I've never heard Ansermet, but the Boulez/BBC SO recording is the finest
performance of the piece I ever hope to hear. It's certainly one of the
recordings in which Boulez is most "on." I also have Abbado/LSO but have never
heard Abbado/VPO. I remember the LSO recording being pretty good but haven't
listened to it in a while.
I can see that I haven't been very helpful.
-david gable
Schoenberg: Five Pieces for Orchestra, Op. 16 (1949 Revision).
Anton Webern: Five Pieces for Orchestra, Op. 10.
Alban Berg: Three Pieces for Orchestra, Op. 6.
Alban Berg: Lulu Suite.
Helga Pilarczyk, soprano. London Symphony Orchestra, Antal Dorati,
cond.
Mercury Living Presence 432 006-2. 1961-2.
Kal
I've got it, but I've got so many damned recordings of the Schoenberg and Berg
orchestral pieces I can't keep 'em straight.
-david gable
I hope Sony hasn't deleted this!!!!!!!!!!! I have seen a few Sony Boulez
edition items at Berkshire, but only stuff that was o/p and never this Berg
disc.
-david gable
There´s another recording I enjoy very much:
Karajan & Berliner Philharmoniker, Deutsche Grammophon/The Originals,
recorded 1973.
(together with Webern´s Passacaglia and Schoenberg´s Variations - a
brilliant CD in my opinion!)
regards
PH
What do you guys think of the Levine/Berlin Schoenberg/Berg/Webern disc?
As I recall, the Fanfare reviewer likened it to being on Saturn....
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
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I agree totally: Levine/Berlin is excellent. Actually my favorite
performance on the disc isn't the Berg (great as it is), but the
Webern Six Pieces for Orchestra, Op. 6, with perhaps the most dramatic
fourth movement I've ever heard.
But the Sony/Met disc is also marvelous (still priced in stores for
around $12 for some reason), and has Renée Fleming singing excerpts
from Lulu and Wozzeck. (I might be in the minority, liking her in
this repertoire.)
No doubt, Levine really has a knack for this music.
--Bruce
If you mentioned in rec.music.opera that you liked her, you might find
yourself in the minority. She appears to be despised there; but then, it's
a newsgroup where practically any unrelated thread can degenerate into a
Placido Domingo bashing session.
> No doubt, Levine really has a knack for this music.
Then that Saturn disc is recommendable?
Then that Saturn disc is recommendable? >>
I'm not sure what the Saturn connection is, but when I last compared versions
of the Berg 3 Pieces, the Levine/BPO proved to be my least favorite, maybe
nosing out Abbado. The recording is not bad, in part because the playing is
good and so is the engineering. But Boulez, Rosbaud, Maderna and Karajan (I'm
sure I'm forgetting someone else) seem to find more interesting things about
the rhythms, the orchestration, the dynamics, etc. There just seems to be more
dimensions to the music than found on that DG recording. Nonetheless, the DG
disc isn't all that bad--suave and assured. But if you want that, get the
Karajan.
--Jeff
As old and limited in sound the Rosbaud is, you can hear everything,
every flutter tongue, percussion (the softest even) and is _the_
reference recording for me.
I hope that, if the Boulez does arrive, the soundstage is not set up for
quad sound that
Sony was doing at the time.
The Fanfare reference was to Neptune, I believe. At least it always
sounded more like Neptune than Saturn to me. :-|
James Meckley