On the morning of August 21, 1968, Warsaw Pact tanks rolled into Wenceslas
Square, in Prague, completing an overnight Soviet-led invasion of
Czechoslovakia. Alexander Dubček, the liberal-minded leader of the Czech
government, was detained and flown to Moscow. That evening, in London,
the U.S.S.R. State Symphony, under the direction of Yevgeny Svetlanov,
gave a concert at Royal Albert Hall, as part of the BBC Proms. Shouts of
protest were heard at the outset of each work on the program. Mstislav
Rostropovich, who was to leave the Soviet Union six years later, broke
into tears as he played Dvořák’s Cello Concerto, a landmark of Czech
music. The second half of the concert was given over to Shostakovich’s
Tenth Symphony, a monumental oration by the living titan of Soviet
composers. Noise from the audience carried over into the first bars of
the work; then silence fell. Fifty minutes later, a roar of applause
followed the frenzied final bars of the symphony.
Such scenes were fairly routine in classical music through most of the
twentieth century, as one country or another took its turn in the role of
arch-villain on the international stage. Today, the Russian invasion of
Ukraine has created a cultural panic of a kind that has not been seen in
generations.
...
As time passes, the artist’s private world merges with the worlds of its
listeners. It no longer belongs to one land or one time.
Full article:
https://www.newyorker.com/culture/cultural-comment/listening-to-russian-
music-in-putins-shadow
The mad Mafia boss in the Kremlin:
"They're now engaging in the cancel culture, even removing Tchaikovsky,
Shostakovich and Rachmaninov from posters. Russian writers and books are
now cancelled"
https://www.theguardian.com/world/2022/mar/25/putin-says-west-treating-
russian-culture-like-cancelled-jk-rowling
Chris