The Shaw is very hard to beat. I was glad to see that many netters think
so too. Sound and performance get a 10/10. John Aler (tenor) is just
sweet. If you do buy it, listen to his Sanctus and experience heaven.
The recording is fairly recent (mid 1980s), by the way.
The Requiem is on two Telarc CDs coupled with Verdi's Te Deum and Bioto
Mefisto.....(sp). It is medium priced at about $26 (at Tower).
----------------------------------
Sami de...@vivaldi.nl.nuwc.navy.mil
Ahem! You happened upon my specialty, as I wrote my M.A. thesis on the
performance practice of the Berlioz _Grande Messe des morts_. In the text
of my thesis, I compare and contrast 20 different recordings which were
available at that time (1983). Since that time, I have been buying more,
and my total now stands at 36 (!).
For my current "recommendation" list, I would optimally suggest that you
check out my World Wide Web site, the URL of which should appear below in my
sig file. As a précise of same, however, I shall give you my quick view
among the currently available performances:
Among the Best in Stereo:
Davis/LSO (Phillips)
Bernstein/ORTF etc. (Sony)
Munch/BSO (BMG, n/a in USA currently)
Historical Best:
Fournet (Columbia, rec. 1943 in occupied Paris, n/a)
Beecham (Hunt/Arkadia, 1959 mono live perf. Royal Albert Hall; magnificent)
Best on Video:
Davis/BavarianRSO (Pioneer)
Worth Waiting For (never released on CD, or at least not yet in USA):
Previn/LSO (EMI) (my pick for the best in digital!)
Munch/BavarianRSO (supposedly available here soon)
Avoid, Avoid:
Shaw (Telarc; lovely playing and singing, but NO IDEA WHAT THE MUSIC IS
ABOUT)
Barenboim (DGG; snoozefest)
Scherchen (Ades; slow as the dickens)
Please note that I go out of my way to antirecommend the Shaw, mostly
because it would appear to be an "obvious" choice and it is commonly
available, but also because I see it recommended so frequently. Really, one
can do much better and enter into HB's own special world through so many
other recordings. So this one is recorded spectacularly well; big deal! If
the "music" isn't there, what's the point?
--
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"A foolish consistency is the hobgoblin of little minds."
-- Ralph Waldo Emerson
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Matthew B. Tepper du...@deltanet.com am...@lafn.org CIS: 71031,2415
Check out my Berlioz page! http://www.deltanet.com/users/ducky/index.htm
*************************************************************************
There is on Sony a double CD with Requiem, conducted by Bernstein, and
Te Deum, with Barenboim. I don't know these recordings directly, but the
video versions done with the same forces of the CDs for both the works. The
Requiem is quite spectacular, Bernsteein gives brasses enough space to emerge,
and the most surprising features of this work (the great chords of the 16
timpani, the passages for flutes against trombones) don't fail to strike one's
ears. The Te Deum is equally majestic and impressive, although I have a very
limited acquaintance with this composition to give a really meditated opinion
on it.
--
Andrea Trave tr...@cibs.sns.it
************ *****************
URL http://sns.it/~trave/
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"...le plaisir delicieux et toujours nouveau d'une occupation inutile."
(Henry de Regnier, quoted by Ravel above the score of his "Valses nobles et
sentimentales")
>There is on Sony a double CD with Requiem, conducted by Bernstein, and
>Te Deum, with Barenboim. I don't know these recordings directly, but the
>video versions done with the same forces of the CDs for both the works. The
>Requiem is quite spectacular, Bernstein gives brasses enough space to
>emerge,and the most surprising features of this work (the great chords of
>the 16 timpani, the passages for flutes against trombones) don't fail to
>strike one's ears. The Te Deum is equally majestic and impressive, although
>I have a very limited acquaintance with this composition to give a really
>meditated opinion on it.
I should point out that Bernstein's recording of the Berlioz _Grande Messe
des morts_ was first issued on CD in Europe in the coupling you cite. The
present coupling (with "La mort de Cléopatre" among other shorter works) is
part of the "Royal Edition" (a large series devoted to Bernstein recordings
with covers taken from watercolors by the Prince of Wales [!]) issued in
Britain and the United States.
Whichever coupling one gets, it is a fine performance, and much more "in
tune" with the music than Shaw, Levine, Barenboim and Maazel (to name but a
few).
Fred Allen
I thought the new Ozawa was angelic and stress-free.
philll
Streess-free? That's not the point of the music. Oh these Prozac days....
bye,
Gary
You and Andrea are both right. Bernstein's recording has indeed been
issued twice on CD. The first issue coupled it with the Barenboim
recording of Berlioz' "Te Deum." Then, when Sony was putting together
the Bernstein Royal Edition (a set of ~100 CDs with cover art from
watercolors -- 'scuse me, watercolours -- by the Prince of Wales, they
recoupled it with other Bernstein Berlioz recordings, just as you state.
--
"A foolish consistency is the hobgoblin of little minds."
-- Ralph Waldo Emerson
Matthew B. Tepper am...@lafn.org du...@deltanet.com CIS: 71031,2415
Check out my Hector Berlioz page! http://www.deltanet.com/users/ducky/