiles wrt this work.
I love pain; if you feel the same way then avoid Argerich's #3, as it
simply won't cause any - it's wonderful.
Novitskaya :)
Is Novitskaya the man there?
dk
> Andy Evans wrote:
>>anybody know of a complete version [of VFs] of this quality.
>
> Novitskaya :)
>
Novitskaya also made a beautiful recording of Prokofiev's First Piano
Concerto (with the Radio Philharmonic c Jean Fournet, 1969)
But I mainly remember her as the girl with the greasy hair :-)
The Third Piano Concerto is well played by Argerich and Katchen.
It means that I don't particularly like it. I'm not a library, I don't
collect what I won't play.
>
>>Shostakovich is far more interesting.
>
>
> I don't see why Shostakovich comes into the picture. That's a false
> pairing like Bruckner/Mahler; they were from different generations.
And that's a false analogy, so what the hell.
Speaking of which: I can't add much to what already been said, other
than to suggest that the piano sonatas and concertos are under-rated,
IMO, and well worth getting to know as cycles (as opposed to
cherry-picking the two or three most popular items in each set).
You may have noticed that I said "IMO". Plus, I would hazard a guess
that most people don't regard music that they dislike as "essential",
unless they happen to run a library or a radio station.
> Very little of Prokofiev's music is essential, IMO. Shostakovich is far
> more interesting.
Maybe to you . . .
- Russ (not Martha)
For me the 1962 Byron Janis/Kiril Kondrashin Mercury Living Presence
recording made in Moscow of the Third Piano Concerto is absolutely
indispensable
http://www.deccaclassics.com/music/mercurylivingpresence/releases/4756607.html
--
Best
Greg
> Romeo & Juliet ballet suite - Previn/LSO on EMI. Far more finesse and
> lilt in many of the dances than Maazel shows with Cleveland, but
> Maazel 2nd choice and very good.
The sound on Maazel seems better to me. I am not familiar with the
operas, but so far, I think that R&J is possibly the greatest of his
works and arguably the greatest orchestral work of the 20th century.
One of our local music schools, having possibly the best hall I
have ever experienced, did "Three Oranges" a couple of years ago
and I am still kicking myself for missing it.
--
A. Brain
Remove NOSPAM for email.
Yes, yes, yes. He's the man, he's the conductor, they are the
orchestra. We are well served.
How would Shostakovich compare with sex with a beautiful stranger?
Real Prokofiev lovers, and I'm certainly one of 'em, will probably give you
the most unhelpful answer - which is to say, just about everything the guy
wrote.
But I don't want to be difficult, so I'll suggest "The Prodigal Son" ballet,
and if you like that, check out the revised version of the Symphony #4 (Op
47/112), which uses themes from said ballet.
Schoenberg was right on the money when he commented that there was still
plenty of good music to be written in C Major.
Happy listening.
- Russ (not Martha)
Not to beat this particular dead horse any further, but I would suggest
that the term "essential" implies exactly that sort of objectivity--or
at least an attempt at it. One doesn't have to personally like
Prokofiev--or Bruckner, or whomever--to know which compositions are
widely considered to be canonical.
I've read that quote recently, and I thought it was Prokofiev himself and
not Schoenberg who said this. Am I wrong?
M.A.
I've always heard it attributed to Schoenberg, who had more of a point to
be made by saying so. After all, he did write a string orchestra work in a
neighboring key.
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
My main music page --- http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
I ask you to judge me by the enemies I have made. ~ FDR (attrib.)
"Canonical" and "Essential" are two different concepts. If the OP wanted
to know which Prokofiev was considered canonical, that would have been
easy to look up.
I don't think it's essential to have ANY Prokofiev in your collection. If
you hear something you like, and it turns out to be by Prokofiev, buy it.
Otherwise, don't worry about it.
Norm Strong
This will be a minority view.
The Perlman/Ashekanzy version of this played a major part in my awakening to
classical music. I have probably listened to this work more times than any
other. Other favorite versions are Oistrakh/Richter, Grubert/Raekellio and
on LP only, Wilkomirska and Schein.
Anosov and Malko.
> "Norman M. Schwartz" <nm...@optonline.net> wrote in message
> news:Kusjf.17434$mM2....@fe09.lga...
>
>> Tower.com doesn't show any Prokofiev by Anosov.
>
> http://tinyurl.com/c9zrj
Anosov also, uh, "produced" some fine Prokofiev recordings, but at a
remove, if you get my point.
I didn't get it either. I decided to think about instead of just asking
right away, but I didn't come up with anything.
> "Matthew B. Tepper" <oy兀earthlink.net> wrote in message
> news:Xns971ED92C53...@207.217.125.201...
>> "Frank Berger" <frank.d...@dal.frb.org> appears to have caused the
>> following letters to be typed in news:11osp472oe11k29
@news.supernews.com:
>>
>>> "Norman M. Schwartz" <nm...@optonline.net> wrote in message
>>> news:Kusjf.17434$mM2....@fe09.lga...
>>>
>>>> Tower.com doesn't show any Prokofiev by Anosov.
>>>
>>> http://tinyurl.com/c9zrj
>>
>> Anosov also, uh, "produced" some fine Prokofiev recordings, but at a
>> remove, if you get my point.
>>
> I'd like to get your point. You insiders see and know things we peasants
> can't dig.
Anosov is the daddy of Rozhdestvensky.