On Sunday, November 8, 2020 at 4:52:27 AM UTC-5, Mandryka wrote:
> On Sunday, November 8, 2020 at 2:55:25 AM UTC, dk wrote:
> > On Sunday, November 8, 2020 at 8:54:01 AM UTC+8, Ricardo Jimenez wrote:
> > > On Sun, 08 Nov 2020 01:14:27 +0100, MELMOTH <
theo...@free.fr> wrote:
> > >
> > > >MELMOTH avait énoncé :
> > > >> will answer only in the presence of my lawyer... I don't want dk to hurt
> > > >> me...
> > > >
> > > >Go on, MELMOTH...Don't be such a coward...
> > > >
> > > >*Emil Gilels*...
> > > >*Solomon Cutner*...
> > > >*Maria Grinberg*...
> > > >*Eduardo Del Puyo*...
> > > >*Dino Ciani*...
> > > >*Walter Gieseking*...
> > > >
> > > >And so many others !...
> > >
> > > I just noticed there is a live performance of the Hammerlkavier by
> > > Lazar Berman on Spotify; haven't listened yet. I have always liked
> > > Ursula Oppens performance which is also on Spotify.
> > Berman's HK is actually very good.
> > Better in fact than all those listed
> > above.
> >
> > dk
> This is an absolutely terrible piece of music and anyone who likes it clearly has very bad judgement.
I’m in real trouble here - op. 106 has long been my favorite of the 32, and still is. Its a mega genius as mad scientist going nuts like Dr. Frankenstein. Especially in the fugue.
Peter Rosel is a straight shooter - very direct interpreter. I will look for this recording.