Recommendations other than Karajan will be highly appreciated.
Regards,
Wilfred
George Szell/Cleveland Orchestra on Sony Essential Classics. His Eroica &
5 will thrill, move, and amaze you beyond most other recordings.
Adam
--
Adam W. Grasso Dept. of Molecular Biology/Microbiology
aw...@po.cwru.edu Case Western Reserve University
Cleveland, OH USA School of Medicine
<Recommendations other than Karajan will be highly appreciated.
<Regards,
<Wilfred
For the Eroica, I like Szell with the Cleveland Orchestra on CBS Great
Performance label(I think you can get it cheaper on Essential Classics though),
the 1957 stereo sound is still excellent. For number 5 Kleiber with the VPO is
a no-brainer, so is Giulini with the LAPO, both on DG. You are welcome to check
out any of Toscannini's old recordings made in the late 30's and 40's with the
NBCSO. IMHO that is how Beethoven should be played.
>I have purchased a few recordings of Beethoven's Symphony 3 & 5. But I still do not find satisfactory.
>Can anyone make a suggestion to me?
>Recommendations other than Karajan will be highly appreciated.
>Regards,
>Wilfred
For No.3, I like Wllhelm Furtwaengler with Vienna Philharmonic on EMI.
For No.5, Carlos Kleiber (coupled with also excellent No.7)on DG Originals is
my favorite.
Sung Hoon Cho
> I have purchased a few recordings of Beethoven's Symphony 3 & 5.
> But I still do not find satisfactory.
> Can anyone make a suggestion to me?
I find most contemporary offerings somewhat lame, so I'd
like to recommend some historical recordings of the symphonies you
mentioned. Be daring and get one.
For the Eroica, the 1944 broadcast with Furtwaengler conducting
the VPO (available on Music & Arts and Preiser) is very intense and well
proportioned in its romanticism. His 1950's studio recording on EMI is
noble, but the environment seems to have toned down the spontaneity.
Nevertheless both are in very clear sound for their ages. I am also fond
of Weingartner's recording with the VPO from 1936 (on Preiser), with its
reactionary classicism. It has an elegant funeral march and scherzo and
overall I think much better of it than Toscanini's (in)famous live
account with the NBC Orchestra of three years later, whose own variety of
objectivism doesn't flatter this humanistic symphony (but does warrant a
Penguin Guide inclusion). In fact it gives me a headache.
For the Fifth, I do like Toscanini's 1933 broadcast (on Music &
Arts and Pearl) quite a bit, actually. This sounds more like the
Toscanini of legend (the good legend, that is), and in fact if one listened
to a lot of German-romantic interpretations of this symphony beforehand,
he or she might even be startled by it. It is slower than you would
expect, with extreme (almost Furtwaenglerian) variations in dynamics and
ruthless precision. One would think Toscanini's objectivism would not be
hampered by studio restrictions but here I think it would, and it is a
great document to have. On the other end of the spectrum, Furtwaengler's
performance from 1947 (on Music & Arts) upon his return to the BPO after
the war is wonderful, too. I especially like the way the scherzo
fades quietly and slowly into the background noise of the players and
audience, and is interrupted by a forceful duo of coughs in the buildup
to the finale, which then thunders and accelerates relentlessly to the end.
These I think you will find more interesting than the
unsatisfactory modern recordings that you write of.
Robert Prentiss
ifc...@ccwf.cc.utexas.edu
--
Steven Chung | 1L, Penn Law | sch...@dolphin.upenn.edu
>I have purchased a few recordings of Beethoven's Symphony 3 & 5. But I still do not find satisfactory.
>Can anyone make a suggestion to me?
>Recommendations other than Karajan will be highly appreciated.
>Regards,
>Wilfred
For the fifth I would highly recommend the 2 cd set just released by Phillips
titlted Szell The Early Years. It contains performances of Beethoven's 5th,
Sibelius 2nd, and Mozarts 34th along Mendelsohns incidental music to a
Midsummer Nights dream and Schuberts Rosamunde overture with Szell conducting
the Royal Concertgebouw. The remasteredsound is better than many digital
recordings I have and the Performances are at the top. This fifth is
currently my favorite along with the Furtwangler Berlin 1942 (on
Grammophono 2000) and the Karajan 1977. You should also give Otto
Klemperer's 1955 mono on EMI a try. Undoubtedly others will recommend the
1975 Kleiber and I would agree but it is not my favorite. I also find Charles
Munch Boston symphony recording of the 5th very enjoyable on RCA Papillion
label (avoid the newer remastered one by RCA on a bright red and white
label: the base was overloaded on my cd).
For the Beethoven 3rd try Klemperer's stereo version on EMI and Szell's on
Sony with the Cleveland orchestra. The Szell version has the most exciting
ending I've yet heard. Also Erich Kleiber's 1950 recording with the
Concertgebouw (Decca) and Furt. Vienna recording (EMI) are also very
enjoyable. I've heard that Erich Kleiber's 1955 recording with Vienna is
even better than the Concertgebouw version and I myself would like to hear
from others whether this is indeed so.
It also includes rehearsal for the 2nd movement: Funeral March. You can hear how Monteux creates the 2nd movement with the orchestr=
a. It might be fun to listen to.
No. 5 Erich Klieber/Koln Radiosymphony Orchestra / Seven Seas(?)
I usually like Carlos, but somehow for No.5, I prefer Erich to Carlos.
Happy listening,
Kimiko
: <Recommendations other than Karajan will be highly appreciated.
: <Regards,
: <Wilfred
: For the Eroica, I like Szell with the Cleveland Orchestra on CBS Great
: Performance label(I think you can get it cheaper on Essential Classics though),
: the 1957 stereo sound is still excellent. For number 5 Kleiber with the VPO is
: a no-brainer, so is Giulini with the LAPO, both on DG.
DG has just re-released the Kleiber 5 paired with 7 (should be hitting
the stores this month), so if you see the old issue of 5 on a CD by
itself, don't buy it - wait.
>DG has just re-released the Kleiber 5 paired with 7 (should be hitting
>the stores this month), so if you see the old issue of 5 on a CD by
>itself, don't buy it - wait.
Just picked up my copy at last [thanks DG for making us American saps
wait so long for the Originals series :-( ] and people might like to
know that IMHO the remastering job is a great success- _finally_ the
strings really sound like the Vienna Philharmonic! Listen to the man-
run don't walk. Now if they'd only refurbish Kleiber's Brahms 4 the
same way...
--
Opinions are mine alone; I never met a university with opinions!
Steve LaBonne ********************* (labo...@cnsunix.albany.edu)
"It can never be satisfied, the mind, never." - Wallace Stevens
>the stores this month), so if you see the old issue of 5 on a CD by
>itself, don't buy it - wait.
>
The reissued Kleiber 5 and 7, on mid-price DG Originals series, just
hit Houston this week. I listened to it and confirmed what I
remembered after several years: 5 isn't as great as people say, and 7
is damn good!!!
For me, I agree that the Szell Eroica is terrific. I would recommend
the Gardiner coupling of the 5th and Eroica on one full-price CD.
Really dynamite stuff!!
For me, the standard for the 5th symphony is the Reiner & Chicago Sym.,
despite overloaded/ugly sound at some climaxes. Can RCA clean this up?
Bill Atkerson
Kes Technologies Corp.
Houston, Texas
kes...@ix.netcom.com
>I have purchased a few recordings of Beethoven's Symphony 3 & 5. But I still do not find satisfactory.
>Can anyone make a suggestion to me?
>Recommendations other than Karajan will be highly appreciated.
Count me among the historicists. I like Furtwaengler's two recordings with
the Vienna PO for the Eroica. Furtwaengler's conception is full of tempo
shifts, a broad, heroic approach, and a unique orchestral sound, crackling
with electricity in a wartime performance from 1944 (Music & Arts, Bayer)
and surprisingly transparent in a 1950's studio recording (EMI).
Carlos Kleiber's VPO DG recording grabs the listener by the throat and
doesn't let go until the final bars die out. It's wonderful -- but not
as good as the even higher-voltage recording made by his father, Erich.
Concertgebouw Orchestra, last seen on London, and worth seeking out.
Recording is circa 1953, and coupled with a fine 6th.
--
/James C.S. Liu "There is always enough to go around -- enough
jl...@world.std.com to keep, enough to reward with, enough to be
Boston, Massachusetts stolen -- as long as you first get it all."
-- Anonymous
>For me, the standard for the 5th symphony is the Reiner & Chicago Sym.,
>despite overloaded/ugly sound at some climaxes. Can RCA clean this up?
>
>Bill Atkerson
>Kes Technologies Corp.
>Houston, Texas
>kes...@ix.netcom.com
There is also a fine Eroica with Reiner/CSO that I remember--actually
I think it was the first LvB #3 I listened to. If his #5 was recorded
at about the same time (ca. 1955), then that might be during a period
when RCA was recording at higher levels to minimize tape hiss, with
resultant distortion at climaxes. Don't know how "fixable" this is.
Bill H.
Martin Saperstein
Alan, your post reads like it was written by a slow 12 year old. Oh, and
BTW Alan, you're a twit.
Dave Cook
Even if you shy away from period performances, these are powerful! Worth a
listen.
John
>In article <4dvmle$8...@bull.hkstar.net> gs...@mail.hkstar.com writes:
>>Path: usenet.kornet.nm.kr!usenet.hana.nm.kr!usenet.seri.re.kr!news.dacom.co.kr!newsfeed.internetmci.com!in1.uu.net!bull.hkstar.net!usenet
>>From: gs...@mail.hkstar.com
>>Newsgroups: rec.music.classical.recordings
>>Subject: The best recording of Beethoven Symphony 3 & 5
>>Date: 22 Jan 1996 09:50:38 GMT
>>Organization: Hong Kong Star Internet LTD.
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>>Message-ID: <4dvmle$8...@bull.hkstar.net>
>>NNTP-Posting-Host: star36.hkstar.com
>>X-Newsreader: SPRY News 3.03 (SPRY, Inc.)
>>I have purchased a few recordings of Beethoven's Symphony 3 & 5. But I still do not find satisfactory.
>>Can anyone make a suggestion to me?
>>Recommendations other than Karajan will be highly appreciated.
>>Regards,
>>Wilfred
>For No.3, I like Wllhelm Furtwaengler with Vienna Philharmonic on EMI.
>For No.5, Carlos Kleiber (coupled with also excellent No.7)on DG Originals is
>my favorite.
>Sung Hoon Cho
Too bad you're omitting Karajan. The 3rd and 5th Symphonies (and 9th)
are the best from his cycles (especially the '63 one).
John Blair
If you think Klemp. was always slow, then try these recordings made with
arguably the greatest ever orchestra on absolute peak form.
Klemperer's stereo 1960 remake of the Eroica is also superb. Its a
weighty reading of stature, poetry and wisdom which still remains an
absolute favourite of mine despite Furtwaengler, Kleiber, E. Toscannini,
Beecham et al.
--------------------------------------------------------------------------------
Neil Tingley Furtwaengler FAQ from r.m.c.r contributers at:
ne...@music.demon.co.uk http://www.cityscape.co.uk/users/dw34/furt.html
Edinburgh, SCOTLAND * GG mailing list: f_m...@gandalf.rutgers.edu *
--------------------------------------------------------------------------------
In addition to the above list, I would suggest:
Eroica - Szell and Cleveland
Fifth - Chicago with Reiner (despite overloaded sound at times)
Together (3 + 5), the new Gardinger coupling is amazing, but some may
think it too hard-driven.
>I'm still astonished that so few people mention the EMI mono Klemperer
>recordings made in 1955 with the Philharmonia (not to be confused with
>the later Stereo cycle). These rank among the most individual and
>powerful accounts of these symphonies ever made, still sound excellent
>(thanks to Walter Legge) and must be heard.
>
Agreed!
>If you think Klemp. was always slow, then try these recordings made
with
>arguably the greatest ever orchestra on absolute peak form.
>
>Klemperer's stereo 1960 remake of the Eroica is also superb. Its a
>weighty reading of stature, poetry and wisdom which still remains an
>absolute favourite of mine despite Furtwaengler, Kleiber, E.
Toscannini,
>Beecham et al.
>
But Neil, you forgot to mention the performance that fuses the best
points of Klemp 1 and 2 and Furtwangler - Sir John Barbirolli/BBC
Symphony.
Dana
If anyone from EMI reads this - get cracking on re-releasing this
performance on CD - my old vinyl album is starting to sound a little
frayed!
The list was only meant to include my personal favourites, without meaning to
say that there were no alternatives.
Greetings
Salim
>Klemperer's stereo 1960 remake of the Eroica is also superb. Its a
>weighty reading of stature, poetry and wisdom which still remains an
>absolute favourite of mine despite Furtwaengler, Kleiber, E. Toscannini,
>Beecham et al.
>
>
Beecham??? I don't recall ever having seen, or heard about, a Beecham
Eroica.
Scott Richards
Due to the usual legal minefields and the BBC's miserly hoarding we'll
probabley never see this recording. Just think how many Proms
performances are in the vaults; and they have a complete Beecham Electra
with who ever was the major exponent of the title role at the time
(forgotten name).
Neil
Role on cable radio and all those endless "repeats" !
--------------------------------------------------------------------------------
Neil Tingley Furtwaengler FAQ from r.m.c.r contributers at:
ne...@music.demon.co.uk http://www.netlink.co.uk/users/music/furt.html
>Chang Wu Ji (rap...@mit.edu) wrote:
>: <I have purchased a few recordings of Beethoven's Symphony 3 & 5. But I still
>: do <not find satisfactory.
>: <Can anyone make a suggestion to me?
>: <Recommendations other than Karajan will be highly appreciated.
>: <Regards,
>: <Wilfred
>: For the Eroica, I like Szell with the Cleveland Orchestra on CBS Great
>: Performance label(I think you can get it cheaper on Essential Classics though),
>: the 1957 stereo sound is still excellent. For number 5 Kleiber with the VPO is
>: a no-brainer, so is Giulini with the LAPO, both on DG.
>DG has just re-released the Kleiber 5 paired with 7 (should be hitting
>the stores this month), so if you see the old issue of 5 on a CD by
>itself, don't buy it - wait.
Cleveland Orchestra under Szell-greatest of the 20th century-
Now there's a sentiment that's close to my heart! A bit of intentional
hyperbole, perhaps, but certainly not far from the mark.
Adam
--
Adam W. Grasso Dept. of Molecular Biology/Microbiology
aw...@po.cwru.edu Case Western Reserve University
Cleveland, OH USA School of Medicine
: > Cleveland Orchestra under Szell-greatest of the 20th century-
: Now there's a sentiment that's close to my heart! A bit of intentional
: hyperbole, perhaps, but certainly not far from the mark.
The most electrifying Eroica is Furtwaengler's 1944 VPO (Music & Arts,
Bayer da Capo).
Or you could take a look at:
http://www.camosun.bc.ca/~dbarker/beethoven.html
--
Deryk.
===========================================================================
|Deryk Barker, Computer Science Dept. | Across the pale parabola of Joy |
|Camosun College, Victoria, BC, Canada | |
|email: dba...@camosun.bc.ca | Ralston McTodd |
|phone: +1 604 370 4452 | (Songs of Squalor). |
===========================================================================